Here are 100 books that Thick fans have personally recommended if you like
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I inherited an offbeat sense of humor from my mother, who encouraged me to create stories about outrageous subjects, like cats doing “people things.” I’m grateful to have made a living writing about such things, as well as observations about my own humorous experiences in essays, calendars, and books. I’ve always looked to other funny creatives for inspiration, and the books on my list reflect some of my favorites.
I love the rawness of Samantha Irby’s writing—she says it like it is. When I read her essays, I’m peeking in on her uncensored thoughts about the mundane, which are unrefined, real, and hysterical to me. Like many of us, I enjoy reading/hearing someone not trying to “polish a turd.”
While reading her book, my mind equally thinks: "I CANNOT believe she just wrote that” and “Tell me MORE.”
'Irby might be our great bard of quarantine.' New York Times
In this painfully funny collection, Samantha Irby captures powerful emotional truths while chronicling the rubbish bin she calls her life. From an ill-fated pilgrimage to Nashville to scatter her estranged father's ashes to awkward sexual encounters to the world's first completely honest job application, and more, sometimes you just have to laugh, even when your life is permanently pear-shaped.
'I cannot remember the last time I was so moved by a book. As close to perfect as an essay collection can get.' Roxane Gay 'Hilarious. I love it.' Candice…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I am a writer, actor, and comedian. I began on the Second City mainstage in Toronto. I was a writer and an actor on the Canadian television series, Call Me Fitz and I won the Gemini Award and the Canadian Screen Award for Best Lead Actress in a Comedy Series for my work opposite Jason Priestley on that show. Let Me Be Frank is my first book and it brings together so much of what I love to write and read: feminism, women, history, underdogs, and humor.
As cliché as it sounds, I truly did laugh and cry my way through this excellent book of essays by actress and comedian Casey Wilson. Wilson is an excellent storyteller and someone who is just profoundly, naturally funny. But she does not shy away from some heartbreaking and emotionally raw material too, which, quite frankly, is my jam. I did that thing where you get both the book and the audiobook, so when you are walking the dog you can still be reading. I highly recommend following suit because Wilson is such a delight to listen to. I may have had to pull my car over while listening one day because it was not safe to drive whilst weeping uncontrollably.
The instant New York Times bestseller: Laugh-out-loud, deeply insightful, and emotion-filled essays from multitalented actress, comedian, podcaster, and writer Casey Wilson.
Casey Wilson has a lot on her mind and she isn't afraid to share. In this dazzling collection, each essay skillfully constructed and brimming with emotion, she shares her thoughts on the joys and vagaries of modern-day womanhood and motherhood, introduces the not-quite-typical family that made her who she is, and persuasively argues that lowbrow pop culture is the perfect lens through which to examine human nature.
Whether she's extolling the virtues of eating in bed,…
After spending all of my adult life repeating the same codependent, unhealthy relationship patterns, I made it a point to devote an entire year to dating myself—to learn to love my own company and to become a little more reliant on my own internal strength. Since then, I’ve been passionate about showing others that there is a way to build ourselves up, especially if romantic relationships have consistently torn us down, that doesn’t have to involve swearing off dating forever.
“A woman must have money and a room of her own if she is to write fiction.”
I read A Room of One’s Own after my divorce and having—for the first time in my entire life—a place that was mine alone to decorate as I pleased. While Virginia Woolf was speaking on the macro, sociological struggles that women were facing during that time (the early 20th century), her words resonated with me to the present day.
Likewise, while it might be easier now for a woman to open a bank account or attend college than it was in 1929, the struggle of having our stories told and our identities outside that of mother or wife celebrated is still prevalent.
Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization, and helped make us who we are.
The Guardian of the Palace is the first novel in a modern fantasy series set in a New York City where magic is real—but hidden, suppressed, and dangerous when exposed.
When an ancient magic begins to leak into the world, a small group of unlikely allies is forced to act…
I am a writer, actor, and comedian. I began on the Second City mainstage in Toronto. I was a writer and an actor on the Canadian television series, Call Me Fitz and I won the Gemini Award and the Canadian Screen Award for Best Lead Actress in a Comedy Series for my work opposite Jason Priestley on that show. Let Me Be Frank is my first book and it brings together so much of what I love to write and read: feminism, women, history, underdogs, and humor.
Katy Wix, the brilliant actress and comedian, has written a memoir about “cake and death” in which she delves into womanhood, body image, disordered eating, grief and addiction. Because Wix is a genius comedian, she is able to paint the deeply human, painfully honest stuff here while also making us laugh. Again, this is the type of work that I gravitate to! Honest, human, darkly humorous…I simply adore truth-tellers. Ones, like Wix, that make us laugh, make us uncomfortable, make us look at our own “shit”, but also help us to heal.
