Here are 93 books that My Struggle, Book One fans have personally recommended if you like
My Struggle, Book One.
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Growing up in a small town and realizing I was gay, I saw nothing but dread ahead of me. In graduate school, I came across a one-sentence description of Margaret Anderson as a “lesbian anarchist.” I knew I was home. My book is the first full-length biography of Anderson and her partner, Jane Heap. They went through a lot of crap–they were tried for publishing Joyce’s masterpiece Ulysses–but above all, they were witty rebels, strong women, and proud and out.
Like Anderson, Gertrude Stein had a sense of humor about gay Paree. Who else would write someone else’s autobiography?
I love her tone of detached amusement when describing the artistic titans of the Lost Generation. If you don’t get it, try the recipe for Alice B. Toklas brownies.
In the years following his graduation from college, Cole Chen has been back and forth between the U.S. and China, struggling to navigate his transition into adulthood. Estranged from his parents, he returns to Hunan province to work for his friends, while also attempting to write a memoir based on…
Ever had anyone say something about you with utter conviction that isn’t true? Have you ever looked at someone famous and thought their life looked perfect? Ever felt not enough because of the way you look? As a former Miss Universe, international model, fashion editor, and entertainment journalist with a degree in psychology, I’ve lived these truths vicariously. I’m fascinated with image, perception, and truth. What’s behind the smile? What happens when the lights dim? Who are you when no one is watching? What secrets do you hide, how do they damage you, and what will you do to keep them hidden? I’ve been the target. I know the cost.
I like this because it reveals the dichotomy between what people say and what they do. People think words tell you about a person. What if everything they say is lies? Sally Rooney does that thing I love–she gives you clues as to why people do the things you don’t understand.
She writes imperfect heroes and heroines. You don’t like them, but then you understand them and root for them. A damaged girl who lives in pretense can’t manage life when she no longer has to pretend anymore. So she reverts to self damage rather than expose the chance of total destruction because if she choses what heals she may get destroyed when the expectation of safety gets shattered.
Why give something a chance when life says it never works out? Doing what she’s always done may hurt her, but at least she’s assured of the outcome. The…
NOW AN EMMY-NOMINATED HULU ORIGINAL SERIES • NEW YORK TIMES BESTSELLER • “A stunning novel about the transformative power of relationships” (People) from the author of Conversations with Friends, “a master of the literary page-turner” (J. Courtney Sullivan).
ONE OF THE TEN BEST NOVELS OF THE DECADE—Entertainment Weekly
TEN BEST BOOKS OF THE YEAR—People, Slate, The New York Public Library, Harvard Crimson
AND BEST BOOKS OF THE YEAR—The New York Times, The New York Times Book Review, O: The Oprah Magazine, Time, NPR, The Washington Post, Vogue, Esquire, Glamour, Elle, Marie Claire, Vox, The Paris Review, Good Housekeeping, Town &…
I am eternally fascinated by the way in which a string of words can take on a life of its own. With a mere 26 letters, a good writer can have a reader believe anything. When realist fiction first became a category in the 18th century in England, there was a lot of handwringing over whether readers were being lied to. Of course, they were! That is the point of fiction. My own work has always played with the boundary of realist fiction, fairytale, and truth. I’m interested in the way a story can make meaning—and the more hijinks, the better!
Crusoe is a failed slaver, a reckless son, a bad sailor, a pretty crap boss, a parrot lover and, in all of that, he shows us how damaged and imperfect a system we have inherited.
I love Robinson Crusoe for its audacity. When it was first published in 1719, readers were furious to discover that there was no such person as Crusoe but that, instead, the story was fabricated by one Daniel Defoe, who had recently spent three days in the stockades for seditious libel. I love the insanity of this story, how it wants us to believe that a man spends 28 years on a deserted island and still comes home to England richer than when he left. A flawed novel but our first in English, it is also our first autofiction.
This is a reproduction of a classic text optimised for kindle devices. We have endeavoured to create this version as close to the original artefact as possible. Although occasionally there may be certain imperfections with these old texts, we believe they deserve to be made available for future generations to enjoy.
In the years following his graduation from college, Cole Chen has been back and forth between the U.S. and China, struggling to navigate his transition into adulthood. Estranged from his parents, he returns to Hunan province to work for his friends, while also attempting to write a memoir based on…
I am eternally fascinated by the way in which a string of words can take on a life of its own. With a mere 26 letters, a good writer can have a reader believe anything. When realist fiction first became a category in the 18th century in England, there was a lot of handwringing over whether readers were being lied to. Of course, they were! That is the point of fiction. My own work has always played with the boundary of realist fiction, fairytale, and truth. I’m interested in the way a story can make meaning—and the more hijinks, the better!
Reading Kenzaburo Oë is like falling into a dreamscape. I love this book because it weaves the personal and the fictional in ways that make it impossible to distinguish them.
