Here are 100 books that Celebrations of Death fans have personally recommended if you like
Celebrations of Death.
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I grew up in a family of beautiful, accomplished women at a time when most women stayed home. But the spectacular women in my mother's family also suffered spectacularly, and I was determined to understand family life at its very roots. I studied anthropology and, over a 15-year period, lived in a remote part of the Eastern Highlands of Papua New Guinea among a group of Gimi women who spent most of their time apart from men. I shared women's difficult daily lives, participated in their separate rites, learned their myths, and, through my writing, have devoted myself to giving them voices of their own.
A classic of ethnographic description and symbolic analysis based upon fieldwork among the Ndembu of Zambia—a must read for anyone interested in sociological and psychological implications of ritual belief and practice in a small-scale, non-literate, kinship-based society.
A stellar example of what is lost by cancelling "colonialist" literature and discarding the very concepts of "culture" and "religion" as relics of Western intellectual imperialism.
In 10 essays on color symbolism, circumcision rites, rites of passage, social dynamics, and more, Turner lays the groundwork for his proposition that ritual is the key to religion and religion is the key to culture.
A pioneering work of high quality, this collection of anthropological studies provides one of the most detailed records available for an African society-or indeed for any group-of the semantics of ritual symbolism. It combines unusually detailed ethnographic description, based upon field work among the Ndembu of Zambia, with remarkable theoretical sophistication. Professor Turner describes the ritual phenomena in terms both of practice and of their sociological and psychological implications within a preliterate society.
Case histories illustrate the function of ritual in creating community harmony. Data on circumcision rites and medical practices and an essay on color classification have wide implications…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I grew up in a family of beautiful, accomplished women at a time when most women stayed home. But the spectacular women in my mother's family also suffered spectacularly, and I was determined to understand family life at its very roots. I studied anthropology and, over a 15-year period, lived in a remote part of the Eastern Highlands of Papua New Guinea among a group of Gimi women who spent most of their time apart from men. I shared women's difficult daily lives, participated in their separate rites, learned their myths, and, through my writing, have devoted myself to giving them voices of their own.
Malinowski's pioneering work on people of the Trobriand Islands of Papua New Guinea still holds a thrill because, after a century, it remains unique in its depth and precision.
Malinowski was an aristocrat and a snob who, like the armchair thinkers he admired, considered himself a scientist after Darwin. But when World War I broke out, as a Pole in London, he risked deportation to Austria-Hungary or internment as an 'enemy alien'.
Instead, Malinowski remained 'stuck' in the Trobriands for the duration of the War where, with the scrupulousness of one trained in math and physics and the intensity of an 'imprisoned' participant-observer, he produced the first firsthand accounts of indigenous life.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been…
I grew up in a family of beautiful, accomplished women at a time when most women stayed home. But the spectacular women in my mother's family also suffered spectacularly, and I was determined to understand family life at its very roots. I studied anthropology and, over a 15-year period, lived in a remote part of the Eastern Highlands of Papua New Guinea among a group of Gimi women who spent most of their time apart from men. I shared women's difficult daily lives, participated in their separate rites, learned their myths, and, through my writing, have devoted myself to giving them voices of their own.
The discovery that 'rituals of transition' in the lives of individuals—birth, puberty, marriage, childbirth, death—are structurally the same and analogous to a destabilizing "passage" through 'no man's land'—is an insight of genius.
My enduring 'affection' for ivory tower thinkers comes from having actually applied their ideas among a people in the New Guinea Highlands over a period of 15 years.
The methods of these early masters are sometimes faulty—"shreds and patches" of exotic beliefs and practices are grouped together, torn from their contexts in time and geography—but by trying to extend Charles Darwin’s theory of biological evolution into the realm of culture, they came up with universals of human existence that should never be forgotten.
Folklorist Arnold van Gennep's masterwork, The Rites of Passage, has been a staple of anthropological education for more than a century. First published in French in 1909, and translated into English by the University of Chicago Press in 1960, this landmark book explores how the life of an individual in any society can be understood as a succession of stages: birth, puberty, marriage, parenthood, advancement to elderhood, and, finally, death. Van Gennep's command of the ethnographic record enabled him to discern crosscultural patterns in rituals of separation, transition, and incorporation. With compelling precision, he elaborated the terms that would both…
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
I grew up in a family of beautiful, accomplished women at a time when most women stayed home. But the spectacular women in my mother's family also suffered spectacularly, and I was determined to understand family life at its very roots. I studied anthropology and, over a 15-year period, lived in a remote part of the Eastern Highlands of Papua New Guinea among a group of Gimi women who spent most of their time apart from men. I shared women's difficult daily lives, participated in their separate rites, learned their myths, and, through my writing, have devoted myself to giving them voices of their own.
