Here are 100 books that Oil! fans have personally recommended if you like
Oil!.
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In a family of readers, my older sister was fascinated by the American Revolution, so I became a reader under that influence, gulping down biographies for kids. I trained as an academic historian but never really wanted to write academic history. Instead, I wanted to bottle that what-if-felt-like magic that I'd felt when I read those books as a kid. I became a journalist but still felt the pull of the past. So I wound up in that in-between slice of journalists who try to write history for readers like me, more interested in people than in complex arguments about historical cause and effect.
This book gave me a world I'd barely known about, a villain who personified evil and a cast of characters from the famous (but murderous) explorer Henry Morton Stanley to uncelebrated people of conscience who fought Leopold's monstrous scheme.
So it's a fabulous story, but along the way, it also taught me a great deal about the history of Africa, a continent about which we Americans know so little.
Winner of the Duff Cooper Prize, King Leopold's Ghost is the true and haunting account of Leopold's brutal regime and its lasting effect on a ruined nation. With an introduction by award-winning novelist Barbara Kingsolver.
In the late nineteenth century, when the great powers in Europe were tearing Africa apart and seizing ownership of land for themselves, King Leopold of Belgium took hold of the vast and mostly unexplored territory surrounding the Congo River. In his devastatingly barbarous colonization of this area, Leopold stole its rubber and ivory, pummelled its people and set up a ruthless regime that would reduce…
The Golden Promise of Cripple Creek
by
Mary Ellen Johnson,
When her wealthy politician boyfriend dumps her, disgraced social media influencer Maeve Mooney retreats to her family ranch—only to tumble down an abandoned mine shaft and straight into 1901 Cripple Creek, Colorado.
It's a world of glittering wealth, gritty saloons, and ongoing tensions between miners and powerful mine owners. Using…
I am a New York Times bestselling author of six books, including The Mosquito: A Human History of Our Deadliest Predator. My works have been published globally in more than fifteen languages. I hold a PhD from the University of Oxford, served as an officer in the Canadian and British Armies, and have appeared in numerous documentaries, television programs, and podcasts. I am an associate professor of history (and, as a true Canadian, head coach of the hockey team) at Colorado Mesa University.
There are a handful of books that, upon finishing, I remark with absolute admiration, “I wish I would have written that.” This is one of these select, extraordinary books. Yergin presents an eye-opening, at times uncomfortably shocking, journey through petroleum geopolitics, challenging conventional notions about historical events, the modern world order, and how it came to pass.
Written by the author of "Shattered Peace" and "Energy Future", this book brings to life the tycoons, wildcatters, monopolists, regulators, presidents, generals and sheiks whose struggle for oil has shaken the world economy, dictated the outcome of wars, transformed the destiny of Britain and the world and profoundly changed all our lives. Beginning with the first oil well of the 1850s and continuing up to Saddam Hussein's invasion of Kuwait, it is a story of greed, gumption nad ingenuity, all in pursuit of "the prize" - worldwide economic, military and political mastery through the control of oil. The book includes…
I’m a Stanford professor who became fascinated
with oil and everything it does to for us and to us. For years I traveled the
world talking to the people who know petroleum: executives in the big oil companies,
politicians and activists, militants and victims, spies and tribal chiefs. Blood
Oil explains what I learned and how we can make our oil-cursed world better
for all of us.
If you love villains, you’ll love this book (plus all these villains are real).
Psychopathic dictators, Russian arms dealers, ultra-violent warlords, and corrupt French presidents all show the evil oil can inspire—and the ruin it can bring to a country. I had to put this book down a few times; the depravity around oil can shock even those of us who think we’ve heard it all.
Each week the oil and gas fields of sub-Saharan Africa produce over a billion dollars worth of oil yet this rising tide of money is not promoting stability or development but instead is causing violence, poverty and stagnation. "Poisoned Wells" exposes the root causes of this paradox of poverty from plenty, and explores the mechanisms by which oil causes grave instabilities and corruption around the globe. Shaxson's access as a journalist to the key players in African oil results in an explosive story.
I’m a Stanford professor who became fascinated
with oil and everything it does to for us and to us. For years I traveled the
world talking to the people who know petroleum: executives in the big oil companies,
politicians and activists, militants and victims, spies and tribal chiefs. Blood
Oil explains what I learned and how we can make our oil-cursed world better
for all of us.
This is an academic book that might knock your socks off. Ross shows why countries with lots of oil are more likely to suffer from dictators, civil wars, and worse economies—and even why they’re worse for women than for men.
Could oil become a blessing instead of a curse in these countries? Read Ross to find out.
