Here are 100 books that The Man from Laramie fans have personally recommended if you like
The Man from Laramie.
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I have a life-long love of Westerns. I’ve researched the period and the events extensively. One of the first things I look for in any book I read is period accuracy. The books I write are historically accurate, though they are fiction. I’m on a mission, through my writing, to save the Western genre.
Essentially this is an homage to the American Cowboy as it tells of his demise as a lifestyle. While some say this one’s hard to read because of its episodic format, I found it the ideal setting for telling the background of the Cowboy’s life and times. Life doesn’t happen in such a structured way as most stories depict. As Monty fights against the progress that will consume him, the reader sees its inevitability. Lament it if you will, it’s a forward-moving engine that will not be stopped.
Originally published in 1963, Monte Walsh continues to delight readers as a Western classic and popular favorite. The novel explores the cowboy lives of Monte Walsh and Chet Rollins as they carouse, ride, and work at the Slash Y with Cal Brennan. As the West changes and their cowboy antics are challenged, the two must part ways to pursue new ways of life. Chet marries and goes on to become a successful merchant and then a politician, while Monte can only find solace in continuing the cowboy's way of life until the very end.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I have a life-long love of Westerns. I’ve researched the period and the events extensively. One of the first things I look for in any book I read is period accuracy. The books I write are historically accurate, though they are fiction. I’m on a mission, through my writing, to save the Western genre.
While this is a short story, not a novel, it is, in my opinion, the quintessential psychological Western. Depicting the struggle of an ordinary man saddled with extraordinary tasks, to maintain his honor and his values in the face of temptation, it delves into the minds of the two participants, and takes the reader on a wild ride as they wait for the train. Tension you could cut with a knife replaces action, keeping the reader on the edge of his/her seat until the end.
The New York Times-bestselling Grand Master of suspense deftly displays the other side of his genius, with seven classic western tales of destiny and fatal decision . . . and trust as essential to survival as it is hard-earned.
Trust was rare and precious in the wide-open towns that sprung up like weeds on America's frontier—with hustlers and hucksters arriving in droves by horse, coach, wagon, and rail, and gunmen working both sides of the law, all too eager to end a man's life with a well-placed bullet. In these classic tales that span more than five decades—including the first…
I have a life-long love of Westerns. I’ve researched the period and the events extensively. One of the first things I look for in any book I read is period accuracy. The books I write are historically accurate, though they are fiction. I’m on a mission, through my writing, to save the Western genre.
This was the first Western I read when I was young. It made an impression on me, not only as a Western, but as a classic story of good and evil with sharply drawn characters that make it come alive to the reader. Grey’s writing puts the reader right in the middle of every scene. And it has an ending you don’t see coming, but one that fits perfectly.
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A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I have a life-long love of Westerns. I’ve researched the period and the events extensively. One of the first things I look for in any book I read is period accuracy. The books I write are historically accurate, though they are fiction. I’m on a mission, through my writing, to save the Western genre.
A new book by a new writer, this is one I had an editing hand in, and one I’ve come to love. It’s a gripping coming-of-age novel set in the 1840s against the backdrop of the vast push west. Both a personal story of a young man forced to survive in a violent land, and an epic story of wagons west along the Oregon Trail, it grabs the reader from the get-go and holds on to the very end. There are as many twists and turns to this tale as were present in the trail west itself.
The journey of a thousand miles begins with a single step.
In the bitter Christmas cold of a Maryland winter, Delaino Riodan, orphaned heir to the Conlan family fortune, finally decides that enough is enough and flees the clutches of his abusive family. With him are the only two friends he’s ever known—Tucker, a family slave, and Raj, an exquisitely-trained stallion Del stole from his grandfather’s stables. Together they head west in search of Delaino’s long-lost father, Daniel, and the promise of life and liberty on the far end of the famed Oregon Trail. Drunk on the hope and enthusiasm…
I freely admit to reading romances―"Nurse Janes," as one of my teachers used to call them―whenever I need a break from heavier material or just from life. While I have some favorite authors (who doesn't?), I do not limit myself to any particular era or style of romance. To me, romance has many shades and flavours, and I enjoy them all. Believe you me, choosing just five to recommend was no piece of cake.
