Here are 100 books that The Witches of Vardo fans have personally recommended if you like
The Witches of Vardo.
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I am passionate about little-told stories of women’s lives. Too often, women have been either minimized or silenced, and in so doing, we have ignored the experience of half of humanity. I grew up in the 1950s and ’60s in the South, where girls and women were not listened to. For this reason, among others, it was hard for me to speak up for myself, hard for me to write. I found the stories of strong, courageous women—bad-ass women—whether fictional or real, to be life-affirming and inspirational in my own journey as a writer. These stories have helped me to say, “It’s my turn. I’m talking now.”
I love this book’s two freedom fighters: the historical Sarah Grimké and the fictional enslaved woman Handful.
It’s the early 1800s in Charleston, SC. Privileged white girl Sarah bucks cultural expectations for women, while Handful fights the cruel slavery system. Sarah repudiates her upbringing in order to support abolition, and Handful stakes everything in pursuit of freedom, “to leave or die trying.”
I loved learning about the Grimké sisters, giants in the abolition movement, and the West African story-quilt tradition, whereby women tell their lives through the art of needlework. This book was transformative for me; Sarah’s and Handful’s transgressive courage has helped me through difficult times of my own. If they could face their obstacles, then by golly, I can face mine.
From the celebrated author of The Secret Life of Bees and the forthcoming novel The Book of Longings, a novel about two unforgettable American women.
Writing at the height of her narrative and imaginative gifts, Sue Monk Kidd presents a masterpiece of hope, daring, the quest for freedom, and the desire to have a voice in the world.
Hetty "Handful" Grimke, an urban slave in early nineteenth century Charleston, yearns for life beyond the suffocating walls that enclose her within the wealthy Grimke household. The Grimke's daughter, Sarah, has known from an early age she is meant to do something…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I grew up in New York City and was deeply influenced by the women’s liberation movement, which helped me go on to combine a career as a historian with marriage and motherhood. While doing research for an academic article on the Beecher-Tilton scandal, I became convinced that only by writing a novel could I unravel the story from the point of view of Elizabeth, the woman involved in the love triangle. Historical fiction is a marvelous medium to explore events from the perspective of those outside circles of power. When I began writing, I felt that my embrace of fiction as medium had unleashed an electric current of creative energy.
I loved this historical work about the real-life story of Ellen Craft, a young slave with a light complexion who escapes from the South with her partner, William, a slave of a darker complexion. The difficult voyage on a boat going north in which Ellen, who is impersonating a young white master traveling with his male slave, must converse with the white men on board as though she were one of them kept me in a state of high anxiety.
I prayed that she would succeed, agonizing over every difficult moment that could have aroused suspicions, internalizing the heroine’s terror and resolve. I loved the gripping prose and psychological insight of this author who has restored the voice of a remarkable woman who played an important role in the abolitionist movement.
The remarkable true story of Ellen and William Craft, who escaped slavery through daring, determination, and disguise, with Ellen passing as a wealthy, disabled White man and William posing as "his" slave.
In 1848, a year of international democratic revolt, a young, enslaved couple, Ellen and William Craft, achieved one of the boldest feats of self-emancipation in history. Posing as master and slave, while sustained by their love as husband and wife, they made their escape together across more than 1,000 miles, riding steamboats, carriages, and trains that took them from bondage in Georgia to the free states of the…
I grew up in New York City and was deeply influenced by the women’s liberation movement, which helped me go on to combine a career as a historian with marriage and motherhood. While doing research for an academic article on the Beecher-Tilton scandal, I became convinced that only by writing a novel could I unravel the story from the point of view of Elizabeth, the woman involved in the love triangle. Historical fiction is a marvelous medium to explore events from the perspective of those outside circles of power. When I began writing, I felt that my embrace of fiction as medium had unleashed an electric current of creative energy.
