Here are 79 books that Titus Groan fans have personally recommended if you like
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Like many people of my generation, I first discovered fantasy worlds through morning cartoons. Then came comics, but The Lord of the Rings changed everything for me, followed by Dragonlance, Forgotten Realms, and many more. I was an introverted child, often bored with ordinary life, and these worlds gave me somewhere to escape. Most importantly, I loved journeys that transformed characters, because they gave me hope that people could change too. I created fantasy realms in my head for years, but it took reaching my 40s to finally start putting them on paper. Today, I write and publish my own stories, including Chronicles of Ankhara, through AltWorld Comics.
I read this trilogy in 1998 when I had just finished high school.
Even then, I understood the book presented Frodo as the main hero, but I was always aware that without Sam, Frodo couldn't go far. He was just a gardener in the beginning, but when the books were over, he proved himself and even became the mayor of the Shire.
Seeing a regular guy carrying the main hero on his shoulders is something else. The decisions he made and his forcing himself to do more transformed him into a natural hero and a leader.
One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them
In ancient times the Rings of Power were crafted by the Elven-smiths, and Sauron, the Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, it remained lost to him. After many ages it fell by chance into the hands of the hobbit Bilbo Baggins.
Millions watch on live stream as Brit battlemage Daxx and his teammates, Asian-American twin-blade sword-dancer Qrysta and heavily-armored Aussie Orc warrior Grell, triumph in the World Championship of Sword and Sorcery.
The next thing he knows, Daxx is in the middle of a wilderness he’s never seen before. And he’s…
I used to love dystopian books, but recently, I’ve become increasingly interested in hopeful narratives. I’ve been a climate activist in a couple of movements, and I care deeply about the world, but with all the challenges and negativity we are facing, it’s easy to fall into despair. That’s why I think stories that show cooperation, community, respect for nature and each other, working for a better world, and making it happen are so important. We need those stories to get inspired to act instead of thinking that we’re all doomed anyway. They are also healing—a refuge for a tormented mind.
The book offers an in-depth exploration of how an anarchist, anti-capitalist society without money or government would work and juxtaposes it against a more familiar, wasteful, capitalist world. It's thought-provoking and can be a great tool for self-exploration because this world isn’t easy to live in and has its own challenges. Even though it took me a long time to get into the story, once I did, I was fascinated by all the details. It's unlike other stories. It offers ideas that don't often get explored in speculative fiction, and it left me with a lot to think about.
One of the very best must-read novels of all time - with a new introduction by Roddy Doyle
'A well told tale signifying a good deal; one to be read again and again' THE TIMES
'The book I wish I had written ... It's so far away from my own imagination, I'd love to sit at my desk one day and discover that I could think and write like Ursula Le Guin' Roddy Doyle
'Le Guin is a writer of phenomenal power' OBSERVER
The Principle of Simultaneity is a scientific breakthrough which will revolutionize interstellar civilization by making possible instantaneous…
My love of fiction began when my parents took my brother and me to see Star Wars. Somewhere between the lightsabers, giant screen, and speaker on one window, I fell in love with imaginary worlds. From there, I moved through Star Trek, mystery novels, science fiction, and many of the biggest names across multiple genres. Fantasy, though, has always held a special place in my life. I've written ten books in my epic fantasy series, with six currently published, and I have two more series in the works. I have spent years reading, writing, and getting happily lost in invented worlds. I hope you enjoy the books on my list as much as I have.
I’m a fan of Dune because it feels larger than science fiction and more enduring than almost any genre label can contain.
I admire the depth of Frank Herbert’s worldbuilding, the strength of his prose, and the narrative weight carried by his characters and ideas. I return to books like this because they helped define what speculative fiction could become.
I also value Dune as a work of its own time. I do not want foundational novels rewritten to imitate modern language or contemporary storytelling habits. I want them preserved, studied, and experienced as they were written. To me, the best way to keep a genre alive is not to alter its past, but to let new authors build upon it with voices of their own.
Before The Matrix, before Star Wars, before Ender's Game and Neuromancer, there was Dune: winner of the prestigious Hugo and Nebula awards, and widely considered one of the greatest science fiction novels ever written.
Melange, or 'spice', is the most valuable - and rarest - element in the universe; a drug that does everything from increasing a person's lifespan to making interstellar travel possible. And it can only be found on a single planet: the inhospitable desert world of Arrakis.
Whoever controls Arrakis controls the spice. And whoever controls the spice controls the universe.
The epic saga continues. Jarnland is in a frenzy of excitement. After the eccentric demise of Old King Wyllard, his co-Majesty, young Queen Esmeralda, announces a Royal Tournament to celebrate the return of our heroes from their perilous quest. The Main Event will be a duel between the legendary warrior…
I’ve always been drawn to portal stories where a character is magically transported to another world. As a child, I loved Where the Wild Things Are. Now, as a parent, I can see how cleverly Maurice Sendak builds a fantasy around a core emotional truth. This fascination stayed with me through books like The Phantom Tollbooth and Alice in Wonderland. I believe there’s something very powerful about using fantasy worlds to explore the inner lives of characters.
