Here are 100 books that The Wide Circumference of Love fans have personally recommended if you like
The Wide Circumference of Love.
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With more than 6-million Americans living with Alzheimer’s, my story is a shared narrative. Because reading creates empathy, I work to widen the perspective of my writing and include voices different from my own. Thanks to neuroplasticity, healthy brains have the ability to keep changing and learning. Each one of these books offers a helpful nudge in a new direction. My essays and articles have appeared in numerous publications including the Washington Post, Luxe, and Variable West, and are listed as notable in the 2019 Best American Science and Nature Writing. I’m currently at work on a second memoir about motherhood and the way travel cultivates a willing acceptance of uncertainty.
I was a new mother when I read this Alzheimer’s memoir and immediately felt that I’d found a friend. Elizabeth Cohen is funny, lyrical, and sometimes (understandably) frustrated as she takes on the bruising balance of managing a career while simultaneously caring for her aging father and her young daughter. The book is a testimony to the healing power of story and provided a valuable model to me as I sought to make sense of my own family experience by committing my memories to the page.
'Daddy walks around, dropping pieces of language behind him, the baby following, picking them up. He asks for 'the liquid substance from the spigot'. She asks for 'wawa'. He wants a tissue to wipe his 'blowing device'. She says 'Wipe, Mummy' and points to her runny nose. The brain of my father and the brain of my daughter have crossed. On their ways to opposite sides of life, they have made an X-On his way out of life, Daddy has passed her the keys.' Soon after her daughter's first birthday, her husband walked out of their rambling old house in…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
With more than 6-million Americans living with Alzheimer’s, my story is a shared narrative. Because reading creates empathy, I work to widen the perspective of my writing and include voices different from my own. Thanks to neuroplasticity, healthy brains have the ability to keep changing and learning. Each one of these books offers a helpful nudge in a new direction. My essays and articles have appeared in numerous publications including the Washington Post, Luxe, and Variable West, and are listed as notable in the 2019 Best American Science and Nature Writing. I’m currently at work on a second memoir about motherhood and the way travel cultivates a willing acceptance of uncertainty.
The title poem in this collection, (made from lines spoken by the poet’s mother,) manages to embody both caregiver and loved one as Constantine gives gentle structure to a string of seemingly disconnected utterances. Each poem in the book explores themes of loss, memory, and family through a different lens, creating an almost kaleidoscopic vision of the world. The collection is a rumination, a celebration, and a beautiful example of how poetry can expand our perspectives and teach us to speak and hear new rhythms.
As with Constantine's previous titles, Dementia, My Darling can be enjoyed at random or in order. However, when taken in sequence, the poems construct a thesis on life as we remember it from moment to moment. What is your first memory of love? How soon will you forget answering that question?
With more than 6-million Americans living with Alzheimer’s, my story is a shared narrative. Because reading creates empathy, I work to widen the perspective of my writing and include voices different from my own. Thanks to neuroplasticity, healthy brains have the ability to keep changing and learning. Each one of these books offers a helpful nudge in a new direction. My essays and articles have appeared in numerous publications including the Washington Post, Luxe, and Variable West, and are listed as notable in the 2019 Best American Science and Nature Writing. I’m currently at work on a second memoir about motherhood and the way travel cultivates a willing acceptance of uncertainty.
Akin to peering into the pages of a private journal, The Authenticity Experiment, is an unvarnished reaction to a series of heartbreaking losses. Tired of the way social media has forced us to create a relentlessly curated and cheerful version of ourselves, de Gutes presents a museum of true emotion. The consecutive deaths of her mother, a dear friend, and a beloved mentor move de Gutes to map her own identity around the absence of three critical landmarks. Musing on perfectionism, guilt, joy, love, and success, de Gutes finds the route to self-compassion is a long and winding one. We readers are lucky enough to be able to walk beside her.
* * * Winner of the Independent Publisher Book Award (IPPY) BRONZE MEDAL in LGBT Non-Fiction! * * *
The Authenticity Experiment: Lessons from the Best and Worst Year of My Life is the new collection of essays from award-winning writer Kate Carroll de Gutes.
In 2012, Kate Carroll de Gutes found herself at a rest stop “ruined with anxiety. And when I say ruined, I mean in a car, in hundred-degree weather, with all the windows rolled up, sobbing and crouched in the passenger’s seat rocking and waiting for the Ativan to take effect. I posted on Facebook, ‘Hello,…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
After writing two expansive novels—The Edge of the World, about lives spanning six decades, and Liberty Landing, a contemporary novel rooted in the arc of American history—I found myself drawn to something smaller. Not smaller in meaning or scope, but in form. I wanted to experiment with the art of compression in storytelling. I was inspired by a microfiction written by novelist Joyce Carol Oates—The Widow’s First Year, which reads: “I kept myself alive.” Eight words. A complete universe of sorrow, endurance, resilience, and time. It stunned me. As I began to write Small Worlds, I was compelled to study fast fiction with the sharpest forensic tools.
