Here are 100 books that This Is Shyness fans have personally recommended if you like
This Is Shyness.
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I’m Australian and there’s a big place in my heart for Australian-set stories. I read mostly for escapism, but there’s a deeper connection with tales from my own backyard. I’ve also always loved speculative fiction – everything from epic and paranormal fantasy to space opera and dystopian thrillers – and I’m excited when my favourite genres and setting come together. My day job is in local government. I’ve seen how government decisions can impact the trajectory of a society, and I’m particularly drawn to stories that explore that theme. I’m the author of five speculative fiction novels with Australian settings: the four novels in The Rephaim series (supernatural fantasy) and The Undercurrent (slightly futuristic/pre-apocalyptic).
It’s a dystopian YA novel where the Australian landscape is beautifully rendered in all its glory and danger. It’s also a tightly written and intense page turner, when even quiet moments are infused with a sense of menace.
It has echoes of Cormac McCarthy’s The Road, although this book is unmistakably Australian - right down to speculation around where our nation’s attitude to asylum seeks may lead us. It’s not as bleak as The Road (a book I admire), but Mark reminds us how easily our veneer of society could slip away in the wake of a catastrophic, world-changing event.
I did worry for Finn’s dog as much as for Finn himself. (I’m still scarred by The Knife of Never Letting Go. This has parallels to that nail-biting novel, too.)
Since a deadly virus and the violence that followed wiped out his parents and most of his community, Finn has lived alone on the rugged coast with only his dog Rowdy for company.
He has stayed alive for two winters—hunting and fishing and trading food, and keeping out of sight of the Wilders, an armed and dangerous gang that controls the north, led by a ruthless man named Ramage.
But Finn’s isolation is shattered when a girl runs onto the beach. Rose is a Siley—an asylum seeker—and she has escaped from Ramage, who had enslaved her and her younger sister,…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’m Australian and there’s a big place in my heart for Australian-set stories. I read mostly for escapism, but there’s a deeper connection with tales from my own backyard. I’ve also always loved speculative fiction – everything from epic and paranormal fantasy to space opera and dystopian thrillers – and I’m excited when my favourite genres and setting come together. My day job is in local government. I’ve seen how government decisions can impact the trajectory of a society, and I’m particularly drawn to stories that explore that theme. I’m the author of five speculative fiction novels with Australian settings: the four novels in The Rephaim series (supernatural fantasy) and The Undercurrent (slightly futuristic/pre-apocalyptic).
I cried at the end of this brilliantly crafted novel about the futility of war.
It shows how an unnamed society might respond to ongoing conflict. Both sides have de-humanised the other; both are committed to revenge and retribution for the daily tragedies; and groups on both sides believe there can’t be peace without the total subjugation of the other.
I really appreciate how Nik’s worldview is shaken – and ultimately widened – when he crosses into enemy territory to find a captured friend. This story is a lesson in how peace can never come without justice, or empathy, told through great characters, gripping plot, and nail-biting tension.
(I imagine the unspecified city as being in Australia/New Zealand – the author is from NZ.)
The City is divided. The bridges gated. In Southside, the hostiles live in squalor and desperation, waiting for a chance to overrun the residents of Cityside.
Nik is still in high school but is destined for a great career with the Internal Security and Intelligence Services, the brains behind the war. But when ISIS comes recruiting, everyone is shocked when he isn't chosen. There must be an explanation, but no one will talk about it. Then the school is bombed and the hostiles take the bridges. Buildings are burning, kids are dead, and the hostiles have kidnapped Sol. Now…
I’m Australian and there’s a big place in my heart for Australian-set stories. I read mostly for escapism, but there’s a deeper connection with tales from my own backyard. I’ve also always loved speculative fiction – everything from epic and paranormal fantasy to space opera and dystopian thrillers – and I’m excited when my favourite genres and setting come together. My day job is in local government. I’ve seen how government decisions can impact the trajectory of a society, and I’m particularly drawn to stories that explore that theme. I’m the author of five speculative fiction novels with Australian settings: the four novels in The Rephaim series (supernatural fantasy) and The Undercurrent (slightly futuristic/pre-apocalyptic).
