Here are 100 books that Loft Living fans have personally recommended if you like
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I fell in love with understanding cities toward the end of my college studies. It was the late 1960s and urban issues were foremost in the nation’s consciousness. The times were difficult for cities and many of the problems, seemingly intractable. That drew me to graduate work in urban studies and afterward, teaching about real estate development and finance. My work on public/private partnerships and the political economy of city building has drawn a wide audience. In explaining how cities are built and redeveloped, my goal has been to de-mystify the politics and planning process surrounding large-scale development projects and how they impact the physical fabric of cities.
Time and time again, I refer to this book because it is chock full of fascinating history about New York told in an unusual way.
Packed with beautifully reproduced photos on every page, it takes as its subject the seemingly dull characteristic of urban experience—the street grid—and fashions over 200 short succinct stories of people, politics, and real estate development. It’s a bravo book.
Laying out Manhattan's street grid and providing a rationale for the growth of New York was the city's first great civic enterprise, not to mention a brazenly ambitious project and major milestone in the history of city planning. The grid created the physical conditions for business and society to flourish and embodied the drive and discipline for which the city would come to be known. Published to coincide with an exhibition at the Museum of the City of New York celebrating the bicentennial of the Commissioners' 1811 Plan of Manhattan, this volume does more than memorialize such a visionary effort,…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I fell in love with understanding cities toward the end of my college studies. It was the late 1960s and urban issues were foremost in the nation’s consciousness. The times were difficult for cities and many of the problems, seemingly intractable. That drew me to graduate work in urban studies and afterward, teaching about real estate development and finance. My work on public/private partnerships and the political economy of city building has drawn a wide audience. In explaining how cities are built and redeveloped, my goal has been to de-mystify the politics and planning process surrounding large-scale development projects and how they impact the physical fabric of cities.
I love this short lively book because it brings clarity and criticism of ideas about preservation and landmarks that were new when first published in 1989 yet hold true just as strongly today.
It’s not visual beauty alone that should define what gets preserves, the argument goes, but rather the associations or symbolic meanings that hold for residents of a place. Passionate about the subject, the author makes some of his points with photographs and cartoons sure to delight the reader.
Costonis (law, Vanderbilt U.) bridges the fields of law and design and probes the task of legal aesthetics what the law can and cannot do in response to architectural development that radically changes the environment. Annotation copyright Book News, Inc. Portland, Or.
I fell in love with understanding cities toward the end of my college studies. It was the late 1960s and urban issues were foremost in the nation’s consciousness. The times were difficult for cities and many of the problems, seemingly intractable. That drew me to graduate work in urban studies and afterward, teaching about real estate development and finance. My work on public/private partnerships and the political economy of city building has drawn a wide audience. In explaining how cities are built and redeveloped, my goal has been to de-mystify the politics and planning process surrounding large-scale development projects and how they impact the physical fabric of cities.
It’s near impossible not to fall for the lure of urban history when a skilled writer brings to light compelling stories of the men (atlas no women in this book) who transformed New York into an economic powerhouse, the capital of capitalism, in the late 19th century.
Their names are familiar but not so their complete stories: J.P. Morgan, Andrew Carnegie, John D. Rockefeller, Jay Gould, Samuel Gompers, Theodore Roosevelt. The writing is so good, it’s hard to put the book down.
Describes the emergence of post-Civil War New York City, as it evolved from a port city to metropolis via the birth of capitalism, and how such moguls as Rockefeller, Carnegie, and J. P. Morgan helped define the foundation of twentieth-century financial institutions. By the author of Fiorello H. LaGuardia and the Making of Modern New York.
The Everlasting Life of Charlie Wall
by
Paul Wilborn,
It’s 1985, and Ronald Armstrong, known in the magic mushroom trade as “Trip,” takes a “sober” job as a driver for a retired Tampa mobster. His boss, Charlie Wall, has survived four attempts on his life, the last one in 1955. When Charlie falls into depression, Trip rebuilds his boss’…
I fell in love with understanding cities toward the end of my college studies. It was the late 1960s and urban issues were foremost in the nation’s consciousness. The times were difficult for cities and many of the problems, seemingly intractable. That drew me to graduate work in urban studies and afterward, teaching about real estate development and finance. My work on public/private partnerships and the political economy of city building has drawn a wide audience. In explaining how cities are built and redeveloped, my goal has been to de-mystify the politics and planning process surrounding large-scale development projects and how they impact the physical fabric of cities.
In riveting prose and masterly reporting, Joan Didion describes the two profoundly different and separate cultures of Miami, a city of Cuban exiles and racial tension with a long history of fast money and luxury living.
This analysis of the politics of immigration and exile told with passion and drama is as relevant today as it was in the 1980s.
Miami is not just a portrait of a city, but a masterly study of immigration and exile, passion, hypocrisy, and political violence, from the bestselling, award-winning author of The Year of Magical Thinking and Let Me Tell You What I Mean.
It is where Fidel Castro raised money to overthrow Batista and where two generations of Castro's enemies have raised armies to overthrow him, so far without success. It is where the bitter opera of Cuban exile intersects with the cynicism of U.S. foreign policy. It is a city whose skyrocketing murder rate is fueled by the cocaine trade, racial…
I moved to New York City right after college, hungry to escape from the homogeneity of a small New England town. I wanted nothing more than to be surrounded by people of all races and nations, languages, and walks of life, and to have easy access to some of the greatest cultural institutions of the world. New York can be hard and unforgiving, but there is no place like it. I love living here.
