100 Books Like Sensorama

Most things are ultimately explained by physics, but what if consciousness isn't? David Chalmers explores the idea that consciousness can't be explained in terms of bits of matter and energy scattered across spacetime; instead, consciousness is another basic part of the universe.

I’m impressed by how Chalmers’s arguments are extremely rigorous, but he also makes them accessible to ordinary people. It’s no surprise that this has become a classic of recent philosophy.

What if consciousness isn't explained from the bottom up by little bits of matter that assemble into our brains? What if consciousness is instead explained from the top down by the universe as a whole?

That's the guiding idea of Philip Goff's book, which examines consciousness through the lens of an exciting recent idea: that reality itself is an integrated whole. What impresses me most about this book are Goff’s insights about the nature of consciousness and our introspective access to it.

What if consciousness helps bestow meanings on our concepts and words? According to Angela Mendelovici, the word "tomato" ultimately gets its meaning from your conscious experiences of tomatoes—experiences of red, round things.

More generally, consciousness provides some very simple, concrete building blocks that we can use to assemble some very complex, abstract meanings. I found it fascinating how much Mendelovici was able to push these ideas.

What if consciousness is the story our minds tell us about the world? Books are written in black ink but can tell stories about red roses. So maybe neurons in your brain can also tell you stories about red roses–maybe that’s what’s happening when you see a red rose.

Michael Tye explores this idea in an incredibly fruitful way, and the theory that he helped to develop, representationalism, is a juggernaut in the contemporary philosophy of perception. 

It is in Bergson's Time and Free Will that I first encountered an inspiring way to think of time. A way of thinking about time that does not focus on the time of clocks and calendars; that does not emphasize the physical homogeneous aspect of time, but rather reveals the relation between time and human existence. This book opened up not only an entirely new way of thinking about time, but a new way of approaching life: instead of focusing on the spatial, static, exterior, homogeneous milestones of life, I rather focus on the temporal, fleeting, inner, heterogeneous qualities of my life. Bergson writes in a relatively clear style, and his texts are accessible also for the interested layperson.

Silliness is one of my favorite things, and it doesn’t get much sillier than when a run-of-the-mill trip to buy milk turns into a madcap adventure.

There are dinosaurs! And pirates! And aliens! This book is a delightful escape, and Skottie Young’s illustration perfectly capture the romp of it all.

I loved this book for its sparkling, eloquent prose. As a young writer, I strove to emulate the author. The book’s engaging, often novelistic, narrative tells the tale of how we came to understand and accept that our planet moves, that the universe is very old and very large, and began with a Big Bang.

The characters—Galileo, Newton, and Einstein—come to life as real people struggling to understand. Their bewilderment at our strange cosmic home pulled me into the story. The unwelcome realizations reveal the power of science to force us to abandon our cherished notions of how we wish the world to be—to “Come of Age in the Milky Way.”

Although this is a non-fiction book, I included it in my choices because it was a contributing factor in enabling me to understand time and time-travel from a scientific perspective.

I enjoyed Davies's opening historical vignettes, which introduced the theoretical and actual facts scientists have accumulated over the centuries concerning the mystery of time.  

This book is great because it turns a familiar and often tedious experience—road trips—into a whimsical and engaging adventure. Santat's dynamic illustrations and clever storytelling capture the excitement and restlessness of a long journey while also offering a fun, imaginative twist.

The book transforms the mundane into something magical, showcasing the joy of the journey itself rather than just the destination. Its vibrant artwork and playful narrative make it a delightful read that resonates with both children and adults, reminding us that the journey can be as rewarding as the destination.

This book features Princess Ying Yue, a character who defies numerous conventions, including traditional gender norms and the expectation that royalty must prioritize duty over love. I adored the complex dynamic between Ying and her two princes; I really couldn’t predict which direction the love triangle would go from the outset. There were so many twists and turns, but everything came together in a satisfying end.

This book was so creepy, eerie, and unsettling, yet beautifully written and carefully crafted with a rare elegance. The worldbuilding completely enamored me, and the creepy Mirror World is something that I’ll be thinking about for a long time.