Is not all of life a melding of dream, reality, and the stuff we make up? Much of Oë’s writing is influenced by his son, Hikari, who was born with cognitive disabilities. This makes the story of the young man in A Personal Matter, who is struggling with the stress of his sick newborn, a fiction heavily informed by personal history.
To take one’s own story and use it to bring to life another one is the height of art-making. It felt like a healing to read.
From the Nobel Prize–winning author: “One of the great short novels of the 20th century” (The Wall Street Journal).
Internationally acclaimed as one of the world’s most influential writers, Kenzaburō Ōe brings to the fore the post-WWII rage and anxiety of a decorous society in this “deathly black comedy . . . dripping with nuclear terror” (The Japan Times).
Bird is an antisocial twenty-seven-year-old intellectual hanging on to a failing marriage with whiskey. He dreams of going to Africa where the sky sprawls with possibilities. Then, as though walloped by a massive invisible fist, Bird’s Utopian fantasies are shattered when…
I’m an Australian writer. I came to creative writing late in life but have been an avid reader since my early school years. My fascination with mystery thrillers started with Enid Blyton and included Raymond Chandler books—not usually recommended for an 11-year-old. I have always had an inquisitive mind, asking difficult questions and seeking understanding. My first degree was a Bachelor of Science, majoring in Chemistry. My diverse working life spanned a variety of roles, building a rich tapestry of experience. I relish layered, complex, and thought-provoking stories both as a writer and a reader. I hope you enjoy my recommended books as much as I have.
This gripping historical thriller has World War II intrigue and Norwegian spies, so it can be described as a wartime murder mystery interwoven with a gripping espionage thriller. It’s a layered story that resonates with that era's tensions, conflicts, and mistrust. I felt like I was there; it was so rich in historical details.
The plot captures the real tensions between Nazi-occupied Norway and neutral Sweden. I learned so much and gained insights into the murky motivations of the time. For someone who pays attention to politics, the complex interplay of different interest groups and their political maneuvering had interesting parallels to the present.
The story has it all: layers of family drama, shared history, divided loyalties, and deep-seated hatred, with storylines weaving in political ideology, the true nature of war, and distorted notions of patriotism, ambition, and revenge. There is so much to think about and apply to today's…
When a courier for Sweden's Press and Military Office is killed on his final mission, the Norwegian government-in-exile appoints a writer to find the missing documents ... breathtaking WW2 thriller.
**International NUMBER ONE bestseller**
'A stylish stand-alone thriller from the godfather of Scandi noir ... Ola Dahl ratchets up the tension from the first pages and never lets go' Sunday Times
'Absorbing, heart-rending and perfectly plotted' Denzil Meyrick
'Expertly crafted' John Harvey
_________
Summer, 1943. Daniel Berkak, who works as a courier for the Press and Military Office in Sweden, is killed on his last cross-border mission to Norway.
After 15 years as a screenwriter (and some heartbreaking near misses with the big screen), I turned my pen to novel writing, with an adaptation of a script I’d sold four times. My new book, Love and Fury: A Novel of Mary Wollstonecraft, is hot off the press this year and tells the story of one of the great writers and thinkers of the late 18th century, mother of Mary Shelley, and widely regarded as the mother of feminism. I’m drawn to larger-than-life, brilliant, charismatic, complicated figures whose own trajectories have altered our own. I’m now at work on a collection of short stories and an adaptation of Mr. Dickens and His Carol for the stage.
I’m often asked by Americans who aren’t familiar with Wollstonecraft (or confuse mother and daughter), which of her books to read first. Vindication of the Rights of Woman is her most famous, but I always answer that if you only read one, this book is it. It’s her most modern and personal work, and the last thing she wrote before dying of puerperal fever at age 38, after giving birth to the future Mary Shelley. It’s part travelogue, love letter, philosophical treatise, cultural history, and (I would argue) suicide note, bookended by her two attempts after a shattering affair with American speculator Gilbert Imlay. It’s short and accessible, beautifully written, and a glimpse into a magnificent mind.
In these two closely linked works - a travel book and a biography of its author - we witness a moving encounter between two of the most daring and original minds of the late eighteenth century: A Short Residence in Sweden is the record of Wollstonecraft's last journey in search of happiness, into the remote and beautiful backwoods of Scandinavia. The quest for a lost treasure ship, the pain of a wrecked love affair, memories of the French Revolution, and the longing for some Golden Age, all shape this vivid narrative, which Richard Holmes argues is one of the neglected…
Mahmoud Elsayed has always been interested in finding rational answers to the big existential questions. This could clearly be noticed in his writings and philosophy. He has also worked in various and somehow diverse fields of engineering and science which allowed him to smoothly, flexibly, and knowledgeably jump from a field of expertise to another in order to make his philosophical arguments comprehensive.
In this masterpiece, Jostein Gaarder presents the whole history of philosophy in the form of a novel. This is by far the most interesting historical presentation of philosophy I have ever come across. The genius of Jostein Gaarder could be clearly seen in the narrative as he does not just explain the ideologies of the philosophers across the decades, but also picks some ideas, visualize them, and smoothly integrate them into the story.
