Here are 100 books that Lethal Intersections fans have personally recommended if you like
Lethal Intersections.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I come from the Dusun hilltribes of Indigenous Borneo. My mountain is Kinabalu, and my river is Kiulu. My upbringing gives me a new way to talk about the world. I have participated in ongoing rituals, witnessed the loss of once-abundant wilderness, and shared in stories that are filled with ancient wisdom. My Elders’ knowledge about the land, sea, and sky is etched in my memory, grounding me to cultural roots and prompting reflection on life’s essential questions. In my travels, I have found that these universal questions intersect with the stories and experiences of Indigenous communities worldwide. This worldview urges me to not let these stories fade.
I clung to every word, every story, and every turn of phrase like a traveler gripping a well-worn map. Listening to the audiobook version narrated by Cherokee Nation writer Daniel Heath Justice, the stories unfolded, some like a quiet stream, urging me to pay closer attention, others rushing flyaway wild like the wind, gripping, inspiring, and wandering.
Tuning into the audiobook with my headphones on made my nature walks an immersive and contemplative experience I’d highly recommend. The questions posed about humanity challenge us to be better humans, and I was struck by the familiarity of the stories to my own culture.
I could read and listen to this book over and over again as the life lessons are so generously expressed and simply made me want more, more, more.
Part survey of the field of Indigenous literary studies, part cultural history, and part literary polemic, Why Indigenous Literatures Matter asserts the vital significance of literary expression to the political, creative, and intellectual efforts of Indigenous peoples today. In considering the connections between literature and lived experience, this book contemplates four key questions at the heart of Indigenous kinship traditions: How do we learn to be human? How do we become good relatives? How do we become good ancestors? How do we learn to live together? Blending personal narrative and broader historical and cultural analysis with close readings of key…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I come from the Dusun hilltribes of Indigenous Borneo. My mountain is Kinabalu, and my river is Kiulu. My upbringing gives me a new way to talk about the world. I have participated in ongoing rituals, witnessed the loss of once-abundant wilderness, and shared in stories that are filled with ancient wisdom. My Elders’ knowledge about the land, sea, and sky is etched in my memory, grounding me to cultural roots and prompting reflection on life’s essential questions. In my travels, I have found that these universal questions intersect with the stories and experiences of Indigenous communities worldwide. This worldview urges me to not let these stories fade.
Drawing both tears and laugh-out-loud laughter, this compilation of short stories by Māori writers from Aotearoa transported me to magical worlds and ideas.
It’s a gem on my recommendation list, uncovering endless nuggets of golden meaning and messages. I especially relish the humor unique to Māori storytelling.
I respect the simplicity and significance of short stories for their ability to offer a quick read before bedtime or as a morning indulgence. I found great pleasure in diving into any story on any page on any given day or night (when I almost forgot to go to sleep), like enjoying good poetry, the words dance, sing, and linger long long after.
Hiwa is a vibrant, essential collection of contemporary Maori short stories, featuring twenty-seven writers working in English or te reo Maori. The writers range from famous names and award winners - Patricia Grace, Witi Ihimaera, Whiti Hereaka, Becky Manawatu, Zeb Nicklin - to emerging voices like Shelley Burne-Field, Jack Remiel Cottrell, Anthony Lapwood and Colleen Maria Lenihan.
A showcase of contemporary talent, Hiwa includes biographical introductions for each writer's work, and explores the range of styles and subjects in the flourishing world of Maori fiction.
Named for Hiwa-i-te-rangi, the ninth star of Matariki, signifying vigorous growth and dreams of the…
I come from the Dusun hilltribes of Indigenous Borneo. My mountain is Kinabalu, and my river is Kiulu. My upbringing gives me a new way to talk about the world. I have participated in ongoing rituals, witnessed the loss of once-abundant wilderness, and shared in stories that are filled with ancient wisdom. My Elders’ knowledge about the land, sea, and sky is etched in my memory, grounding me to cultural roots and prompting reflection on life’s essential questions. In my travels, I have found that these universal questions intersect with the stories and experiences of Indigenous communities worldwide. This worldview urges me to not let these stories fade.