Countries that are rich in petroleum have less democracy, less economic stability, and more frequent civil wars than countries without oil. What explains this oil curse? And can it be fixed? In this groundbreaking analysis, Michael L. Ross looks at how developing nations are shaped by their mineral wealth--and how they can turn oil from a curse into a blessing. Ross traces the oil curse to the upheaval of the 1970s, when oil prices soared and governments across the developing world seized control of their countries' oil industries. Before nationalization, the oil-rich countries looked much like the rest of the…
I first started lying as a child and was fascinated to discover that the art of deception could turn into full-time employment as either a politician or an author (I choose the one with moderately better hours and substantially worse pay). As someone who crafts elaborate lies for the purposes of entertainment, I remain fascinated by people who lie for nefarious ends, something I swear I’d never do. (Except for the time I snuck into a music festival by pretending to be one of the catering staff, earning me the dubious distinction of being one of very few people to ever appear in a Metallica moshpit wearing a waiter’s uniform.)
In an age of constant digital deception, it was utterly fascinating to read the story of someone who manipulates people through the simple use of a phone call.
The plot follows two filmmakers, Carrie and Meadow, the latter of whom makes a documentary about “Nicole”, a woman who seduced an array of Hollywood heavy hitters armed with nothing more than a telephone. The novel unfolds through multiple perspectives and timeframes that begin as disparate but are slowly woven together by Spiotta’s expert hand.
The plot itself is fascinating, but Spiotta’s stylistic and thematic mastery are a wonder to behold. Sidenote: Nicole is loosely based on the true story of Whitney Walton, on whom Jen Silverman also did a brilliant take in her audiobook The Miranda Obsession (performed by Rachel Brosnahan).
'Spiotta is a wonder.' - George Saunders, author of Lincoln in the Bardo
Meadow Mori and Carrie Wexler grew up together in Los Angeles, and both became film-makers.
Meadow makes challenging documentaries; Carrie makes successful feature films with a feminist slant. The two friends have everything in common - except their views on sex, power, movie-making and morality. And yet their loyalty trumps their different approaches to film and to life.
Until, one day, a mysterious woman with a unique ability to cold-call and seduce powerful men over the phone - not through sex, but through listening - becomes the…
I was old (or young) enough to have only seen two Kubrick films in the cinema: Full Metal Jacket and Eyes Wide Shut. I began teaching film studies and Hollywood in 1998, and I have been teaching and researching Kubrick intensively since 2007, visiting his archive in London on numerous occasions. At one point, I held the record for the researcher who had spent the most hours in the Archive. I also met Christiane and Jan and spoke to many others who knew and worked with Kubrick. Having been familiar with Robert Kolker’s work, it became clear that collaborating with an international authority on film was a necessity as well as a pleasure.
This is one of the few novels I’ve read twice for pleasure (rather than work). It’s a noirish novel that delves into the esoteric along the lines of Umberto Eco’s Foucault’s Pendulum (which Kubrick allegedly considered adapting at one point but which I was unable to read twice!).
The book follows a film scholar who uncovers an incredible conspiracy around a fictional B-movie director called Max Castle, and the imperceptible images he placed in the gap between each of the twenty-four frames played every second in a movie: the so-called flicker of the title. Its author, Roszak, is better known for having coined the term "the counter-culture."
From the golden age of art movies and underground cinema to X-rated porn, splatter films, and midnight movies, this breathtaking thriller is a tour de force of cinematic fact and fantasy, full of metaphysical mysteries that will haunt the dreams of every moviegoer. Jonathan Gates could not have anticipated that his student studies would lead him to uncover the secret history of the movies—a tale of intrigue, deception, and death that stretches back to the 14th century. But he succumbs to what will be a lifelong obsession with the mysterious Max Castle, a nearly forgotten genius of the silent screen…
We write mysteries set during the Golden Age of Hollywood that feature costume designer Edith Head, so naturally, we love books about film history. We’ve found that some of the best books to tackle the subject aren’t biographies of individuals or profiles of film studios but case studies of single films. Concentrating on one movie and all of the personnel and creative decisions behind it allows an author to explore every aspect of filmmaking and explain how it really works…even when the film in question doesn’t.
We believe you can learn more from failure than success. Misfires don’t come much bigger than the 1990 adaptation of Tom Wolfe’s blockbuster novel The Bonfire of the Vanities. The movie busted nary a block, which only makes director Brian De Palma’s willingness to open up the process to reporter/critic Salamon more remarkable.
This visits every department—including our favorite, costume design—and underscores that no one knows if a movie will be a smash or a flop while they’re making it, so cast and crew work just as hard on both. We love the story of second-unit director Eric Schwab seizing the opportunity to prove himself.
