100 Books Like Heller with a Gun

R.D. Blackmore's Lorna Doone may not be everyone's idea of a romance, but I put it solidly into that category because it follows the relationship of a boy and girl from youth to adulthood, and shows the affection and devotion shared between them. To me, that is more romantic than a string of sexual escapades can ever be. And seeing it all from the boy's viewpoint was refreshing and poignant, making me suspect men are actually more emotionally sensitive than us women, feminine stereotypes and stiff-backed machismo notwithstanding.

I was pleasantly surprised at how sweet and truly romantic Will North's Water, Stone, Heart turned out to be. I wandered lazily through the Cornish countryside with the main character, meeting quirky locals, becoming fascinated by the mystery of the artist who had settled in a seaside village. And at the conclusion I felt comfortably satisfied. A lovely read. Who says men can't write romance?

Lawman was my introduction to the novels of Diana Palmer, which have become my go-to for contemporary romance. Perhaps I found Lawman compelling because the heroine's history of trauma stirred some memories of my own. The taut thriller quality of the tale certainly kept me reading, as well. And a happy ending is a must, even if I want to slap a stubborn hero upside the head from time to time. (Well, yes, the heroine sometimes needs an attitude check, too.)

Karen Marie Moning's Kiss of the Highlander had me itching to find myself a hunky Druid, even if I had to fall into a hole and end up in the past to do it. I could picture in my mind's eye those rippling muscles, luscious lips, and penetrating eyes. Sigh.

McMahon’s book was a real opener for me as a practising Buddhist in my early 20s.

I’d always naturally assumed that the Buddhism I practised was essentially the same as the Buddhism of any other time and place. McMahon’s penetrating analysis of the differences between ancient and ‘Western’ Buddhism shattered that illusion, showing me that the Buddhism I followed was mainly the product of Buddhism’s encounter with the modern, Western world.

I deeply valued the doors McMahon opened for me: suddenly, I could take a much larger view of the Buddhist tradition, and I also came to realize how the various manifestations of philosophies and religions are interesting not just for what they teach but also because of what they can reveal about the societies that practise them.

Callum Brown is a card-carrying humanist and one of the greatest (and most combative) historians of modern secularism. This book’s concept is very simple: he’s conducted 85 in-depth interviews with self-identified atheists in Europe and the United States about how they got that way, how they understand their world and construct their values, and how they relate to the religions that some of them used to embrace. I think his celebration of these good people blinds him to the very particular historical processes at work here, but I challenge anyone to read this book and not acknowledge that our world has profoundly changed in the past half-century.

This was one of the first books on Buddhism I ever read: I have a battered and much-scribbled-on copy beside me that dates back to 1970. Like Stephen Batchelor he has been seen as an ‘outsider’ to the Buddhist establishment – he described himself ironically as a ‘genuine fake’ – but his psychological understanding, contemporary language and his vivid turn of phrase spoke to me then, and still do now, in a way that much of the more ‘religious’ and scholastic writings never have. For example, he points out that in a sea wave, the actual water isn’t going anywhere; it “only moves up and down, creating the illusion of a ‘piece’ of water moving over the surface. It is a similar illusion that there is a constant ‘self’ moving through successive experiences [and] constituting a link between them.” I would love to have met and listened to Watts, and… show more.

Testing the Chains has become a classic for anyone who is interested in slave rebelliousness and their dramatic acts of resistance in the Atlantic world.

Craton wonderfully tells the exciting stories of slave rebels and Maroons and his research is a great starting point for anyone who hasn’t been exposed to the rebels’ stories.

A great insight in my life has been realizing that the Western world has tricked us into believing there is only one way to know and understand the world.

What do stories of ancient cultures from across the world have to do with creativity and healing? Wade Davis has spent his life living intimately with other cultures and plants; the lessons captured in this book require us to take pause and realize everything we have taken for granted about what we know and how we know it.

As Davis says, "rediscovering the diversity of the human spirit" requires us to unshackle ourselves from our biases and recognize that some things can’t be explained or understood through the narrow lens of the Western world.

Creativity and the imagination are fundamental to being human; this book caused me to question what I was missing by not fully recognizing them as a way… show more.

Cohen is a necessary starting point, but the contributions to Monsters and the Monstrous really highlight how far monster studies came in the first couple of decades it was around. The contributions in this volume range farther than the Western world, touching on topics in Africa, the Caribbean, Japan, and a host of others. There is also additional theory to account for shifts in time and culture when thinking about the monstrous and contributions from powerhouses in the field like Debra Higgs Strickland, Debbie Felton, and Michael Dylan Foster. I have personally found Six and Thompson’s article “From Hideous to Hedonist” to be useful every time I teach my course on Religion and the Monstrous.