This book equally moved and unnerved me because its premise is all too possible. It’s a brilliantly written end-of-the-world story with an understated sense of menace and an unmistakable Australian flavour.
The novel offers an intimate and fascinating first-person view of what happens to a ‘normal’ neighbourhood when life as we know it irrevocably changes – in this case through a nuclear winter. Often, apocalyptic/dystopian stories skim over the transition from order to chaos/social breakdown, and Claire handles it in a way that’s unsettling by its understatement.
I cared deeply about these characters. And while this novel is gritty, it’s also a story of hope and what it means to survive.
This haunting dystopian novel thrillingly and realistically looks at a nuclear winter from an Australian perspective.
For Fin it’s just like any other day—racing for the school bus, bluffing his way through class, and trying to remain cool in front of the most sophisticated girl in his universe. Only it’s not like any other day because, on the other side of the world, nuclear missiles are being detonated. When Fin wakes up the next morning, it’s dark, bitterly cold, and snow is falling. There’s no internet, no phone, no TV, no power, and no parents. Nothing Fin’s learned in school…
The Everlasting Life of Charlie Wall
by
Paul Wilborn,
It’s 1985, and Ronald Armstrong, known in the magic mushroom trade as “Trip,” takes a “sober” job as a driver for a retired Tampa mobster. His boss, Charlie Wall, has survived four attempts on his life, the last one in 1955. When Charlie falls into depression, Trip rebuilds his boss’…
I’m Australian and there’s a big place in my heart for Australian-set stories. I read mostly for escapism, but there’s a deeper connection with tales from my own backyard. I’ve also always loved speculative fiction – everything from epic and paranormal fantasy to space opera and dystopian thrillers – and I’m excited when my favourite genres and setting come together. My day job is in local government. I’ve seen how government decisions can impact the trajectory of a society, and I’m particularly drawn to stories that explore that theme. I’m the author of five speculative fiction novels with Australian settings: the four novels in The Rephaim series (supernatural fantasy) and The Undercurrent (slightly futuristic/pre-apocalyptic).
I knew from the blurb this was going to be my kind of book. I really loved the post-apocalyptic Australian setting and the way the desert wasteland society is structured. The concept of dirt farmers is particularly genius.
As well as the excellent world building, there’s page-turning action, an epic zombie battle, and a clever setup for the next installment. This is the first in The Territory trilogy, which follows the increasingly important role of Squid and Lyn, two teenagers caught up in a battle against ghouls and who learn secrets about themselves and their society as they trek across the Outback.
Stranded in the desert, the last of mankind is kept safe by a large border fence ... Until the fence falls.
Squid is a young orphan living under the oppressive rule of his uncle in the outskirts of the Territory. Lynn is a headstrong girl with an influential father who has spent her entire life within the walled city of Alice.
When the border fence is breached, the Territory is invaded by the largest horde of undead ghouls seen in two hundred years. Squid is soon conscripted into the Diggers-the armed forces of the Territory. And after Lynn…
I have always been drawn to YA novels – big feelings conveyed across shorter word counts, intense experiences, other worlds, characters finding their way in the world. For a long time in these books and across a range of genres, women and girls could only hope to be on the sidelines of these big stories. They were the maiden in the tower, the prospective bride or love interest of the hero. We’re incredibly lucky to live in a time where a wide range of female experiences can be found in our YA books, and these are always stories I seek to read and to tell.
This amazing Australian YA weaves such a delicate web. A quiet, introverted dystopia, and at its heart is the wonderful Hayley. Hayley is such an interesting female protagonist here not because she is deadly or combative, but because of her incredible perseverance and curiosity. Hive is the first in a truly compelling duology.
