Here are 100 books that Oil! fans have personally recommended if you like
Oil!.
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In a family of readers, my older sister was fascinated by the American Revolution, so I became a reader under that influence, gulping down biographies for kids. I trained as an academic historian but never really wanted to write academic history. Instead, I wanted to bottle that what-if-felt-like magic that I'd felt when I read those books as a kid. I became a journalist but still felt the pull of the past. So I wound up in that in-between slice of journalists who try to write history for readers like me, more interested in people than in complex arguments about historical cause and effect.
This book gave me a world I'd barely known about, a villain who personified evil and a cast of characters from the famous (but murderous) explorer Henry Morton Stanley to uncelebrated people of conscience who fought Leopold's monstrous scheme.
So it's a fabulous story, but along the way, it also taught me a great deal about the history of Africa, a continent about which we Americans know so little.
Winner of the Duff Cooper Prize, King Leopold's Ghost is the true and haunting account of Leopold's brutal regime and its lasting effect on a ruined nation. With an introduction by award-winning novelist Barbara Kingsolver.
In the late nineteenth century, when the great powers in Europe were tearing Africa apart and seizing ownership of land for themselves, King Leopold of Belgium took hold of the vast and mostly unexplored territory surrounding the Congo River. In his devastatingly barbarous colonization of this area, Leopold stole its rubber and ivory, pummelled its people and set up a ruthless regime that would reduce…
I am a New York Times bestselling author of six books, including The Mosquito: A Human History of Our Deadliest Predator. My works have been published globally in more than fifteen languages. I hold a PhD from the University of Oxford, served as an officer in the Canadian and British Armies, and have appeared in numerous documentaries, television programs, and podcasts. I am an associate professor of history (and, as a true Canadian, head coach of the hockey team) at Colorado Mesa University.
There are a handful of books that, upon finishing, I remark with absolute admiration, “I wish I would have written that.” This is one of these select, extraordinary books. Yergin presents an eye-opening, at times uncomfortably shocking, journey through petroleum geopolitics, challenging conventional notions about historical events, the modern world order, and how it came to pass.
Written by the author of "Shattered Peace" and "Energy Future", this book brings to life the tycoons, wildcatters, monopolists, regulators, presidents, generals and sheiks whose struggle for oil has shaken the world economy, dictated the outcome of wars, transformed the destiny of Britain and the world and profoundly changed all our lives. Beginning with the first oil well of the 1850s and continuing up to Saddam Hussein's invasion of Kuwait, it is a story of greed, gumption nad ingenuity, all in pursuit of "the prize" - worldwide economic, military and political mastery through the control of oil. The book includes…
I’m a Stanford professor who became fascinated
with oil and everything it does to for us and to us. For years I traveled the
world talking to the people who know petroleum: executives in the big oil companies,
politicians and activists, militants and victims, spies and tribal chiefs. Blood
Oil explains what I learned and how we can make our oil-cursed world better
for all of us.
If you love villains, you’ll love this book (plus all these villains are real).
Psychopathic dictators, Russian arms dealers, ultra-violent warlords, and corrupt French presidents all show the evil oil can inspire—and the ruin it can bring to a country. I had to put this book down a few times; the depravity around oil can shock even those of us who think we’ve heard it all.
Each week the oil and gas fields of sub-Saharan Africa produce over a billion dollars worth of oil yet this rising tide of money is not promoting stability or development but instead is causing violence, poverty and stagnation. "Poisoned Wells" exposes the root causes of this paradox of poverty from plenty, and explores the mechanisms by which oil causes grave instabilities and corruption around the globe. Shaxson's access as a journalist to the key players in African oil results in an explosive story.
The Golden Promise of Cripple Creek
by
Mary Ellen Johnson,
When her wealthy politician boyfriend dumps her, disgraced social media influencer Maeve Mooney retreats to her family ranch—only to tumble down an abandoned mine shaft and straight into 1901 Cripple Creek, Colorado.
It's a world of glittering wealth, gritty saloons, and ongoing tensions between miners and powerful mine owners. Using…
I’m a Stanford professor who became fascinated
with oil and everything it does to for us and to us. For years I traveled the
world talking to the people who know petroleum: executives in the big oil companies,
politicians and activists, militants and victims, spies and tribal chiefs. Blood
Oil explains what I learned and how we can make our oil-cursed world better
for all of us.
This is an academic book that might knock your socks off. Ross shows why countries with lots of oil are more likely to suffer from dictators, civil wars, and worse economies—and even why they’re worse for women than for men.
Could oil become a blessing instead of a curse in these countries? Read Ross to find out.