'Mesmerising . . . an extraordinary piece of writing.' - The i paper
'A book that has the rare quality of being both poetic and accessible . . . missing Delicacy would be a huge mistake.' - Guardian
'A book that gets wiser, darker, and more brutally truthful every time you turn the page. Word of mouth is slowly turning it into a passionately recommended cult hit. A book you give a friend in trouble.' - Caitlin Moran
'Hilarious . . . heartbreaking.' - The Observer
'A layer cake of truth, pain and wisdom iced with charm. I loved it.'…
I am a feminist political philosopher (yes, this is a job!). My superpower—and my training—is being able to see “through” public life to the values and arguments that animate it. I have been writing about the ideas behind feminist movements, especially movements in the global South, for almost 15 years. I am also a mom of color who thinks a lot about women’s labor.
Speaking of women’s labor, Verges, a French feminist theorist from the island of Reunion, opens this manifesto with a question that I think really gets to the heart of global feminist politics: “Who cleans the world?” This simple question, she argues, explains the fundamental connection between feminism and the other key struggles of our time—the fact that capitalism creates “invisible work and disposable lives.”
Starting from the lives of women in the global South, who are literally found cleaning up the waste of the global North, she reveals that feminism cannot be a fight for the women of the global majority unless it fights racial and economic inequality on a planetary scale. Verges also offers a compelling analysis of #metoo: opposition to gender-based violence cannot begin and end with a focus on individual perpetrators, nor can we allow it to become part of an agenda that criminalizes Black and brown…
'A vibrant and compelling framework for feminism in our times' - Judith Butler
For too long feminism has been co-opted by the forces they seek to dismantle. In this powerful manifesto, Francoise Verges argues that feminists should no longer be accomplices of capitalism, racism, colonialism and imperialism: it is time to fight the system that created the boss, built the prisons and polices women's bodies.
A Decolonial Feminism grapples with the central issues in feminist debates today: from Eurocentrism and whiteness, to power, inclusion and exclusion. Delving into feminist and anti-racist histories, Verges…
As an ethnographer, I have been studying the lives of ordinary women in socialist and post-socialist countries in Eastern Europe for over twenty-five years. I have always been fascinated by the differences in women’s life options in the presence or absence of robust social safety nets. As a scholar, I’ve spent decades working in archives and interviewing people across the region, and I have written eight books about the various gendered experiences of everyday life in Eastern Europe. As a professor, I have taught a course called “Sex and Socialism,” almost every year for eighteen years and I am always reading widely in this field to look for new material for my syllabi.
Engels provides the canonical theoretical framework for understanding how capitalism uniquely impacts women’s lives and how a more collectivized economy lays the foundation for women’s full emancipation. While many subsequent feminist and socialist scholars have disagreed with this book, The Origin of the Family is a classic that has inspired countless generations of theorists and activists.
The Origin of the Family, Private Property, and the State: in the Light of the Researches of Lewis H. Morgan (German: Der Ursprung der Familie, des Privateigenthums und des Staats) is an 1884 historical materialist treatise by Friedrich Engels. It is partially based on notes by Karl Marx to Lewis H. Morgan's book Ancient Society (1877). The book is an early anthropological work and is regarded as one of the first major works on family economics.
Following the death of his friend and co-thinker Karl Marx in 1883, Friedrich Engels served as his literary executor, actively organizing and preparing for…
Aury and Scott travel to the Finger Lakes in New York’s wine country to get to the bottom of the mysterious happenings at the Songscape Winery. Disturbed furniture and curious noises are one thing, but when a customer winds up dead, it’s time to dig into the details and see…
Núria Añó is a Spanish novelist and biographer. She writes on authors like Elfriede Jelinek, Patricia Highsmith, Salka Viertel, Alexandre Dumas fils, Franz Werfel or Karen Blixen. Her writing centers on the characters’ psychology, often through the use of anti-heroes. The characters stand out most about her work; they are more relevant than the topic itself. With an introspection, a reflection, not sentimental, but feminine, she finds a unique balance between the marginal worlds of parallels. Her novels deal with important social and current themes like injustice or lack of communication between individuals.
