Here are 100 books that The Undercurrents fans have personally recommended if you like
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Monuments and memorials pepper our public landscape. Many walk right by them, uncurious about who or what’s being honored. I can’t. I’m a historian. I’m driven to learn the substance of the American past, but I also want to know how history itself is constructed, not just by professionals but by common people. I’m fascinated by how “public memory” is interpreted and advanced through monuments. I often love the artistry of these memorial features, but they’re not mere decoration; they mutely speak, saying simple things meant to be conclusive. But as times change previous conclusions can unravel. I’ve long been intrigued by this phenomenon, writing and teaching about it for thirty years.
Monument Wars, like no other book I’ve read, explains the essence of the “monument”—what it is, what it’s supposed to do, and how it does it (or fails to do it)—in the context of American history.
Monuments freeze time and aspire to “closure,” setting heroes or momentous events and their meaning, literally, in stone. But our national lives and history do not stand still, and public memory thus changes with time, often with fraught consequences.
Savage brilliantly examines and illuminates this dissonance, focusing on the most important monumental space in the United States—Washington, D.C., and the National Mall.
Smart, surprising, and accessible, this account of the national capital’s contested terrain offers a vivid case study of how Americans remember, sometimes forget, and increasingly contest their past through sculpture, ceremonial landscape, and the theatrics of the built landscape.
The National Mall in Washington, D.C., is 'a great public space, as essential a part of the American landscape as the Grand Canyon', according to architecture critic Paul Goldberger, but few realize how recent, fragile, and contested this achievement is. In "Monument Wars", Kirk Savage tells the Mall's engrossing story - its historic plan, the structures that populate its corridors, and the sea change it reveals regarding national representation. Central to this narrative is a dramatic shift from the nineteenth-century concept of a decentralized landscape, or 'ground'-heroic statues spread out in traffic circles and picturesque parks-to the twentieth-century ideal of…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I am professor emeritus at the University of Pennsylvania. Although I’ve written more than twenty books on a variety of subjects, I was trained as an architect and I’ve designed and built houses, researched low cost housing, and taught budding architects for four decades. I was architecture critic for Wigwag and Slate and I’ve written for numerous national magazines and newspapers. Perhaps more important, my wife and I built our own house, mixing concrete, sawing wood, and hammering nails. I wrote a book about that, too.
Architecture is always a collaboration between the architect who conceives the project, the builder who must realize it, and the client who starts it—and pays for it The protracted building process, which is often stressful, is always a complicated pas de trois. No one has written about this better than Tracy Kidder, who describes the complex choreography by following (in real-time and in detail) the construction of a family home in New England.
In the New York Times bestseller House, Pulitzer Prize–winning author Tracy Kidder takes readers to the heart of the American Dream: the building of a family's first house with all its day-to-day frustrations, crises, tensions, challenges, and triumphs.
In Kidder's "remarkable piece of craftsmanship in itself" (Chicago Tribune), constructing a staircase or applying a coat of paint becomes a riveting tale of conflicting wills, the strength and strain of relationships, and pride in skills. With drama, sensitivity, and insight, he takes us from blueprints to moving day, shedding light on objects usually taken for granted and creating a vivid cast…
I didn’t know anything about Victorian history before I started writing the Arrowood books. The idea for the character of William Arrowood came as I was reading a Sherlock Holmes story. It occurred to me that if I was a private detective working in London at the same time, I’d probably be jealous, resentful, and perhaps a little bitter about his success and fame. That was the basis of Arrowood. I started to write a few pages and then realized I needed to learn a lot about the history. Since then, I’ve read hundreds of books on the topic, pored over newspapers in the British Library, and visited countless museums.
This is a little book I bought second-hand. Published in 1896 by the Religious Tract Society, each chapter is based on the author’s visit to different Christian churches and missions in East London. It’s full of lovely illustrations as well as incredible detail about the different communities and ways of life in this part of London.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I moved to New York City right after college, hungry to escape from the homogeneity of a small New England town. I wanted nothing more than to be surrounded by people of all races and nations, languages, and walks of life, and to have easy access to some of the greatest cultural institutions of the world. New York can be hard and unforgiving, but there is no place like it. I love living here.
