Here are 100 books that They Call Me Supermensch fans have personally recommended if you like
They Call Me Supermensch.
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After years of struggling to start my own business, I had a revelation that changed everything for me. The best marketers weren’t marketers—they were resourceful punks, propagandists, cult leaders, and other assorted riff-raff. I began to adopt their tactics, and I started having some success—first as a freelance copywriter and then as a marketing agency owner. Ever since, I’ve been obsessed by the weird psychology we fall into when we’re with other humans and how people can hack that psychology to make others do what they want.
This was the book that kicked off my obsession with mind control, social psychology, and media hacking. Ryan Holiday is one of the modern era's best marketers, and he's a pretty great writer as well. When he ran the marketing at American Apparel (at twenty-something), he took hype to new heights.
A small list of some of his stunts: Hiring a porn star to pose in nothing but socks in an ad for a clothing company, secretly defacing his own clients' billboards to generate publicity, and provoking a famous Internet media startup legend to threaten to punch him in the face in order to drive up book sales.
In this book, he reveals all his tricks while delivering a scathing critique of the broken system that let him do what he did.
You've seen it all before. A malicious online rumor costs a company millions. A political sideshow derails the national news cycle and destroys a candidate. Some product or celebrity zooms from total obscurity to viral sensation. What you don't know is that someone is responsible for all this. Usually, someone like me.
I'm a media manipulator. In a world where blogs control and distort the news, my job is to control blogs-as much as any one person can.
IN TODAY'S CULTURE... Blogs like Gawker, BuzzFeed, and The Huffington Post drive the media agenda. Bloggers are slaves to money, technology, and…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
My expertise regarding the approaching World War III: My father—John Bradley—fought in the horrible battle of Iwo Jima. My young future dad’s best friend—Ralph Ignatowski—was tortured to death underground for three days. My father was forced to find his body. It’s all covered in my book Flags of Our Fathers and the Steven Spielberg/Clint Eastwood movie of the same name. I have spent my adult life interviewing victims of war and produced five books about war’s inanity and horror.
This book helps us understand why all the sheep around us are illogically but emotionally walking over the cliff into World War III.
We imagine ourselves as individual agents making our own free will choices, but actually, we are walking, talking bundles of feelings who desperately wish to be judged by other sheep as good members of a tribe. We move as a herd, and to war again the crowd is going. We chant, “Follow the Leader.” But we follow the followers.
One of the most influential works of social psychology in history, The Crowd was highly instrumental in creating this field of study by analyzing, in detail, mass behavior. The book had a profound impact not only on Freud but also on such twentieth-century masters of crowd control as Hitler and Mussolini — both of whom may have used its observations as a guide to stirring up popular passions. In the author's words, "The masses have never thirsted after the truth. Whoever can supply them with illusions is easily their master; whoever attempts to destroy their illusions is always their victim." …
After years of struggling to start my own business, I had a revelation that changed everything for me. The best marketers weren’t marketers—they were resourceful punks, propagandists, cult leaders, and other assorted riff-raff. I began to adopt their tactics, and I started having some success—first as a freelance copywriter and then as a marketing agency owner. Ever since, I’ve been obsessed by the weird psychology we fall into when we’re with other humans and how people can hack that psychology to make others do what they want.
I have to admit it: I’m pretty sure I bought this book in my early twenties with less-than-pure intentions. It didn’t end up doing much for my romantic life, but it changed the way I think forever after.
In writing about how to get attractive people to fall into your arms (and into your bed), Robert Greene makes no distinction between seducing an individual and seducing an audience of millions. It’s one of those books that makes you feel like you want to take a shower. Then again, most of my favorite books make me feel that way.
A fascinating inside look at the nature of seduction uses a vast array of sources, from Freud and Nietzsche to Cleopatra and Josephine Bonaparte, to uncover the truth about this important feature of the human animal.
In 1913, a 15-year-old pregnant girl was found dead of apparent suicide. Dr. James Wilson, a new graduate and the first doctor ever to start a practice in this rural town, feels guilty over her death because of his delayed intervention.
After years of struggling to start my own business, I had a revelation that changed everything for me. The best marketers weren’t marketers—they were resourceful punks, propagandists, cult leaders, and other assorted riff-raff. I began to adopt their tactics, and I started having some success—first as a freelance copywriter and then as a marketing agency owner. Ever since, I’ve been obsessed by the weird psychology we fall into when we’re with other humans and how people can hack that psychology to make others do what they want.