I know, it sounds absurd to recommend a book entitled Heller with a Gun as a romance. But in fact many books of the Western genre have all the elements of romance along with the ultra-American setting, action, and adventure that gave them their own niche. In this particular book, I found the Mr./Miss Right versus Mr./Miss Wrong dilemma and could not put the book down until the problem resolved itself in classic Western style.
Tom Healy was in trouble. His theatrical troupe needed to get to Alder Gulch, Montana, and the weather was turning. Andy Barker promised Tom he could get them there safely, but Tom was reluctant to trust him: he had the lives of three actresses to consider, and his personal feelings for Janice further heightened his concern. Then King Mabry showed up. Although Tom didn’t like the way he looked at Janice, he could see that Mabry made Barker uneasy. So Tom invited Mabry to join them. Tom was right to be worried, because Barker had a plan. He knew that…
What could possibly captivate the mind more than monsters? As a kid, I eagerly consumed books from authors like R.L. Stine, Stephen King, and HP Lovecraft. I watched George Romero, Wes Craven, and John Carpenter, and played games like Dungeons and Dragons, Vampire: The Masquerade, andThe Call of Cthulhu.When I discovered monster studies in my PhD years—a way to read monsters as cultural productions that tell us something about the people that create them—I was hooked. Ever since, I get to continue reading my favorite books, watching my favorite movies, and playing my favorite games. It’s just that now someone’s paying me to do it.
Cohen is a necessary starting point, but the contributions to Monsters and the Monstrousreally highlight how far monster studies came in the first couple of decades it was around. The contributions in this volume range farther than the Western world, touching on topics in Africa, the Caribbean, Japan, and a host of others. There is also additional theory to account for shifts in time and culture when thinking about the monstrous and contributions from powerhouses in the field like Debra Higgs Strickland, Debbie Felton, and Michael Dylan Foster. I have personally found Six and Thompson’s article “From Hideous to Hedonist” to be useful every time I teach my course on Religion and the Monstrous.
The field of monster studies has grown significantly over the past few years and this companion provides a comprehensive guide to the study of monsters and the monstrous from historical, regional and thematic perspectives. The collection reflects the truly multi-disciplinary nature of monster studies, bringing in scholars from literature, art history, religious studies, history, classics, and cultural and media studies. The companion will offer scholars and graduate students the first comprehensive and authoritative review of this emergent field.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I've been making messes with paint, string, and words, as well as in love, mothering, and in virtually every other way imaginable my whole life. Eventually, an expertise began to grow, and the confusion in my life began to make sense through my creations, while at the same time, the seemingly irrelevant words and textures I was making started to tell me something about my life. Eventually, my lived experience and training in the Expressive Arts Therapies have led me to the roles of teacher, educator, and contemplative artist. If we pay attention to what we express and how we express things, we can find our way through any mess we find ourselves in.
A great insight in my life has been realizing that the Western world has tricked us into believing there is only one way to know and understand the world.
What do stories of ancient cultures from across the world have to do with creativity and healing? Wade Davis has spent his life living intimately with other cultures and plants; the lessons captured in this book require us to take pause and realize everything we have taken for granted about what we know and how we know it.
As Davis says, "rediscovering the diversity of the human spirit" requires us to unshackle ourselves from our biases and recognize that some things can’t be explained or understood through the narrow lens of the Western world.
Creativity and the imagination are fundamental to being human; this book caused me to question what I was missing by not fully recognizing them as a way…
Every culture is a unique answer to a fundamental question: What does it mean to be human and alive? In The Wayfinders, renowned anthropologist, winner of the prestigious Samuel Johnson Prize, and National Geographic Explorer-in-Residence Wade Davis leads us on a thrilling journey to celebrate the wisdom of the world's indigenous cultures.
