100 Books Like The Australian Frontier Wars

Van Diemen’s Land is the former name for the island at the bottom of Australia now called Tasmania. The British who invaded the island changed the colony’s name after the place became infamous. Not only was it home to the British Empire’s most feared convict stations, but it also had a fearsome reputation as the location of one of the most brutal genocides in the Empire’s history. Nick Brodie draws on extensive, yet previously ignored, archival documents to refute the long-standing myth that the Vandemonian War was fought between hapless convict shepherds at the far reaches of the island colony and the island’s Aboriginal inhabitants. He demonstrates instead how this significant conflict was an orchestrated campaign in which the Lieutenant-Governor of the colony used military and para-military forces to prosecute his war against Aboriginal people. Ultimately, the British won the Vandemonian War and then purposefully covered up the military nature… show more.

By the latter decades of the twentieth century, the so-called ‘history wars’ pitted those Australians who acknowledged the violent foundations of the Australian nation against others who denied that the frontier wars ever took place, and who advocated instead that Australians ought to celebrate the heroism of white colonists. The story of Australia’s founding as a nation starts in Sydney. It was the site of the initial encampment established by the British when they invaded a tiny area on the eastern edge of Australia in 1788, then claimed the entire east coast of the continent for the Crown. Stephen Gapps carefully analyzes a wide range of historical evidence to demonstrate how Sydney and its surrounding regions were the initial sites at which British and Aboriginal forces refined their military tactics during violent strategic encounters along the expanding frontier. These violent encounters set a pattern that played out, with local variations,… show more.

While many New Zealanders realize that frontier wars were fought following the country’s annexation by England in 1840, very few are aware of a series of bitterly contested battles that took place over the half-century prior to New Zealand becoming a crown colony. This book is significant as Ron Crosby reveals how, after Europeans began to visit the north of New Zealand, Māori traded with the newcomers. They grew food, and replenished supplies for whalers, timber getters, and even for missionaries in exchange for European trade goods that included muskets. Armed with muskets, Māori iwi (tribes) from the far north of New Zealand became well placed to go to war against other iwi with whom they had issues to resolve. Fueled by European technology, the resulting series of battles, referred to as the ‘musket wars’, saw more than 20,000 Māori killed prior to 1840. Many more were enslaved or became… show more.

Just a few years after New Zealand became a British crown colony, armed conflict broke out in 1845 between representatives of the crown and local Māori. These frontier wars continued to be fought, particularly across New Zealand’s North Island, up until 1872. Understanding New Zealand in the present requires gaining an understanding of the New Zealand Wars. Vincent O’Malley’s book provides an insightful introduction to these complex conflicts. He explores in some detail what caused these conflicts, where and how the various battles that make up the wars were fought, and who might rightfully claim the various victories involved. O’Malley also usefully examines the consequences flowing from the New Zealand Wars. His book is richly illustrated with many evocative full color and black and white images depicting key participants, places, and moments in the New Zealand Wars.

David Hill’s research is incredible and results in a mind-blowing account of how not only convicts, but their guards and sailors, would colonise Australia, enduring the most brutal hardships. The transportation is described, and it is a miracle that anyone ever reached the destination in the leaky, unseaworthy ships. The enterprise was poorly-planned and underfunded, resulting in appalling suffering.

With such a shocking start, it is a wonder that Australia ever developed into the wonderful, successful country that it is now.

This was the book that convinced me that it is worthwhile exploring the past so as to rediscover and rethink works of art made by indigenous people living under imperial conditions.

I love its movement around the world, the close readings of works that no other scholars had ever considered, and the moral urgency that underpins every one of its lines.

This genre-busting debut novel by Tasmanian writer Robbie Arnott defies all attempts to describe or classify it. The writing is vibrant and beautiful. It’s a book that fills your lungs with a blast of fresh air, the scents of the cool southern rainforests and dazzles you with clouds and sun and rain and fire. It seamlessly blends realism with a spirit world, binding the human to the animal in an evocatively magical and disturbing story that brings Australian nature and animals into focus in an entirely new literary landscape. I defy anyone to read this book and not fall in love with the Rakali and weep a little the next time it rains. Quite the most remarkable book I’ve read.

Many Irish history books mention the fate of prisoners, often involving transportation to Australia. This book picks up the narrative where they left off. The authors have meticulously pieced together the story of those on board the convict ship Tasmania, which left Ireland for Van Dieman’s Land in 1845, carrying 138 female convicts. The book tells the stories of voiceless people at the bottom of the social scale (being both convicted and female). The process of transportation is explored in detail and the women’s new lives in Tasmania are examined. Two women, Eliza Davis (infanticide) and Margaret Butler (stealing potatoes) form the centre-piece of the study. Both later married and had families and descendants, leaving a legacy in their new home. A sad, informative but ultimately hopeful read.

There’s a genre of music books, in which I plead guilty to form, that is almost scrapbook-like, that mixes and matches elements to make, at best, a seamless blend of words and images, the sort of book that is a work of art in its own right like you used to find buried down the back of the aisles at counter-culture bookstores. Wild About You is the concept writ large, perhaps not least because editors Iain McIntyre and Ian D. Marks went through a couple of other similar-styled books before getting it quite so right with this one. As a portrait of the post-Beatles beat boom in Australasia in the 60s, it is definitive, written with vibrancy and beautiful and evocative for its illustrations and design. I’m still waiting for this dynamic duo to move onto the 70s!

I enjoyed The Opposite of Life (which preceded this book) for its wit, originality, unexpected poignancy, and Australian urban setting. I think Walking Shadows is even better.

Librarian Lissa and her very uncool, but lovable, vampire buddy Gary return, and Lissa is drawn further into Melbourne's vampire underworld to protect Gary (the first of many wonderful ironies).

Someone is hunting vampires and Gary's on the hitlist, despite the fact he doesn't bite people or drink blood. (In Harris’s mythology, vampires don't need human blood to survive, it simply enables them to feel alive.)

There are still themes of death, grief, and consequences of choices, but these are balanced by moments where simple joys in life are celebrated and relished. I loved the deepening friendship between Lissa and Gary—theirs is a unique relationship in the world of vamp-based stories.