Books like The Strays — picked by fans

Sally Rooney sharply captures the emotional confusion of early adulthood.

Her characters are smart, self-aware, and still completely capable of making a mess of their lives, especially when it comes to love and friendship.

What I love most about the novel is the way it treats female friendship as the emotional center of the story. The relationship between Frances and Bobbi feels just as complicated, formative, and intimate as any romantic relationship.

Rooney writes with a kind of quiet honesty about the way we move through our twenties and thirties—trying to understand who we are, what we want, and why we keep repeating the same patterns even when we know better.

While many novels about female friendship focus on young women, The Weekend follows three women in their seventies, whose decades-long friendship has sustained them through illness, infidelity, divorce – and recently the death of their fourth close friend, Sylvie.

Drawn together over a weekend to clear out Sylvie’s house, the remaining women must grapple with their shared past and uncertain future. I loved this glimpse into the lives of older women – a reality not often portrayed in fiction – and admired Wood’s ability to make each of her three narrators flawed, relatable, and human.

If you like immersive character-driven novels, this book won’t disappoint.

Nothing Special follows Mae, a teenager in 1967, who drops out of school and becomes a typist in Andy Warhol’s Factory studio.

Transcribing taped conversations of Warhol and his contemporaries, Mae feels like she’s entered a new world – along with Shelley, a fellow typist who soon becomes a close friend. But is Shelley all she seems? This is a closely observed psychological novel exploring what it means to truly know another person, and how much we have the right to expect from our friends.

The writing zips along effortlessly, driven by Mae’s poised, ironic voice, which expertly captures the ersatz confidence of being young.  

I recommend The Last of Her Kind by Sigrid Nunez because I found it an absorbing portrait of a friendship in which I wasn’t sure if the two people in it even liked each other. Georgette, called George, is from a working-class family, and Ann is her wealthy college roommate. It is the late 1960s. For me, the book had a fresh angle on the protest movements. George’s focus in college is trying to pull herself up.

To me, George and Ann’s friendship is like a house on a cliff–dangerous, depending on what door you open. This book has stayed with me because it explores why people remain friends, even if the relationship is difficult to the point of pain. 

Hope Farm moved me so much because it conveys the bitter-sweetness of being thirteen, being privy to adults who make terrible choices, and having to adapt to the consequences of those choices. It is about parents who join cults (in this case, a hippy one) and the effects of this on their children. Peggy Frew has such a seductive and captivating way of engrossing the reader in the story through her stunning prose.  

I first read this YA novel as a teenager and have never forgotten it.

The book has long been out of print in the UK, but a few years ago, I laboriously tracked down an Australian ex-library copy to re-read. I was fascinated to realise the book actually falls into the (psychological) horror genre (having thought I hated horror after being traumatised as a kid by Nightmare on Elm Street!). I could also now see how, at heart, it is also a heartbreaking family drama.

Del-Del later became a huge inspiration for my debut novel Little White Lies, a psychological thriller about a family desperately struggling with the miraculous return of their teenage daughter Abigail following her abduction seven years previously.

Gerald Murnane describes the flat, boring landscape of Victoria, Australia and its minute variations with such crystalline clarity and sublime meaning that it resembles a dreamlike fiction, or a landscape viewed through a clear prism.

Murnane probes the boundaries between life and fiction, between landscape and mind. In between, he finds a membrane, a shimmering spiritual essence purer than either real life or fiction.

This book taught me that if one stares at the mundane world with enough hard objectivity, it can look more alien and beautiful than any amount of fanciful embellishment. It also demonstrates how a story can be told with no dialogue, no character names, and hardly any resolution, and yet can be as compelling as a conventionally written story.

Dyschronia is strange, complicated, overwhelming, frightening, and occasionally enervating – just like climate change. Jen Mills tells the story of a young woman in a small, dying town who can’t stop seeing horrible futures; or, perhaps, the story of a young woman who compulsively lies. You won’t forget the compelling and sickening scene of a town waking up to find the ocean has disappeared. This one is worth wrapping your brain around.

If you’re a lover of women’s literature – Austen, the Brontës, Woolf – you are in for an utterly original treat with this mother-daughter odyssey. Australian Indigenous lawyer, Jasmine, takes her mother, Della, to England, wanting to indulge her passion for literature with a tour of significant dead-white-author sites. But what is really found along the way are the rich veins of ancient stories and the essential power we all possess: listening. This is a moving and intricate portrait of intergenerational, post-colonial trauma that examines whose stories get to be told and whose need to be told. For me, as an Australian and a lover of English literature, After Story is a slice of necessary truth-telling, which I predict will become an Australian classic of the future. 

'Original, provocative, and witty, Australia is the most comprehensive single-volume history of Australia yet published.' This is the blurb on the back cover of the paperback but it echoes my own views of this marvellous book completely. It covers everything: from the plight of the convicts to the Europeans’ experiments with farming and land grabs; relationships with the Aboriginal people, and especially the virtues or otherwise of respective Governors and their often spiky relationships with the government back home. All of it written with authority and a wonderfully wry wit.