I got interested in the theme of a post-apocalyptic, dystopian world after hearing years of doomsday predictions, most of which never came true or were far from catastrophic. I wondered what some real threats to our way of life are and in 2015, started writing a novel, Defenders of Holt, about what a dystopian future might look like. After that book, I wanted to write about the events that led up to that dystopian world and settled on a coronal mass ejection (CME) as the apocalyptic event in the Teenage Survivalist series. I did many hours of research to back up my stories to make them as realistic as possible.
In this 2014 Next Generation Indie Book Awards Finalist book, a different scenario of an apocalyptic event—a meteor that slams into earth, causing a shift in the planet’s magnetic core—ushers in the end of the age of technology and the beginning of a dystopian future where knowledge is not only power, it is currency. I loved this book because it’s a clever and exciting take on a dystopian tale. Being set in Australia provides lots of interesting scenes and plot twists and the idea of using knowledge as currency brings new meaning to the phrase "knowledge is power." This is a thoroughly enjoyable story that is hard to put down. I highly recommend this book to anyone who likes a good adventure with just a touch of romance!
**2014 Next Generation Indie Book Awards Finalist** When a meteor slams into earth causing a shift in the planet’s magnetic core, the age of technology ends and economies across the globe crash. Years later, knowledge is not only power…it is currency. Bookkeepers are invaluable in this post-apocalyptic world.
Nevel can never tell anyone he is a bookkeeper. His photographic memory is his secret. With a dystopian government that keeps all known books under lock and key looming as a constant threat and with parents involved as agents in the U.B.M. (Underground Book Movement) to protect that secretly exist, Nevel is…
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
I’ve been writing about climate change for the past 14 years. I have been the Environment and Energy Editor for the news website, The Conversation, and worked for the government in renewable energy and reducing emissions from transport. Now I work for a conservation organisation, protecting land for nature. My first novel, A wrong turn at the Office of Unmade Lists, was set in a climate-changed Melbourne and an idyllic past San Francisco. My most recent novel, From the Wreck, is historical fiction set in the 1870s but is also about modern humans’ history of ecocide. I have also written essays and a non-fiction guide The Handbook: Surviving & Living with Climate Change.
Lucy is an Australian writer but her second novel, Wolfe Island, is set in the US in a time that might be the very recent past or the very near future. Kitty Hawke and her large, loyal dog are the last inhabitants of a sinking island in the Chesapeake Bay; Kitty values her solitude, but when her estranged family is targeted by the US government, she has to decide whether to stand up for what she believes in. Most climate change novels tend toward future dystopias – Wolfe Island is special because it is a firmly realist novel that looks more closely at our current world and reveals all the ways the dystopia is here and now.
Kitty Hawke, the last inhabitant of a dying island sinking into the wind-lashed Chesapeake Bay, has resigned herself to annihilation...
Until one night her granddaughter rows ashore in the midst of a storm, desperate, begging for sanctuary. For years, Kitty has kept to herself – with only the company of her wolfdog, Girl – unconcerned by the world outside, or perhaps avoiding its worst excesses. But blood cannot be turned away in times like these. And when trouble comes following her granddaughter, no one is more surprised than Kitty to find she will fight to save her as fiercely as…
I'm a women's fiction novelist with a love for drama without trauma. As an avid reader myself, I write what I know—moving stories written for women and about women. In my books, I sweep you off your feet, lead your heart to a place it's never been before, make you think, make you fall in love, make you yearn for justice, make you aspire and hope and dream. And I promise a happy ending every time, or at least a realistic, thought-provoking tote of warm feelings you can take with you. I hope you enjoy my reading recommendations below!
The premise of this short novel sucked me in right away. Missy Wright is shy, unhappy, poor, and a spinster. She is stifled and demeaned by her overbearing sisters and the local small-town gossips where she lives. Despite the fact that Ms. McCullough paints the portrait of a fairly unsavory heroine in the form of Missy, I still found myself rooting for her, wishing with all my might that she would (under the most improbable circumstances) find love. When I write about a heroine in my own novels, I want my readers to see past appearances and the superficial trappings of our society’s ideals. That is what this novel does—it draws you in and makes you believe the impossible is possible if only we can see beyond what is right in front of our faces—that dreams really can come true, for all shapes, sizes, styles, and substance.