For an unusual and completely different take on New York, pick up this delightful, funny, and moving book filled with drawings of cityscapes past and present. I wasn’t aware of Wertz’s book until after I’d written my book (full disclosure: Wertz wrote a blurb for my book), but I feel it captures in illustrations what the best of other New York writers capture in words. Reading it is like walking along the streets of the city itself, with a bit of poetry here, a bit of squalor there, a bit of history everywhere.
Here is New York as you've never seen it before; the New York behind the New York that you think you know so well. With drawings and comics in her signature style, Julia Wertz regales us with dozens of street scenes that show exactly what the city looked like "then" versus "now"; cartoons that detail the quirky, quintessentially New York histories that took place there, and several series of detail drawings including the clocks, mailboxes, lampposts and other ephemera that have evolved over the years. Tenements, Towers & Trash takes on a wild ride in a time-machine taxi, from the…
I was born in Chicago and grew up in the suburbs. After a career at the University of Illinois, 150 miles downstate, I moved back to my hometown to recapture the urban vibe that I love. A historian, I love the stories that architecture tells me and wandering the streets of the city never stales. Having romance in my life is important and writing about how relationships can develop in the city is part of that. Everywhere I go in Chicago, I think of how my characters might interact with each other and the setting. Romance can be found in grand restaurants and in odd corners and Chicago has it all.
This isn’t romance, mystery, or suspense per se. Living Landmarks are historic places that you can still visit, and they tell us the story of Chicago. Although much was destroyed in the Great Fire of 1871, some of the early architecture remains. And what was built after defines the “city of big shoulders.” As the author says, “Chicago is the physical manifestation of dreamers, malcontents, philanthropists, and grifters.” You can read about what is, maybe, the oldest house in Chicago, Clarke House, now a museum or any other of the forty-nine sites. Places I used like the Palmer House, The Rookery, the Art Institute, Union Station, and the Civic Opera House are all represented. The stories are short but compelling and the book is a valuable resource if you want to know more about the romance and mystery that define Chicago.
From the man shipped home in a rum barrel to the most dangerous woman in America, Chicago history comes to life in these tantalizing tales. "A wonderful bible of Chicago." WGN
Living Landmarks of Chicago goes beyond the what, when, and where to tell the how and why of fifty Chicago landmarks. More than a book about architecture, these are stories of the people who made Chicago and many of its most popular tourist attractions what they are today. Each chapter is a vignette that introduces the landmark and brings it to life, and the book is organized chronologically to…
I fell in love with understanding cities toward the end of my college studies. It was the late 1960s and urban issues were foremost in the nation’s consciousness. The times were difficult for cities and many of the problems, seemingly intractable. That drew me to graduate work in urban studies and afterward, teaching about real estate development and finance. My work on public/private partnerships and the political economy of city building has drawn a wide audience. In explaining how cities are built and redeveloped, my goal has been to de-mystify the politics and planning process surrounding large-scale development projects and how they impact the physical fabric of cities.
For anyone who has ever lived in a loft or aspired to live in one, this book tells the story of how loft living came into being, how it started with artists seeking a place to live with low rent and large spaces for studios they found in old manufacturing buildings.
I have used this story to teach about innovation and how artists were ahead of both government policy and real estate developers in finding value in spaces they occupied illegally! This is a classic book about an unexpected urban transformation that morphed into a chic lifestyle.
Since its initial publication, Loft Living has become the classic analysis of the emergence of artists as a force of gentrification and the related rise of "creative city" policies around the world. This 25th anniversary edition, with a new introduction, illustrates how loft living has spread around the world and that artists' districts-trailing the success of SoHo in New York-have become a global tourist attraction. Sharon Zukin reveals the economic shifts and cultural transformations that brought widespread attention to artists as lifestyle models and agents of urban change, and explains their role in attracting investors and developers to the derelict…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
During my twenty-nine nears in the federal government, I maintained a Top Secret clearance while being a CIO, Chief Architect, & Director of various things with the White House, US Congress, Department of Homeland Security, and the Department of Justice, where I served in a senior management role for the National Security Division, the agency responsible for serving as the liaison between the Attorney General and the Intelligence Community. Today, my passion is writing about my White House experiences, in both fiction and non-fiction.
The President’s House is marvelous two-volume work that is the most comprehensive history ever written about the White House. The book starts with the laying of the cornerstone, all the way through the Truman Renovation. The author writes the detailed history in the style of a page-turning novel! I had the honor of meeting the author, Dr. William Seale, during my first week working in the White House Usher's Office in 1986, a great guy!
