100 Books Like Ghost Hunter

This is a wonderful blend of magic, history, and romance that completely swept me away. I loved how Harkness created a world where science and magic coexist, and the way she weaves historical references into a modern love story stole my heart.

The relationship between Diana and Matthew feels real, complicated, and deeply emotional, and I found myself fully invested in their journey. What really hooked me was the rich world-building, with its intricate details of witches, vampires, and daemons, making it feel like a universe I could dive into again and again. This is an annual reread for me. Book 1 in a wonderful series.

I loved this book because it is another time-slip novel, but mostly because of the characters that Gabaldon has created. Claire is a strong woman both in the present time zone–post-war Britain–and the Scottish Highland time zone of the seventeenth century and the uprising. You sense immediately that she is in danger as the story is told from her point of view. 

I loved learning about the lives of the Scottish highlanders, how the story moves from one-time zone to another, and how the characters overlap.

Anne Rice is a wonderful poet disguised as a novelist who creates dreamy and eerie landscapes in this book. She paints backdrops of multiple settings and weaves those landscapes with the mood of her characters: modern and bustling San Francisco to mysterious and moody New Orleans.

The plot involves an analytical science girl who is suddenly immersed in a mysterious past that includes witches and other supernatural beings. It explores the roots of societal misogyny by recapping the history of the Mayfair clan and an unleashed demon spirit that haunts the family, all with a romance lurking in the subplot.

It is written like a dark fairy tale that weaves a contemporary world with supernatural elements. Don’t miss this!

This was a Plot Twist book club pick, and it turned out to be one of my favorites of the last year. Based on three different women from the same lineage, one from the 1600s, one from the 40s, and the third in our current time, it follows their unique struggles with who they are against what society and the people around them expect.

Altha, in the 1600s, has been shunned from society for being different and is then accused and tried for witchcraft. She's thrown in jail and starved to the brink of death, but she perseveres through the trial, doing what she needs to do to survive. Violet, in the 40s, has her life torn apart at just sixteen, the fall out of those events leaving her cast out, pregnant, and terrified. But somehow, she gets up, carries on, and forges a new path for herself. Kate, in… show more.

I loved this atmospheric debut, often described as a collection of interlinked short stories. Set on an isolated group of islands off the coast of Virginia, the stories span more than two centuries of the same family’s history: from the 19th century and far ahead into a post-apocalyptic, post-pandemic future. There are intimations that a supernatural ‘second sight’ runs in the family and the book’s Southern Gothic vibe is nothing short of intriguing. But for all the hints of magic realism, the focus on female characters contending with obstacles of class and gender at different points in history is rooted in an understandable reality. Beautifully written descriptions of the natural environment, poignant characters, and local color all demonstrate Taylor’s imagination to be visionary and impressive. 

As a writer, I’m no stranger to complex friendships that can emerge between creatives, which is just one of the reasons I love this delightfully dark gothic thriller about estranged best friends trapped at a writing retreat run by an enigmatic bestselling author.

With publication (and maybe their lives) on the line, the stakes couldn’t be higher, but Bartz still tells a compelling story about professional jealousy and two women who have hurt and been hurt by the other.

I absolutely adore Lucy Strange’s books and her latest one, Sisters of the Lost Marsh, is a gloriously Gothic mystery with sisterhood at its centre. The story is about a family of six sisters reigned over by their tyrannical father. When one of the sisters goes missing, 12-year-old Willa decides to take matters into her own hands and uncover what happened. This book is a beautiful blend of mystery, folktale, and feminism and one I simply could not put down. 

A National Book Award finalist, Tressie McMillan Cottom’s Thick is a brilliantly written compendium of essays that should be read by everyone. This awe-inspiring collection tackles beauty standards, media, capitalism, and white supremacy all with a fierce wit and through a Black feminist lens. You will count yourself lucky to read these essays by one of the most important thinkers of our time. Cottom is wildly sharp and funny. She is an academic and profound but this book is accessible and readable. If you are like me you will want to read this twice.  

This book is so expansive, Audre Lorde invented a whole new genre for it. She terms it “biomythography,” bringing together autobiography, mythology, fiction, poetry, and other forms of writing to tell her story of queer life.

I fell in love with Zami in college back in the day and have been re-reading it ever since. From her childhood in 1930s and 40s Harlem to her coming out as the self-proclaimed fat black lesbian “warrior poet,” who would come to shape black feminism in the late 20th century and beyond, Zami charts the life, loves, and transformative ideas of one of our most important writers.

Zami is both muse and guide, showing us how the iconic feminist writer came to be, and how pleasure, power, creative expression, and community are indispensable to our own freedom today.  

Speaking of women’s labor, Verges, a French feminist theorist from the island of Reunion, opens this manifesto with a question that I think really gets to the heart of global feminist politics: “Who cleans the world?” This simple question, she argues, explains the fundamental connection between feminism and the other key struggles of our time—the fact that capitalism creates “invisible work and disposable lives.”

Starting from the lives of women in the global South, who are literally found cleaning up the waste of the global North, she reveals that feminism cannot be a fight for the women of the global majority unless it fights racial and economic inequality on a planetary scale. Verges also offers a compelling analysis of #metoo: opposition to gender-based violence cannot begin and end with a focus on individual perpetrators, nor can we allow it to become part of an agenda that criminalizes Black and brown… show more.