Books like A Tiny Piece of Blue — picked by fans

I love this book’s two freedom fighters: the historical Sarah Grimké and the fictional enslaved woman Handful.

It’s the early 1800s in Charleston, SC. Privileged white girl Sarah bucks cultural expectations for women, while Handful fights the cruel slavery system. Sarah repudiates her upbringing in order to support abolition, and Handful stakes everything in pursuit of freedom, “to leave or die trying.”

I loved learning about the Grimké sisters, giants in the abolition movement, and the West African story-quilt tradition, whereby women tell their lives through the art of needlework. This book was transformative for me; Sarah’s and Handful’s transgressive courage has helped me through difficult times of my own. If they could face their obstacles, then by golly, I can face mine.

I loved this historical work about the real-life story of Ellen Craft, a young slave with a light complexion who escapes from the South with her partner, William, a slave of a darker complexion. The difficult voyage on a boat going north in which Ellen, who is impersonating a young white master traveling with his male slave, must converse with the white men on board as though she were one of them kept me in a state of high anxiety.

I prayed that she would succeed, agonizing over every difficult moment that could have aroused suspicions, internalizing the heroine’s terror and resolve. I loved the gripping prose and psychological insight of this author who has restored the voice of a remarkable woman who played an important role in the abolitionist movement. 

Although I knew that this novel was unlikely to have a happy ending because few women emerge intact after being accused of witchcraft, I couldn’t put this book down. I became attached to the characters, reading on well past midnight to find out whether they would escape a terrible fate.

Women who didn’t conform to the strict code of female behavior in seventeenth-century Norway were all possible targets of the witch hunters. I was filled with admiration for those imprisoned women who held out against demands that they incriminate others and even felt sympathy for those who succumbed to torture to become informers or were cleverly manipulated by promises of leniency.

For me, the plot and subplots were fascinating; all the characters were vivid, and some displayed unbelievable heroism.

I loved the way the author alternates from the points of view of two young women in Minnesota, Oenikika, a Dakota Indian, and Emma, a white settler, giving me new insight into the limitations imposed on women by two very different patriarchal cultures. I identified with the heroines’ struggles to find a mission in life beyond marriage and motherhood, sympathizing with Emma’s desire to become a teacher and Oenikika’s quest for recognition as a healer.

Although the terrible events of the 1862 war between native Indians and white settlers were deeply disturbing, I was inspired by the way in which individual men and women on both sides recognized the humanity of the enemy, intervening to prevent the rape and murder of civilians and to challenge unfair trials of the innocent. 

Financial crises are not only catastrophic because of their devastating economic consequences. They also unleash radical political forces undermining the foundations of our free and open society. Widely praised for his work on Germany in the interwar years, Harold James is the best historian to describe the vicious circle of crisis, radicalization, and national isolation in the 1930s and to discuss the question: can it happen again?

As a U.S. labor historian, I’ve read loads of books on the unionization of mass production during the Great Depression.

Labor’s New Millions stands above the rest for its power to make you feel like you’re right there at the picket lines, union halls, and other venues that the journalist Mary Heaton Vorse visited as she gathered material for this book about worker uprisings that put the Congress of Industrial Organizations on the map. As she shows in vivid detail, whole communities rallied to build the CIO, and campaigns for justice on the job spilled over into other realms.

Housewives going toe to toe against police, kids hand painting their own picket signs, strikers chanting “Freedom! Freedom”: Labor’s New Millions brings to life all of this and much more. 

On top of having written one of the most profound novels of the 20th century, Zora Neale Hurston was a fierce and fearless proponent of authenticity in literature and art – and she paid the price for that.

Boyd’s biography of her is the best, delving into this complex woman who was both deeply of her time and way ahead of it. Boyd quotes Hurston in one of my all-time favorite lines by a writer responding to a demeaning critic: “I will send my toe-nails to debate him…” An inspiration for all creative people facing rejection for being true to themselves!

Ribuffo could have portrayed his subjects—three mid-century Christian fundamentalists—as social or cultural misfits. Instead, he made a powerful case that these men—and others like them— were a product of the American mainstream. First published in the 1980s, when the so-called new Christian right was in its ascendancy, the book encouraged readers to check any temptation they might have felt to dismiss Protestant fundamentalists as political outliers who would disappear of their own accord. Generous almost to a fault, Ribuffo gave me plenty of advice during my own research to avoid any suggestion that there was anything un-American about fascist sympathies in the interwar years. 

The first half of this book is a deep immersion into the shockingly bleak living conditions of 1930s working-class families in the impoverished industrial north of England, then in the grip of the Great Depression. As an Irish person – and given the historic nature of the relationship between the two countries, in which Britain has always been the dominant and powerful one – it was genuinely eye-opening to me to understand how hard life was for ordinary English people.

Orwell’s writing was undertaken from the vantage point of his own experience. He spent months living with families in Lancashire and Yorkshire, and his descriptions of their lives are detailed and very vivid. The second half is an essay about the development of his own political conscience – interesting, but not essential in the way the first half is. 

The Orchard is a mesmerizing story of one woman’s efforts to save her family farm in Depression-era Massachusetts. It is a glimmering and moving memoir of “Kitty” Robertson’s determination to save the small orchard she inherited from her father, the last thing that linked her family to their history. It is a story of struggle and determination, and she is a heroine who didn’t receive medals or accolades or fortune for accepting the bone-cold physical labor in winters, inherited debt, broken dreams. Somehow she is able to still see the beauty in the grit of farm life in a grim period, spring blossoms in the orchard, the green of summer, the kindness of neighbors as they help each other through challenge after challenge.

In the end, it is a narrative of redemption and victory and reminds me that the life of farming and writing is hard scrapple, but it is… show more.