Here are 100 books that Tenements, Towers & Trash fans have personally recommended if you like
Tenements, Towers & Trash.
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I’ve curated a list of music memoirs that resonate deeply with me, particularly because they strip away the polished veneer of fame and expose the raw, imperfect humanity of their subjects. My book, Asshole, explores similar territory, delving into the complexities and contradictions that make us who we are.
These memoirs, much like my book, aren't about celebrating flawless heroes. Instead, they offer unflinching accounts of individuals—whether artists, managers, or those behind the scenes—navigating the extraordinary and often turbulent landscape of the music industry. These stories delve into the imperfections, challenges, and moments of accountability— sometimes even outright acts that might be considered, well, asshole-ish—that shape these fascinating lives, leaving a lasting impression.
Patti Smith’s book beautifully chronicles her intense and formative friendship with the groundbreaking artist Robert Mapplethorpe as they navigated the vibrant and often gritty art scene of late 1960s and 1970s New York City.
Theirs wasn’t a fairytale romance, but a complex, evolving bond between two flawed yet undeniably brilliant creatives. Reading about their struggles, their artistic pursuits within the legendary Chelsea Hotel, and the wider New York City scene evoked a strong sense of nostalgia for me, a time and place I've always found artistically inspiring.
The exploration of their creative partnership, the push and pull between them as individuals finding their artistic voices, is something I’ve often yearned for but haven’t quite experienced in such a profound way.
“Reading rocker Smith’s account of her relationship with photographer Robert Mapplethorpe, it’s hard not to believe in fate. How else to explain the chance encounter that threw them together, allowing both to blossom? Quirky and spellbinding.” -- People
It was the summer Coltrane died, the summer of love and riots, and the summer when a chance encounter in Brooklyn led two young people on a path of art, devotion, and initiation.
Patti Smith would evolve as a poet and performer, and Robert Mapplethorpe would direct his highly provocative style toward photography. Bound in innocence…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
My passion from a young age has always been cities, the most fascinating of human creations. This has led me to work on them as an urban designer to help shape and guide them. I have been privileged to work on amazing projects in cities as diverse as s diverse as Toronto, Hartford, Amsterdam, New York, Boston, Montréal, Ottawa, Edmonton, Calgary, St. Louis, Washington DC, Paris, Detroit, Saint Paul and San Juan Puerto Rico. On the way, I met remarkable people, learned valuable lessons, and had the opportunity to collaborate with great colleagues. I have written about these experiences in three books and had the opportunity to share my passion through teaching. I have chosen some of the books that have most inspired me on my journey.
This eye-opening book was a revelation to me as a young student of architecture. It provided the keys to how cities really work. Its observations are as relevant and fresh today as they were when it was published in 1961. For me and many in my generation, it helped us to see and appreciate the organic, human-centered dynamics of neighborhoods, introducing the powerful concept of “organized complexity,” which made sense of things we saw but failed to understand.
I met Jane in Toronto in 1968 where she became a lifelong friend and mentor until her death in 2006. It remains a foundational text for me in understanding urban life and my life’s work.
In this classic text, Jane Jacobs set out to produce an attack on current city planning and rebuilding and to introduce new principles by which these should be governed. The result is one of the most stimulating books on cities ever written.
Throughout the post-war period, planners temperamentally unsympathetic to cities have been let loose on our urban environment. Inspired by the ideals of the Garden City or Le Corbusier's Radiant City, they have dreamt up ambitious projects based on self-contained neighbourhoods, super-blocks, rigid 'scientific' plans and endless acres of grass. Yet they seldom stop to look at what actually…
I moved to New York City right after college, hungry to escape from the homogeneity of a small New England town. I wanted nothing more than to be surrounded by people of all races and nations, languages, and walks of life, and to have easy access to some of the greatest cultural institutions of the world. New York can be hard and unforgiving, but there is no place like it. I love living here.