This book consists of two exquisite essays, "The Collective Representation of Death" and "The Pre-Eminence of the Right Hand: A Study in Religious Polarity," written by an "armchair" philosopher searching for the origins and essence of human existence in exotic places: he looked for the meaning of death in the mortuary rites of the Dyak in Borneo; and the source of dualistic thinking in human anatomy.
The excitement of these works comes from recognizing ourselves in others, distant in time and space. They serve as a corrective and departure from the current exaggeration of cultures' uniqueness and national identities that lead, ultimately, to indifference about the fates of other peoples.
First published in English 1960. The historical value of Hertz's writings is that they are a representative example of the culmination of two centuries of development of sociological thought in France, from Montesquieu to Durkheim and his pupils. In the intervening years since publication, that development has grown into the systematic comparative study of primitive institutions, based on a great body of ethnographic facts from all over the world: in effect social anthropology.
I love zombie movies. I am also an Egyptologist. The dead affect us in profound ways every day, even without being semi-animated corpses searching for brains. I have always been keenly interested in the relationships we have with our dead, be it Halloween, Día de los Muertos, or an urn on a mantle. The dead are with us and inform our lives. The same was true in ancient Egypt. And to me, this made the ancient Egyptians feel very familiar and accessible. They, too, were anxious about death. They, too, grieved when loved ones were gone and developed practices and beliefs that kept the dead ‘alive’.
Dr. Harrington offers an accessible yet meticulous overview of the role of the dead in ancient Egyptian society, with a general, but not exclusive, focus on the New Kingdom. Her book was published while I was just starting my dissertation and it was inspiring to see a project that dealt with similar themes being published. I admit, I also love this book because it was the first time someone ever made reference to me and my research in a footnote. It made me feel like my work was worthwhile and for that, I am eternally grateful to Dr. Harrington.
Living with the Dead presents a detailed analysis of ancestor worship in Egypt, using a diverse range of material, both archaeological and anthropological, to examine the relationship between the living and the dead. Iconography and terminology associated with the deceased reveal indistinct differences between the blessedness and malevolence and that the potent spirit of the dead required constant propitiation in the form of worship and offerings. A range of evidence is presented for mortuary cults that were in operation throughout Egyptian history and for the various places, such as the house, shrines, chapels and tomb doorways, where the living could…
We are Egyptologists with over six decades of combined experience translating hieroglyphic and hieratic texts and exploring the deserts of Egypt. We are passionate about bringing ancient Egypt and its incredible religious beliefs to life, from translating the funerary compositions in the royal tombs of the Valley of the Kings to writing a new biography of Akhenaten and Nefertiti, often branded the "heretics” of their time. One of our most exciting recent discoveries was the earliest monumental hieroglyphic inscription, a five thousand two hundred and fifty-year-old billboard! We share our adventures on our Instagram @vintage_egyptologist—enjoy the vintage fashion and be enlightened by the Egyptological captions.
Who doesn’t want to read about ancient Egyptian cannibalism? The title seems sensational, since no actual cannibalism is involved—at least as we might conceive of it in the world of the living—but Eyre employs the standard designation for the specific spell in the Pyramid Texts, the oldest major corpus of religious texts to survive from antiquity. A reader new to ancient Egypt might well read the translation of the Cannibal Hymn at the beginning of the book and be utterly confused. By the end of the book, however, the secrets of this 4300 year old text, including its relationship to butchery rituals and the mundane aspects of animal husbandry, are revealed.
The text of the Cannibal Hymn is here examined in its performative and cultural context. In its verbal recreation of a butchery ritual, style and format are typical of the oral-recitational poetry of pharaonic Egypt. It poses questions about the nature of rites of passage and rituals of sacrifice.
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
I am a presidential historian with a particular focus on their deaths, public mourning, and the places we commemorate them. My interest in what I like to think of as “the final chapter of each president’s amazing story” grew out of frustration with traditional biographies that end abruptly when the president dies, and I believe my books pick up where others leave off. More than a moribund topic, I find the presidential deaths and public reaction to be both fascinating and critical to understanding their humanity and place in history at the time of their passing and how each of their legacies evolved over time.