This one is a pure a page turner. It’s about a man named “Dr.” John R. Brinkley who became one of the richest people in the country by selling a procedure in which he transplanted goat testicles into healthy adult males. He was responsible for the deaths of nearly fifty people, came a few votes shy of becoming governor of Arkansas, and more or less invented modern marketing. What’s not to like?
We write mysteries set during the Golden Age of Hollywood that feature costume designer Edith Head, so naturally, we love books about film history. We’ve found that some of the best books to tackle the subject aren’t biographies of individuals or profiles of film studios but case studies of single films. Concentrating on one movie and all of the personnel and creative decisions behind it allows an author to explore every aspect of filmmaking and explain how it really works…even when the film in question doesn’t.
We believe you can learn more from failure than success. Misfires don’t come much bigger than the 1990 adaptation of Tom Wolfe’s blockbuster novel The Bonfire of the Vanities. The movie busted nary a block, which only makes director Brian De Palma’s willingness to open up the process to reporter/critic Salamon more remarkable.
This visits every department—including our favorite, costume design—and underscores that no one knows if a movie will be a smash or a flop while they’re making it, so cast and crew work just as hard on both. We love the story of second-unit director Eric Schwab seizing the opportunity to prove himself.
When Brian De Palma agreed to allow Julie Salamon unlimited access to the film production of Tom Wolfe's best-selling book The Bonfire of the Vanities , both director and journalist must have felt like they were on to something big. How could it lose? But instead Salamon got a front-row seat at the Hollywood disaster of the decade. She shadowed the film from its early stages through the last of the eviscerating reviews, and met everyone from the actors to the technicians to the studio executives. They'd all signed on for a blockbuster, but there was a sense of impending…
20 years ago a software company I founded had been acquired and my life should have been good. Instead, it was a Herculean mess. I had just been fired by a billionaire whom I had accused of crimes, and now I was out of work and broke. It would still be four more years before Bernie Ebbers was sentenced to 25 years in federal prison (where he became blind and demented and died) for the world’s largest fraud. But when I was writing the first words of Paper Targets, the executives who had pulled me into their world of the “Lie” were freely strutting on the World Stage of Greed.
Bukowski didn't thieve, solve crimes, or use high-tech. In fact, he worked hard and was poor and isolated most of his life. But he lived in the fringe of the noir world, and beat on his machines—manual typewriters, then an IBM Selectric, and finally, with some fame and money, a computer. He was South of his No North, real and genuine for so long that when Hollywood knocked, he was ready for them. This book is his first-hand account of the dumb ego and stupid money that goes into making a movie. Hilarious and dark at the same time. A poet's novel.
'What will you do?' 'Oh, hell, I'll write a novel about writing the screenplay and making the movie.' 'What are you going to call it?' 'Hollywood.'
Henry Chinaski has a penchant for booze, women and horse-racing. On his precarious journey from poet to screenwriter he encounters a host of well-known stars and lays bare the absurdity and egotism of the film industry. Poetic, sharp and dangerous, Hollywood - Bukowski's fictionalisation of his experiences making the film Barfly - explores the many dark shadows to be found in the neon-soaked glare of Hollywood's limelight.
Voyager 1 was launched on September 5, 1977, and Voyager 2 was launched on August 20, 1977. Both began a historic journey with unique 'time capsules' on board intended to communicate a story of our world to extraterrestrials. The Voyager message is carried by a phonograph record 12-inch gold-plated disk…
Like some other things I’ve been lucky enough to have published, The Flying Dutchman is a short work I chiseled out of a longer one. An updating of the classic romantic legend, it’s the story of a young woman visited by a time-traveling pop star seeking the one woman he can love. The novella form—not novel, not short story—seemed to work best for it. It’s been the right shape for some of the most famous stories of all time, from Heart of Darkness to To Kill a Mockingbird and beyond.
I’ve traveled through time myself to choose some other favorite novellas that meaningfully capture a period and place.
One of my favorite novels of any length, Nathanael West’s short 1939 classic is at the very least the most disturbing portrait of Golden Age Hollywood and its hangers-on ever written—hideous, poignant, horribly funny.
West himself wrote scripts for B-movies in the thirties. His death at thirty-three in a car crash was perhaps, in its awful and infuriating ridiculousness, fitting. And it was the day after F. Scott Fitzgerald died.