This compelling book in two rich volumes chronicles the unique continuum of the White House through American history and its human story as a home to the presidents and their families. The reader experiences the many facets of life in the seat of presidential power, the etiquette, politics, architecture and decor, landscaping, cuisine, and all that make up the setting of the presidency.
I fell in love with understanding cities toward the end of my college studies. It was the late 1960s and urban issues were foremost in the nation’s consciousness. The times were difficult for cities and many of the problems, seemingly intractable. That drew me to graduate work in urban studies and afterward, teaching about real estate development and finance. My work on public/private partnerships and the political economy of city building has drawn a wide audience. In explaining how cities are built and redeveloped, my goal has been to de-mystify the politics and planning process surrounding large-scale development projects and how they impact the physical fabric of cities.
Time and time again, I refer to this book because it is chock full of fascinating history about New York told in an unusual way.
Packed with beautifully reproduced photos on every page, it takes as its subject the seemingly dull characteristic of urban experience—the street grid—and fashions over 200 short succinct stories of people, politics, and real estate development. It’s a bravo book.
Laying out Manhattan's street grid and providing a rationale for the growth of New York was the city's first great civic enterprise, not to mention a brazenly ambitious project and major milestone in the history of city planning. The grid created the physical conditions for business and society to flourish and embodied the drive and discipline for which the city would come to be known. Published to coincide with an exhibition at the Museum of the City of New York celebrating the bicentennial of the Commissioners' 1811 Plan of Manhattan, this volume does more than memorialize such a visionary effort,…
I’m a historian of science fascinated by how scientists cope with uncertainty. I’m drawn to books that identify and try to explain the gaps in scientific knowledge and describe ways of knowing that might not be called scientific. I love to read stories about how ordinary people discover extraordinary things about their environments. I’m always curious about what happens when savvy locals are visited by scientific experts. Will they join forces? Admit what they don’t know? Or is a struggle brewing?
Murphy writes about uncertainty in science better than anyone else I know. The reality of sick building syndrome was hotly debated in the 1970s and ‘80s. However, Murphy shows that the important question is not whether it was an illness but how evidence was constructed for and against its existence.
The last chapter on MCS (Multiple Chemical Sensitivity) is my favorite part of the book. Murphy describes how people living with MCS, in the face of expert skepticism, developed their own science to understand their bodies in relation to the risky ecologies of indoor spaces.
Before 1980, sick building syndrome did not exist. By the 1990s, it was among the most commonly investigated occupational health problems in the United States. Afflicted by headaches, rashes, and immune system disorders, office workers-mostly women-protested that their workplaces were filled with toxic hazards; yet federal investigators could detect no chemical cause. This richly detailed history tells the story of how sick building syndrome came into being: how indoor exposures to chemicals wafting from synthetic carpet, ink, adhesive, solvents, and so on became something that relatively privileged Americans worried over, felt, and ultimately sought to do something about. As M.…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
Graeme Brooker is a Professor and Head of Interior Design at the Royal College of Art London. He has written and published fifteen books on the histories and theories of inside spaces, many of which focus on the reuse of existing artefacts, buildings, and cities. Apart from teaching and writing, when he isn’t cycling, he is often staring intently at the sea in Brighton, where he currently lives.
On Altering Architecture belongs to a small and unique collection of publications that are involved in distinguishing the discipline of working with existing buildings. In the book, Scott constructs an inspired argument for the understanding of the significance of environmental design disciplines such as Interior design and installation art. The book is divided into twelve chapters, each an essay on reuse and overlapping disciplines.
Each chapter is full of insightful and interesting case studies, expertly analysed and explained. On Altering Architecture is an absorbing and fascinating book that is packed with ideas, witty asides, mischievous digressions, and provocative thoughts. In parts the tone of the book is conversational, in others authoritative, each blends seamlessly into each other providing a compelling read.
Bringing together interior design and architectural theory, this exciting text looks at the common practices of building alteration, reconsidering established ideas and methods, to initiate the creation of a theory of the interior or interventional design.
Fred Scott examines in-depth case studies of interventional design from architectural history across the world - examples discussed are taken from the States, Europe and Japan. Scott expands and builds on the ideas of Viollet-le-Duc, structuralism and other thoughts to layout criteria for an art of intervention and change. The book draws on the philosophy of conservation, preservation and restoration, as well as exploring…