This is utterly unique in the way Norton Juster is able to build a fantasy world out of words, logic, and math.
As a young adult, I loved the idea of receiving a magic tollbooth and driving into a magic world. But, immediately, I found the book challenging because Milo ends up in the doldrums (a word I had never heard before). This is not just a fantasy adventure, but a cautionary tale, a character study, and a world full of puns and puzzles.
Returning to the book as an adult, I was amazed at how seamlessly Juster puts it all together.
With almost 5 million copies sold 60 years after its original publication, generations of readers have now journeyed with Milo to the Lands Beyond in this beloved classic. Enriched by Jules Feiffer’s splendid illustrations, the wit, wisdom, and wordplay of Norton Juster’s offbeat fantasy are as beguiling as ever.
“Comes up bright and new every time I read it . . . it will continue to charm and delight for a very long time yet. And teach us some wisdom, too.” --Phillip Pullman
For Milo, everything’s a bore. When a tollbooth mysteriously appears in his room, he drives through only…
When I was six, I wrote an eleven-page epic about an adventurous otter named "Ottiga." The causality between that early effort and my career as a novelist is uncertain, but it did establish a pattern. I was the perpetual new kid on the block, and novels provided a pathway to escape the difficulties of being young and introverted. I learned that fiction is an antidote to loneliness; that it has the power to transport us to entirely new worlds, or to show us the familiar world in entirely new and unexpected ways. The speculative novels on this list did that for me, and I hope they do the same for you!
In a near-future world where one can purchase emotionally intelligent androids or “artificial friends” (AFs) to keep children company, we take the AF’s perspective. Klara, who begins as a display item in a department store, is adopted by Josie, a girl with what seems to be a fatal illness, and dedicates herself to trying to save Josie’s life.
Like all AF's, Klara has been programmed to observe and learn, and she seems to have exceptional abilities in this regard. She also possesses an especially kind disposition, keen emotional intelligence, and a number of other qualities that make her feel more human than most of the actual humans in the story.
For me, Klara is one of the great characters in recent literature, and her unique perspective is one of the things that make this immersive speculative novel such a pleasure to read.
*The #1 Sunday Times Bestseller* *Longlisted for the Booker Prize 2021* *A Barack Obama Summer Reading Pick*
'A delicate, haunting story' The Washington Post 'This is a novel for fans of Never Let Me Go . . . tender, touching and true.' The Times
'The Sun always has ways to reach us.'
From her place in the store, Klara, an Artificial Friend with outstanding observational qualities, watches carefully the behaviour of those who come in to browse, and of those who pass in the street outside. She remains hopeful a customer will soon choose her, but when the possibility emerges…
As a child, I was a maladaptive daydreamer. I could often be found crafting elaborate fantasies in my head featuring fully-fledged worlds and characters that I would actively interact with and speak to as if they were real. I was a strange child, and I kept that strangeness with me when I went into fiction. Since then, I’ve always wanted to encapsulate the feeling of giving a movie-like experience in book form. I want the people who read my work to feel like they’re experiencing something real.
Reading this book felt like drinking a pitch-black winter night. That’s the best way I can describe it. Somehow, Valente managed to masterfully bottle the frigid sensation of a bleak midwinter and transport it to the page.
I’ve always loved this book for how mythic and grandiose it feels even in the short amount of pages it has. This is something that I feel would come alive in an animated adaptation where you can really capture the eerie and surrealist imagery used.
A handsome young man arrives in St Petersburg at the house of Marya Morevna. He is Koschei, the Tsar of Life, and he is Marya's fate. For years she follows him in love and in war, and bears the scars. But eventually Marya returns to her birthplace - only to discover a starveling city, haunted by death. Deathless is a fierce story of life and death, love and power, old memories, deep myth and dark magic, set against the history of Russia in the twentieth century. It is, quite simply, unforgettable.
In today’s world, where negativity and dire situations can easily bombard us, I need to consistently ground myself in hope and light. Real stories about transformation and unconditional love are not only uplifting and hopeful, they are also around every corner. Every one of us is capable of transformation and the giving and receiving of unconditional love. It’s through transformation and unconditional love that we may better understand what it means to be human and, thus, build our capacity for compassion for one another. Through compassion, we can create a better world.
What does it mean to be human, and what happens to us when we don’t receive unconditional love?
The two main characters in this Gothic novel, a human and a "monster," are presented in such a way that I questioned which main character was more human. There’s a warning of what can happen when we deny the basic human need for unconditional love.
Shelly’s use of a frame story pulled me in from the first page.