I adore the passages about what happens to the mind and body when you enter the ocean. I connected to the ideas about thinking through water and oceanic literacies. All the experiences shared about being in nature felt completely relatable.
Kanaka Maoli writer Karin Amimoto Ingersoll describes dropping into a wave on her surfboard as a kinaesthetic/sensorial experience (not that I can surf, but I felt so present with the writer at that moment!). She expands on this tantalizing metaphor in the most wondrous ways.
I read this during a particularly difficult phase of writer’s block, and it gave me the vital inspiration I needed to reflect on issues of identity, knowledge, and culturally safe expansive spaces in forms not imprisoned by “academic speak.” Needless to say, my words flowed like water.
In Waves of Knowing Karin Amimoto Ingersoll marks a critical turn away from land-based geographies to center the ocean as place. Developing the concept of seascape epistemology, she articulates an indigenous Hawaiian way of knowing founded on a sensorial, intellectual, and embodied literacy of the ocean. As the source from which Kanaka Maoli (Native Hawaiians) draw their essence and identity, the sea is foundational to Kanaka epistemology and ontology. Analyzing oral histories, chants, artwork, poetry, and her experience as a surfer, Ingersoll shows how this connection to the sea has been crucial to resisting two centuries of colonialism, militarism, and…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I come from the Dusun hilltribes of Indigenous Borneo. My mountain is Kinabalu, and my river is Kiulu. My upbringing gives me a new way to talk about the world. I have participated in ongoing rituals, witnessed the loss of once-abundant wilderness, and shared in stories that are filled with ancient wisdom. My Elders’ knowledge about the land, sea, and sky is etched in my memory, grounding me to cultural roots and prompting reflection on life’s essential questions. In my travels, I have found that these universal questions intersect with the stories and experiences of Indigenous communities worldwide. This worldview urges me to not let these stories fade.
Poetry like this is crucial to telling the other side of the story. It’s a counternarrative, and that’s why Oodgeroo’s work has shaped my thinking and experiences in life-affirming ways.
Oodgeroo sees her work as an extension of the songkeeping and oral storytelling so intrinsic to Indigenous social life and survival. Her poems are not simply about a bygone past, as every line is relevant today (but hush, you mustn’t say so, Oodgeroo teases). That’s why I treasure her wit and writing – they give me life, a lifeline to a reality often denied us in Western thought.
It is written with so much beauty, elegance, and hope. Full of love for her people and full of grace, passion, and rage. Because there is so much to rage about (but that is another story)…
Oodgeroo’s writing has a unique place in Australian literature. When her poetry was first published in the 1960s, Kath Walker, as she was known then, provided a brave new voice for marginalised Aboriginal Australians. For the first time, an Aboriginal Australian was analysing and judging white Australians as well as her own people. She often made provocative and passionate pleas for justice:
We want hope, not racialism, Brotherhood, not ostracism, Black advance, not white ascendance: Make us equals, not dependants.
This collection of poetry and prose is a reminder of Oodgeroo’s contribution to Indigenous culture and the journey…
I'm a professor of modern U.S. history and have spent my career researching this list's fascinating era. This moment began our modern political history. The first Red Scare in the United States, erupting in the wake of World War I and the Russian Revolution, was a conflict over the definition and limits of radicalism in a modern democracy and the limits of its repression. It was also tied to other seismic questions of the era that remain relevant, including how far the fights of women and Blacks for opportunities and rights that other Americans took for granted could succeed, whether to end mass immigration, the meaning of ‘Americanism,’ the extent of civil liberties, the limits of capitalism, and the role of social movements in the republic.
We must remember that 1919 also saw unprecedented widespread bloodshed in attacks on Black communities. This wave of violence is remembered as the Red Summer not because it coincided with the Red Scare, but because the worst of it occurred in and around that summer. Krugler gives us the national saga but helpfully zooms in to some of the major clashes to help us understand why and how they occurred – and most of all – how Blacks fought back through self-defense, the Black press, and the courts.
