Here are 100 books that Sensorama fans have personally recommended if you like
Sensorama.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
Somehow, electrical impulses shoot through our brains to generate a surround sound, 3D-movie experience of the world. How on earth is this possible? When I was a college student, this question burrowed into my brain and wouldn’t get out. So I decided to make a living thinking about it. Now it’s 20 years later, I’m a philosophy professor at Yale-NUS College, and I still don’t know the answer!
Most things are ultimately explained by physics, but what if consciousness isn't? David Chalmers explores the idea that consciousness can't be explained in terms of bits of matter and energy scattered across spacetime; instead, consciousness is another basic part of the universe.
I’m impressed by how Chalmers’s arguments are extremely rigorous, but he also makes them accessible to ordinary people. It’s no surprise that this has become a classic of recent philosophy.
What is consciousness? How do physical processes in the brain give rise to the self-aware mind and to feelings as profoundly varied as love or hate, aesthetic pleasure or spiritual yearning?
David J. Chalmers unveils a major new theory of consciousness, one that rejects the prevailing reductionist trend of science, while offering provocative insights into the relationship between mind and brain. Writing in a thought-provoking style, Chalmers proposes that conscious experience must be understood as an irreducible entity similar to such physical properties as time, mass, and space that exists at a fundamental level and cannot be understood as the…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Somehow, electrical impulses shoot through our brains to generate a surround sound, 3D-movie experience of the world. How on earth is this possible? When I was a college student, this question burrowed into my brain and wouldn’t get out. So I decided to make a living thinking about it. Now it’s 20 years later, I’m a philosophy professor at Yale-NUS College, and I still don’t know the answer!
What if consciousness isn't explained from the bottom up by little bits of matter that assemble into our brains? What if consciousness is instead explained from the top down by the universe as a whole?
That's the guiding idea of Philip Goff's book, which examines consciousness through the lens of an exciting recent idea: that reality itself is an integrated whole. What impresses me most about this book are Goff’s insights about the nature of consciousness and our introspective access to it.
A core philosophical project is the attempt to uncover the fundamental nature of reality, the limited set of facts upon which all other facts depend. Perhaps the most popular theory of fundamental reality in contemporary analytic philosophy is physicalism, the view that the world is fundamentally physical in nature. The first half of this book argues that physicalist views cannot account for the evident reality of conscious experience, and hence that physicalism cannot be true. Unusually for an opponent of physicalism, Goff argues that there are big problems with the most well-known arguments against physicalism-Chalmers' zombie conceivability argument and Jackson's…
Somehow, electrical impulses shoot through our brains to generate a surround sound, 3D-movie experience of the world. How on earth is this possible? When I was a college student, this question burrowed into my brain and wouldn’t get out. So I decided to make a living thinking about it. Now it’s 20 years later, I’m a philosophy professor at Yale-NUS College, and I still don’t know the answer!
What if consciousness helps bestow meanings on our concepts and words? According to Angela Mendelovici, the word "tomato" ultimately gets its meaning from your conscious experiences of tomatoes—experiences of red, round things.
More generally, consciousness provides some very simple, concrete building blocks that we can use to assemble some very complex, abstract meanings. I found it fascinating how much Mendelovici was able to push these ideas.
Intentionality is the mind's ability to be "of," "about," or "directed" at things, or to "say" something. For example, a thought might "say" that grass is green or that Santa Claus is jolly, and a visual experience might be "of" a blue cup. While the existence of the phenomenon of intentionality is manifestly obvious, how exactly the mind gets to be "directed" at things, which may not even exist, is deeply mysterious and controversial.
It has been long assumed that the best way to explain intentionality is in terms of tracking relations, information, functional roles, and similar notions. This book…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
Somehow, electrical impulses shoot through our brains to generate a surround sound, 3D-movie experience of the world. How on earth is this possible? When I was a college student, this question burrowed into my brain and wouldn’t get out. So I decided to make a living thinking about it. Now it’s 20 years later, I’m a philosophy professor at Yale-NUS College, and I still don’t know the answer!
What if consciousness is the story our minds tell us about the world? Books are written in black ink but can tell stories about red roses. So maybe neurons in your brain can also tell you stories about red roses–maybe that’s what’s happening when you see a red rose.
Michael Tye explores this idea in an incredibly fruitful way, and the theory that he helped to develop, representationalism, is a juggernaut in the contemporary philosophy of perception.