Robert Klara provides so much detail and insight that it’s like he was on Franklin Roosevelt’s funeral train, crouched down in the seat behind the new president, Harry S. Truman!
I was super impressed by Klara’s research and ability to capture the conversations and historical nuances of one of the most important train rides of the twentieth century.
In April 1945, the funeral train carrying the body of Franklin D. Roosevelt embarked on a three-day, thousand-mile odyssey through nine states before reaching the president's home where he was buried. Many who would recall the journey later would agree it was a foolhardy idea to start with - putting every important elected figure in Washington on a single train during the biggest war in history. For the American people, of course, the funeral train was just that - the train bearing the body of deceased FDR. It passed with darkened windows; few gave thought to what might be happening…
I’ve been in the funeral profession my entire professional career, and my family has deep roots in the profession too. My great-great-great grandfather was a cabinet maker, or “tradesman undertaker” in rural Milford, Delaware prior to the Civil War. In addition to being a funeral director and embalmer, I’m a certified post-mortem reconstructionist and cremationist, and the president of the Delaware State Funeral Directors Association. I’ve written five books on the subject of the funeral profession and am an associate editor for Southern Calls, “The Journal of the Funeral Profession.”
As I said before, I love history, and Puckle’s book gives the reader a great look into the why of our funeral customs. As in: why do we send funeral flowers? (To which Puckle offers the glib answer, “the half sovereign he paid for it save him from the mental exercise of composing a suitable letter of condolence” before offering a serious explanation). Sure, the book was published almost a century ago, but that has no bearing on the contents. It’s an evergreen book and a highly recommended read for serious funereal scholars or those considering a career in funeral service.
Puckle's "Funeral Customs" is one of the more in-depth looks at death ever penned. Created in the early 20th century, it casts a rational and skeptical glance at the superstitions of burial practices and cremation alike, and lists in some detail the customs of death over time and changes to them during the black death and then-modernity among other eras. Not just a European work, it delves into Hinduism as well as Egyptian and Zoroastrian practices from antiquity.
From the memento mori to funeral feasts, its pages are filled with interesting folklore, astonishing history, and more than a few bits…
Each summer when I was small, I visited my gram. During the day we would go off on one adventure or another—and at night, she enticed me to sleep with the promise of a story. Most often, she read Grimm’s fairytales to me. Full of darkness and also hope (!), they were, and still are, some of my very favorites. And they inspire what I most enjoy writing and reading.
In this fantastical story, which is a companion to Furthermore, a lonesome girl scrubs the skin of the dead to ready souls for the afterlife. (Sounds properly spooky, doesn’t it? I love when books give me chills!) And when things are especially dark, as they are for Laylee, friendship shines all the brighter once it is found.
Our story begins on a frosty night . . . Laylee can barely remember the happier times before her beloved mother died. Before her father, driven by grief, lost his wits (and his way) and she was left as the sole remaining mordeshoor in the village of Whichwood, destined…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
As a forensic sculptor at the FBI, I was always trying to envision the best way to sculpt features from an unidentified skull. This is what led me to create a research project with the University of Tennessee to collect 3D scans of skulls and live photos of donors to use as a reference in my forensic casework. I’ve also diagrammed crime scenes, created demonstrative evidence for court, and worked with detectives, FBI agents, medical examiners, and forensic anthropologists on casework. Forensic art was never just a job to me; I feel it was what I was meant to do in my life.
I loved this book because it’s a completely fresh perspective on death. While Stiff goes into the “lives” of cadavers and how they benefit society through research, this book covers the people who work with them in every aspect.
She talks to embalmers, crime scene cleaners, and death mask makers, and it’s just completely fascinating to me to learn about others’ experiences working among the dead. Plus, it’s beautifully written, with a kind and compassionate voice.
A deeply compelling exploration of the death industry and the people—morticians, detectives, crime scene cleaners, embalmers, executioners—who work in it and what led them there.
We are surrounded by death. It is in our news, our nursery rhymes, our true-crime podcasts. Yet from a young age, we are told that death is something to be feared. How are we supposed to know what we’re so afraid of, when we are never given the chance to look?
Fueled by a childhood fascination with death, journalist Hayley Campbell searches for answers in the people who make a living by working with the…