Admired by F. Scott Fitzgerald, Dorothy Parker, and Dashiell Hammett, and hailed as one of the "Best 100 English-language novels" by Time magazine, The Day of the Locust continues to influence American writers, artists, and culture. Bob Dylan wrote the classic song "Day of the Locusts" in homage and Matt Groening's Homer Simpson is named after one of its characters. No novel more perfectly captures the nuttier side of Hollywood. Here the lens is turned on its fringes - actors out of work, film extras with big dreams, and parents lining their children up for small roles. But it's the…
As a young person I loved to read history novels, but each book had to be about either British monarchs or American generals. Then I watched the movie Bye Bye Blues, a Canadian prairie story by Anne Wheeler, and realized for the first time that the story was about me, about us. It was such a heady feeling that I decided to study Western Canadian history at university. Three weeks after I got my M.A. from the University of Victoria I was offered the chance to write about Vancouver Island coal miners and the rest, as they say, is quite literally history.
I love a book that weaves fiction into historical events. The Cypress Hills are on the Canadian side of the international border where it cuts through the North American central plain. This was a gathering place for First Nations and Metis people, but the area also attracted American whisky traders and wolf hunters. The reasons for the massacre that occurred in 1873 are disputed, but fifty years later, the last living survivor, by then a grizzled bit player in Hollywood, tells his story to a young screenwriter.
Counterpointing the stories of the legendary Western cowboy Shorty McAdoo and Harry Vincent, the ambitious young screenwriter commissioned to retell his story in 1920s Hollywood, this novel reconstructs an epic journey through Montana into the Canadian plains, by a group of men pursuing their stolen horses.
The Englishman's Boy intelligently and creatively depicts an American West where greed and deception are tempered by honor and strength. As Richard Ford has noted, "Vanderhaeghe is simply a wonderful writer. The Englishman's Boy, spanning as it does two countries, two centuries, two views of history―the Canadian Wild…
I am the child of screenwriters who lived through the Hollywood Blacklist. They were never, so far as they knew, blacklisted. There were times when they just didn’t get work. It might have been the usual inconvenience of a freelance career. It might have been something else. Maybe someone had mentioned them, maybe their names were similar to someone’s, maybe anything. Then they got work again, and didn’t ask, because you couldn’t ask.
Are You Now or Have You Ever Been? is set in that world, although its characters are fictional. The four nonfiction books listed here are my favorites of those I read during my research.
As the child of screenwriters, Naming Names felt personal to me.
It was probably the first serious attempt at a comprehensive account of the Hollywood Blacklist, the product of the Red Scare driven by the House Un-American Activities Committee and Sen. Joseph McCarthy that shattered careers and lives.
It examines not only the politics of the hunt for communists in the arts but the lives of the real people affected and the fear generated when colleagues and neighbors were pressured to turn on each other in their testimony.
Winner of the National Book Award: The definitive history of Joe McCarthy, the Hollywood blacklist, and HUAC explores the events behind the hit film Trumbo.
Drawing on interviews with over one hundred and fifty people who were called to testify before the House Un-American Activities Committee—including Elia Kazan, Ring Lardner Jr., and Arthur Miller—award-winning author Victor S. Navasky reveals how and why the blacklists were so effective and delves into the tragic and far-reaching consequences of Joseph McCarthy’s witch hunts. A compassionate, insightful, and even-handed examination of one of our country’s darkest hours, Naming Names is at once a morality…
Deputy Jenna Hart has only been working in her sleepy hometown of Pearl Springs for seven months when city officials begin to be targeted by a killer. Twenty years ago, the construction of a dam caused people to lose their land to eminent domain. That wound has not healed with…
I am the child of screenwriters who lived through the Hollywood Blacklist. They were never, so far as they knew, blacklisted. There were times when they just didn’t get work. It might have been the usual inconvenience of a freelance career. It might have been something else. Maybe someone had mentioned them, maybe their names were similar to someone’s, maybe anything. Then they got work again, and didn’t ask, because you couldn’t ask.
Are You Now or Have You Ever Been? is set in that world, although its characters are fictional. The four nonfiction books listed here are my favorites of those I read during my research.
I always like books that trace the origins of a political movement, because they almost always go farther back than we think.
This one follows the suppression of radical activity in Hollywood from the beginning of the Great Depression of the 1930s, a time that also saw the founding of the Writers’ Guild, a union that gave writers some actual power in an industry that ran on power and often regarded writers as disposable. But even the Writers Guild couldn’t defend those accused of communist sympathies by their government.
It is significant in our current era that no Hollywood Communist, even the real ones, was ever linked to espionage or sabotage, and that evidence of the supposed subversive indoctrination planted in films was nonexistent.
The history of political struggle in Hollywood back to the formation of the Screen Writers Guild in 1933 with the culmination of the blacklists of the House Un-American Activites Commmitee. The definitive work on the blacklist ear.