1919, The Year of Racial Violence recounts African Americans' brave stand against a cascade of mob attacks in the United States after World War I. The emerging New Negro identity, which prized unflinching resistance to second-class citizenship, further inspired veterans and their fellow black citizens. In city after city - Washington, DC; Chicago; Charleston; and elsewhere - black men and women took up arms to repel mobs that used lynching, assaults, and other forms of violence to protect white supremacy; yet, authorities blamed blacks for the violence, leading to mass arrests and misleading news coverage. Refusing to yield, African Americans…
I've always been fascinated with history. The study of economic history allows me to combine my passion for understanding the past with a rigorous and systematic set of analytical tools. In my own work I'm interested in understanding the economic, political, and institutional transformations that have created the modern world. The books I've selected here help us better understand quite how different the past and they have proven to be invaluable to me as inspirations.
This is a landmark book in political economy and economic history.
Douglass North won the Noble Prize in Economics in part for the study of institutions in economic history.
This was his final work (coauthored with Wallis and Weingast). And while the lessons of North's earlier work on institutions have been incorporated into the wider body of scholarship in economic history and development economics, I think the lessons of this book haven't been fully absorbed.
The fundamental idea is that all societies face "the problem of violence". They have to deter individuals from resorting to violence in order to take what they want. But the means through which society limits violence vary and are often detrimental to long-run economic growth. There is thus a "natural" form of government that is common throughout history, capable of producing social order but not widespread prosperity.
Achieving sustained economic growth in the long-run requires…
All societies must deal with the possibility of violence, and they do so in different ways. This book integrates the problem of violence into a larger social science and historical framework, showing how economic and political behavior are closely linked. Most societies, which we call natural states, limit violence by political manipulation of the economy to create privileged interests. These privileges limit the use of violence by powerful individuals, but doing so hinders both economic and political development. In contrast, modern societies create open access to economic and political organizations, fostering political and economic competition. The book provides a framework…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I love psychological thrillers because I have firsthand dealt with OCD and gaslighting. Therefore, I find the human mind fascinating, and how the line between sanity and insanity is changeable. I think as humans we want to feel safe and hence, we box things into categories but all these thrillers I have recommended force you to look outside of the boxes and they can be chillingly thought-provoking. I am obsessed with writing that gives the reader such graphic insight into a character’s thoughts and actions. If you want unputdownable books, these are the ones for you!
This book personally resonates with me as I suffer with OCD.
The character must overcome countless mental challenges now that she thinks she has met the man of her dreams. It is a brilliant portrayal of gaslighting, so accurate and chillingly on point. If you like books that are emotionally immersive and you can almost touch and breathe the characters, this is superb.
Catherine Bailey has been enjoying the single life long enough to know a catch when she sees one. Gorgeous, charismatic and spontaneous, Lee seems almost too perfect to be true. And her friends clearly agree, as each in turn falls under his spell. But what begins as flattering attentiveness and passionate sex turns into raging jealousy, and Catherine soon learns there is a darker side to Lee. His increasingly erratic, controlling behaviour becomes frightening, but no one believes her when she shares her fears. Increasingly isolated and driven into the darkest corner of her world, a desperate Catherine plans a…
As a lifelong Kentuckian with a lifelong fascination for history, true crime, biography, and the supernatural, once I started writing, I pursued these and related topics. The writer Charles Fort’s research methods interested me: he read old newspapers looking for forgotten stories. That seemed a good way to find little-known information. I am a lecturer in the English Department at Eastern Kentucky University and have spent two decades reading old newspapers issue by issue between classes and taking notes on possible stories. The books on my list also include much detail on entertaining obscurities, and I hope you enjoy them.
Of the many strange stories from Kentucky, this book concentrates on ones from Lexington/Fayette County with a witty writing style that strikes a balance of history and humor.
