Here are 100 books that The Victorian Celebration of Death fans have personally recommended if you like
The Victorian Celebration of Death.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I have always been intrigued by the dark side of life. It seems a natural fit for me, having grown up in a big dark house near a cemetery, a house crammed with Victorian furniture and dusty old books, where the Brontes, Dickens, and Sherlock Holmes were my constant companions. I soon developed a fascination with the dark underbelly of London, and I’ve spent the last twenty years writing about many aspects of it, from death and burial to capital punishment, murder, sex work, and gangsters. I’ve told the stories of Londoners, from William Shakespeare to Nell Gwyn and from Dr Crippen to the Krays. I’ve also contributed to several documentaries.
These days, books about London are strewn about thicker than leaves in Vallombrosa, but this was the first definitive book. Writing about London as if it was indeed a legendary person plays to Ackroyd’s great strengths: a sense of history, of place or psychogeography, and a multi-disciplinary approach, incorporating the many voices and experiences of Londoners throughout the ages to capture the soul of this great city.
By launching this genre, Ackroyd really showed me the way. When I was first commissioned to write Necropolis, I had some misgivings. Would anyone really want to read a book about London cemeteries? Then I went into Oxford Street Waterstones and saw an entire wall of London books, and realized that this was an entirely new genre and one which welcomed me in.
I was also extremely apprehensive when Ackroyd reviewed Necropolis for The Times. I spread the paper out over…
Much of Peter Ackroyd's work has been concerned with the life and past of London but here, as a culmination, is his definitive account of the city. For him it is an organism with its own laws of growth and change, so this book is a biography rather than a history. Ackroyd reveals the dozens of ways in which the continuity of the city survives - in ward boundaries unchanged since the Middle Ages, in vocabulary and in various traditions - showing London as constantly changing, yet forever the same in essence.
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I have always been intrigued by the dark side of life. It seems a natural fit for me, having grown up in a big dark house near a cemetery, a house crammed with Victorian furniture and dusty old books, where the Brontes, Dickens, and Sherlock Holmes were my constant companions. I soon developed a fascination with the dark underbelly of London, and I’ve spent the last twenty years writing about many aspects of it, from death and burial to capital punishment, murder, sex work, and gangsters. I’ve told the stories of Londoners, from William Shakespeare to Nell Gwyn and from Dr Crippen to the Krays. I’ve also contributed to several documentaries.
I first encountered medical historian Lindsey Fitzharris when she published The Butchering Art, a biographer of pioneering surgeon Joseph Lister. This is another gore-flecked narrative that focuses on facial surgeon Harold Gillies’ pioneering work formulating ingenious surgical innovations and transforming the lives of patients disfigured fighting in WW1.
Plastic surgery has been around since the French Revolution, but attempts at facial reconstruction were limited. Gillies became fascinated by plastic surgery after watching French surgeon Hippolyte Morestin remove a cancer tumor from a patient’s face and cover it with a flap of skin taken from their own neck. In 1916, he requisitioned a ward at Cambridge Military Hospital, Aldershot, to cope with the grotesque procession of disfigured men disembarking from the hospital trains. He assembled a team of retired doctors, medical students, and even a vet to try to give these men their dignity back. A Daily Mail reporter at…
A New York Times Bestseller Finalist for the 2022 Kirkus Prize
"Enthralling. Harrowing. Heartbreaking. And utterly redemptive. Lindsey Fitzharris hit this one out of the park." —Erik Larson, author of The Splendid and the Vile
Lindsey Fitzharris, the award-winning author of The Butchering Art, presents the compelling, true story of a visionary surgeon who rebuilt the faces of the First World War’s injured heroes, and in the process ushered in the modern era of plastic surgery.