A controversial play because of its end. Nora Helmer is the main character, a Norwegian married woman, wife of a bank manager, and a mother of three. Her life elapses day after day without opportunities for self-fulfillment in the last decades of the 19th century. I can’t say this female character is a feminist for its time, because she lives in a world full of laws made by men; so, in this sense she is like a doll, a superficial and wasteful person, and she changes slowly from act to act; she feels empty, she contemplates killing herself and at the end of the play Nora leaves her husband and family trying to escape from a stifling male-dominated society. Although this play was not intended written as a feminist, it has a great historical value in this field. If after reading you try to imagine what kind of life…
One of the best-known, most frequently performed of modern plays, A Doll's House richly displays the genius with which Henrik Ibsen pioneered modern, realistic prose drama. In the central character of Nora, Ibsen epitomized the human struggle against the humiliating constraints of social conformity. Nora's ultimate rejection of a smothering marriage and life in "a doll's house" shocked theatergoers of the late 1800s and opened new horizons for playwrights and their audiences. But daring social themes are only one aspect of Ibsen's power as a dramatist. A Doll's House shows as well his gifts for creating realistic dialogue, a suspenseful…
As a fantasy author and professional counsellor, I am incredibly passionate about topics which are relevant not only to mental health, but to us in contemporary society. Feminist themes such as those discussed in my book list comes under than umbrella—we deal with these in our day to day lives. I experience them personally and also see it within my counselling clients. I believe that being able to read about these issues within fantasy stories is really important to allow us to understand and process the difficult thoughts and feelings they can bring up within us.
A grimdark fantasy in the tone of Abercrombie, Moss’s The Worthy is a brilliant debut that explores a fractious sibling relationship between brother and sister Prince Barsten and Princess Ailith, both of whom are battling to become heir to the kingdom of Crell. Ailith herself is hiding her lover, Lady Avalon, at the same time as trying to protect the kingdom when it quite literally begins to tear itself apart due to a mysterious magical entity. The book explores issues of patriarchal oppression, historic abuse and trauma, sexuality and homophobia. Despite the grim world and morally grey characters, I found myself drawn into this story because of the important themes it considered.
Blood is thicker than water. Tell that to Prince Barsten, betrayed and abandoned on foreign soil. His sister is intent on claiming the throne and he’s intent on stealing it back. One of them might succeed, if it weren’t for a sacred creature infecting people with its emotions. Rage, fear, paranoia, despair. As their country collapses, the royal siblings must stay true to themselves or find out just how thick their blood really is.
Moss’s compelling debut novel dives into a desperate kingdom, full of intrigue, treachery and sapphic-longing. Fast-paced and awash with sinful characters and fetid settings, The Worthy…
My work over the past four decades has been to promote women’s rights, end violence against women, promote social justice, and positively transform the lives of men. I’ve worked extensively with the United Nations; presidents, prime ministers, and governments; companies and unions; NGOs and educators in fifty countries. I continue to be inspired by the many incredible people I get to meet. In addition to my talks to communities, companies, and universities, my activism, and my books on this subject, I also write fiction, most recently my mystery The Last Exit.
We all need more than buzz phrases and simplistic solutions. Parents, teachers, and coaches need a clear analysis of the harms we currently do boys. Michael Reichert draws both on his experience as a therapist and a teacher to give us tools to raise more self-aware, caring, and compassionate men.
At a time when many boys are in crisis, a much-needed roadmap for helping boys grow into strong and compassionate men
Over the past two decades there has been an explosion of new studies that have expanded our knowledge of how boys think and feel. In How to Raise a Boy, psychologist Michael Reichert draws on his decades of research to challenge age-old conventions about how boys become men.
Reichert explains how the paradigms about boys needing to be stoic and "man like" can actually cause them to shut down, leading to anger, isolation, and disrespectful or even destructive behaviors.…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
As a writer of dystopian novels, I have always been interested in narratives that challenge the reader. Why? Because I firmly believe that if literature is, as they say, "a window on the world," then mind-bending texts create their own windows, and hence allow the readers to free themselves from all sorts of conventions. What's more, many of my novels deal with a drug, "Synth," that allows the users to change their surroundings at will. So I do write some “mind-bending” stuff myself, with precisely the purpose I mentioned above. To challenge yourself through fiction is to challenge a reality you have not chosen to live in. It is not only an act of defiance, but also, very often, an act of courage.
The Bridge is a terrific and terrifying novella about womanhood, the patriarchate, technology, identity, and, ultimately, freedom. Its theme appeals to me as I have always been an ally of the women’s cause and JS Breukelaar does a great job describing a disturbing future if we are not more careful and respectful. What’s more, it is a great story, which embarks the reader in a dark and fascinating labyrinth. Both nightmarish and poetic, with references to ancient mythologies,The Bridge offers a unique reading experience. Although it’s very different stylistically from Margaret Atwood’s The Handmaid’s Tale, I nonetheless consider it to be a top-class feminist speculative fiction classic.
"I was raised by three sisters, one a witch, one an assassin and the third just batshit crazy." And so begins The Bridge, from Shirley Jackson Award, Aurealis Award, Shadows Award, and Wonderland Award finalist, J.S. Breukelaar. Meera and her twin sister Kai are among thousands of hybrid women—called Mades—bred by the Father in his Blood Temple cult. Meera is rescued by a mysterious healer and storyteller, Narn, but her sister, Kai, does not survive the Father's "unmaking." Years later, when the cult is discovered and abolished, Meera, still racked with guilt and grief, enrolls in college to take advantage…
