100 Books Like The Witnesses are Gone

I absolutely fell for and into this seductive and sublimely entertaining book about a journalist investigating the enigma of Stanislas Cordova, an infamous and reclusive horror movie director. Nobody knows where he is or even if he’s still alive.

The invention of Cordova’s legend in the book is inspired; I love how Pessl builds layers of fake pop culture references and internet rabbit holes that feel so real you can almost hear the flicker of celluloid of one of Cordova’s movies playing out in your head. Even years after reading this book, I still recall it vividly in my mind’s eye.

I believe this book is one of the classic staples of surreal fiction. Its disjointed, spiraling narrative and sprawling non-linear plot lines challenge the definition of what a ‘book’ is. It uses everything from footnotes to text alignment to color schemes to make the act of reading itself increasingly difficult, which matches the house’s influence on the narrators’ memories and interests.

Reading it for me was like learning Latin or watching Casablanca–it gave context to decades of experimental media inspired by it, from TV shows to DOOM game mods. Love it or hate it, it’s a solid tool for any inhuman’s toolkit. 

I was introduced to the beguiling novels of Jonathan Carroll by the owner of a bookstore where I worked when I was young. Thirty years on and I still greatly anticipate a new novel by this unclassifiable author. 

It follows the efforts of a teacher and his girlfriend to write the biography of a deceased children’s author whom they idolize. I love that Carroll’s books begin with familiar scenarios but soon take off into a very unique kind of magical realism.

Carroll always writes with a sure, sweet touch; his dialogue is whip-smart, his characters larger than life, and his stories always zip along with an easy conversational tone. You can start anywhere with his books, but there’s a special place in my heart for this one.

I’ve loved this book since the day I unwrapped it in that bookstore I used to work at in 1992. Over the years I’ve re-read it several times and found it reveals more of itself the older I get. Harrison’s writing is hugely influential for a lot of writers, not only for his exquisite way with prose but also because he uncovers complex truths and epiphanies hiding inside ordinary people who find themselves occasionally touched by the fantastical. 

The heart of this novel is a fictional book—the imaginary memoirs of a travel writer traversing Europe in pursuit of a magical realm. Everything revolves around it, and this exquisite book is like a puzzle box that the years have only served to slowly unlock for me.

While David and Goliath is generally listed as a “self-help” book, Gladwell’s understanding of the biblical vignette unlocks a profound business strategy that Hamilton Helmer defines as “Counterpositioning” in his book 7 Powers.

Not a weak “underdog” at all, David (the Challenger) defeats Goliath (the Incumbent) by turning Goliath’s very strengths into his weaknesses.

David alters the rules of engagement and confidently strides into battle knowing that he has an excellent chance of success because Goliath, even as he sees David’s strategy unfolding, is incapable of competing David’s way.

David is the quintessential counterpositioner, adopting a model of behavior that Goliath is powerless to employ in response, much like Netflix streaming videos on demand and competing with giant Blockbuster and its megastores filled with physical VHS tapes. Game over.

A wonderful collection of outrageous, yet drily witty, short stories by the mordant satirist Saki (aka H.H. Munro tragically killed in WW1 – a great loss to literature). The milieux may be “cosy”, in that the setting is upper-class England of the early twentieth century, but the style is cuttingly astringent (darker than Wodehouse), yet the situations farcical. To be enjoyed with a generous libation to hand – though a malt whisky rather than a softer gin might be appropriate. A bonus to this edition is the excellent introduction by the late and great Graham Greene.

In this baker’s dozen of stories, Jean McGarry reprises favorite topics—tight-knit families, fraying loves, intimations of mortality. A native Rhode Islander with ties to Providence’s blue-collar Irish community, McGarry paints the state and its inhabitants in shades as tender as they are unsparing. McGarry’s great theme is decline: Everything that starts out promising invariably goes bad. Steeped in this worldview, her characters are lively and quick with an insult—even when they’re confronted by experts who presume to know them better than they know themselves. One mordant example: A therapist finally gets a breakthrough with a tough-to-reach Rhode Islander. The patient feels relief, and the therapist urges him to attend sessions more regularly. “You’re at it again,” the patient remarks. “Save your advertisements for someone else.”

All of these stories are superb but my favorite here is "The Last Garden," in which a woman with mother issues finds a surprising solution to them via hardware. Runnerup: "Arlington," with its brilliant use of time travel leavened by a nice dash of romance.

Jack Skillingstead is a cult writer who keeps a fine focus on the human condition, its pathos, comedy, kindness, and cruelty which he captures in surreal and satirical situations in the near and far future. I love his mordant humor, his playful imagination, and the crazy compounding situations he drops his characters into. Odd twists and unexpected endings. Very funny use of sentient hardware, 

Characters who are damaged and find healing in unexpected places, ways, and times. His notes on the background of these stories and generous essay about writing make this much more than a short story collection: the reader will gain insight into… show more.

The protagonist of this novel, Mia Fredricksen, experiences love, loss, and emotional breakdown. But what I love about this book is when Mia starts to rebuild herself and her sense of identity (her doctor tells her “tolerating cracks is part of being alive”) we move into a joyful narrative of female strength, power, and the solidarity of female friendship. And, as the title suggests, a summer without men. What I love about this novel is the message that even if you are badly betrayed, healing is possible. 

This short, dark novel hooked me from the beginning. Its beginning is, in fact, its ending when it is revealed that the protagonist, a young woman named Janet, has just been murdered. The story then jumps back in time to when Janet is born. I was drawn to the sharp, wry narrative voice and the gothic, stormy setting of northern mid-20th century Scottland.

The rest of the novel is an account of Janet’s coming-of-age instead of a typical and dull whodunit, which I loved because it felt fresh, true, and real to me—a revelation, in fact. I was so happy to encounter a young female protagonist who was odd, bookish, intelligent, grumpy, lonely, and highly unpopular.