As much about ideas and the nature of friendship as it is about the city, this slim volume captures, better than any other I know, the visceral feel of living in New York. Fiercely independent, Gornick wanders the city’s streets in the “habit of loneliness,” ever watching, listening, and thinking. A child of working-class Jewish immigrants, she grew up in the Bronx in the 1940s and 1950s, and writes in a funny, smart, rueful, and tell-it-like-it-is voice that is unmistakably New York.
A contentious, deeply moving ode to friendship, love, and urban life in the spirit of Fierce Attachments
A memoir of self-discovery and the dilemma of connection in our time, The Odd Woman and the City explores the rhythms, chance encounters, and ever-changing friendships of urban life that forge the sensibility of a fiercely independent woman who has lived out her conflicts, not her fantasies, in a city (New York) that has done the same. Running steadily through the book is Vivian Gornick's exchange of more than twenty years with Leonard, a gay man who is sophisticated about his own unhappiness,…
Coyote weather is the feral, hungry season, drought-stricken, and ready to catch fire. It’s 1967, and the American culture is violently remaking itself while the country is forcibly sending its young men to fight in a deeply unpopular war.
Jerry has stubbornly made no plans for the future because he…
I moved to New York City right after college, hungry to escape from the homogeneity of a small New England town. I wanted nothing more than to be surrounded by people of all races and nations, languages, and walks of life, and to have easy access to some of the greatest cultural institutions of the world. New York can be hard and unforgiving, but there is no place like it. I love living here.
Another classic—albeit of a far different type—Lucy Sante uncovers the underbelly of 19th- and early 20th-century New York, a world filled with pimps, madams, gamblers, con men, and crooked cops. But this book is more than just a collection of stories about colorful characters. It’s also a meditation on the city’s secrets and the allure of danger and darkness. I dealt with some of the same themes in my own book and had no better model to emulate than this groundbreaking work.
Lucy Sante's Low Life is a portrait of America's greatest city, the riotous and anarchic breeding ground of modernity.
This is not the familiar saga of mansions, avenues, and robber barons, but the messy, turbulent, often murderous story of the city's slums; the teeming streets--scene of innumerable cons and crimes whose cramped and overcrowded housing is still a prominent feature of the cityscape.
Low Life voyages through Manhattan from four different directions. Part One examines the actual topography of Manhattan from 1840 to 1919; Part Two, the era's opportunities for vice and entertainment--theaters and saloons, opium and cocaine dens, gambling…
I fell in love with understanding cities toward the end of my college studies. It was the late 1960s and urban issues were foremost in the nation’s consciousness. The times were difficult for cities and many of the problems, seemingly intractable. That drew me to graduate work in urban studies and afterward, teaching about real estate development and finance. My work on public/private partnerships and the political economy of city building has drawn a wide audience. In explaining how cities are built and redeveloped, my goal has been to de-mystify the politics and planning process surrounding large-scale development projects and how they impact the physical fabric of cities.
For anyone who has ever lived in a loft or aspired to live in one, this book tells the story of how loft living came into being, how it started with artists seeking a place to live with low rent and large spaces for studios they found in old manufacturing buildings.
I have used this story to teach about innovation and how artists were ahead of both government policy and real estate developers in finding value in spaces they occupied illegally! This is a classic book about an unexpected urban transformation that morphed into a chic lifestyle.
Since its initial publication, Loft Living has become the classic analysis of the emergence of artists as a force of gentrification and the related rise of "creative city" policies around the world. This 25th anniversary edition, with a new introduction, illustrates how loft living has spread around the world and that artists' districts-trailing the success of SoHo in New York-have become a global tourist attraction. Sharon Zukin reveals the economic shifts and cultural transformations that brought widespread attention to artists as lifestyle models and agents of urban change, and explains their role in attracting investors and developers to the derelict…
I was a reporter for the New York Daily News at the time of the 9/11 attack on the World Trade Center and covered the FDNY in the aftermath of 9/11. Being on the site the day after the attack and following the recovery efforts, I came to know some of the FDNY family members who lost loved ones that day, as well as members of the department, as they struggled to rebuild. The family members’ stories stayed with me long after the attack. I always felt that the story of what happened to the FDNY members killed that day and the story of their family members who wanted answers had not been fully told.
