Here are 100 books that The Wayfinders fans have personally recommended if you like
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I used to think of television as a third parent. As a child of immigrants, I learned a lot about being an American from the media. Soon, I realized there were limits to what I could learn because media and tech privilege profit over community. For 20 years, I have studied what happens when people decide to make media outside of corporations. I have interviewed hundreds of filmmakers, written hundreds of blogs and articles, curated festivals, juried awards, and ultimately founded my own platform, all resulting in four books. My greatest teachers have been artists, healers, and family—chosen and by blood—who have created spaces for honesty, vulnerability, and creative conflict.
This book helped me release shame after a colleague of mine told me my work wasn’t “science.”
Here’s the truth: to create a healing platform, I needed to tap into ways of thinking that academia sees as “woo woo” and “savage.” I looked to the stars. I meditated. I did rituals and read myths.
Dr. Kimmerer, trained as a traditional botanist, realized that the Indigenous myths and stories she was told as a child contained scientific knowledge passed down for generations by her tribe.
She realized there were scientific truths her community knew for millennia that traditional scientists only discovered within the last 100 years. This is the power of Ancestral Intelligence, disregarded by the same science that ultimately created AI.
What stories, fables, and myths have taught you valuable lessons about the world?
Called the work of "a mesmerizing storyteller with deep compassion and memorable prose" (Publishers Weekly) and the book that, "anyone interested in natural history, botany, protecting nature, or Native American culture will love," by Library Journal, Braiding Sweetgrass is poised to be a classic of nature writing. As a botanist, Robin Wall Kimmerer asks questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces indigenous teachings that consider plants and animals to be our oldest teachers. Kimmerer brings these two lenses of knowledge together to take "us on a journey that is…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I've been making messes with paint, string, and words, as well as in love, mothering, and in virtually every other way imaginable my whole life. Eventually, an expertise began to grow, and the confusion in my life began to make sense through my creations, while at the same time, the seemingly irrelevant words and textures I was making started to tell me something about my life. Eventually, my lived experience and training in the Expressive Arts Therapies have led me to the roles of teacher, educator, and contemplative artist. If we pay attention to what we express and how we express things, we can find our way through any mess we find ourselves in.
Of all the creative self-help books out there, Twyla Tharp’s perspective stands out as one fueled by awareness and curiosity rather than grit and force.
For me, this gentler, more curious cultivation of creativity has proved sustaining as opposed to the conventional wisdom that suggests life must be pushed away or overcome to create. As a choreographer and dancer, her wisdom on building a life of creative expression is broad and encompassing, focusing on how one interacts with the world rather than the products one creates.
The inspiration in this book is followed up with practices that have changed the way I approach seeing the world, focusing my thoughts, and allowing the creative process to transport me to surprising places.
What makes someone creative? How does someone face the empty page, the empty stage and making something where nothing existed before? Not just a dilemma for the artist, it is something everyone faces everyday. What will I cook that isn't boring? How can I make that memo persuasive? What sales pitch will increase the order, get me the job, lock in that bonus? These too, are creative acts, and they all share a common need: proper preparation. For Twyla Tharp, creativity is no mystery; it's the product of hard work and preparation, of knowing one's aims and one's subject, of…
In 1974, I had the opportunity to establish the first graduate program integrating all forms of artistic expression in therapy, education, and community service, which grew quickly into an international center. Gifted and committed students chose to develop their master’s theses and doctoral dissertations through their art practice and inspired me to write the first book on art-based research in 1998. To my surprise, it attracted a broad audience that understands how art’s historic contributions to knowledge and well-being have to be renewed in this era. Art Is the Evidence makes the case for this renaissance and offers practical guidance for realizing artistic intelligence in research and life.
Pat Allen demonstrates how art interpretation involves reflection on her creations in an ongoing process of responding creatively to their expression, as contrasted with explanation, analysis, and uncovering hidden ‘meaning.’ As authors say, writing helps them understand what they think, and thought keeps moving like a stream.
I am often asked whether art-based research can present the art alone without commentary. Documentary films do this in their combination of film footage and narration, but with painting, dance, music, and other art forms, expository reflection suggests how the personal expression furthers understanding and usefulness to others.
Pat Allen models this process by integrating her written responses to visual images into a convincing work of art that I see as presenting artistic inquiry as a new art genre.
An expert in art therapy offers this “wonderful” guide “for anyone, artistic or not, who is interested in using art to know more about himself or herself” (Library Journal)
Making art—giving form to the images that arise in our mind's eye, our dreams, and our everyday lives—is a form of spiritual practice through which knowledge of ourselves can ripen into wisdom. This book offers encouragement for everyone to explore art-making in this spirit of self-discovery—plus practical instructions on material, methods, and activities, such as ways to:
• Discover a personal myth or story • Recognize patterns and themes in…
The problem is not with the actions young women take but with the toxic, sexist conditions they are responding to.