In Polynesia we set sail with navigators whose ancestors settled the Pacific ten centuries before Christ. In the Amazon we meet the descendants of a true lost civilization, the Peoples of the Anaconda. In the Andes we discover that the earth really is alive, while in Australia we…
I am researching how elites and societies in Russia and East Central Europe have adapted to the social, political, and economic transformation processes following the end of Communism. What fascinates me about this topic is understanding why many of these countries continued to fall back to the same patterns of re-autocratization as they did during the Communist times. My answer is that it is because many institutions and elites in these regions have continued certain policies and behaviors from Communist times, which are still affecting their politics and economics. I also examine the impact of the transformational shock on Russia's international revisionism and democratic backsliding across the region.
Another influential book explains why left parties decided to rebrand and adopt seemingly suicidal economic policies. Mudge traces the evolution of left parties' economic policies and the adoption of neoliberal policies as a function of their adaptation to waning voter loyalties.
This book explains the motivation behind the Third Way rebranding that many such parties underwent.
Left-leaning political parties play an important role as representatives of the poor and disempowered. They once did so by promising protections from the forces of capital and the market's tendencies to produce inequality. But in the 1990s they gave up on protection, asking voters to adapt to a market-driven world. Meanwhile, new, extreme parties began to promise economic protections of their own-albeit in an angry, anti-immigrant tone.
To better understand today's strange new political world, Stephanie L. Mudge's Leftism Reinvented analyzes the history of the Swedish and German Social Democrats, the British Labour Party, and the American Democratic Party. Breaking…
I am the author of Leviathan: The History of Whaling in America. This book was sparked by a painting I own of a whaling scene. Gazing at that painting, I often wondered what it was like to go whaling. Having Moby-Dick in school, I already knew a fair amount about whaling. But the painting continued to stir my curiosity, and soon I discovered that there were libraries devoted to whaling, providing almost unlimited material for a historical narrative. This book, then, is my attempt to weave that material into a maritime tapestry that attempts to do justice to America’s rich whaling heritage.
J. Ross Browne experienced first-hand whaling in the early-to-mid 1800s, serving as a crewman on a Yankee whaler. His vivid account of life on board, and the gruesome business of whaling, is beautifully written, enlightening, and dramatic. In his review of the book, Melville said, “It is a book of unvarnished facts … [which] unquestionably presents a faithful picture of the life led by the twenty thousand seamen employed in the seven hundred vessels which now pursue their game under the American flag.” So impressed was Melville that he used Browne’s book as one of his primary sources while writing Moby-Dick.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I’ve been rising for years. In fact, Dark Star: Reclaiming Lilithis the culmination of 18 years’ worth of my personal ascension, which is certainly still a work in progress. My book is written in an extremely magical realistic, sci-fi/fantastical manner. I do believe that there are a cohort of women here on Planet Earth right now who’ve incarnated to help carry Gaia into her 5th dimension. Especially now, it’s relevant to move our planet into a more sustainable, spiritual, and connected way. If our voices can span across genres, generations, and gender, then maybe, they can reach all corners of the Universe before it’s too late for us and our planet.
This book is like a reminder of the wisdom that already lies latent within us (by “us” I’m identifying as a cis-gender woman, but that does not exclude anyone else, just helps to clarify). Rather than a gentle nudge, Dancing in the Flames’ approach to uncovering the buried dark goddess in modern culture is more of a slap in the face. A wake-up call that, I personally, have been intuiting for years. Woodman and Dickson weave together true historical accounts and cultural representations of why the dark goddess is essential for human and societal growth. Eerily similar to my highly sci-fi/fantastical book, I stumbled uponDancing in the Flames while conducting research for my dark-fem-rising story. I hang on every word they write as it 100% rings true for me.
Dark, earthy, and immensely powerful, the Black Goddess has been a key force in world history, manifesting in images as diverse as the Indian goddess Kali and the Black Madonnas of medieval Europe. She embodies the energy of chaos and creativity, creation and destruction, death and rebirth. Images of Her, however, have been conspicuously missing in the Western world for centuries—until now, when awareness of the Goddess is re-arising in many spheres, from the women's movement to traditional religion, from the new discoveries of quantum physics to the dreams of ordinary men and women. Why now particularly? The answer provided…
