Here are 94 books that The Writer Laid Bare fans have personally recommended if you like
The Writer Laid Bare.
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I have been a reader and writer for most of my life. From the moment I could spell a handful of words, my mum encouraged me to write stories. With a few prompt terms, Iâd be off. As a writer, I spend countless hours editing and refining my work because it makes me better and because I love it. My favourite part of a book is often a single, beautifully structured sentence. This passion has led me to wonder what other people have to say about writing and language. The more I hear about the practice of writing, the more I fall in love with it.Â
What I love most about Bird by Bird is the way that Anne Lamott characterises writing as a gift, a giving over to someone else in a manner akin only to being a parent.
While I am not a parent, I am inspired by this idea that the written word can make a person braver and better by virtue of opening them up to the world and people in new ways. Despite the hurdles and difficulties of the practice, which Lamott deftly outlines, she ultimately decides that a writer is pursuing an act of generosity and openness. I really love this idea.
There is a real lack of pretentiousness to Lamottâs writing, which allows you to take these nuggets and accept what otherwise might be sentimental claims that âwriting is lifeâ as simple truths.Â
NEW YORK TIMES BESTSELLER âą An essential volume for generations of writers young and old. The twenty-fifth anniversary edition of this modern classic will continue to spark creative minds for years to come. Anne Lamott is "a warm, generous, and hilarious guide through the writerâs world and its treacherous swamps" (Los Angeles Times).Â
âSuperb writing adviceâŠ. Hilarious, helpful, and provocative.â âThe New York Times Book Review
For a quarter century, more than a million readersâscribes and scribblers of all ages and abilitiesâhave been inspired by Anne Lamottâs hilarious, big-hearted, homespun advice. Advice that begins with the simple words of wisdomâŠ
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to runâŠ
I have been a reader and writer for most of my life. From the moment I could spell a handful of words, my mum encouraged me to write stories. With a few prompt terms, Iâd be off. As a writer, I spend countless hours editing and refining my work because it makes me better and because I love it. My favourite part of a book is often a single, beautifully structured sentence. This passion has led me to wonder what other people have to say about writing and language. The more I hear about the practice of writing, the more I fall in love with it.Â
Before reading On Writing and Writers by Margaret Atwood, I naively believed that writing about writing was necessarily boring. Like a textbook, full of cold, mechanical steps to improve. Atwoodâs book proved me incredibly wrong.Â
I was mesmerised by Atwoodâs self-deprecating charm and disarming wit, and saw myself in her initial query about whether she has the right to write â namely, the right to make grand claims about her practice.
Perhaps what I loved most was her reluctance to offer anything concrete. She dances near a decision, a position, an answer, and then just as quickly, she turns away again. Self-indulgently, I enjoy the idea that writing is a mystery that doesnât have one answer and that canât be pinned down. For me, Atwoodâs book confirmed this fanciful notion.Â
By the author of THE HANDMAID'S TALE and ALIAS GRACE
What is the role of the writer? Prophet? High Priest of Art? Court Jester? Or witness to the real world? Looking back on her own childhood and the development of her writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain - or excuse! - their activities, looking at what costumes they have seen fit to assume, what roles they have chosen to play. In her final chapter she takes up the challenge of the book's title: if a writer is to beâŠ
I have been a reader and writer for most of my life. From the moment I could spell a handful of words, my mum encouraged me to write stories. With a few prompt terms, Iâd be off. As a writer, I spend countless hours editing and refining my work because it makes me better and because I love it. My favourite part of a book is often a single, beautifully structured sentence. This passion has led me to wonder what other people have to say about writing and language. The more I hear about the practice of writing, the more I fall in love with it.Â
Stephen Kingâs memoir, On Writing, is brutally honest, deftly observant, and at times frighteningly visceral.
The skill with which he brings a bad ear appointment or the eating of too many eggs to life is a reminder to me that to be a writer doesnât mean to live as a celebrity. It means to take the mundane pieces of an ordinary life and invest them with purpose and excitement.
I thoroughly enjoyed this book because it allowed me to look at my life, at my weird relationship with eggs, and my tendency to sing out loud in shopping malls, as the very essence of my next story.
