Books like Kristin Lavransdatter — picked by fans

I’ve always been an avid reader and loved different genres from the beginning. I started out reading historical fiction as a child, including the Little House books, Anne of Green Gables, and Where the Red Fern Grows. I soon discovered that science fiction and fantasy did the same thing, transporting me to different worlds and places instead of times. Many of my favorite books have elements of these as well as action, tension, thrills, and romance. These things transcend genre, and by reading books that combine genres, I find some of the most interesting and original stories. 

I am a strong, independent woman (*snaps fingers through the air*), yet I adore a soul-sucking romance. Many might think this is a contradiction, but it’s not! A woman can be both loving and stubborn…both enamored by her partner yet still strong enough to speak up for herself. Sadly, I think historical fiction often defaults to portraying dependent and subjugated women, and this isn’t necessarily wrong—in fact, it’s probably more accurate. However, when I’m getting lost in the magic of a novel, I want to experience the all-consuming love without sacrificing the resiliency and independence of the women involved, and these books spin stories where both outcomes are possible!

I’ve been reading and writing stories for as long as I can remember—and the weird ones have always been my favorite. I discovered many of my favorite books by wandering into my local library, telling the librarian about my strange reading interests, and allowing them to set me up with literary masterpieces of the most unusual kind. Once I knew how to bend the rules of genre and form to create something original, I took to creating my own weird stories, and have been doing so ever since in my novels, short stories, D&D characters, and bedtime stories for my bird.

As a child, I was a maladaptive daydreamer. I could often be found crafting elaborate fantasies in my head featuring fully-fledged worlds and characters that I would actively interact with and speak to as if they were real. I was a strange child, and I kept that strangeness with me when I went into fiction. Since then, I’ve always wanted to encapsulate the feeling of giving a movie-like experience in book form. I want the people who read my work to feel like they’re experiencing something real.

I am a conflict resolution coach. I have a master's degree in conflict and am an ICF professional coach. I like my clients to live “clean” between their ears—even when life is not going their way. My book is light and fun. Deep and meaningful. And a flashlight to help those who are in the clouds of conflict get “good with themself.” Conflict becomes less scary when you identify the words that caused the issue. There is no use surviving a bad situation and then replaying it over and over again. Keeping the past alive in your mind keeps the past alive. Bury it with honor and grace.  

As both a lifelong traveler and reader, I cannot start an adventure without a great book. Having owned a Kindle since 2008, I consistently carry a virtual library, curating an assortment of captivating reads for every journey. As a travel journalist, I fly multiple times a month, which amplifies my need and understanding of the perfect in-flight companions; stories that transport and captivate. As an author with a memoir to my name, I appreciate the transformative power of storytelling. This blend of literary passion, frequent travel, and personal authorship has led me on my search for engaging, unforgettable books that mesmerize the reader.  

I am a strong, independent woman (*snaps fingers through the air*), yet I adore a soul-sucking romance. Many might think this is a contradiction, but it’s not! A woman can be both loving and stubborn…both enamored by her partner yet still strong enough to speak up for herself. Sadly, I think historical fiction often defaults to portraying dependent and subjugated women, and this isn’t necessarily wrong—in fact, it’s probably more accurate. However, when I’m getting lost in the magic of a novel, I want to experience the all-consuming love without sacrificing the resiliency and independence of the women involved, and these books spin stories where both outcomes are possible!

"Write what you know" is worn-out advice you'll find on many a website, but I prefer to write what I want to know. Researching for background information is a far cry from studying the history of dates, places, and politics. For instance, you won't read in a history book that forks weren't used at the table in the Renaissance. That people didn't have zippers or right/left shoes, but they did have buttons. Noblemen wore high-heeled shoes. Women poisoned themselves with makeup of white lead (ceruse). Even with diaries, autobiographies, and social history books, trivial information of daily life is hard to find. 

In my third novel, Great Circle, a fictional aviator named Marian Graves disappears while trying to fly around the world north-south in 1950. While researching and writing, I became a travel journalist, partly so I could follow my character into far-flung, rugged corners of the world. Traveling, I encountered people who lead truly adventurous lives, and I started to seek out riskier experiences myself. I swam with humpback whales, tracked snow leopards in the Himalayas, and journeyed across huge seas to Antarctica’s Ross Ice Shelf. I still don’t consider myself a full-fledged adventurer, but I love reading about women contending with the challenges of wild places and their own internal landscapes.

I love writing and illustrating all sorts of children's stories. The only thing my stories have in common is that none of their heroes eat meat, drink milk, or take part in the egg and spoon race. I write the kind of stories I want to read. I don't want to read about sex or violence. And I don't want to read foul language. I want something meaningful, something with a concluding note of optimism. Consequently, well-written children's stories often appeal to me. In fact, I've come to the conclusion that these are not just children's stories, they're good stories that anyone can enjoy.