Here are 100 books that The Violence fans have personally recommended if you like
The Violence.
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I’ve always had a soft spot for history—in particular, mysteries, myths, and legends. If it’s strange, unexplained, obscure, supernatural, or downright weird, I’m all in. And Celtic folklore, it turns out, excels at exploiting the dark intrigue of human antiquity. Backdropped by a landscape that makes literally anything seem impossible, these stories tell us as much about fairies, merfolk, and other mystical creatures as they do about ourselves. Like so many legends around the world, Celtic mythology is a mirror. One that exposes our deepest fantasies. Reflecting the dark, dangerous side of humanity’s desires back onto itself, and making us question who the real monsters really are.
Three sisters vanish as kids and mysteriously return with no memories of what happened and a lot of strange quirks… in other words, the perfect set-up for a modern story about changelings! Initially, I was skeptical about this one because—while I shamelessly loved Twilight back in the day—I’ve also been kinda burned out from all the froofy falling-in-love-with-magical-creatures/worlds books that surfaced in its aftermath. (And c’mon. That cover? It practically screams froofy tortured teen magic.)
But let’s just say the marketing team failed here because while this book was beautiful, it was also kinda rotten, incredibly atmospheric, and genuinely creepy in places. The perfect read for a dark, modern twist on a traditional myth.
'A gorgeous, grisly modern fairy tale.' - THE GUARDIAN
'Dark and delicious. House of Hollow hums with malice and mystery. I devoured it whole.' - KIRAN MILLWOOD HARGRAVE
** SHORTLISTED FOR THE YA BOOK PRIZE 2022 **
The Hollow sisters - Vivi, Grey and Iris - are as seductively glamorous as they are mysterious. They have black eyes and hair as white as milk. The Hollow sisters don't have friends - they don't need them. They move through the corridors like sharks, the other little fish parting around them, whispering behind their backs.
An interdimensional mixer with angels and other beings brings unexpected trouble for Malachi and his friends in this smart and uniquely funny second book about the squad of teens from hell.
When an angel comes to his home to deliver a message, Malachi immediately knows what’s going on. The seraph…
I love books that keep me up at night. I'm constantly trying to get into a good, healthy bedtime routine—but I am also constantly sabotaging that effort by finding books that I simply can’t put down. The feeling of being drawn so deep into a story that the hours slip away is easily one of my favorite feelings in the world. I also love books that make me wake up in the middle of the night, books that slide into my brain and plant new ideas there. As an author, I am always striving to write those books. I can think of no higher compliment than “I stayed up all night reading it.”
Hide feels like a book tailor-made to pull me in and refuse to let go. The pitch—a high-stakes game of hide-and-seek in an abandoned amusement park—is solid gold, and the book delivers so much more than it promises. With relentless, cutting-class commentary and a truly ferocious sense of clarity, Hide excoriates systems of exploitation with incredible efficiency. I found myself sneaking chapters wherever I could.
A high-stakes hide-and-seek competition turns deadly in this dark supernatural thriller from New York Times bestselling author Kiersten White, perfect for fans of Stephen King and SQUID GAME.
The challenge: spend a week hiding in an abandoned amusement park and don't get caught.
The prize: enough money to change everything.
Even though everyone is desperate to win - to seize their dream futures or escape their haunting pasts - Mack feels sure that she can beat her competitors. All she has to do is hide, and she's an expert at that.
It's the reason she's alive, and her family isn't.
I love books that keep me up at night. I'm constantly trying to get into a good, healthy bedtime routine—but I am also constantly sabotaging that effort by finding books that I simply can’t put down. The feeling of being drawn so deep into a story that the hours slip away is easily one of my favorite feelings in the world. I also love books that make me wake up in the middle of the night, books that slide into my brain and plant new ideas there. As an author, I am always striving to write those books. I can think of no higher compliment than “I stayed up all night reading it.”
Elison is a master of her craft. With Number One Fan she constructs a multilayered horror story that has given me many sleepless nights. This book explores terror from every conceivable angle, from the physical to the existential, while delivering profound insight into the nature of creativity, fandom, and obsession. There’s a scene in this one that made me clench up into a ball and I’m not sure I’ll ever fully relax again.
"Elison’s brutal, incisive novel cuts to the heart of what makes public figures vulnerable and asks us to question our voyeurism." —New York Times Book Review
She created a beautiful world. Now he wants it all.
On her way to a speaking engagement, bestselling novelist Eli Grey gets into a cab and accepts a drink from the driver, trusting that everything is fine. She wakes up chained in the stranger’s basement. With no close family or friends expecting her to check in, Eli knows she needs to save herself. She soon realizes that her abduction wasn’t random, and though she…
An interdimensional mixer with angels and other beings brings unexpected trouble for Malachi and his friends in this smart and uniquely funny second book about the squad of teens from hell.