From the moment the first machine gun rang out over the Western Front, one thing was clear: humankind’s military technology had wildly surpassed its…
I have always been intrigued by the dark side of life. It seems a natural fit for me, having grown up in a big dark house near a cemetery, a house crammed with Victorian furniture and dusty old books, where the Brontes, Dickens, and Sherlock Holmes were my constant companions. I soon developed a fascination with the dark underbelly of London, and I’ve spent the last twenty years writing about many aspects of it, from death and burial to capital punishment, murder, sex work, and gangsters. I’ve told the stories of Londoners, from William Shakespeare to Nell Gwyn and from Dr Crippen to the Krays. I’ve also contributed to several documentaries.
Kate and I have both written about the history of sex work. While mine was confined to London, Kate has gone further afield and researched the hidden histories of sex workers across the globe, charting the lived experience of people who sold sex for a living from Storyville brothels to Chinese flower boats and royal bed chambers.
This authoritative and global history of sex work is enhanced by evocative paintings, archival photographs, and intriguing curios. It really is everything you ever wanted to know about the history of sex work but were afraid to ask!
The history of selling sex is a hidden one—and too often its practitioners are pushed to the margins of history. This book redresses the balance, revealing the history of the sex trade through the eyes of sex workers, from medieval streets to Wild West saloons, and from brothels to state bedrooms. Harlots, Whores & Hackabouts' chapters are structured thematically in a broadly chronological order, each one introducing a lively cast of complex and entertaining characters operating in an array of different periods, locations, and settings. In ancient Mesopotamia, the harlot Shamhat was powerful and respected, able to civilize the wild…
At five years old, Kasiel was found with the pointed ends of his ears cut off. Despite that brutal start, he’s lived twelve peaceful years with the man who took him in. Keeping his hair long over his mutilated ears helps him hide the fact that he is Vanrian, a…
I have always been intrigued by the dark side of life. It seems a natural fit for me, having grown up in a big dark house near a cemetery, a house crammed with Victorian furniture and dusty old books, where the Brontes, Dickens, and Sherlock Holmes were my constant companions. I soon developed a fascination with the dark underbelly of London, and I’ve spent the last twenty years writing about many aspects of it, from death and burial to capital punishment, murder, sex work, and gangsters. I’ve told the stories of Londoners, from William Shakespeare to Nell Gwyn and from Dr Crippen to the Krays. I’ve also contributed to several documentaries.
If you’ve ever wondered what an undertaker really does, then Brian Parsons’ history of the trade is an intriguing guide. Reflecting the rapidly changing social times of pre-inter- and post-war Britain, this book details critical episodes in the history of the modern undertaking, including the introduction of embalming, how the enormous task of dealing with the dead from both World Wars was undertaken, coping with the tragedy that was the Spanish flu; and the rise of the Co-operative Funeral Service. Important burials include the burial of the Unknown Soldier, Lord Kitchener’s empty coffin, and the rise of the Cooperative funeral service.
I’d been familiar with Brian’s work while researching Necropolis, and there were further lessons to be learned from his account of the Spanish flu when I was writing my Pandemic 1918. I recommend this book as a practical but humane account of the development of the funeral industry…
A comprehensive historical survey of the work of undertakers in the first half of the twentieth century, essential reading for anyone interested in understanding an often hidden but certainly most fascinating trade.
Reflecting the rapidly changing nature of the undertaker's work in pre, inter and post- war Britain, this book details the introduction of embalming; how the enormous task of dealing with the dead from both World Wars was undertaken; how undertakers coped with the tragic death toll of the Spanish flu, and the rise of the Co-operative Funeral Service.Around these more institutional historical keystones, the author includes several important…
I grew up down the road from the little graveyard where my grandfather was buried. By accident, I discovered the glorious Victorian-era Highgate Cemetery in 1991. A friend sent me to explore Paris’s Pere Lachaise Cemetery – and I was hooked. I’ve gone from stopping by cemeteries when I travel to building vacations around cemeteries I want to see. I’ve gone out of my way to visit cemeteries in the Czech Republic, Greece, Italy, Japan, Spain, Singapore, and across the United States. At the moment, I’m editing Death’s Garden Revisited, in which 40 contributors answer the question: “Why is it important to visit cemeteries?”