Tanenbaum found, based on six years of interviews with young people ages 14-30, that young women are navigating a culture littered with gendered dress codes, revenge porn, and sexually explicit…
I've been making messes with paint, string, and words, as well as in love, mothering, and in virtually every other way imaginable my whole life. Eventually, an expertise began to grow, and the confusion in my life began to make sense through my creations, while at the same time, the seemingly irrelevant words and textures I was making started to tell me something about my life. Eventually, my lived experience and training in the Expressive Arts Therapies have led me to the roles of teacher, educator, and contemplative artist. If we pay attention to what we express and how we express things, we can find our way through any mess we find ourselves in.
I always seek to immerse myself in creative works like film, fiction, and music, and as a mother of three young children, I have now added children's books to this list.
The magic and simplicity of bringing together poetic voice and imagery in picture books have shown me the alchemy of weaving together mediums to convey emotion and meaning in a simple and powerful way.
Of the thousands of children’s books I have read (seriously!) this one struck me as a gem, exploring the vulnerability and enchanting realm of childhood, a place where creativity once roamed free within us.
This simple story of a mother and daughter and the beauty of the imagination and memory as one ages feels like an invitation made just for me asking me to reignite the spark of expression without all the added weight of adulthood.
The Paper Dolls is a stunning, lyrical story of childhood, memory and the power of imagination from Julia Donaldson, the author of The Gruffalo, and award-winning illustrator Rebecca Cobb.
A string of paper dolls go on a fantastical adventure through the house and out into the garden. They soon escape the clutches of the toy dinosaur and the snapping jaws of the oven-glove crocodile, but then a very real pair of scissors threatens . . .
The Paper Dolls is a beautiful and evocative story from Julia Donaldson and Rebecca Cobb, the bestselling creators of The Everywhere Bear.
What could possibly captivate the mind more than monsters? As a kid, I eagerly consumed books from authors like R.L. Stine, Stephen King, and HP Lovecraft. I watched George Romero, Wes Craven, and John Carpenter, and played games like Dungeons and Dragons, Vampire: The Masquerade, andThe Call of Cthulhu.When I discovered monster studies in my PhD years—a way to read monsters as cultural productions that tell us something about the people that create them—I was hooked. Ever since, I get to continue reading my favorite books, watching my favorite movies, and playing my favorite games. It’s just that now someone’s paying me to do it.
Cohen is a necessary starting point, but the contributions to Monsters and the Monstrousreally highlight how far monster studies came in the first couple of decades it was around. The contributions in this volume range farther than the Western world, touching on topics in Africa, the Caribbean, Japan, and a host of others. There is also additional theory to account for shifts in time and culture when thinking about the monstrous and contributions from powerhouses in the field like Debra Higgs Strickland, Debbie Felton, and Michael Dylan Foster. I have personally found Six and Thompson’s article “From Hideous to Hedonist” to be useful every time I teach my course on Religion and the Monstrous.
The field of monster studies has grown significantly over the past few years and this companion provides a comprehensive guide to the study of monsters and the monstrous from historical, regional and thematic perspectives. The collection reflects the truly multi-disciplinary nature of monster studies, bringing in scholars from literature, art history, religious studies, history, classics, and cultural and media studies. The companion will offer scholars and graduate students the first comprehensive and authoritative review of this emergent field.
I am researching how elites and societies in Russia and East Central Europe have adapted to the social, political, and economic transformation processes following the end of Communism. What fascinates me about this topic is understanding why many of these countries continued to fall back to the same patterns of re-autocratization as they did during the Communist times. My answer is that it is because many institutions and elites in these regions have continued certain policies and behaviors from Communist times, which are still affecting their politics and economics. I also examine the impact of the transformational shock on Russia's international revisionism and democratic backsliding across the region.
Another influential book explains why left parties decided to rebrand and adopt seemingly suicidal economic policies. Mudge traces the evolution of left parties' economic policies and the adoption of neoliberal policies as a function of their adaptation to waning voter loyalties.
This book explains the motivation behind the Third Way rebranding that many such parties underwent.
Left-leaning political parties play an important role as representatives of the poor and disempowered. They once did so by promising protections from the forces of capital and the market's tendencies to produce inequality. But in the 1990s they gave up on protection, asking voters to adapt to a market-driven world. Meanwhile, new, extreme parties began to promise economic protections of their own-albeit in an angry, anti-immigrant tone.