Can neurophysiology ever reveal to us what it is like to smell a skunk or to experience pain? In what does the feeling of happiness consist? How is it that changes in the white and gray matter composing our brains generate subjective sensations and feelings? These are several of the questions that Michael Tye addresses, while formulating a new and enlightening theory about the phenomenal "what it feels like" aspect of consciousness. The test of any such theory, according to Tye, lies in how well it handles ten critical problems of consciousness. Tye argues that all experiences and all feelings…
I have time, save time, spend time, waste time, write, and teach time. I am fascinated with the question of time both as a cosmological phenomenon and as an aspect that is inseparable from our existence. I channeled this fascination into a PhD dissertation, books, and articles examining the relationship between time and human existence. But like Saint Augustine, I am still baffled by the question of time and like him: "If no one asks me, I know what it is. If I wish to explain it …, I do not know."
It is in Bergson's Time and Free Will that I first encountered an inspiring way to think of time. A way of thinking about time that does not focus on the time of clocks and calendars; that does not emphasize the physical homogeneous aspect of time, but rather reveals the relation between time and human existence. This book opened up not only an entirely new way of thinking about time, but a new way of approaching life: instead of focusing on the spatial, static, exterior, homogeneous milestones of life, I rather focus on the temporal, fleeting, inner, heterogeneous qualities of my life. Bergson writes in a relatively clear style, and his texts are accessible also for the interested layperson.
Internationally known and one of the most influential philosophers of his day (and for a time almost a cult figure in France, where his lectures drew huge crowds), Henri Bergson (1859-41) led a revolution in philosophical thought by rejecting traditional conceptual and abstract methods, and arguing that the intuition is deeper than the intellect. His speculations, especially about the nature of time, had a profound influence on many other philosophers, as well as on poets and novelists; they are said to have been the seed for À la recherce de temps perdu by Marcel Proust (whose cousin was Bergson's wife).…
I love middle-grade books (for eight to twelve-year-olds), which is why I write in that genre. My Summer of L.U.C.K. trilogy is sprinkled with magical adventures, but each one has real-life kids struggling with real-life problems and finding real-world solutions. I believe that books whose characters experience magical elements along with themes of friendship, perseverance, and self-acceptance will help them learn, as I did when I was a young reader, that whatever troubles they're experiencing, other kids have those troubles too, that they're not alone, and that help is possible.
This book by Jane Langton, which inspired me to write my own books, is another one of my all-time favorite magical middle-grade books. Written in the 1960s and set in Concord, Massachusetts, it drew me in right away when siblings Eleanor and Eddie discover a magic attic room with a roadmap to treasure that might just save their remarkable old home.
My favorite chapters deal with the self-acceptance that helps Eleanor choose wisely for her future (The Gift of the Mirror) and Eddie’s discovery of the importance of helping others (The Chambered Nautilus).
The Halls' house stood out like an exotic plant amidst all the neat, square houses in Concord. It had porches, domes and towers and a tiny window in the attic whose raised center pane shone out like a brilliant diamond.
There had been jewels once in the house, the gift of an Indian prince to two children, Ned and Nora. The prince had devised ingenious games so that the hidden jewels could be found. And then, suddenly, mysteriously the children and then Prince Krishna disappeared...
Years later, Eleanor and Eddy, niece and nephew of the lost…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I have been blessed (or cursed) with a vivid imagination since childhood. Add to that the fact that my first three years were spent on a farm in Maine with nobody around but my mother and my sister, and I grew into a person who is happy alone and making up stories. After my family moved to California, I went to school with all colors, races, and religions and my sense of inclusiveness is abundant. Most of my stories deal with unfairness imposed upon humans by other humans. Nearly all of my books are funny, too, even when I don’t mean them to be. Absurdity is my pal.
This book taught me to love reading when I was in the third grade. Jane, Mark, Katharine, and Martha are suffering the summertime-boredom blues when they find a grimy old coin.
By accident they discover the coin is magic; however, it’s so old it only works part-way. The adventures they have while trying to figure out what’s going on are charming and hysterical. I always laugh when the cat tries to halfway express itself because the children forgot to double the wish they wished.
Anyone with a sense of humor, adventure, and who misses (or missed) the delights of childhood should read this book. It was published in the 1950s, is set in the 1920s, and is still in print! That’s the hallmark of an excellent book.
Book one in the series called "truly magic in a reader's hands" by Jack Gantos, Newbery Medal winner for Dead End in Norvelt.
It all begins with a strange coin on a sun-warmed sidewalk. Jane finds the coin, and because she and her siblings are having the worst, most dreadfully boring summer ever, she idly wishes something exciting would happen.
And something does: Her wish is granted. Or not quite. Only half of her wish comes true. It turns out the coin grants wishes—but only by half, so that you must wish for twice as much as you want.