Equally compelling were the snippets of writing advice layered into Kingâs story, another reminder that advice, as well as inspiration, can be found just about anywhere.Â
Part memoir, part master class by one of the bestselling authors of all time, this superb volume is a revealing and practical view of the writer's craft, comprising the basic tools of the trade every writer must have. King's advice is grounded in his vivid memories from childhood through his emergence as a writer, from his struggling early career to his widely reported, near-fatal accident in 1999--and how the inextricable link between writing and living spurred his recovery. Brilliantly structured, friendly and inspiring, On Writing will empower and entertain everyone who reads it--fans, writers, and anyone who loves a greatâŠ
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother hadâŠ
I have been a reader and writer for most of my life. From the moment I could spell a handful of words, my mum encouraged me to write stories. With a few prompt terms, Iâd be off. As a writer, I spend countless hours editing and refining my work because it makes me better and because I love it. My favourite part of a book is often a single, beautifully structured sentence. This passion has led me to wonder what other people have to say about writing and language. The more I hear about the practice of writing, the more I fall in love with it.Â
I came across Dani Shapiroâs Still Writing at a time when I believed writing to be an impossible, nay, mythical career. Like the imaginary friends from my childhood, I saw it as something I must snap out of if I was ever to find the real thing.
I loved Shapiroâs part-memoir, part-guidebook because she spoke to the true mystery and unknowingness of writing. Clarity, as she puts it, may be the main aim of our game, but it seems to fall further and further away the more we try to grasp it.
The deceptively simple language and tone of Still Writing was a timely reminder for me that, despite the difficulty, risk, vulnerability, and tumult of this discipline, writing is an indelible part of my life, which is not only possible but within my reach.Â
People come to songwriting from all different directions. Some have wanted to do this since they were little kids. Some like to make their parents mad. Some are wildly talented but crippled with doubt. All I can say is that no matter which way youâre facing, I think I can help you. I say this because Iâve been teaching college-level songwriting for years now, and every semester I have students who want to meet with me for office hours. Theyâre all repeat customers and Iâve noticed that many of them ask repeat questions. The point of my book, Music, Lyrics, and Life, is to try to address those repeat questions because chances are good that you have them, too.
Do not come to this book in search of warm hugs about the beauty of the process. True to the title, Klinkenborg (best name ever?) offsets each of his sentences like an epic poem in verse. The epic he describes is how epically bad your writing is, andâhopefullyâhow to improve. He returns to the word "notice" over and over, and that's really it. You're blowing sentences by not noticing what the sentence itself is doing. You're over-emphasizing "meaning" at the expense of the vehicle that delivers it. I sense there's a kind man in there, somewhere, who's working a side of the street he feels has been neglected by years of misguided education. But here, he's dedicated to the larger cause of clean, clear sentences. Not hugs.
An indispensable and distinctive book that will help anyone who wants to write, write better, or have a clearer understanding of what it means for them to be writing, from widely admired writer and teacher Verlyn Klinkenborg.  Klinkenborg believes that most of our received wisdom about how writing works is not only wrong but an obstacle to our ability to write. In Several Short Sentences About Writing, he sets out to help us unlearn that âwisdomââabout genius, about creativity, about writerâs block, topic sentences, and outlineâand understand that writing is just as much about thinking, noticing, and learning what itâŠ
Iâm a writer who just published a book I didnât have any interest in writing. I didnât like the subject matter, so I had no interest in doing the research to create credible characters and a cohesive plot.
This book had me laughing from the first paragraph.
I had no plan to write novels then. I just wanted to write in a beautiful leather journal a good friend gave me to record my thoughts on my trip to Greece. It was a trip Iâd planned with others, one in particular. But when he decided to leave, I went anyway. Alone.
A friend of mine knew the trip would be emotionally and technically difficult. Travelling alone in a non-English-speaking country can be dicey. She hoped that this book would provide relief from the debris of my personal life. And it did.
Experience a modern classic on writing as you've never heard it before. With nearly one million copies of Writing Down the Bones in print, Natalie Goldberg has helped change the way writing is practiced in homes, schools, and workshops across America. Through her heartfelt personal reflections and her ingenious Zen-based exercises, Goldberg makes writing available to you as a tool for personal expression, self-exploration, and healing.
In this enhanced reading of her seminal work, Goldberg offers new commentary about the creative, spiritual, and practical dimensions of writing. Join her as she looks back on her life, sharing the story ofâŠ
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man sheâŠ
Iâm an oral historian as well as a writer, so Iâve always been fascinated by how people speak and how they interact with each other through dialogue. I soon realized some of the ways spoken language differs from written language and began exploring those differences. When I started writing, the dialogue came fairly easily, but this was deceptive, as I wasnât being rigorous enoughâI wasnât making the dialogue really work for the script. So, Iâm always trying to get better at that. Iâve had over 60 scripts performed on stage, radio, and screen, but I still gobble up books about speech and dialogueâthere is always more to be learned.
I loved the voice of this bookâitâs the voice of Stephen King, clever, yes, and a brilliant novelist, of course, but also absolutely down-to-earth. King is a perfectionist, continually going back through his writing to hone itâa useful reminder to all of us not to be satisfied with a first or second draft.