Young-Brown covers several remarkable duels, frontier violence, racism, and the notorious prostitute Belle Brezing. One of the most remarkable stories concerns Col. William Breckinridge, a congressman who delivered lectures to young women on the importance of chastity yet was involved in a sex scandal that destroyed his career.
Historical true crime is well-represented by the story of golf pro Marion Miley, whose 1941 murder could be the topic for a book of its own.
Filled with tales of infamous duels, cheating congressmen, and much more, Wicked Lexington, Kentucky offers the first collection the city's rowdy and ruckus history .
Despite its illustrious beginnings as the "Athens of the west," Lexington has always had a darker side lurking just beneath its glossy sheen. It didn't take long for the first intellectual hub west of the Alleghenies to quickly morph into a city with the same scandalous inclinations as neighboring Louisville and Cincinnati. From Belle Brezing's infamous brothel of the late 1800s, frequented by some of the city's most prominent businessmen, and once pardoned by the…
Like many people, I am deeply troubled by the death and destruction from violent conflict. When I began my graduate work in economics at Cornell University, I was allowed to apply my economics learning to the problem of war. When I began teaching at Holy Cross College, my colleagues encouraged me to offer courses on the economics of war and peace. After many years of teaching, I compiled Principles of Conflict Economics (with John Carter) to serve as a textbook on economic aspects of conflict. I hope the book might encourage other economics professors and students to learn more about war and how to resolve conflicts nonviolently.
I learned much about the causes of violence in human relations from this book’s compelling explanations of how peaceful negotiations can break down, thus leading to war.
I appreciated the book’s wide-ranging applicability, which included interstate and civil wars, but also “wars” involving drug cartels, gangs, and other factions. As an economist, Blattman’s coverage of economic aspects of war and peace shines throughout the book, and his rich multidisciplinary perspectives nicely round out his analysis.
I especially like the book’s intuitive coverage of historical examples of how peace can slip away, as well as lessons learned that can aid in future efforts to avoid war.
“Why We Fight reflects Blattman’s expertise in economics, political science, and history… Blattman is a great storyteller, with important insights for us all.” —Richard H. Thaler, winner of the Nobel Memorial Prize in Economic Sciences and coauthor of Nudge
“Engaging and profound, this deeply searching book explains the true origins of warfare, and it illustrates the ways that, despite some contrary appearances, human beings are capable of great goodness.”—Nicholas A. Christakis author of Blueprint: The Evolutionary Origins of a Good Society
Why did Russia attack Ukraine? Will China invade Taiwan and launch WWIII? Why has the number of civil wars…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I’m a soldier, an author, and an army wife – the last fifteen years of my life have revolved around dealing with the fallout of the Iraq war, not only for my family but also as a soldier and a veteran. I write books because I wanted to read about people who stayed in the military after the war started. The best writing advice I ever got came from Robyn Carr who said, write the book that only you can tell. Wrestling with the legacy of a war that we as soldiers did not choose as we return home was something I deeply wanted to understand, both as an army officer and a novelist.
This book technically isn’t about the Iraq war but instead, about violence more broadly and it's super nerdy but super important.
As a soldier and sociologist, I’ve always been fascinated by the ways academia deals with questions of violence. In particular, since the popularity of moral psychology theories like Jonathan Haidt’s moral foundations theory (popularized in his book The Righteous Mind), the running assumption in a lot of academic circles is that harm = bad. But Fisk and Rai show that violence serves social purpose such as bonding people together or teaching them group boundaries.
It’s a difficult read because it challenges people’s assumptions about violence and harm but that makes it all the more important in understanding how people come home from war and the ways in which they wrestle with actions they’ve done.
What motivates violence? How can good and compassionate people hurt and kill others or themselves? Why are people much more likely to kill or assault people they know well, rather than strangers? This provocative and radical book shows that people mostly commit violence because they genuinely feel that it is the morally right thing to do. In perpetrators' minds, violence may be the morally necessary and proper way to regulate social relationships according to cultural precepts, precedents, and prototypes. These moral motivations apply equally to the violence of the heroes of the Iliad, to parents smacking their child, and to…