Countries that are rich in petroleum have less democracy, less economic stability, and more frequent civil wars than countries without oil. What explains this oil curse? And can it be fixed? In this groundbreaking analysis, Michael L. Ross looks at how developing nations are shaped by their mineral wealth--and how they can turn oil from a curse into a blessing. Ross traces the oil curse to the upheaval of the 1970s, when oil prices soared and governments across the developing world seized control of their countries' oil industries. Before nationalization, the oil-rich countries looked much like the rest of the…
I’m a playwright who loves not only writing plays but also teaching dramatic writing workshops – mostly through my San Francisco program and Chicago Dramatists where I’m a Resident Playwright. My plays have received many awards and honors, including three selections for the National Playwrights Conference at the Eugene O’Neill Theatre Center, and have been presented in Europe, Russia, and Australia as well as the U.S. Meanwhile my workshops and script consultations have given me the opportunity to work with thousands of writers over the past 35 years. This led me to begin writing books for writers, starting with The Dramatic Writer’s Companion, now in its Second Edition.
A list of play recommendations from me has to include something by Martin McDonagh who is now garnering serious attention as a filmmaker.
I choseThe Cripple of Inishmaan because of its dynamic main character “Cripple” Billy Craven who yearns to escape the poverty and boredom of his life on an Aran island off the west coast of Ireland. Billy begins to envision a future for himself in Hollywood when he learns about a film shoot on a neighboring island and has to figure out a way to get over there.
I love the strange world of this play and how it is revealed through the characters we meet, such as Billy’s Aunt Kate who talks to stones; Johnnypateenmike, the town gossip; and Helen McCormick, Billy’s ever-feisty friend.
"Mr McDonagh is destined to be one of the theatrical luminaries of the 21st century" (The New Republic) In 1934, the people of Inishman learn that the Hollywood director Robert Flaherty is coming to the neighbouring island to film his documentary Man of Aran. No-one is more excited than Cripple Billy, an unloved boy whose chief occupation has been gazing at cows and yearning for a girl who wants no part of him. For Billy is determined to cross the sea and audition for the Yank. And as news of his audacity ripples thorugh his rumour-starved community, The Cripple of…
I have always been drawn to stories of miserable rich people, especially tales of how old money contorts lineage into something rotten. I grew up in Northern California, and while my family was comfortable, we weren’t part of the tennis club and yachting elite. During my childhood, we spent a lot of time exploring abandoned properties. It was a passion that I kept when I moved to Los Angeles as an adult and started to explore forgotten parts of Hollywood’s past. Los Angeles has always fascinated me because it embodies extreme wealth and extreme poverty: like the American dream itself, it straddles both extremes and promises everything while guaranteeing nothing.
I read this book for the first time when I was in high school, and it made me realize that main characters aren’t always good people. Maria Wyeth is a selfish, broken actress who stumbles through a series of bad decisions. She cares about nothing, not even herself, but the language is so beautiful and evocative of a 1960s Los Angeles that you can’t help wondering what happens.
If nothing else, pick it up for the laissez-faire attitude of the extremely wealthy and beautiful before the age of social media.
A profoundly disturbing novel that ruthlessly dissects American life in the late 1960s, from the author of The White Album and The Year of Magical Thinking.
Benny called for a round of Cuba Libres and I gave him some chips to play for me and went to the ladies' room and never came back.
Somewhere out beyond Hollywood, hollowed-out actress Maria Wyeth's life plays out in a numbing routine of perpetual freeway driving. In her early thirties, divorced from her husband, dislocated from friends, anesthetized to pain and please, Wheth is a woman who has run out of…
I am teaching Theater studies at the Hebrew University of Jerusalem. Among my courses, “The World of Theater in the Reflection of Cinema" was a notable one. My favorite film was Children of Paradise. However, I was taken aback when a friend questioned the film's alleged anti-Semitic elements. I scrutinized the character of the Old-Clothes Man, Josué, noticing his stereotypical Jewish traits. As my research went further, I discovered the original 1942 script, where Josué played a more significant role as an overt Jewish traitor, ultimately slain by the film's hero, Deburau. This revelation prompted extensive research in Paris and Jerusalem, uncovering veiled Jewish portrayals in other French films made during the German occupation.
This book is not directly linked with my research, but it shows how financial interests can influence artistic works. It especially shows the critical role of the producer in the messages brought by a film.
The Collaboration reveals a hidden chapter of Hollywood's past. Ben Urwand shows the complex relationship between Hollywood and Nazi Germany during a time when cinema was at its zenith. The book discovers a very disturbing reality. Major Hollywood studios, despite many of them being led by Jewish executives, made secret agreements with Nazi authorities to avoid depicting Germany unfavorably or addressing the persecution of Jews.