To better understand today's strange new political world, Stephanie L. Mudge's Leftism Reinvented analyzes the history of the Swedish and German Social Democrats, the British Labour Party, and the American Democratic Party. Breaking…
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
I freely admit to reading romances―"Nurse Janes," as one of my teachers used to call them―whenever I need a break from heavier material or just from life. While I have some favorite authors (who doesn't?), I do not limit myself to any particular era or style of romance. To me, romance has many shades and flavours, and I enjoy them all. Believe you me, choosing just five to recommend was no piece of cake.
I know, it sounds absurd to recommend a book entitled Heller with a Gun as a romance. But in fact many books of the Western genre have all the elements of romance along with the ultra-American setting, action, and adventure that gave them their own niche. In this particular book, I found the Mr./Miss Right versus Mr./Miss Wrong dilemma and could not put the book down until the problem resolved itself in classic Western style.
Tom Healy was in trouble. His theatrical troupe needed to get to Alder Gulch, Montana, and the weather was turning. Andy Barker promised Tom he could get them there safely, but Tom was reluctant to trust him: he had the lives of three actresses to consider, and his personal feelings for Janice further heightened his concern. Then King Mabry showed up. Although Tom didn’t like the way he looked at Janice, he could see that Mabry made Barker uneasy. So Tom invited Mabry to join them. Tom was right to be worried, because Barker had a plan. He knew that…
I have a life-long love of Westerns. I’ve researched the period and the events extensively. One of the first things I look for in any book I read is period accuracy. The books I write are historically accurate, though they are fiction. I’m on a mission, through my writing, to save the Western genre.
Classic tale of revenge that transcends the Western genre, yet it fits the genre perfectly. Taut, descriptive narrative adds to sharply drawn, larger-than-life characters playing a deadly game of cat and mouse with a hero who refuses to yield, no matter what is done to him. It all leads up to the solution of a mystery that explodes with boundless, brutal action. It’s one you won’t be able to put down until the end.
It’s clear to Will Lockhart that no one in Coronado wants a stranger in town, but he’s traveled a thousand miles through dangerous Apache territory to avenge his brother and no matter what they do to try to run him out, he won’t leave without justice.
I've devoured books ever since learning to read. Now I am an author and a professional substantive book editor, particularly for spiritual memoirs. I am indeed fortunate to be able to combine my love of books with my love of the mystic realms, spiritual transformation, and beloved gurus. The first book I ever helped to edit was the first part ("Journey") of Be Here Now. Then I lived in India for a year, spending much of it with Neem Karoli Baba, Ram Dass's (and my) guru, absorbing his unconditional love. That state of real love, and the pathway leading to it, are the focus of the books I have recommended.
When I met Danielle Sunberg on Zoom during the pandemic, I was impressed with her ability to listen to her inner voice, to use it as the GPS for navigating her life.
Without relying on the language of the mystics, she describes her transformation from a corporate lawyer in Anne Taylor suits to a backpacking truth seeker as she travels the world in search of her real self. This deceptively simple book can carry the reader into their own insights on the nature of self, life, and spirit through the guidance and questions at the end of each chapter.
It's easily relatable to Westerners who have no interest in Eastern spirituality but are looking for a grounded awareness and higher consciousness. And it's a fun travelogue!
At five years old, Kasiel was found with the pointed ends of his ears cut off. Despite that brutal start, he’s lived twelve peaceful years with the man who took him in. Keeping his hair long over his mutilated ears helps him hide the fact that he is Vanrian, a…
I’m a climate scientist at Harvard and an environmental activist. In my day job, I use satellite, aircraft, and surface observations of the environment to correct supercomputer models of the atmosphere. What I’ve learned has made me feel that I can’t just stay in the lab—I need to get out in the world and fight for a future that’s just and ecologically stable for everyone. My writing and activism imagines how humanity can democratically govern itself in an age of environmental crisis.
When I started to read the news as a kid, I understood right away that oil prices were important. Constant war in the Middle East was somehow linked to the gas my mom used to fill up her minivan. It wasn’t until I read this book in college that I truly knew why energy dominates politics.
Mitchell points out that with the rise of coal mining came the rise of democracy because workers suddenly had the power to shut down the entire national economy by striking at only a few mines. They demanded rights and fair treatment. The transition to oil changed everything because it was easy to transport and difficult for workers to shut down. Mitchell shows that oil isn’t just about convenience. It’s about power.
Carbon Democracy provides a unique examination of the relationship between oil and democracy. Interweaving the history of energy, political analysis, and economic theory, Mitchell targets conventional wisdom regarding energy and governance. Emphasizing how oil and democracy have intermixed, he argues that while coal provided the impetus for mass democracy, the shift to oil drastically limited democratic possibility; above all, the ability to confront contemporary ecological crises.