Even though it’s 12 years old, this is still the definitive history of burial grounds in America.I honestly cannot rave about it enough.
Although the book looks dry and intimidating, I promise you it’s anything but. Yalom provides solid information about the history of burial and burial grounds in the United States, leavened with personal reflections inspired by the graveyards she visited as she researched. If anything can inspire a desire to travel to visit cemeteries, The American Resting Place will set your feet on the path.
An illustrated cultural history of America through the lens of its gravestones and burial practices—featuring eighty black-and-white photographs.
In The American Resting Place, cultural historian Marilyn Yalom and her son, photographer Reid Yalom, visit more than 250 cemeteries across the United States. Following a coast-to-coast trajectory that mirrors the historical pattern of American migration, their destinations highlight America’s cultural and ethnic diversity as well as the evolution of burials rites over the centuries.
Yalom’s incisive reading of gravestone inscriptions reveals changing ideas about death and personal identity, as well as how class and gender play out in stone. Rich particulars…
In December 2000, my much-loved Grandma died. Her funeral was a standard 20-minute slot at the local crematorium, led by someone who didn’t know her. How I didn’t walk out, I’ll never know–but the experience certainly lit a fire under my work as an academic historian, which has burned ever since. As a historian, I’m passionate about what the past can teach us about how to die well: what makes for a good funeral, and for whom? How have our answers to these questions changed–or maybe not–over the decades and centuries?
This classic study of the 1832 Anatomy Act is a great combination of scholarly history writing and a call for social justice.
It recounts how the Act solved the problem of corpses being stolen for medical research–by instead appropriating the bodies of poor people who had died in the workhouses. Abuses are still happening: Richardson links the Anatomy Act to the 1990s Alder Hey scandal.
This book reminds me how important it is to keep institutions that deal with the dead accountable–and to know our rights when the time comes.
In the early nineteenth century, body snatching was rife because the only corpses available for medical study were those of hanged murderers. With the Anatomy Act of 1832, however, the bodies of those who died destitute in workhouses were appropriated for dissection. At a time when such a procedure was regarded with fear and revulsion, the Anatomy Act effectively rendered dissection a punishment for poverty. Providing both historical and contemporary insights, Death, Dissection, and the Destitute opens rich new prospects in history and history of science. The new afterword draws important parallels between social and medical history and contemporary concerns…
Resonant Blue and Other Stories
by
Mary Vensel White,
The first collection of award-winning short fiction from the author of Bellflower and Things to See in Arizona, whose writing reflects “how we can endure and overcome our personal histories, better understand our ancestral ones, and accept the unknown future ahead.”
I am a presidential historian with a particular focus on their deaths, public mourning, and the places we commemorate them. My interest in what I like to think of as “the final chapter of each president’s amazing story” grew out of frustration with traditional biographies that end abruptly when the president dies, and I believe my books pick up where others leave off. More than a moribund topic, I find the presidential deaths and public reaction to be both fascinating and critical to understanding their humanity and place in history at the time of their passing and how each of their legacies evolved over time.
Robert Klara provides so much detail and insight that it’s like he was on Franklin Roosevelt’s funeral train, crouched down in the seat behind the new president, Harry S. Truman!
I was super impressed by Klara’s research and ability to capture the conversations and historical nuances of one of the most important train rides of the twentieth century.
In April 1945, the funeral train carrying the body of Franklin D. Roosevelt embarked on a three-day, thousand-mile odyssey through nine states before reaching the president's home where he was buried. Many who would recall the journey later would agree it was a foolhardy idea to start with - putting every important elected figure in Washington on a single train during the biggest war in history. For the American people, of course, the funeral train was just that - the train bearing the body of deceased FDR. It passed with darkened windows; few gave thought to what might be happening…
My name is Cecilia Ruiz and I am a Mexican author and illustrator living in Brooklyn. Apart from desperately trying to make more books, I teach design and illustration at Queens College and the School of Visual Arts. I’m fascinated by visual storytelling and its evocative power. One of my idols, the French filmmaker Robert Bresson, says that art lies in suggestion. Bresson believed that things should be shown from one single angle that evokes all the other angles without showing them.All the books in this list do that—they show us death but they make us think about the mysterious and poetic ways in which life operates.
