Books like The Wide Circumference of Love — picked by fans

With more than 6-million Americans living with Alzheimer’s, my story is a shared narrative. Because reading creates empathy, I work to widen the perspective of my writing and include voices different from my own. Thanks to neuroplasticity, healthy brains have the ability to keep changing and learning. Each one of these books offers a helpful nudge in a new direction. My essays and articles have appeared in numerous publications including the Washington Post, Luxe, and Variable West, and are listed as notable in the 2019 Best American Science and Nature Writing. I’m currently at work on a second memoir about motherhood and the way travel cultivates a willing acceptance of uncertainty. 

With more than 6-million Americans living with Alzheimer’s, my story is a shared narrative. Because reading creates empathy, I work to widen the perspective of my writing and include voices different from my own. Thanks to neuroplasticity, healthy brains have the ability to keep changing and learning. Each one of these books offers a helpful nudge in a new direction. My essays and articles have appeared in numerous publications including the Washington Post, Luxe, and Variable West, and are listed as notable in the 2019 Best American Science and Nature Writing. I’m currently at work on a second memoir about motherhood and the way travel cultivates a willing acceptance of uncertainty. 

With more than 6-million Americans living with Alzheimer’s, my story is a shared narrative. Because reading creates empathy, I work to widen the perspective of my writing and include voices different from my own. Thanks to neuroplasticity, healthy brains have the ability to keep changing and learning. Each one of these books offers a helpful nudge in a new direction. My essays and articles have appeared in numerous publications including the Washington Post, Luxe, and Variable West, and are listed as notable in the 2019 Best American Science and Nature Writing. I’m currently at work on a second memoir about motherhood and the way travel cultivates a willing acceptance of uncertainty. 

After writing two expansive novels—The Edge of the World, about lives spanning six decades, and Liberty Landing, a contemporary novel rooted in the arc of American history—I found myself drawn to something smaller. Not smaller in meaning or scope, but in form. I wanted to experiment with the art of compression in storytelling. I was inspired by a microfiction written by novelist Joyce Carol Oates—The Widow’s First Year, which reads: “I kept myself alive.” Eight words. A complete universe of sorrow, endurance, resilience, and time. It stunned me. As I began to write Small Worlds, I was compelled to study fast fiction with the sharpest forensic tools.

I am passionate about talent development and college access. I started my journey as a researcher when I learned that high school valedictorians’ adult success depends in large part on their race, social class, and gender. This work led me to life-long questions. How do we recognize talent and give young people opportunities without requiring their total assimilation into the dominant culture? How do we change our schools and colleges to welcome everyone and to benefit from the viewpoints and voices of all of our students? Answering these questions is imperative for our collective well-being in our changing society and world. 

I am a lifelong lover of books. As a child, one of my most prized possessions was my library card. It gave me entrance to a world of untold wonders from the past, present, and future. My love of reading sparked my imagination and led me to my own fledgling writing efforts. I come from a family of storytellers, my mother being the chief example. She delighted us with stories from her childhood and her maturation in the rural South. She was an excellent mimic, which added realism and humor to every tale. 

I have taught history at the University of Alabama since the year 2000, and I have been working and writing as a historian of American slavery for more than twenty-five years. It is not an easy subject to spend time with, but it is also not a subject we can afford to turn away from because it makes us uncomfortable. Slavery may not be the only thing you need to understand about American history, but you cannot effectively understand American history without it. 

I’ve had a passion for poetry since my early childhood, when I fondly remember listening to my elders recite—specifically, my teachers reading rhymes by Shel Silverstein and Dr. Seuss. As I grew into my adolescence and adulthood, my interest in literature only amplified with my introduction to works by Maya Angelou, R.H. Sin, and Rupi Kaur. Now, as a self-published poet and self-proclaimed enthusiast of the genre, I continue to spend my time browsing shelves, attending readings, and supporting writers/artists debuting work into the world. I hope you enjoy the books on my list.

I have a youthful spirit, but an old soul. Perhaps, that’s why I love African American history and gravitated to Black Studies as my undergraduate degree. My reverence for my ancestors sends me time and again to African-American historical fiction in an effort to connect with our past. Growing up, I was that kid who liked being around my elders and eavesdropping on grown-ups' conversations. Now, I listen to my ancestors as they guide my creativity. I’m an award-winning hybrid author writing contemporary and historical novels, and I value each. Still, it’s those historical characters and tales that snatch me by the hand and passionately urge me to do their bidding. 

My writing background started in the newsroom where, as a reporter, my job was to interview and tell the stories of others. At one point in my career, my editors assigned me a bi-monthly column, and while I used this space to write about a variety of issues happening in the community, I also used it occasionally to write personal essays. I love this form because the personal story helps us drill down on an issue and, in essence, make deeper connections with the collective. When I left the newsroom, I continued to study and write in essay and memoir form. In my MFA program, I was able to focus on this form exclusively for two years, and I have spent many years crafting my first book-length memoir into form.