The book shows how, in the best writing, both dialogue and plot arise out of character. And I particularly valued his emphasis on cutting, cutting, cuttingâdialogue and everything else. Heâs made me do that more than ever!
Twentieth Anniversary Edition with Contributions from Joe Hill and Owen King
ONE OF TIME MAGAZINEâS TOP 100 NONFICTION BOOKS OF ALL TIME
Immensely helpful and illuminating to any aspiring writer, this special edition of Stephen Kingâs critically lauded, million-copy bestseller shares the experiences, habits, and convictions that have shaped him and his work.
âLong live the Kingâ hailed Entertainment Weekly upon publication of Stephen Kingâs On Writing. Part memoir, part master class by one of the bestselling authors of all time, this superb volume is a revealing and practical view of the writerâs craft, comprising the basic tools of theâŠ
While attending college, I lived in a haunted house. This was before all the ghost-hunting shows and YouTube, so I didnât know what I was seeing at night. During the year and a half of these experiences, I saw two distinct shadow figures and had other people living in the front of the house, as well as my roommate, confirm they, too, had seen and heard things that were unexplainable. This began my interest in the paranormal. After graduation, I became a law enforcement officer and have been a Police Detective for the last 21 years. I have explored haunted locations and seen spirits and other unexplainable things.
I chose my Stephen King books wisely. Reading his novels is an investment of time. Bag of Bones was worth it! It is a strange story about how the past and the present will always be interrelated and interactive.
I loved the way King used the hauntings of the past to explain the present. Excellent book!
When Mike Noonan's wife dies unexpectedly, the bestselling author suffers from writer's block. Until he is drawn to his summer home, the beautiful lakeside retreat called Sara Laughs.
Here Mike finds the once familiar town in the tyrannical grip of millionaire Max Devore. Devore is hell-bent on getting custody of his deceased son's daughter and is twisting the fabric of the community to this purpose.
Three year old Kyra and her young mother turn to Mike for help. And Mike finds them increasingly irresistible.
But there are other more sinister forces at Sara Laughs - and Kyra can feel themâŠ
I blame my mother. She took us to the public library every week and let us check out as many books as we could carry. Consequently, reading was a joy rather than a burden. The writing came after I got over my false assumptions about English Lit and Modern Poetry. As a screenwriter, I craft silly stories to make audiences laugh. Thatâs why I watch movies after an exhausting week. As an author, I gravitate towards non-fictionâtrying to reconcile my artistry with my faith. Iâve written about movies, music, video games, technology, and artâwith an eye toward lifting our spirits and comforting our aching souls.
As a young man who loved the violent films of Martin Scorsese and the soothing sounds of Gregorian chants, I wanted to reconcile these seemingly contradictory passions.
Madeleine LâEngle offers wise words of encouragement for integrating our faith and our art. While Iâd enjoyed her science fiction novels like A Wrinkle in Time, I was surprised by the practical, down-to-earth aspects of Walking on Water. This book slowed me down, allowing child-like wonder to return. She challenged me to develop a daily creative practice because one day off ends up disconnecting us for three.
We all have to âfeed the lakeâ every single day.
In this classic book,Madeleine L'Engle addresses the questions, What does it mean to be a Christian artist? and What is the relationship between faith and art? Through L'Engle's beautiful and insightful essay, readers will find themselves called to what the author views as the prime tasks of an artist: to listen, to remain aware, and to respond to creation through one's own art.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the worldâs most famous heart surgeon.
In these and other intimate conversations, the bookâŠ
Iâm just an ordinary person whoâs struggled with their own habits and compulsions. My fear and anxiety led me to read many self-help books over the last thirty-something years, and a lot of them helped me to firmly believe that if you start your day in the best way you can, then thereâs no limit to the things that you can achieve!
Each of the books Iâve recommended has given me simple tools to help me do just that. Ultimately, I know they inspired me to create the Bad Habit Kicker system. I truly believe they can all help others optimize their lives and become the best versions of themselves!
Anyone whoâs looking to establish a daily creative practice would be well advised to read this book and put the beautiful ideas inside into practice.
Itâs packed with 12 weeks' worth of ideas for bringing out your artistic side. The ideas can help with any type of creative endeavour and are sure to encourage those creative juices to flow!
'I love it. A practical, spiritual, nurturing book.' - Russell Brand
Since its first publication, The Artist's Way has inspired the genius of Elizabeth Gilbert, Tim Ferriss, Reese Witherspoon and millions of readers to embark on a creative journey and find a deeper connection to process and purpose. Julia Cameron guides readers in uncovering problems and pressure points that may be restricting their creative flow and offers techniques to open up opportunities for self-growth and self-discovery.
A revolutionary programme for personal renewal, The Artist's Way will help get you back on track, rediscover your passions, and take the steps youâŠ