The international bestseller about life, the universe and everything.
When 14-year-old Sophie encounters a mysterious mentor who introduces her to philosophy, mysteries deepen in her own life. Why does she keep getting postcards addressed to another girl? Who is the other girl? And who, for that matter, is Sophie herself? To solve the riddle, she uses her new knowledge of philosophy, but the truth is far stranger than she could have imagined.
An addictive blend of mystery, philosophy and fantasy, Sophie's World is an international phenomenon which has been translated into 60 languages and sold more than 40 million copies.
I love writing and illustrating all sorts of children's stories. The only thing my stories have in common is that none of their heroes eat meat, drink milk, or take part in the egg and spoon race. I write the kind of stories I want to read. I don't want to read about sex or violence. And I don't want to read foul language. I want something meaningful, something with a concluding note of optimism. Consequently, well-written children's stories often appeal to me. In fact, I've come to the conclusion that these are not just children's stories, they're good stories that anyone can enjoy.
Thea's Christmas visit to her estranged father and his new family in Norway is disappointing and infuriating, until she meets the bear. In this fiction, Sarah Lean conveys so much truth. Her beautiful, mistreated, hungry, lonely bear is so real, he brings tears to my eyes. Thea tries desperately to protect her new best friend from the locals who consider him a threat, because she knows “They would not take the time to look into his eyes, to question and discover what he was really like." I wish everyone would take the time to look into animals' eyes, to see who they really are, and let them be.
A story of friendship to treasure this Christmas . . .
From the bestselling author of A DOG CALLED HOMELESS, this is the perfect Christmas gift for fans of Michael Morpurgo, Lauren St John and Sara Pennypacker's PAX.
It's the Christmas holidays and Thea is looking forward to spending them with her father. She can tell him all about her plans to become a writer, and maybe he'll buy her the typewriter she's been dreaming of.
But when Thea arrives in snowy Norway, everything feels . . . wrong. Her father is as distant as ever and now she has…
I’m a British author for children and young adults, and was lucky to have a wonderful father who loved wildlife of all kinds. He took me on walks where we picked blackberries and hazelnuts, and spotted birds, foxes, rabbits, and deer. With him, I watched hours of wildlife programmes. (I saw so much of David Attenborough, I thought he was an uncle.) Dad also made sure I had many books about every sort of animal, from insects to whales, wolves, and big cats. So, when I was looking for stories to read, I always especially enjoyed folklore about animals—I think these tales were invented by someone like my Dad.
As a lover of folk-tale, legend, and myth—and having an especial love for Norse Myth—I soon sought out the folk-tales of Norway.
Asbjorsen and Moe are the Norwegian answer to the Brothers Grimm. Their collection is superb. There’s the Ash-Lad, who is rather like Jack of Beanstalk fame, and many trolls. There are twelve princes searching for twelve lost princesses, helpful griffins, abandoned babies, and ancient Norse gods pitching up in thin disguise.
And, of course, as the people who told these tales lived between mountains, sky, and sea, there are many tales of animals and birds.
The definitive English translation of the celebrated story collection regarded as a landmark of Norwegian literature and culture-now in paperback
The extraordinary folktales collected by Peter Christen AsbjOrnsen and JOrgen Moe began appearing in Norway in 1841. Over the next two decades the publication of subsequent editions under the title Norske folkeeventyr made the names AsbjOrnsen and Moe synonymous with Norwegian storytelling traditions. Tiina Nunnally's vivid translation of their monumental collection is the first new English translation in more than 150 years-and the first ever to include all sixty original tales.
Magic and myth inhabit these pages in figures both…
I think secrets are part of who we are. Everyone has things they keep secret and things they don’t want others to know. Why is this? I’ve always been fascinated by it, even though I don’t have any major secrets myself – but I still have aspects of how I think that I don’t wish to share. I see the same thing with my eight-year-old, who just doesn’t want to tell me about that one nightmare… Hm. We keep secrets perhaps because, somehow, having other people not know is critical to how we imagine ourselves. And they make for great stories, don’t they?
This book is for slightly younger readers, but I think it has genuine multi-generational appeal. I read it aloud to my eight-year-old, who laughed aloud and loved it – in fact, it was the first read-aloud chapter book that he stuck with. And his grandmother is also reading and loving it! Astrid has the feel of a classic, with its humor and its gentle wisdom. Though it’s a story about a feisty girl who loves sledding, it’s also a story about how someone you love can keep a hurtful secret. How does one forgive such a thing? Astrid figures it out.
"Classic storytelling at its best, delightful and moving. I loved it." M. G. Leonard, author of Beetle Boy
Maria Parr's second novel is a hilarious and heart-warming story about family and friendship that will delight fans of Pippi Longstocking.
Astrid Glimmerdal loves to spend her days racing down the mountainside on her sledge and skis - the faster the better! She just wishes there were other children to share in her adventures. Instead, she has to put up with a grumpy 74 year old for a best friend (although secretly, she knows she wouldn't have it any other way).