I was fascinated by this story of how a courageous young girl abandoned by her parents managed to survive during the Great Depression in rural Michigan. I felt a motherly concern for the heroine who not only confronts people’s reluctance to help a girl from a “trashy” family but also popular prejudices underestimating the potential of young women and consigning them to limited roles in society.
As if this were not enough, she must evade child-trafficking schemes! I loved the dramatic twists in the plot as well as the personal growth the heroine demonstrates as she struggles against formidable odds.
For fans of Kristin Hannah's The Four Winds and Lisa Wingate's Shelterwood comes a heartwarming historical novel following a homeless young girl as she struggles to survive during the Great Depression.
Rural Michigan, 1934. During the throes of the Great Depression, thirteen-year-old Silstice Trayson finds herself homeless, abandoned by her parents after a devastating house fire. Nearby, aging midwestern farmers Edna and Vernon Goetz are pillars of the community, but when do-gooder Edna takes up Silstice's cause, Vernon digs in his heels, displaying his true nature as an ornery curmudgeon.
Theirs is a quiet-seeming community, but danger lurks beneath the…
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
I grew up in New York City and was deeply influenced by the women’s liberation movement, which helped me go on to combine a career as a historian with marriage and motherhood. While doing research for an academic article on the Beecher-Tilton scandal, I became convinced that only by writing a novel could I unravel the story from the point of view of Elizabeth, the woman involved in the love triangle. Historical fiction is a marvelous medium to explore events from the perspective of those outside circles of power. When I began writing, I felt that my embrace of fiction as medium had unleashed an electric current of creative energy.
I loved the way the author alternates from the points of view of two young women in Minnesota, Oenikika, a Dakota Indian, and Emma, a white settler, giving me new insight into the limitations imposed on women by two very different patriarchal cultures. I identified with the heroines’ struggles to find a mission in life beyond marriage and motherhood, sympathizing with Emma’s desire to become a teacher and Oenikika’s quest for recognition as a healer.
Although the terrible events of the 1862 war between native Indians and white settlers were deeply disturbing, I was inspired by the way in which individual men and women on both sides recognized the humanity of the enemy, intervening to prevent the rape and murder of civilians and to challenge unfair trials of the innocent.
As war overtakes the frontier, Emma's family farmstead is attacked by Dakota-Sioux warriors; on that same prairie, Oenikika desperately tries to hold on to her calling as a healer and follow the orders of her father, Chief Little Crow. When the war is over and revenge-fueled war trials begin, each young woman is faced with an impossible choice. In a swiftly changing world, both Emma and Oenikika must look deep within and fight for the truth of their convictions—even as horror and injustice unfolds all around them.
Inspired by the true story of the thirty-eight Dakota-Sioux men hanged in Minnesota…
I love writing and illustrating all sorts of children's stories. The only thing my stories have in common is that none of their heroes eat meat, drink milk, or take part in the egg and spoon race. I write the kind of stories I want to read. I don't want to read about sex or violence. And I don't want to read foul language. I want something meaningful, something with a concluding note of optimism. Consequently, well-written children's stories often appeal to me. In fact, I've come to the conclusion that these are not just children's stories, they're good stories that anyone can enjoy.
Thea's Christmas visit to her estranged father and his new family in Norway is disappointing and infuriating, until she meets the bear. In this fiction, Sarah Lean conveys so much truth. Her beautiful, mistreated, hungry, lonely bear is so real, he brings tears to my eyes. Thea tries desperately to protect her new best friend from the locals who consider him a threat, because she knows “They would not take the time to look into his eyes, to question and discover what he was really like." I wish everyone would take the time to look into animals' eyes, to see who they really are, and let them be.
A story of friendship to treasure this Christmas . . .
From the bestselling author of A DOG CALLED HOMELESS, this is the perfect Christmas gift for fans of Michael Morpurgo, Lauren St John and Sara Pennypacker's PAX.
It's the Christmas holidays and Thea is looking forward to spending them with her father. She can tell him all about her plans to become a writer, and maybe he'll buy her the typewriter she's been dreaming of.