Those of us who were alive on 9/11 remember exactly where we were and where we watched the endless TV coverage of the horrific attack on the World Trade Center, including the collapse of the Twin Towers. We all think we know what happened.
I was captivated by 101 Minutes because it documented what was going on within the Twin Towers before the collapse of the South and then the North Towers as those trapped above the fire floors and below desperately tried to find a way out. The two New York Times reporters who wrote the book – the late Jim Dwyer and Kevin Flynn - are former colleagues of mine at Newsday and at the NY Daily News, and they were the best in the business at the time of the attack.
There is no better history of the struggle to survive. They drew on years of experience…
At 8:46 a.m. that morning, fourteen thousand people were inside the World Trade Centre just starting their workdays, but over the next 102 minutes, each would become part of a drama for the ages. Of the millions of words written about this wrenching day, most were told from the outside looking in. "New York Times" reporters Jim Dwyer and Kevin Flynn draw on hundreds of interviews with rescuers and survivors, thousands of pages of oral histories, and countless phone, e-mail, and emergency radio transcripts to tell the story of September 11 from the inside looking out. Dwyer and Flynn have…
Homeless following the death of his adoptive parents in a car crash and the subsequent loss of their farm tenancy, Seb decides to enrol as a residential student at the Asklepios Foundation, a College of Natural Medicine, boasting a sanctuary modelled on an ancient Greek healing temple. Spending a night…
I’ve been fascinated by the park for years, ever since I started visiting it daily to do shinrin-yoku, or Japanese “forest-bathing,” there. I wanted to learn everything about it through first-hand experiences, through guides on its flora and fauna, and through historical sources. The park is the heart of Manhattan, and I wanted to learn what makes it beat. After living, breathing, and studying the park for a good long while, the diary I had started taking on my experiences there eventually grew into a book-length poem about it. That book would never have happened without inspiration from and the information in the books on this list.
This book taught me to think of Central Park not just as a greenspace but as a gallery of art.
When I had finished it, I had come to fully admire the many statues that stand in bronze amid the groves and lawns.
I love that Eding covers, in great detail, not just the more famous sculptures such as the Alice in Wonderland and Balto statues, but also less appreciated pieces like the Daniel Webster Monument. I also love that I got to learn not just the what of the statues, but the why behind them.
The background information in this book added a whole new layer to my admiration for the fine art in Central Park.
The Statues of Central Park is the extraordinary photographic tribute to one of the world's most popular recreational destinations and public spaces: New York City's Central Park.
The most visited urban park in the United States, with 42 million visitors annually, Central Park is of the most famous sightseeing spots in New York, in no small part due to its collection of sculptures and monuments erected throughout the park. The Statues of Central Park highlights these sculptures and monuments in one spectacular photography collection, complete with short descriptions detailing the interesting histories of these public art pieces.
I am the oldest of four children and was always close to my mom. She was a trailblazer, earning her doctorate in educational psychology in 1963 and teaching at the college level. In her early 70’s her memory started to falter, and she lived with dementia for 10 years before she died. I was a reporter at The New York Times and had published three books by that point. My fourth became All Gone: A Memoir of My Mother’s Dementia. With Refreshments. I spent years in doctors’ and hospital’s waiting rooms and these are some of the books that helped make that time not only tolerable but sometimes, even joyful.
