The best books of fiction that feature “unlikeable” women in fantastical and everyday situations

I love the mixture of realism and creepy surrealism in this collection of short stories. I especially admire how Enriquez ties these together so that the surreal elements feel linked to the reality and current events of the protagonists’ lives.

I love that each story centers on complete women with all their obsessions, compulsions, fears, wild senses of humor, and sometimes unusual desires. For me, it is exhilarating, entertaining, and impactful. One of my favorite stories is about a woman who repurposes her uterine fibroid in a one-of-a-kind way—just imagine! 

This short, dark novel hooked me from the beginning. Its beginning is, in fact, its ending when it is revealed that the protagonist, a young woman named Janet, has just been murdered. The story then jumps back in time to when Janet is born. I was drawn to the sharp, wry narrative voice and the gothic, stormy setting of northern mid-20th century Scottland.

The rest of the novel is an account of Janet’s coming-of-age instead of a typical and dull whodunit, which I loved because it felt fresh, true, and real to me—a revelation, in fact. I was so happy to encounter a young female protagonist who was odd, bookish, intelligent, grumpy, lonely, and highly unpopular.

This novel is a dream for me. I haven’t read anything as moving and beautiful; in fact, this remains one of the very few novels I can read again and again, receiving something new from it each time. I love the liquid-like, ephemeral storytelling where the narrator expertly descends into the minds and souls of each character, brilliantly showing what they are feeling and thinking.

I love how multifaceted the women characters are—they baffle, frustrate, soothe, and inspire the novel’s moments of transcendence. The setting in rural, seaside England is also especially evocative, and I love how elements of the natural world become characters themselves. And there is a dinner scene to die for!

I feel that we live in a society that puts too much time and attention on women’s bodies. One way that women writers can take the female body back, I think, is to show how women’s bodies often become reflective of what they are experiencing emotionally and mentally.

I love this novel because it doesn’t shy away from showing a protagonist who obsesses about cleaning and managing her body as a way to deal with the trauma of losing her parents while living in Palestine and subsequently immigrating to the U.S. I also love the prose—the sentences are short and sharp and have great momentum so that I felt compelled to keep reading. The sentences occasionally become long and fluid so that there is a nice bouncing between short and long lines, which creates prose and a plotline that has great rhythm.

Entering this marvelous novel is like entering a luxury train and sitting down for a long, wild, and highly entertaining adventure. Yes, it is a very long novel, and yes, it is composed of a single sentence, but once I started reading, none of that mattered—I was ecstatically along for the ride.

What I love most about this novel is that we fully enter the thoughts and feelings of the middle-aged mother protagonist in a stream of consciousness, and she is, quite frankly, all of us with our neuroses, observations, frustrations, and loves. Incredibly, there is a definite form to this novel and a propulsive plot that gets downright harrowing at the end. A brilliant, brilliant read.