An endearing tale, full of wit, warmth and romance, from the bestselling author of The Thorn Birds.
The Hurlingford family have ruled the small town of Byron, nestled in the Blue Mountains, for generations. Wealthy, powerful and cruel, they get what they want, every time.
Missy Wright lives with her widowed mother and crippled aunt in genteel poverty. Hurlingfords by birth, all three are victim to the family's rule of inheritance: the men take it all. Plain, thin and unforgivably single, it seems Missy's life is destined to be dreary.
But then a stranger arrives in town. A divorcee from…
As a queer person from a once-colonized country, I have long had an interest in struggles for emancipation and liberation. My scholarly work has been invested in understanding how structures of oppression sediment over time, and how time itself can be less than straightforward. The time we call the present is haunted by the past but also by anticipations of the future. My work explores how this temporal slipperiness makes itself felt in contemporary struggles around nation, gender, sexuality, race, and caste. As a scholar of international politics, I am interested in how yearnings for freedom manifest in different places and look to each other for inspiration and solidarity.
From the title of this book about "so-called Australia," it’s clear that we are going to hear a deeply subversive account of the politics and history of that country from an Aboriginal perspective.
In addition to providing a powerful critique of colonial narratives about white settler "discovery" that remain dominant in Australian public culture, the authors curate a rich archive of Aboriginal disruption of those narratives.
These have taken the form of not only statue protests of the kind that we have seen in other parts of the world, but also art, music, films, mock ethnographic documentaries, counter-memorials, and more. The book shows how another history of the continent has always been narrated, even if settler audiences have lacked the literacy necessary to understand it.
What is the place of Australia’s colonial memorials in today’s society? Do we remove, destroy or amend? Monumental Disruptions investigates how these memorials have been viewed, and are viewed, by First Nations people to find a way forward.In June 2020, on the heels of Australia’s James Cook anniversary commemorations and statue-toppling Black Lives Matter protests in the USA, dozens of police were sent to guard a statue of Cook in Hyde Park, Sydney. Despite the police presence, two women spraypainted ‘sovereignty never ceded’ across the statue.Scenes like this are being repeated around the world as societies reassess memorials that no…
The authoritative but accessible history of the birth of modern American intelligence in World War II that treats not just one but all of the various disciplines: spies, codebreakers, saboteurs.
Told in a relatable style that focuses on actual people, it was a New Yorker "Best of 2022" selection and…
I’ve always had a passion for animals since I was nine years old and wrote my first ‘book’ on animals for a school library competition. I went on to study animal behavior at university and complete a doctorate in conservation biology and seabirds in the Scottish Outer Hebrides. I’ve worked in zoos and museums, written twelve books on animals as various as killer whales and koalas, extinct megafauna, and marine reptiles. Learning more about the natural world, the people who study it, and the importance of protecting it, has been the driving force behind all of my books and a joy to share with readers.
The Mammals of Australia is one of the go-to books on my bookshelf. It covers all the mammals in Australia with great pictures, maps, simple summaries, and readable and interesting facts. When it was published, it summarized all the latest information in one place and has been an invaluable reference ever since. Every time I pick it up I find myself reading about some other fascinating species as well as the one I was looking up.
It covers everything from koalas and quolls to dugongs and dingoes, to monotremes and marsupial moles. It covers bats and seals and introduced mammals (although not whales). I wish I had a book like this for every major taxonomic group.
Written in a style readily understood by the general reader, this book surveys the rich and varied world of Australian mammals, including such creatures as koalas, kangaroos, Tasmanian devils, dingos, and wombats. Because of the continent's isolation, Australian mammals have developed as no where else on earth. The native fauna is composed largely of marsupials (pouched mammals) and monotremes (egg-laying mammals). A magnificent photographic record, this book provides an account of every native species as well as introduced species now living in a wild state. Each species account summarizes behavior and habitat, diet, reproduction and growth, and factors that lead…