This is a book I would have loved to write and illustrate. “The bird was dead when the children found it.” says its opening line.
There are many children’s books that deal with grief and loss but The Dead Bird is one of a kind. The kids in the story didn’t know the bird when it was alive. They only meet the bird after it has died and yet, they have a funeral for it. They sing for a bird that once flew and no longer will. They cry for a life that was, but no longer is.
With child-like simplicity and directness, Robinson’s illustrations capture the human need for ritual and closure in the presence of death.
A New York Times Best Illustrated Book of 2016! This heartwarming classic picture book by beloved children's book author Margaret Wise Brown is beautifully reillustrated for a contemporary audience by the critically acclaimed, award-winning illustrator Christian Robinson. One day, the children find a bird lying on its side with its eyes closed and no heartbeat. They are very sorry, so they decide to say good-bye. In the park, they dig a hole for the bird and cover it with warm sweet-ferns and flowers. Finally, they sing sweet songs to send the little bird on its way.
As a forensic sculptor at the FBI, I was always trying to envision the best way to sculpt features from an unidentified skull. This is what led me to create a research project with the University of Tennessee to collect 3D scans of skulls and live photos of donors to use as a reference in my forensic casework. I’ve also diagrammed crime scenes, created demonstrative evidence for court, and worked with detectives, FBI agents, medical examiners, and forensic anthropologists on casework. Forensic art was never just a job to me; I feel it was what I was meant to do in my life.
I loved this book because it’s a completely fresh perspective on death. While Stiff goes into the “lives” of cadavers and how they benefit society through research, this book covers the people who work with them in every aspect.
She talks to embalmers, crime scene cleaners, and death mask makers, and it’s just completely fascinating to me to learn about others’ experiences working among the dead. Plus, it’s beautifully written, with a kind and compassionate voice.
A deeply compelling exploration of the death industry and the people—morticians, detectives, crime scene cleaners, embalmers, executioners—who work in it and what led them there.
We are surrounded by death. It is in our news, our nursery rhymes, our true-crime podcasts. Yet from a young age, we are told that death is something to be feared. How are we supposed to know what we’re so afraid of, when we are never given the chance to look?
Fueled by a childhood fascination with death, journalist Hayley Campbell searches for answers in the people who make a living by working with the…
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through young adulthood. Miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are displaced from their land by multinational energy companies. They are taken…
Raised alongside three feral younger brothers in the rash-inducing, subtropical climate of Cairo, Georgia, I am a lifelong resident of the South. A circumstance, no doubt, leaving an indelible mark on my voice as a writer. At this point in my writing career, I write what I know. As a reader, I enjoy exploring the rich stories woven by Southern authors, capturing other places, people, and experiences beyond my own frame of reference. Ultimately, as a Southerner, I endeavor to reconcile the South’s troubled past of racial and social oppression with the romanticized notion others have of this place I call home.
This gothic fairytale is a favorite. Exploring the universal themes of good and evil, William Gay’s prose poetically weaves a sinister tale of Fenton Breece, an undertaker who abuses the dead.
This novel takes the reader on an eerie backwoods odyssey lush with peril and a grotesque cast of characters. I am inspired in my writing by Gay’s assignment of myth to place as he has done with the wilderness he calls the Harrikin.
Suspecting that something is amiss with their father's burial, teenager Kenneth Tyler and his sister Corrie venture to his gravesite and make a horrific discovery: their father, a whiskey bootlegger, was not actually buried in the casket they bought for him. Worse, they learn that the undertaker, Fenton Breece, has been grotesquely manipulating the dead. Armed with incriminating photographs, Tyler becomes obsessed with bringing the perverse undertaker to justice. But first he must outrun Granville Sutter, a local strongman and convicted murderer hired by Fenton to destroy the evidence. What follows is an adventure through the Harrikin, an eerie backwoods…
