100 Books Like Are We There Yet?

I’m Rashin Kheiriyeh, born in Iran to a mother who was an artist. From a young age, I adored picture books and spent hours doodling and crafting stories for my paintings. This early passion for art and storytelling drives me to explore themes of nature, change, and emotional connections in my work. With around 100 children’s books published globally, I draw on personal experiences and cultural heritage to create engaging, meaningful stories. My expertise in illustrating and writing allows me to connect with readers through vivid imagery and heartfelt narratives, making me especially attuned to themes of hope and transformation in literature.

I’m Rashin Kheiriyeh, born in Iran to a mother who was an artist. From a young age, I adored picture books and spent hours doodling and crafting stories for my paintings. This early passion for art and storytelling drives me to explore themes of nature, change, and emotional connections in my work. With around 100 children’s books published globally, I draw on personal experiences and cultural heritage to create engaging, meaningful stories. My expertise in illustrating and writing allows me to connect with readers through vivid imagery and heartfelt narratives, making me especially attuned to themes of hope and transformation in literature.

I’m Rashin Kheiriyeh, born in Iran to a mother who was an artist. From a young age, I adored picture books and spent hours doodling and crafting stories for my paintings. This early passion for art and storytelling drives me to explore themes of nature, change, and emotional connections in my work. With around 100 children’s books published globally, I draw on personal experiences and cultural heritage to create engaging, meaningful stories. My expertise in illustrating and writing allows me to connect with readers through vivid imagery and heartfelt narratives, making me especially attuned to themes of hope and transformation in literature.

I’m Rashin Kheiriyeh, born in Iran to a mother who was an artist. From a young age, I adored picture books and spent hours doodling and crafting stories for my paintings. This early passion for art and storytelling drives me to explore themes of nature, change, and emotional connections in my work. With around 100 children’s books published globally, I draw on personal experiences and cultural heritage to create engaging, meaningful stories. My expertise in illustrating and writing allows me to connect with readers through vivid imagery and heartfelt narratives, making me especially attuned to themes of hope and transformation in literature.

I am a professor of philosophy at Wake Forest University, with a Ph.D. in philosophy from the University of Massachusetts at Amherst. I teach courses in the philosophy of space and time, the history of philosophy, and the philosophy of science. In addition to several authored and edited books on the philosophy of time, I have published many scholarly articles on time, perception, knowledge, and the history of the philosophy of time. I have always been attracted to the philosophy of time because time is quite simply at the root of everything: through the study of time we confront and illuminate the deepest possible questions both as to the nature of the physical world and as to the nature of human existence.

I write adventure and mystery stories for children aged 9 - 13, involving battles with mythical creatures, dangerous pacts with demons, and other supernatural chills. My first book, Ante’s Inferno, won the People’s Book Prize and a Silver Wishing Shelf Award. For The Fall of a Sparrow, I drew on my love of ghost stories, not just for their scariness but also for their emotional complexity: ghosts don’t haunt just for the sake of it. They need something only the main character can give. Friendship, perhaps, a companion in their loneliness… or something much darker. Here’s my choice of classic stories in which ghosts pursue a wide – and sometimes terrifying – variety of agendas.

I am a philosopher of science who has an obsession with time. People think this interest is a case of patronymic destiny, that it’s due to my last name being Callender. But the origins of “Callender” have nothing to do with time. Instead, I’m fascinated by time because it is one of the last fundamental mysteries, right up there with consciousness. Like consciousness, time is connected to our place in the universe (our sense of freedom, identity, meaning). Yet we don’t really understand it because there remains a gulf between our experience of time and the science of time. Saint Augustine really put his finger on the problem in the fifth century when he pointed out that it is both the most familiar and unfamiliar thing.

I’m a Jamaican and Korean American author of young adult romance, and when crafting my stories, I love to create characters who go against the expectations thrust upon them, whether they’re based on race, ethnicity, sex, gender, sexuality, ability, etc. As a woman, as someone with multiple ethnic identities, as someone who isn’t neurotypical, and someone who doesn’t subscribe to the norms of gender and sexuality, navigating intersectionality has been a large part of my life and, therefore, my work. Rules should be broken when they're the ones telling us we can’t do something based on who we are.

I am a professor of humanities at Johns Hopkins and have spent my career thinking, teaching, and writing about the relations between literature, philosophy, and science. Many years ago I started out thinking I would be a scientist, but then got pulled into literature and philosophy. Still, that original passion never left me. As I studied and read the great authors and thinkers from Classical Antiquity through the Middle Ages to the modern era, the big, fundamental questions of our place in the universe and the ultimate nature of reality seemed as pertinent to poets and philosophers as it is to physicists and cosmologists. 

Growing up I devoured science-fiction and spy stories by the boatload—the only person I wanted to be more than James Bond was probably Han Solo. Of course, I couldn’t really become either of them, but I always knew the next best thing would be telling stories about those kinds of characters. Ultimately, I couldn’t decide whether to focus on space adventures or spies, so the only real answer was to smash those two genres together. Five years and four novels later, the world of the Galactic Cold War is humming along quite nicely. But I’m still always on the lookout for the next great sci-fi spy novel.