When an angel comes to his home to deliver a message, Malachi immediately knows what’s going on. The seraph…
I love books that keep me up at night. I'm constantly trying to get into a good, healthy bedtime routine—but I am also constantly sabotaging that effort by finding books that I simply can’t put down. The feeling of being drawn so deep into a story that the hours slip away is easily one of my favorite feelings in the world. I also love books that make me wake up in the middle of the night, books that slide into my brain and plant new ideas there. As an author, I am always striving to write those books. I can think of no higher compliment than “I stayed up all night reading it.”
When I was a kid I was very excited about wolves. Not in the sense that I knew a lot about wolves—I didn’t study them and learn about them—so much as I felt certain, in my heart of hearts, that if I met a wolf, we would understand each other in a way no two creatures ever have. Feed Them Silence is a book that returned me to that sense of certainty, but with a more fundamentally realistic understanding of the nature of animals as existing outside of human understanding. I couldn’t put it down, and the hours slipped right past me.
Lee Mandelo dives into the minds of wolves in Feed Them Silence, a novella of the near future.
What does it mean to "be-in-kind" with a nonhuman animal? Or in Dr. Sean Kell-Luddon’s case, to be in-kind with one of the last remaining wild wolves? Using a neurological interface to translate her animal subject’s perception through her own mind, Sean intends to chase both her scientific curiosity and her secret, lifelong desire to experience the intimacy and freedom of wolfishness. To see the world through animal eyes; smell the forest, thick with olfactory messages; even taste the blood and viscera…
I've been a researcher, educator, and practitioner of domestic violence services for over 15 years, and am extremely passionate about this topic. After having worked in the domestic violence field, I then pursued my PhD to study this problem, which I now continue to research and teach about as an Assistant Professor of Anthropology at Moravian University. In our ever-globalizing world, I believe it's especially important for us to consider domestic violence from a cross-cultural perspective, and having studied this issue in Latin America and among Latina women in the U.S., I hope to spread that knowledge even further. More than ever, it is important for everyone to gain knowledge on this worldwide problem.
If you’re interested in learning about domestic violence from a cross-cultural perspective, the literature on domestic violence in anthropology is an excellent place to look.
This is the second book by Jennifer Wies and Hillary Haldane, two anthropologists who have carved out a space for understanding how to apply anthropological insights to actual domestic violence work. This book offers cross-cultural ideas for how to do just that from a variety of anthropologists working all around the world who continue to work together on this issue from an applied anthropological perspective.
Both Wies and Haldane are mentors of mine, and Haldane was a huge support in the development of my own research. I have also collaborated with several of the authors in this book and can attest to the excellence of their research.
Applying Anthropology to Gender-Based Violence: Global Responses, Local Practices addresses the gaps in theory, methods, and practices that are currently used to engage the problem of gender-based violence. This book complements the work carried out in the legal, human services, and health fields by demonstrating how a focus on local issues and responses can better inform a collaborative global response to the problem of gender-based violence. With chapters covering Africa, Asia, Latin and North America, and Oceania, the volume illustrates the various ways scholars, practitioners, frontline workers, and policy makers can work together to end violence in their local communities.…
I write character-driven thrillers, including my latest novel: Rough Justice. How did I come to write psychological character-driven thrillers? It began years ago when I went to Hollywood in 1977. This was the New Hollywood (1967 -1980), and I worked with writers whose work grabbed viewers viscerally, not with explosions but with multi-dimensional characters that would draw you into a deeply moving story. I spent countless hours working out the stories and shaping the people in them. Working closely with these great screenwriters was a rare opportunity to learn how to create complicated characters and to see how these complex people enriched storytelling.
When I was thinking about the second book I wrote in my trilogy, I knew I had to learn about violence, particularly violence in prison. What causes it, its impact, and why some people hurt themselves in prison. My brother recommended James Gilligan, a prison psychiatrist, and his insights and understanding of it shaped the central character in my book. It’s troubling but fascinating reading for anyone who’s interested in understanding this.
An eye-opening, revisionist analysis of the social and psychological roots of violence argues that violence should be approached as a problem in public health and preventative medicine, rather than one of biological or moral origins, and that shame is the common denominator that links violent perpetrators.
Telescopes, microscopes, computer modeling–these exist because some things are easier to study when you change their shape. That’s how we learned about planets, germs, and the economy. Enlarging, shrinking, and filling in details lets us examine and understand. I think literature can do the same thing with ideas. Asking ‘what if?’ lets us probe things we can’t with our gadgets. Concepts. Hypotheticals. A story that pulls a big idea like taffy? That is a treat. I’ve got five in this dish.
What if we could detect psychopaths? Like many of Sawyer’s novels (and there are a bunch I could’ve selected for this list), there is a question and then a lightning strike of answers. Not a single bolt, but many, branching off, colliding, bleaching the night. There is plenty of scientific realism here–a personal must for Sawyer–resulting in a far-reaching yet intimate story.
