Books like Top Walks in Australia

Australians love a road-trip – the longer, the better. This book, by one of Australia’s top driving holiday experts, is jam-packed with information and advice to make yours as easy as possible. Driving is definitely the best way to see our vast continent, and the route maps and distance lists are hugely useful. It’s a great resource on where to stay – everything from swank hotels to camping spots – and what to do. Want to know the best time of year to visit a certain place? That’s covered too.

Far from an ordinary guidebook, Loving Country, A Guide to Sacred Australia gets to the heart of this ancient continent through the eyes and stories of Australia’s First Nations people. Beautifully designed and illustrated with photographs, the book opens up an Australia that many visitors never – sadly – see. Exploring Australia’s Indigenous culture is one of the best ways to understand this country, and there are many ways of doing that, if you seek them out. After consultation with Indigenous communities and elders, the authors have chosen just 18 places to feature, telling the stories of the Dreaming, explaining traditional cultural practices, and outlining tours that will open a new world to those who care to dive deep into the culture.

The Great Barrier Reef is known as one of the world’s greatest natural wonders -and is a major drawcard for visitors to Australia. This book, written by renowned Australian marine biologist Len Zell is not a guide in the usual sense of the word but contains all you’ll ever need to know about what Australians call simply “the Reef” and more. Produced in partnership with the BBC’s The Great Barrier Reef television series, the book takes you on a journey along 2,300km of Australia’s north-eastern coastline. Not one to shy away from reality, Zell also looks at the environmental challenges facing the Great Barrier Reef and what the future may hold. There are practical hints and tips too – but if you just want to buy it for the fabulous photography throughout, that’s fine too!

The Australian Outback is a must for anyone who wants to see this country in all its diversity. Far from being just desert, the Outback is varied and fascinating. While this book only covers Queensland, it is a rich introduction to what the Outback offers. Photojournalist Danielle Lancaster knows it well, and the large-format images bring the scenery, wildlife, history, and towns of Queensland’s Outback to life. Whether you are interested in National Parks, dinosaur fossils, desert dunes, stunning gorges, or history, there’s plenty of interest here. As well as an introduction to places you may want to see, it’s also a beautiful souvenir.

Humour done well in crime fiction is rare, I think, and this novel has plenty. I think you would call it a caper, with things constantly going wrong for Jac, the main character, in bizarre and amusing ways, but Draga, her Croatian housekeeper is hilarious. Draga’s solutions to fixing things are not what any sensible person might agree to, but Jac is desperate. She even resorts to using Draga’s favourite broom herself at one point. This one will keep you on the edge of your seat, yes, but you might also fall off it laughing. I’m hoping there will be a sequel.

Dyschronia is strange, complicated, overwhelming, frightening, and occasionally enervating – just like climate change. Jen Mills tells the story of a young woman in a small, dying town who can’t stop seeing horrible futures; or, perhaps, the story of a young woman who compulsively lies. You won’t forget the compelling and sickening scene of a town waking up to find the ocean has disappeared. This one is worth wrapping your brain around.

When I was a little girl, I remember being given this book, and I loved it. I read it from cover to cover, again and again, which fired my fascination for Australia. Seriously, who wouldn’t be enthralled by a bad-tempered pudding with impossibly skinny arms and legs, called Albert?

Perhaps The Magic Pudding had a large part in my choice to leave Europe and put down roots in the fabulous country of Australia. The book was first published in 1918 but that just proves how well it has stood the test of time.

Margo Lanagan’s mini-collection Stray Bats is an exceptional showcase of refined writing—less is always more. Powerful bite-size vignettes in this dark illustrated miscellany of micro fiction and prose poetry encompass rhyme, beauty, and something most sinister. Offering up constellations, maidens in flight, familiars, hag hunters, vixen wives, and spirit girls, this kind of dark, fantastical writing and the ghosts of its graphics haunt you for a super long time…

Every Sunday night for nearly a decade between the mid-70s and early 80s, most young Australians could be found in one place – in front of the TV, watching Countdown. Countdown was the most powerful force in the local pop/rock scene, the maker and breaker of hits. Published in 1993 in the afterglow of the show’s long run, Glad All Over, by former Age journalist Peter Wilmoth, is an appropriately loving tribute, which includes acknowledging the many (like me!) who loved to hate the show but still always watched it! As mostly oral history, it’s a sparkling story, and if the Countdown phenomenon still begs harder analysis – because as much as it was a great booster for Australian music, it actually blocked just as much – that’s the nature of a new historiography: the field has to get opened up first, and then is subject to increasingly… show more.

Gerald Murnane describes the flat, boring landscape of Victoria, Australia and its minute variations with such crystalline clarity and sublime meaning that it resembles a dreamlike fiction, or a landscape viewed through a clear prism.

Murnane probes the boundaries between life and fiction, between landscape and mind. In between, he finds a membrane, a shimmering spiritual essence purer than either real life or fiction.

This book taught me that if one stares at the mundane world with enough hard objectivity, it can look more alien and beautiful than any amount of fanciful embellishment. It also demonstrates how a story can be told with no dialogue, no character names, and hardly any resolution, and yet can be as compelling as a conventionally written story.