Books like Jet Black and the Ninja Wind — picked by fans

What a weird and wonderful book. I've read and reread it several times now, and it always casts its spell. I've never been so willing—so eager—to suspend disbelief. It's Murakami's special gift.

The novel creates its own wondrous world out of what seems to be the stuff of this one—a young runaway, Colonel Sanders, alley cats, a beautiful librarian, a seashore painting, a demented old man—but the result is more magical than any fairy kingdom. I was completely carried along by the experience of an understanding beyond sense.

While this urban fantasy series isn’t Japanese per se, it’s full of realistic martial arts action. I love this series because of the unique mixture of concepts, and the well-imagined and likeable characters, even the bad guys. Jane Yellowrock is a shotgun-toting, motorbike riding, kick ass woman. She’s also a Cherokee Skinwalker (shapeshifter) and a security professional who works for vampire organizations to hunt down and kill their rogues; those who can't control themselves from biting humans. The books are set in modern New Orleans, which is quite an interesting location for me. I just don’t think you can get a better or weirder combination of ideas: Cherokee mythology and vampires. It may sound like a weird concept, but there are 13 books in the series. It works. 

This is a book for Japanese martial arts lovers like me. Every fight is described in realistic detail so I can ‘see’ every fighting technique. Emily is a half-Japanese teenager whose American father is ex-military and trying to hide his family from some mysterious threat. Of course, Emily is taught a bunch of special skills in case she ever needs them, such as various martial arts and bushcraft. Unlike other books like this, I find her training feels natural. She learned martial arts at a local dojo and her days in the woods with her dad were ‘camping,’ not obvious paramilitary training, so when she started fighting back, it felt right to me. This isn’t a true urban fantasy novel, but there’s enough intrigue and strange events that it seems imaginary. 

When I watched Blood: The Last Vampire, a Japanese horror film based on manga by Mamoru Oshii, I was hooked. I discovered Saya, and manga. Saya is a fierce and beautiful vampire killer who wears a modest Japanese school uniform while hunting. The vampires mostly look like normal people. Some are scared and run, others fight back. Either way, they die. I liked the contradicting image of the innocent-looking schoolgirl who is a ferocious killer, but the story was also thought-provoking. When Saya makes a mistake and kills an innocent person, it showed a dilemma most ‘hero’ stories don’t address. Are we either completely good or always evil? Saya is the inspiration for Shoko, the lead character in my novels, and she struggles with this. Can you serve the gods and also be a killer?

The novel One Left begins when the elderly protagonist hears a TV report on the last surviving Korean “comfort woman.” She is in fact also a comfort station survivor, one who has remained silent and hence unknown to the public. At the age of thirteen, she was kidnapped into a Japanese military comfort station in northeast China. The protagonist's thoughts flash back and forth between her present-day life and the wartime horrors, the details of which are drawn from  real survivors’ testimonies. “Fifteen men a day was normal,” she recalls, “but on Sunday fifty men or more might come and go from a girl.” “If a girl got pregnant, her uterus was removed fetus and all as a preventive measure.” It is a difficult read, but necessary, moving, and profound. 

I love how the central theme of this fantasy book is morality. Though her family has always used their magical gift of dream walking to cause pain and death, Selene wants to break free of this cycle. All she’s ever known is the sinister deity The Dark Lady, but she starts to wonder if there might be a higher power at work. When she encounters the personification of a person’s soul in a dreamscape that is pure and luminous, she finds that she desperately desires that light in her own life. It is a powerful metaphor of a person who has received the Holy Spirit versus those still wandering in darkness. It is a story of hope amidst hopelessness. 

Three Assassins almost feels like the movie Bullet Train with Brad Pitt.

It’s a series of seemingly unrelated events that connect a network of assassins together and pit them against one another, knowingly or unknowingly. The novel itself is less about the action and pace and unfurls like a twisted puzzle, making every piece lean into a seemingly surreal universe.

We see all the characters, good and bad, their flaws, good and bad, and the ones we can stand up for, good and bad. “All the knowledge and science that human beings have, it only helps humans.” But even when we’re cheering, I didn’t necessarily know what to believe until I reached the end. Even then, I walked away holding doubts and a smile. 

This is one of the best books in Eisler’s John Rain series, featuring half-American, half-Japanese assassin and Vietnam veteran John Rain.

Eisler himself was a covert operative with the CIA’s Directorate of Operations, and his descriptions of fieldcraft, surveillance, torture, and killing techniques all ring so true, as does his extensive knowledge of modern Japan.

Tokyo is, of course, a fascinating playground for Rain’s adventures. Eisler’s books and unputdownable, and well worth discovering.

When it comes to Constance Greene, I hardly know where to begin.

She’s certainly the oldest and most deadly character in fiction writing today. I say she’s the oldest because she’s trapped in the body of a thirty-something-year-old woman even though she was born in 1873, long story.

She appears as a supporting character in multiple novels, as the love interest of Detective Aloysius Pendergast, but she is so much more than that. She’s eloquent, brilliant, and does not succumb to emotional distress under any threat of death.

In Blue Labyrinth, eight highly trained mercenaries pursue her and none of them live to tell the tale. At her most ruthless, she can kill with any tool at her disposal and she is loyal to the man she loves.

This riveting whodunit captures the tension between native and naturalized citizens, something I’m familiar with. A Moroccan American man is killed in a hit-and-run in a small desert town in California. His daughter Nora returns home to the Mojave, determined to find the killer. The story is told through multiple voices, some of them immigrants: Nora’s mom, who still dreams of her old life in Casablanca; an undocumented man who witnessed the incident but is afraid to come forward; and the victim himself in the days before dying, when his future looked bright. The secrets Nora discovers about her family and her town, heartbreaking as they are, help her find love and also a sense of home that immigrants like me spend our entire lives trying to reach.