Before I began to write my own cycle of flash fiction and microfiction, I decided to study virtuosos of the form. Bender’s book was my first encounter with fast fiction. Her surreal, emotionally raw flashes and short-shorts walk a tightrope between the absurd and the profound. Her characters often exist in dreamlike states—wearing prosthetic arms, dating monsters, or grieving through magical realism. These compact stories don’t just surprise; they haunt.
As a novelist who leans towards conventional storytelling, I found this book foundational for taking risks to be weird and brief.
In The Girl in the Flammable Skirt Aimee Bender has created a world where nothing is quite as it seems. From a man suffering from reverse evolution to a lonely wife who waits for her husband to return from war; to a small town where one girl has a hand made of fire and another has one made of ice. These stories of men and women whose lives are shaped and sometimes twisted by the power of extraordinary desires take us to a place far beyond the imagination.
I am passionate about talent development and college access. I started my journey as a researcher when I learned that high school valedictorians’ adult success depends in large part on their race, social class, and gender. This work led me to life-long questions. How do we recognize talent and give young people opportunities without requiring their total assimilation into the dominant culture? How do we change our schools and colleges to welcome everyone and to benefit from the viewpoints and voices of all of our students? Answering these questions is imperative for our collective well-being in our changing society and world.
Lorene Cary tells her own story of attending an elite boarding school through a talent-search program for low-income students of color. Lorene’s experience shows vividly the costs of being a token in a setting of privilege.
This vivid memoir was dismaying to me as someone who wants students to have opportunities to realize their potential by having access to top-quality schools.
In 1972 Lorene Cary, a bright, ambitious black teenager from Philadelphia, was transplanted into the formerly all-white, all-male environs of the elite St. Paul's School in New Hampshire, where she became a scholarship student in a "boot camp" for future American leaders. Like any good student, she was determined to succeed. But Cary was also determined to succeed without selling out. This wonderfully frank and perceptive memoir describes the perils and ambiguities of that double role, in which failing calculus and winning a student election could both be interpreted as betrayals of one's skin. Black Ice is also a universally…
I have taught history at the University of Alabama since the year 2000, and I have been working and writing as a historian of American slavery for more than twenty-five years. It is not an easy subject to spend time with, but it is also not a subject we can afford to turn away from because it makes us uncomfortable. Slavery may not be the only thing you need to understand about American history, but you cannot effectively understand American history without it.
Because the buying and selling of enslaved people was enormously profitable and entirely legal in the United States before the Civil War, even free Black people lived in fear that they might be kidnapped, sold illegally as slaves, and never heard from by their friends and families again. Though many Americans are familiar with the experience of Solomon Northup, as relayed in his memoir Twelve Years a Slave and the film of the same name, Richard Bell demonstrates how kidnapping was widespread in the nineteenth century and how thin the line could be between freedom and slavery.
This “superbly researched and engaging” (The Wall Street Journal) true story about five boys who were kidnapped in the North and smuggled into slavery in the Deep South—and their daring attempt to escape and bring their captors to justice belongs “alongside the work of Harriet Beecher Stowe, Edward P. Jones, and Toni Morrison” (Jane Kamensky, Professor of American History at Harvard University).
Philadelphia, 1825: five young, free black boys fall into the clutches of the most fearsome gang of kidnappers and slavers in the United States. Lured onto a small ship with the promise of food and pay, they are…
A wind sorcerer. A dark spirit. An unsolved murder.
On the haunted Draakensky Windmill Estate, sketch artist Charlotte Knight arrives to live on the property, hired to illustrate the poetry of Rainer Maria Rilke—a bright and lucrative opportunity to boost her struggling art career.
I am a lifelong lover of books. As a child, one of my most prized possessions was my library card. It gave me entrance to a world of untold wonders from the past, present, and future. My love of reading sparked my imagination and led me to my own fledgling writing efforts. I come from a family of storytellers, my mother being the chief example. She delighted us with stories from her childhood and her maturation in the rural South. She was an excellent mimic, which added realism and humor to every tale.
This book brilliantly tells the story of the guerilla warfare that Black people waged against the purveyors of slavery in the antebellum South. It belies the White establishment’s portrayal of the compliant, intellectually challenged Negro who was content to live under the necessary guidance and protection of his or her master.
In fact, a sprawling network of underground freedom fighters developed secret codes, signs, and escape routes that enabled them to thwart the system that strove to keep them in chains. The book’s protagonist, Liz Spocott, is a “dreamer” who is able to see the future.
This book helped me understand that fiction writers are also dreamers, capable of seeing worlds that do not yet exist, and pushed me to join their ranks.
