I have been a reader and writer for most of my life. From the moment I could spell a handful of words, my mum encouraged me to write stories. With a few prompt terms, I’d be off. As a writer, I spend countless hours editing and refining my work because it makes me better and because I love it. My favourite part of a book is often a single, beautifully structured sentence. This passion has led me to wonder what other people have to say about writing and language. The more I hear about the practice of writing, the more I fall in love with it.
My project is...
Hembury Books
Sinéad is the Publishing and Editorial Coordinator at Hembury Books, a hybrid publisher invested in returning creative control and royalties to authors. We publish books of all genres, from business and memoir to children’s books and historical fiction, all the way to true crime and travel. Sinead’s work allows her to continue her passion for Australian literature and voices and brings her face-to-face with the myriad of storytellers the country has to offer.
Blending the best of traditional and self-publishing, Hembury is jam-packed with professionals and experts like Sinéad who can guide you through editing, cover design, formatting, and publishing without overruling your creative authority. We are passionate about books and language and will publish your book with the care it deserves.
Before reading On Writing and Writers by Margaret Atwood, I naively believed that writing about writing was necessarily boring. Like a textbook, full of cold, mechanical steps to improve. Atwood’s book proved me incredibly wrong.
I was mesmerised by Atwood’s self-deprecating charm and disarming wit, and saw myself in her initial query about whether she has the right to write – namely, the right to make grand claims about her practice.
Perhaps what I loved most was her reluctance to offer anything concrete. She dances near a decision, a position, an answer, and then just as quickly, she turns away again. Self-indulgently, I enjoy the idea that writing is a mystery that doesn’t have one answer and that can’t be pinned down. For me, Atwood’s book confirmed this fanciful notion.
By the author of THE HANDMAID'S TALE and ALIAS GRACE
What is the role of the writer? Prophet? High Priest of Art? Court Jester? Or witness to the real world? Looking back on her own childhood and the development of her writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain - or excuse! - their activities, looking at what costumes they have seen fit to assume, what roles they have chosen to play. In her final chapter she takes up the challenge of the book's title: if a writer is to be…
I came across Dani Shapiro’s Still Writing at a time when I believed writing to be an impossible, nay, mythical career. Like the imaginary friends from my childhood, I saw it as something I must snap out of if I was ever to find the real thing.
I loved Shapiro’s part-memoir, part-guidebook because she spoke to the true mystery and unknowingness of writing. Clarity, as she puts it, may be the main aim of our game, but it seems to fall further and further away the more we try to grasp it.
The deceptively simple language and tone of Still Writing was a timely reminder for me that, despite the difficulty, risk, vulnerability, and tumult of this discipline, writing is an indelible part of my life, which is not only possible but within my reach.
Do you freeze up when your characters drift into the bedroom? Are you puzzled about how much to say and how to say it? What to call the body parts that bring us so much pleasure and so much anguish?
If you’re writing a novel and there’s a sexual encounter…
Stephen King’s memoir, On Writing, is brutally honest, deftly observant, and at times frighteningly visceral.
The skill with which he brings a bad ear appointment or the eating of too many eggs to life is a reminder to me that to be a writer doesn’t mean to live as a celebrity. It means to take the mundane pieces of an ordinary life and invest them with purpose and excitement.
I thoroughly enjoyed this book because it allowed me to look at my life, at my weird relationship with eggs, and my tendency to sing out loud in shopping malls, as the very essence of my next story.
Equally compelling were the snippets of writing advice layered into King’s story, another reminder that advice, as well as inspiration, can be found just about anywhere.
Part memoir, part master class by one of the bestselling authors of all time, this superb volume is a revealing and practical view of the writer's craft, comprising the basic tools of the trade every writer must have. King's advice is grounded in his vivid memories from childhood through his emergence as a writer, from his struggling early career to his widely reported, near-fatal accident in 1999--and how the inextricable link between writing and living spurred his recovery. Brilliantly structured, friendly and inspiring, On Writing will empower and entertain everyone who reads it--fans, writers, and anyone who loves a great…
What I love most about Bird by Bird is the way that Anne Lamott characterises writing as a gift, a giving over to someone else in a manner akin only to being a parent.
While I am not a parent, I am inspired by this idea that the written word can make a person braver and better by virtue of opening them up to the world and people in new ways. Despite the hurdles and difficulties of the practice, which Lamott deftly outlines, she ultimately decides that a writer is pursuing an act of generosity and openness. I really love this idea.
There is a real lack of pretentiousness to Lamott’s writing, which allows you to take these nuggets and accept what otherwise might be sentimental claims that “writing is life” as simple truths.
NEW YORK TIMES BESTSELLER • An essential volume for generations of writers young and old. The twenty-fifth anniversary edition of this modern classic will continue to spark creative minds for years to come. Anne Lamott is "a warm, generous, and hilarious guide through the writer’s world and its treacherous swamps" (Los Angeles Times).
“Superb writing advice…. Hilarious, helpful, and provocative.” —The New York Times Book Review
For a quarter century, more than a million readers—scribes and scribblers of all ages and abilities—have been inspired by Anne Lamott’s hilarious, big-hearted, homespun advice. Advice that begins with the simple words of wisdom…
Do you freeze up when your characters drift into the bedroom? Are you puzzled about how much to say and how to say it? What to call the body parts that bring us so much pleasure and so much anguish?
If you’re writing a novel and there’s a sexual encounter…
What I love about Lee Koffman’s intimate writing memoir is her encouragement and support of the notion that all writers have a different method and that you must find your own tips and tricks to get through the writing practice.
As a high-achieving student, thinker, and writer, I was mortified in classrooms to find that I didn’t have quick answers for things. With time, I came up with something great, but on the spot, I was an inarticulate, floundering mess.
Koffman taught me that truthfulness can not only be found in what you write but in how you do it. I learnt to accept the way my mind worked and realised that in combining the content and the method, you can create something great.
The Writer Laid Bare is a book for everyone who loves the craft of good writing. Be they a voracious reader wanting to know more or an emerging writer themselves, best-selling author and writing coach Lee Kofman has distilled her wisdom, insight and passion into this guide to writing and emotional honesty.
A combination of raw memoir and a professional writing toolkit, Lee examines her own life, rich in story and emotion to reveal how committing to a truthful writing practice helped her conquer writer's block and develop her own authentic voice.
Sinéad is the Publishing and Editorial Coordinator at Hembury Books, a hybrid publisher invested in returning creative control and royalties to authors. We publish books of all genres, from business and memoir to children’s books and historical fiction, all the way to true crime and travel. Sinead’s work allows her to continue her passion for Australian literature and voices and brings her face-to-face with the myriad of storytellers the country has to offer.
Blending the best of traditional and self-publishing, Hembury is jam-packed with professionals and experts like Sinéad who can guide you through editing, cover design, formatting, and publishing without overruling your creative authority. We are passionate about books and language and will publish your book with the care it deserves.