“I saw a little boy on the street today, and he cried so eloquently that I will never forget him.” Maeve Brennan wrote for the New Yorker’s Talk of the Town section as ‘The Long-Winded Lady’ from 1954 to 1968. She roamed the city’s streets, bars, and restaurants, eyes wide open, weaving stories of vivid emotional detail from the most seemingly mundane moments. None of these are too long – in the waiting room concentration can be fleeting – but each sketch engages. Her story of the crying boy ends this way: “He might have been the last bird in the world, except that if he had been the last bird there would have been no one to hear him.”
“Of all the incomparable stable of journalists who wrote for The New Yorker during its glory days in the Fifties and Sixties,” writes The Independent, “the most distinctive was Irish-born Maeve Brennan.” From 1954 to 1981, Maeve Brennan wrote for The New Yorker’s “Talk of the Town” column under the pen name “The Long-Winded Lady.” Her unforgettable sketches—prose snapshots of life in small restaurants, cheap hotels, and crowded streets of Times Square and the Village—together form a timeless, bittersweet tribute to what she called the “most reckless, most ambitious, most confused, most comical, the saddest and coldest and most human…
Maybe because I’m a novelist, I’ve always loved reading novels about writers—it’s a joy to see my passionate relationship with my own work reflected in these fictional solitary obsessives, my literary siblings. Reading about their own writing gives me a sense of recognition, community, and solidarity, and makes me feel less alone in this odd vocation, which is no small thing. I can’t get enough fictional evocations of the daily discipline of the writer’s life—as well as the trajectory of a literary career—from adolescence (Jo March) to old age (Leonard Schiller).
I love all Dawn Powell’s novels, but this 1936 satire of the New York literary scene might be my favorite.
Powell brilliantly captures the metropolitan grit and glamour of New York City in the 1930s, the backstabbing literary gossip, hard-drinking parties and seedy bars, and all the publishing world’s deep loyalties and betrayals. The city itself is a character, and all the people in the book feel both true to life and larger than life.
The book follows the aspiring writer Dennis Orphen, who is guilty of stealing the details of his dear friend’s life in his novel—and what ensues is hilarious, sparkling, and surprisingly moving.
Dennis Orphen is a young, clever novelist with a keen eye for a good story. This time, however, his material is drawn from the romantic woes of his closest friend, Effie Callingham. More than a decade earlier, Effie's husband-the superstar writer Andrew Callingham-abandoned her for a younger, prettier woman. In the years since, Effie has stubbornly defended his reputation, clinging to the desperate hope that he might one day come to his senses and return.
When Dennis's novel is published, their friendship is put to the test. In his thinly veiled portrait, Effie's private pain is exposed to a scandal-hungry…
Marriage and Fatherhood in the Nazi SS
by
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more…
Most of my public success has been as a novelist. My MFA, from the Iowa Writers Workshop, is in poetry. When I grow up, I want to be a short story writer. The dirty truth is, though, I’ve been making trouble with stories since I was a kid. During my first attempt in 10th grade, I wrote a story that got me suspended for two weeks. No explanation. No guidance. Just a conference between my parents, teachers, and principal (I wasn’t present), and they came out and banished me. I dropped out of school shortly after. I reckon that experience, both shameful and delicious, shaped my life and love of narrative.
The complexities of the human, the whole human. That’s what Paley explores. How we think, how we act and feel, how we play and fight, how we talk. And talk. Paley is a master of nuance, and often reveals her mastery through dialogue. There is always a convincing urgency in the way her characters speak, and a delicious talking-around a thing, an idea. Her worlds richly detailed and urban. I’d like to live in the apartment building of Grace Paley’s mind.
This reissue of Grace Paley's classic collection—a finalist for the National Book Award—demonstrates her rich use of language as well as her extraordinary insight into and compassion for her characters, moving from the hilarious to the tragic and back again.
Whether writing about the love (and conflict) between parents and children or between husband and wife, or about the struggles of aging single mothers or disheartened political organizers to make sense of the world, she brings the same unerring ear for the rhythm of life as it is actually lived.
The Collected Stories is a 1994 National Book Award Finalist…