But when Thea arrives in snowy Norway, everything feels . . . wrong. Her father is as distant as ever and now she has…
I am eternally fascinated by the way in which a string of words can take on a life of its own. With a mere 26 letters, a good writer can have a reader believe anything. When realist fiction first became a category in the 18th century in England, there was a lot of handwringing over whether readers were being lied to. Of course, they were! That is the point of fiction. My own work has always played with the boundary of realist fiction, fairytale, and truth. I’m interested in the way a story can make meaning—and the more hijinks, the better!
I set out very determined to despise this first book of Knausgard’s series. Knausgard’s life is no more fascinating than anyone’s. This is not necessarily his life but some reasonable facsimile that dips in and out of reverie, philosophy, and the hardcore reality of cleaning up after an alcoholic parent dies. Hoarding, self-loathing, and Nordic landscape are all features. I mean, what is NOT to love about that?
My lust for this book is not so much what it is about, though, as how it does this thing of drawing me along in its unadorned vocabulary to wholesale belief in everything that is put down. It is a supreme hoax that I am grateful to have encountered.
A New York Times bestseller, My Struggle: Book 1 introduces American readers to the audacious, addictive, and profoundly surprising international literary sensation that is the provocative and brilliant six-volume autobiographical novel by Karl Ove Knausgaard.
It has already been anointed a Proustian masterpiece and is the rare work of dazzling literary originality that is intensely, irresistibly readable. Unafraid of the big issues—death, love, art, fear—and yet committed to the intimate details of life as it is lived, My Struggle is an essential work of contemporary literature.
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
"Write what you know" is worn-out advice you'll find on many a website, but I prefer to write what I want to know. Researching for background information is a far cry from studying the history of dates, places, and politics. For instance, you won't read in a history book that forks weren't used at the table in the Renaissance. That people didn't have zippers or right/left shoes, but they did have buttons. Noblemen wore high-heeled shoes. Women poisoned themselves with makeup of white lead (ceruse). Even with diaries, autobiographies, and social history books, trivial information of daily life is hard to find.
When I discovered Kristin Lavransdatter was 1000 pages, I never expected to fininsh it (I'm a slow reader). However, about 50 pages into it, I was hooked and was at a loss when I read the final chapter. Religion is pervasive but delivered indirectly. The Catholic Church in the Middle Ages was an absolute authority with an iron grip on the main character Kristin. Undset was not judgmental in the book, but I was in reading it.
'[Sigrid Undset] should be the next Elena Ferrante' -Slate
The Nobel Prize-winning masterpiece by Norway's literary master
Kristin Lavransdatter is the epic story of one woman's life in fourteenth-century Norway, from childhood to death. Sensitive and rebellious Kristin is sent to a convent as a girl, where she meets the charming but irresponsible Erlend. Defying her parents' wishes to pursue her own desires, she marries and raises seven sons. However, her husband's political ambitions threaten catastrophe for the family, and the couple become increasingly estranged as the world around them tumbles into uncertainty.
With its captivating heroine and emotional potency,…
I think secrets are part of who we are. Everyone has things they keep secret and things they don’t want others to know. Why is this? I’ve always been fascinated by it, even though I don’t have any major secrets myself – but I still have aspects of how I think that I don’t wish to share. I see the same thing with my eight-year-old, who just doesn’t want to tell me about that one nightmare… Hm. We keep secrets perhaps because, somehow, having other people not know is critical to how we imagine ourselves. And they make for great stories, don’t they?
This book is for slightly younger readers, but I think it has genuine multi-generational appeal. I read it aloud to my eight-year-old, who laughed aloud and loved it – in fact, it was the first read-aloud chapter book that he stuck with. And his grandmother is also reading and loving it! Astrid has the feel of a classic, with its humor and its gentle wisdom. Though it’s a story about a feisty girl who loves sledding, it’s also a story about how someone you love can keep a hurtful secret. How does one forgive such a thing? Astrid figures it out.