One of the BBC's '100 Novels That Shaped Our World'
'That rare story to pass from literature into myth' The New York Times
Mary Shelley's chilling Gothic tale was conceived when she was only eighteen, living with her lover Percy Shelley on Lake Geneva. The story of Victor Frankenstein who, obsessed with creating life itself, plunders graveyards for the material to fashion a new being, but whose botched creature sets out to destroy his maker, would become the world's most famous work of horror fiction, and remains a devastating exploration of the limits of human creativity. Based on the third…
I write speculative fiction books that feature hidden or secret locations. I enjoy writing about closed communities where different rules apply, and they are less susceptible to outside intervention. Places where those in power can ‘get away with things’. I base the topography on real locations and adapt them for my purposes. I can visualise the locations, which are an amalgam of the real and the imaginary. For consistency, I draw maps incorporating real physical landmarks.
When in unfamiliar settings, people often feel isolated. This makes it easier to portray them as exposed or insecure, creating an atmosphere of fear or suspicion and opening up plot possibilities.
It is a detailed social history of a single village in the Pyrenees, set between the years 1294 and 1324. It describes the lives of the shepherd community during the suppression of the Cathars, going into great detail about the parishioners' lives.
By the time I had finished the book, I regretted having to say goodbye to the families whose lives I had gazed into. The book provides insights into their daily lives: love, marriage, religious practices, social relationships, and morality.
"Emmanuel Le Roy Ladurie has had a success which few historians experience and which is usually reserved for the winner of the Prix Goncourt...Montaillou, which is the reconstruction of the social life of a medieval village, has been acclaimed by the experts as a masterpiece of ethnographic history and by the public as a sensational revelation of the thoughts, feelings, and activities of the ordinary people of the past."―Times Literary Supplement.
With a new introduction by author Le Roy Ladurie, this special edition offers a fascinating history of a fourteenth-century village, Montaillou, in the mountainous region of southern France, almost…
My greatest passion? Human nature and the endless cycles we repeat, different on the surface yet identical at their core. We build systems, cultures, and rules, destroy them, then rebuild everything in remarkably similar forms, as though we possessed no memory of the past. I have studied human nature throughout my life, but this passion took shape at university through cultural anthropology and comparative theology. Over thirty years, it has guided my work in developing human potential and talent, and has been refined further through working with thousands of people from more than 200 countries and territories. It is now the lens through which I write speculative fiction.
Science fiction can be hilarious without becoming merely ridiculous. It can bend the genre’s conventions without losing its way, and unleash its imagination while still taking sharp aim at human arrogance.
I read this book before it was widely recognized as a classic, and immediately loved its mixture of adventure, unforgettable characters, and jokes so brilliant that they became cultural touchstones around the world.
Most of all, I loved never being able to imagine what would happen on the next page. Few books offer the same combination of speed, adventure, unpredictability, and genuine laughter. Ever since I finished it, I have kept a small towel nearby, just in case the world ends.
This box set contains all five parts of the' trilogy of five' so you can listen to the complete tales of Arthur Dent, Ford Prefect, Zaphod Bebblebrox and Marvin the Paranoid Android! Travel through space, time and parallel universes with the only guide you'll ever need, The Hitchhiker's Guide to the Galaxy.
Read by Stephen Fry, actor, director, author and popular audiobook reader, and Martin Freeman, who played Arthur Dent in film version of The Hitchhiker's Guide to the Galaxy. He is well known as Tim in The Office.
The set also includes a bonus DVD Life, the Universe and…
I write speculative fiction books that feature hidden or secret locations. I enjoy writing about closed communities where different rules apply, and they are less susceptible to outside intervention. Places where those in power can ‘get away with things’. I base the topography on real locations and adapt them for my purposes. I can visualise the locations, which are an amalgam of the real and the imaginary. For consistency, I draw maps incorporating real physical landmarks.
When in unfamiliar settings, people often feel isolated. This makes it easier to portray them as exposed or insecure, creating an atmosphere of fear or suspicion and opening up plot possibilities.
I was intrigued by how the author creates such a strong sense of place in a single house in a story told mostly by the reclusive owner, Ted, and his cat, a man suspected of the abduction and murder of a child.
I loved the tricks, traps, and changes of direction and the slow revelation of what is really happening. When you eventually discover the truth, it comes as no surprise; the fun is in the journey and the cat’s observations of Ted.
A story where psychology is the key. To say more would be risking spoilers.
"The buzz...is real. I've read it and was blown away. It's a true nerve-shredder that keeps its mind-blowing secrets to the very end." ―Stephen King
Winner of the British Fantasy Award for Best Horror Novel! A World Fantasy Award Finalist! An Indie Next Pick! A LibraryReads Top 10 Pick! A Library Journal Editors' Pick! STARRED reviews from Library Journal and Publishers Weekly! Named one of the "50 Best Horror Books of All Time" by Esquire!
"Brilliant....[a] deeply frightening deconstruction of the illusion of the self." ―The New York Times
Catriona Ward's The Last House on Needless Street is a shocking…