Urwand's diligent research, backed by letters, memos, and historical accounts, paints a picture of compromise on the part of Hollywood producers during that period of history, which preferred their financial interests over their moral duties.
To continue doing business in Germany after Hitler's ascent to power, Hollywood studios agreed not to make films that attacked the Nazis or condemned Germany's persecution of Jews. Ben Urwand reveals this bargain for the first time-a "collaboration" (Zusammenarbeit) that drew in a cast of characters ranging from notorious German political leaders such as Goebbels to Hollywood icons such as Louis B. Mayer.
At the center of Urwand's story is Hitler himself, who was obsessed with movies and recognized their power to shape public opinion. In December 1930, his Party rioted against the Berlin screening of All Quiet on the…
I am a professor of pop culture, so I know personally that talking about race can be so incredibly awkward at times – but it does not always have to be! Often, many restrict themselves from fully participating in these necessary dialogues only because of a profound fear of “saying the wrong thing.” As individuals responsible for preparing a new generation of thinkers prepared to innovate improved solutions for the society we share, inevitably, the topic of race must not only be broached, but broached productively. I write to provide tools to help make such difficult conversations less difficult.
This book is an absolutely indispensable reference – Donald Bogle may well be dubbed the “godfather” of race studies in film as he meticulously chronicled and chartered black images in early film.
The book’s title alone already clues readers into the idea that Bogle will not pull any punches in describing popular black film caricatures that we now regard as problematic today.
This classic iconic study of black images in American motion pictures has been updated and revised, as Donald Bogle continues to enlighten us with his historical and social reflections on the relationship between African Americans and Hollywood. He notes the remarkable shifts that have come about in the new millennium when such filmmakers as Steve McQueen (12 Years a Slave) and Ava DuVernay (Selma) examined America's turbulent racial history and the particular dilemma of black actresses in Hollywood, including Halle Berry, Lupita Nyong'o, Octavia Spencer, Jennifer Hudson, and Viola Davis. Bogle also looks at the ongoing careers of such stars…
After years of struggling to start my own business, I had a revelation that changed everything for me. The best marketers weren’t marketers—they were resourceful punks, propagandists, cult leaders, and other assorted riff-raff. I began to adopt their tactics, and I started having some success—first as a freelance copywriter and then as a marketing agency owner. Ever since, I’ve been obsessed by the weird psychology we fall into when we’re with other humans and how people can hack that psychology to make others do what they want.
If you want to read about how to make hype happen while making people happy, check out Shep Gordon’s autobiography. This book played a big part in making me realize that hype can be used as a force for good as well as evil. At the very least, it can add a whole lot of color to the world.
Shep Gordon had no connections and no money when he started out as a manager in the entertainment industry. But somehow, he managed to turn Alice Cooper into an international superstar, resurrect the career of a Vaudeville legend, and singlehandedly create the celebrity chef movement. This guy continues to inspire me.
A Southern California-based author and screenwriter whose adventures in and around the film business have led to hundreds of feature stories for such magazines as Vibe, Playboy, Entertainment Weekly, American Film, Smithsonian, and Movieline. My books include three dedicated to Disney animated classics and a volume on the art of American movie posters. The lovingly satirical book Bad Movies We Love, co-written with Edward Margulies, inspired a Turner Network movie marathon series. My next non-fiction book will be published in 2024.
Newbie novelist Jacqueline Susann created an iconic all-time bestseller with her tale of three young glamazons who vault to the show business heights, only to tumble into a pit of addictions, poor choices in men, and delightfully overripe dialogue. Susann made her sweeping, sexy soap opera shenanigans even more irresistible by patterning her characters on such 20th-century headline-makers as Marilyn Monroe, Judy Garland, Grace Kelly, Ethel Merman, and the Kennedys. Said publicity-savvy Susann, “They can keep calling it that ‘roman à clef'. It’ll only make my books sell.” They did. It did. Although the sanitized and critically bashed 1967 movie version toned down the à clef elements, it became a box-office smash that has gone on to become enshrined as a kitsch classic.
Before Jackie Collins, Candace Bushnell and Lena Dunham, Jacqueline Susann held the world rapt with her tales of the private passions of Hollywood starlets, high-powered industrialists and the jet-set.
Valley of the Dolls took the world by storm when it was first published, fifty years ago. Never had a book been so frank about sex, drugs and show business. It is often sited as the bestselling novel of all time.
Dolls - red or black; capsules or tablets; washed down with vodka or swallowed straight. For Anne, Neely and Jennifer, it doesn't matter, as long as the pill bottle is…