The title is not ‘Night of the Psychopaths’ because the book’s many forks take us deeper into the nature of the human mind and the quantum arena we all play in, whether we know it or not. Oh, and it is still fun, adventuresome, and easier to read than I may have made it sound with all that deep, introspective stuff.
With such compelling and provocative novels as Red Planet Blues, FlashForward and The WWW Trilogy, Robert J. Sawyer has proven himself to be “a writer of boundless confidence and bold scientific extrapolation” (New York Times). Now, the Hugo and Nebula Award-winning author explores the thin line between good and evil that every human being is capable of crossing…
Experimental psychologist Jim Marchuk has developed a flawless technique for identifying the previously undetected psychopaths lurking everywhere in society. But while being cross-examined about his breakthrough in court, Jim is shocked to discover that he has lost his memories of six months…
I spent the 1970s as an officer in the U.S. Navy UDT/SEAL Teams, giving me insight into the military aspects of peacebuilding. I have spent the last forty years researching and teaching international marketing and negotiations at USC and UC Irvine, after receiving a Berkeley PhD. I was also the director of the UC Irvine Center for Citizen Peacebuilding for ten years. I have published four books on international negotiations and all my ten books in print are on the topic of peace in families, neighborhoods, commerce, and international relations.
Pinker’s masterpiece is hugely important for two reasons.
First, it well makes the case that the world is the most peaceful it has ever been. This is so despite what you see on TV. Second, he explains four reasons why: rule of law, rule of reason, rule of women, and international trade.
I have spent the last forty years teaching and promoting international trade. The fundamental truth of human relations is: The first persuasion was coercion; the first sophistication is exchange. We are almost through with coercion in this 21st century.
Readers of Pinker’s book will walk away with a greater understanding of what it takes to create peace in the modern geo-political climate.
'The most inspiring book I've ever read' Bill Gates, 2017
'A brilliant, mind-altering book ... Everyone should read this astonishing book' Guardian
'Will change the way you see the world' Daily Mail
Shortlisted for the Samuel Johnson Prize 2012
Wasn't the twentieth century the most violent in history? In his extraordinary, epic book Steven Pinker shows us that this is wrong, telling the story of humanity in a completely new and unfamiliar way. From why cities make us safer to how books bring about peace, Pinker weaves together history, philosophy and science to examine why we are less likely to…
I am Professor of Early Modern Literature at Bangor University, Wales UK and Research Fellow at the Institut de Recherche sur la Renaissance, l'Âge Classique et les Lumières, Université Paul-Valéry, Montpellier 3, France. I am someone who has been interested throughout his career in all aspects of what used to be called the European Renaissance and especially in establishing a dialogue between cultural debates raging four hundred years ago and those which dominate our own everyday lives in the twenty-first century. In the past, my work has addressed ideas, for example, concerned with social theory, the construction of cultural space, and the significance of memory.
This is an immensely readable book and a wonderful introduction to the very different ways in which violence might be interpreted from a dizzying range of perspectives.
Schinkel urges us to reflect on our appetites for violence in our reading matter, our cinema and theatre-going, and our hunger for news. He also poses thorny questions about the ‘productive’ potential of violent action.
This book provides a novel approach to the social scientific study of violence. It argues for an 'extended' definition of violence in order to avoid subscribing to commonsensical or state propagated definitions of violence, and pays specific attention to 'autotelic violence' (violence for the sake of itself), as well as to terrorism.
I have always been a history lover, but often find myself thinking about the untold stories. The people who were not writing the history books or commanding armies or ruling countries. I’ve always been more inspired by everyday people, especially women, who fought daily battles we know very little about. I find myself seeking out their stories. I love to imagine these women’s lives. What motivated them, what frightened them, what angered them. That’s what I’m most passionate about. Finding and telling their stories.
Valentine handles some very heavy topics beautifully.
Many of the characters are connected by only one thread: they are women trying to survive in West Texas in the early 1970s. It centers around a brutal incident and the quest to find justice for a Mexican teenage girl who was violently assaulted.
Throughout the story we get such an intimate look at these women’s lives. I felt like I knew them. I felt like I was sitting right next to them in their kitchen or on their front porch.
These women were all hardened by the trials life had thrown at them, and were battling the urge to protect themselves with the urge to protect one another. I loved this book because it was just so honest.
A top ten New York Times bestseller. With the haunting emotional power of American Dirt and the atmospheric suspense of Where the Crawdads Sing: a compulsive debut novel that explores the aftershock of a brutal crime on the women of a small Texas oil town.
'The very definition of a stunning debut' Ann Patchett
'Brilliant, sharp, tightly wound, and devastating' Elizabeth Gilbert
'Quite simply one of the best books I've ever read' Jeanine Cummins, author of American Dirt
Mercy is hard in a place like this. I wished him dead before I ever saw his face...