When Brian De Palma agreed to allow Julie Salamon unlimited access to the film production of Tom Wolfe's best-selling book The Bonfire of the Vanities , both director and journalist must have felt like they were on to something big. How could it lose? But instead Salamon got a front-row seat at the Hollywood disaster of the decade. She shadowed the film from its early stages through the last of the eviscerating reviews, and met everyone from the actors to the technicians to the studio executives. They'd all signed on for a blockbuster, but there was a sense of impending…
I am the child of screenwriters who lived through the Hollywood Blacklist. They were never, so far as they knew, blacklisted. There were times when they just didn’t get work. It might have been the usual inconvenience of a freelance career. It might have been something else. Maybe someone had mentioned them, maybe their names were similar to someone’s, maybe anything. Then they got work again, and didn’t ask, because you couldn’t ask.
Are You Now or Have You Ever Been? is set in that world, although its characters are fictional. The four nonfiction books listed here are my favorites of those I read during my research.
As the child of screenwriters, Naming Names felt personal to me.
It was probably the first serious attempt at a comprehensive account of the Hollywood Blacklist, the product of the Red Scare driven by the House Un-American Activities Committee and Sen. Joseph McCarthy that shattered careers and lives.
It examines not only the politics of the hunt for communists in the arts but the lives of the real people affected and the fear generated when colleagues and neighbors were pressured to turn on each other in their testimony.
Winner of the National Book Award: The definitive history of Joe McCarthy, the Hollywood blacklist, and HUAC explores the events behind the hit film Trumbo.
Drawing on interviews with over one hundred and fifty people who were called to testify before the House Un-American Activities Committee—including Elia Kazan, Ring Lardner Jr., and Arthur Miller—award-winning author Victor S. Navasky reveals how and why the blacklists were so effective and delves into the tragic and far-reaching consequences of Joseph McCarthy’s witch hunts. A compassionate, insightful, and even-handed examination of one of our country’s darkest hours, Naming Names is at once a morality…
Like some other things I’ve been lucky enough to have published, The Flying Dutchman is a short work I chiseled out of a longer one. An updating of the classic romantic legend, it’s the story of a young woman visited by a time-traveling pop star seeking the one woman he can love. The novella form—not novel, not short story—seemed to work best for it. It’s been the right shape for some of the most famous stories of all time, from Heart of Darkness to To Kill a Mockingbird and beyond.
I’ve traveled through time myself to choose some other favorite novellas that meaningfully capture a period and place.
One of my favorite novels of any length, Nathanael West’s short 1939 classic is at the very least the most disturbing portrait of Golden Age Hollywood and its hangers-on ever written—hideous, poignant, horribly funny.
West himself wrote scripts for B-movies in the thirties. His death at thirty-three in a car crash was perhaps, in its awful and infuriating ridiculousness, fitting. And it was the day after F. Scott Fitzgerald died.
Admired by F. Scott Fitzgerald, Dorothy Parker, and Dashiell Hammett, and hailed as one of the "Best 100 English-language novels" by Time magazine, The Day of the Locust continues to influence American writers, artists, and culture. Bob Dylan wrote the classic song "Day of the Locusts" in homage and Matt Groening's Homer Simpson is named after one of its characters. No novel more perfectly captures the nuttier side of Hollywood. Here the lens is turned on its fringes - actors out of work, film extras with big dreams, and parents lining their children up for small roles. But it's the…
20 years ago a software company I founded had been acquired and my life should have been good. Instead, it was a Herculean mess. I had just been fired by a billionaire whom I had accused of crimes, and now I was out of work and broke. It would still be four more years before Bernie Ebbers was sentenced to 25 years in federal prison (where he became blind and demented and died) for the world’s largest fraud. But when I was writing the first words of Paper Targets, the executives who had pulled me into their world of the “Lie” were freely strutting on the World Stage of Greed.
Bukowski didn't thieve, solve crimes, or use high-tech. In fact, he worked hard and was poor and isolated most of his life. But he lived in the fringe of the noir world, and beat on his machines—manual typewriters, then an IBM Selectric, and finally, with some fame and money, a computer. He was South of his No North, real and genuine for so long that when Hollywood knocked, he was ready for them. This book is his first-hand account of the dumb ego and stupid money that goes into making a movie. Hilarious and dark at the same time. A poet's novel.
'What will you do?' 'Oh, hell, I'll write a novel about writing the screenplay and making the movie.' 'What are you going to call it?' 'Hollywood.'
Henry Chinaski has a penchant for booze, women and horse-racing. On his precarious journey from poet to screenwriter he encounters a host of well-known stars and lays bare the absurdity and egotism of the film industry. Poetic, sharp and dangerous, Hollywood - Bukowski's fictionalisation of his experiences making the film Barfly - explores the many dark shadows to be found in the neon-soaked glare of Hollywood's limelight.