"Classic storytelling at its best, delightful and moving. I loved it." M. G. Leonard, author of Beetle Boy
Maria Parr's second novel is a hilarious and heart-warming story about family and friendship that will delight fans of Pippi Longstocking.
Astrid Glimmerdal loves to spend her days racing down the mountainside on her sledge and skis - the faster the better! She just wishes there were other children to share in her adventures. Instead, she has to put up with a grumpy 74 year old for a best friend (although secretly, she knows she wouldn't have it any other way).
I’ve been a full-time writer since 1994 and have so far published twenty-seven books, three of them with gay themes: My Father’s Scar, a gay coming-of-age novel and two about LGBTQ+ issues: Top 250 LGTBQ Books for Teens and The Heart Has Its Reasons, a history of queer literature. I’ve been interested in this literature since I was a gay teen myself, because there were no YA books with queer characters then. I missed seeing my face in the pages of a good book and so I promised myself that when I became an adult. I would make sure there was an ample assortment for today’s queer kids. And, guess what? I’ve kept my promise!
Weary of people asking him what his plans for the future are, eighteen-year-old Dutch teen Tycho decides to travel from his Holland home to America to work at a camp for international kids. Along the way, he meets Oliver, who’s from Norway, and is also going to work at the camp. The two quickly become fast friends and then something more. When their love relationship is discovered, they’re expelled from the camp, and the two fly back to Norway where Tycho will stay with Oliver while the boy’s mother is gone. No, there are no wild parties, just a lovely examination of an emerging relationship that is challenged by Oliver’s keeping a closely guarded secret. If this sounds dull, trust me, it isn’t! Find out why I’m so crazy about this book by reading it. Tell them Michael sent you...
Tycho Zeling is drifting through his life. Everything in it - school, friends, girls, plans for the future - just kind of ... happens. Like a movie he presses play on, but doesn't direct.
So Tycho decides to break away from everything. He flies to America to spend his summer as a counselor at a summer camp, for international kids. It is there that Oliver walks in, another counselor, from Norway.
And it is there that Tycho feels his life stop, and begin again, finally, as his. The Days of Bluegrass Love was originally published in the Netherlands in 1999.…
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
In my third novel, Great Circle, a fictional aviator named Marian Graves disappears while trying to fly around the world north-south in 1950. While researching and writing, I became a travel journalist, partly so I could follow my character into far-flung, rugged corners of the world. Traveling, I encountered people who lead truly adventurous lives, and I started to seek out riskier experiences myself. I swam with humpback whales, tracked snow leopards in the Himalayas, and journeyed across huge seas to Antarctica’s Ross Ice Shelf. I still don’t consider myself a full-fledged adventurer, but I love reading about women contending with the challenges of wild places and their own internal landscapes.
I love cold, northern places and dogs, and, if you haven’t already noticed, warts-and-all stories about women finding strength they didn’t know they had in the wilderness. Blair Braverman’s memoir checks all these boxes. As a teenager, she goes to a folk school in the Norwegian Arctic and learns to work with sled dogs, something she later continues as a guide in Alaska. (Braverman is now a professional musher and has run the Iditarod.) The book’s subtitle is Chasing Fear and Finding Home In the Great White North, and Braverman is unsparing in her exploration of fear rooted in both the human and natural world. I read this book on a series of airplanes in one long travel day, and I’m still reminded of it every time I see Braverman’s delightful Twitter stories about her dogs.
A rich and revelatory memoir of a young woman reclaiming her courage in the stark landscapes of the north.
By the time Blair Braverman was eighteen, she had left her home in California, moved to arctic Norway to learn to drive sled dogs, and found work as a tour guide on a glacier in Alaska. Determined to carve out a life as a “tough girl”—a young woman who confronts danger without apology—she slowly developed the strength and resilience the landscape demanded of her.
By turns funny and sobering, bold and tender, Welcome to the Goddamn Ice Cube brilliantly recounts Braverman’s…