From the New York Times bestselling author of The Good Lord Bird, winner of the 2013 National Book Award for Fiction, Deacon King Kong, Five-Carat Soul, and Kill 'Em and Leave
In the days before the Civil War, a runaway slave named Liz Spocott breaks free from her captors and escapes into the labyrinthine swamps of Maryland’s eastern shore, setting loose a drama of violence and hope among slave catchers, plantation owners, watermen, runaway slaves, and free blacks. Liz is near death, wracked by disturbing visions of the future, and armed with “the Code,” a fiercely guarded cryptic means of…
I have a youthful spirit, but an old soul. Perhaps, that’s why I love African American history and gravitated to Black Studies as my undergraduate degree. My reverence for my ancestors sends me time and again to African-American historical fiction in an effort to connect with our past. Growing up, I was that kid who liked being around my elders and eavesdropping on grown-ups' conversations. Now, I listen to my ancestors as they guide my creativity. I’m an award-winning hybrid author writing contemporary and historical novels, and I value each. Still, it’s those historical characters and tales that snatch me by the hand and passionately urge me to do their bidding.
I’ve always been an avid reader despite not having peer-aged characters who resembled or represented me when I was a child. Fast forward to when my children were little: suddenly, there existed a plethora of African-American children’s literature. With pure delight, I indulged my little ones in magnificent books featuring characters that reflected them. Want to know a secret? I read those books for myself as well as for them. Recently, when finding a young African American girl at the center of Looking for Hope, I felt a delightful connection with my inner child. Make no mistakes. The young protagonist, Hannah “Mouse” Maynard, endures a horrific life event that alters her existence, interrupts her innocence, and thrusts her into a perilous, mature journey that fails to diminish her abiding sweetness.
“Grief has a way of cementing our feet to the ground wherever we’re standing when it hits us. It takes hard work to get unstuck from that place, but we have to be willing to dig in.”
In this coming of age tale, Mbinguni weaves a narrative about Hannah “Mouse” Maynard and her transformation from a shy, quiet, girl into a strong and assertive woman.
At 7-years-old, Mouse encounters a tragedy that forces her to face the evils of the world and leave behind everything she’s ever known. With their home destroyed, Mouse and her father travel from Maplewood,…
My writing background started in the newsroom where, as a reporter, my job was to interview and tell the stories of others. At one point in my career, my editors assigned me a bi-monthly column, and while I used this space to write about a variety of issues happening in the community, I also used it occasionally to write personal essays. I love this form because the personal story helps us drill down on an issue and, in essence, make deeper connections with the collective. When I left the newsroom, I continued to study and write in essay and memoir form. In my MFA program, I was able to focus on this form exclusively for two years, and I have spent many years crafting my first book-length memoir into form.
Faithful to its title, this brilliant book starts with the body — an unspeakable injury to the narrator’s body, a crime, a horror. Bernard writes with a specificity that is gut-wrenching without being sensational. And all along, running alongside the sensory language is the author’s intellectual river, constantly washing over and over a moment, a scene, a feeling, a thought. This book includes twelve interconnected essays, each building on the other despite how many years – and miles – separate them.
“Blackness is an art, not a science. It is a paradox: intangible and visceral; a situation and a story. It is the thread that connects these essays, but its significance as an experience emerges randomly, unpredictably. . . . Race is the story of my life, and therefore black is the body of this book.”
In these twelve deeply personal, connected essays, Bernard details the experience of growing up black in the south with a family name inherited from a white man, surviving a random stabbing at a New Haven coffee shop, marrying a white man from the North and…
The epic saga continues. Jarnland is in a frenzy of excitement. After the eccentric demise of Old King Wyllard, his co-Majesty, young Queen Esmeralda, announces a Royal Tournament to celebrate the return of our heroes from their perilous quest. The Main Event will be a duel between the legendary warrior…
As a kid, I devoured books with any magical element, especially those somehow linked to nature. As I grew older and discovered that my emotional struggles were a signal of mental health issues, I turned to books again to make sense of my shattered world. I've found that magical realism is an incredible vehicle to explore the deep truths and questions behind mental health, healing, and grief, providing a way to make sense of the unexplainable. I slowly found my way to my own healing and wrote the book I needed as a young adult. I'm forever grateful to the authors of these books for providing a haven for souls like mine.
A novel in verse with a thrilling magical bent, this book defied all my expectations while somehow exceeding them.
Out of all the books on my list, this one is the most blatantly magical, but the wild happenings are so woven into the contemporary setting that they feel believable. I also love how this book deals with two protagonists who struggle with depression and grief in different ways and find ways to support each other without belittling the intensity of each other’s suffering. Add in a satisfying plot twist, and this book is a soulful, brilliant ride.
They Both Die at the End meets The Bell Jar in this haunting, beautiful young adult novel-in-verse about clinical depression and healing from trauma, from National Book Award Finalist Amber McBride.
Whimsy is back in the hospital for treatment of clinical depression. When she meets a boy named Faerry, she recognizes they both have magic in the marrow of their bones. And when Faerry and his family move to the same street, the two start to realize that their lifelines may have twined and untwined many times before.
They are both terrified of the forest at the end of Marsh…