Growing up I devoured science-fiction and spy stories by the boatload—the only person I wanted to be more than James Bond was probably Han Solo. Of course, I couldn’t really become either of them, but I always knew the next best thing would be telling stories about those kinds of characters. Ultimately, I couldn’t decide whether to focus on space adventures or spies, so the only real answer was to smash those two genres together. Five years and four novels later, the world of the Galactic Cold War is humming along quite nicely. But I’m still always on the lookout for the next great sci-fi spy novel.
I love a good space opera, and John Scalzi’s second to none in that department. In some ways, this book (and the two that follow it in The Interdependency series) remind me of the original Foundation, as an immense space empire under a new and untried leader struggles to come to terms with an imminent catastrophe that could bring it to its knees. I personally found the foul-mouthed and irreverent Lady Kiva Lagos a particular delight, as a force of nature that bulls her way through any obstacle.
The Collapsing Empire is an exciting space opera from John Scalzi, the first in the award-winning Interdependency series.
Does the biggest threat lie within?
In the far future, humanity has left Earth to create a glorious empire. Now this interstellar network of worlds faces disaster - but can three individuals save their people?
The empire's outposts are utterly dependent on each other for resources, a safeguard against war, and a way its rulers can exert control. This relies on extra-dimensional pathways between the stars, connecting worlds. But 'The Flow' is changing course, which could plunge every colony into fatal isolation.…
I’m an urban designer, author, and host of The Life-Sized City urbanism series - as well as its podcast and YouTube channel. I’ve worked in over 100 cities, trying to improve urban life and bring back bikes as transport. I came at this career out of left field and am happily unburdened by the baggage of academia. I've famously refrained from reading most of the (probably excellent) books venerated by the urbanism tribe, in order to keep my own urban thinking clear and pure. My expertise stems instead from human observation and I find far more inspiration in photography, literature, cinema, science, and especially talking to and working with the true experts: the citizens.
I’ve tried to explain this book to people for years, with varying degrees of success. It’s odd considering I’ve read it ten times. Bachelard was a philosopher but this is a work of deeply-rooted poetry. It’s not really philosophy or analysis, this book. It’s more of a seductive, lyrical invitation inside Bachelard’s dreamy, passionate imagination.
It explores the concept of “home” and the distinctions of inside and outside. It has nothing to do with cities or urbanism at first glance, but the second time I read it I tried to superimpose it onto the urban context. The idea of a city as a home - a notion that the Nobel Prize laureate for literature, Johannes V. Jensen, planted in my head in his 1934 novel Gudrun. I still have trouble explaining how, but this book is the seed for many of my thoughts and philosophies about space and cities.
Beloved and contemplated by philosophers, architects, writers, and literary theorists alike, Bachelard's lyrical, landmark work examines the places in which we place our conscious and unconscious thoughts and guides us through a stream of cerebral meditations on poetry, art, and the blooming of consciousness itself.
Houses and rooms; cellars and attics; drawers, chests and wardrobes; nests and shells; nooks and corners: no space is too vast or too small to be filled by our thoughts and our reveries.
With an introduction by acclaimed philosopher Richard Kearney and a foreword by author Mark Z. Danielewski.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I write adventure and mystery stories for children aged 9 - 13, involving battles with mythical creatures, dangerous pacts with demons, and other supernatural chills. My first book, Ante’s Inferno, won the People’s Book Prize and a Silver Wishing Shelf Award. For The Fall of a Sparrow, I drew on my love of ghost stories, not just for their scariness but also for their emotional complexity: ghosts don’t haunt just for the sake of it. They need something only the main character can give. Friendship, perhaps, a companion in their loneliness… or something much darker. Here’s my choice of classic stories in which ghosts pursue a wide – and sometimes terrifying – variety of agendas.
Even now, I can’t read this without getting goosebumps. No other writer matches L. M. Boston for creating an enchanting, intriguing atmosphere that leads the reader, along with the story’s main character, 7-year-old Tolly, to feel the ghost children long before they appear. When they do, the combination they bring of joy, playful behaviour, and wistfulness – there is a reason, after all, that they are all ghosts together – goes straight to the heart.
L. M. Boston's thrilling and chilling tales of Green Knowe, a haunted manor deep in an overgrown garden in the English countryside, have been entertaining readers for half a century. Now the children of Green Knowe--both alive and ghostly--are back in appealing new editions. The spooky original illustrations have been retained, but dramatic new cover art by Brett Helquist (illustrator of A Series of Unfortunate Events) gives the books a fresh, timeless appeal for today's readers.