For an unusual and completely different take on New York, pick up this delightful, funny, and moving book filled with drawings of cityscapes past and present. I wasn’t aware of Wertz’s book until after I’d written my book (full disclosure: Wertz wrote a blurb for my book), but I feel it captures in illustrations what the best of other New York writers capture in words. Reading it is like walking along the streets of the city itself, with a bit of poetry here, a bit of squalor there, a bit of history everywhere.
Here is New York as you've never seen it before; the New York behind the New York that you think you know so well. With drawings and comics in her signature style, Julia Wertz regales us with dozens of street scenes that show exactly what the city looked like "then" versus "now"; cartoons that detail the quirky, quintessentially New York histories that took place there, and several series of detail drawings including the clocks, mailboxes, lampposts and other ephemera that have evolved over the years. Tenements, Towers & Trash takes on a wild ride in a time-machine taxi, from the…
I was a reporter for the New York Daily News at the time of the 9/11 attack on the World Trade Center and covered the FDNY in the aftermath of 9/11. Being on the site the day after the attack and following the recovery efforts, I came to know some of the FDNY family members who lost loved ones that day, as well as members of the department, as they struggled to rebuild. The family members’ stories stayed with me long after the attack. I always felt that the story of what happened to the FDNY members killed that day and the story of their family members who wanted answers had not been fully told.
Those of us who were alive on 9/11 remember exactly where we were and where we watched the endless TV coverage of the horrific attack on the World Trade Center, including the collapse of the Twin Towers. We all think we know what happened.
I was captivated by 101 Minutes because it documented what was going on within the Twin Towers before the collapse of the South and then the North Towers as those trapped above the fire floors and below desperately tried to find a way out. The two New York Times reporters who wrote the book – the late Jim Dwyer and Kevin Flynn - are former colleagues of mine at Newsday and at the NY Daily News, and they were the best in the business at the time of the attack.
There is no better history of the struggle to survive. They drew on years of experience…
At 8:46 a.m. that morning, fourteen thousand people were inside the World Trade Centre just starting their workdays, but over the next 102 minutes, each would become part of a drama for the ages. Of the millions of words written about this wrenching day, most were told from the outside looking in. "New York Times" reporters Jim Dwyer and Kevin Flynn draw on hundreds of interviews with rescuers and survivors, thousands of pages of oral histories, and countless phone, e-mail, and emergency radio transcripts to tell the story of September 11 from the inside looking out. Dwyer and Flynn have…
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
I’ve been fascinated by the park for years, ever since I started visiting it daily to do shinrin-yoku, or Japanese “forest-bathing,” there. I wanted to learn everything about it through first-hand experiences, through guides on its flora and fauna, and through historical sources. The park is the heart of Manhattan, and I wanted to learn what makes it beat. After living, breathing, and studying the park for a good long while, the diary I had started taking on my experiences there eventually grew into a book-length poem about it. That book would never have happened without inspiration from and the information in the books on this list.
This book taught me to think of Central Park not just as a greenspace but as a gallery of art.
When I had finished it, I had come to fully admire the many statues that stand in bronze amid the groves and lawns.
I love that Eding covers, in great detail, not just the more famous sculptures such as the Alice in Wonderland and Balto statues, but also less appreciated pieces like the Daniel Webster Monument. I also love that I got to learn not just the what of the statues, but the why behind them.
The background information in this book added a whole new layer to my admiration for the fine art in Central Park.
The Statues of Central Park is the extraordinary photographic tribute to one of the world's most popular recreational destinations and public spaces: New York City's Central Park.
The most visited urban park in the United States, with 42 million visitors annually, Central Park is of the most famous sightseeing spots in New York, in no small part due to its collection of sculptures and monuments erected throughout the park. The Statues of Central Park highlights these sculptures and monuments in one spectacular photography collection, complete with short descriptions detailing the interesting histories of these public art pieces.
As an economics professor, I’ve spent the past twenty years researching why cities build upward. Though I mostly look at cities through the lens of statistics and data, every building has a personal and dramatic story that exists behind the numbers. And no matter where you go in the world, great cities with their towering skyscrapers all owe a debt to New York—every city wants its own version of the Empire State Building to signal its economic might. New York is the world’s metropolis. As the (now cliché) song line goes, “If I can make there, I’ll make it anywhere,” is a true today as a century ago.
If you stroll through Central Park, as I frequently do, you can’t help but notice the string of supertall, superslim towers lording over Central Park South. Many New Yorkers decry them as creating excessive shadows and driving gentrification. However, viewing them from the park, you can see how they naturally fit into the Manhattan skyline—the skyline that created the world’s greatest city.
Katherine Clarke’s book chronicles the developers who brought forth these ultraluxury towers. It dramatically highlights the game of 3D chess these New York titans must play to realize their skyscraper dreams. Some win, and some lose—but that’s the striver’s tale in Gotham.
A “thrilling” (Financial Times) fly-on-the-wall account of the ferocious ambition, greed, and one-upmanship behind the most expensive real estate in the world: the new Manhattan megatowers known as Billionaires’ Row—from a staff reporter at The Wall Street Journal
“Deeply informative, delightfully entertaining, and addictively readable.”—Diana B. Henriques, bestselling author of The Wizard of Lies
A CEO Magazine Best Book of the Year • Longlisted for the Financial Times and Schroders Business Book of the Year Award
To look south and skyward from Central Park these days is to gaze upon a physical manifestation of tens of billions of dollars in…
I grew up watching old Bogart movies on TV with my father. From Phillip Marlowe to Sam Spade, I was taken with the life of the P. I. Once I was old enough to read and enjoy the irony as well as the sex and violence in Mickey Spillane’s Mike Hammer tales, I’d pull the detective novels from under my old man’s bed and spend time with all the lowlifes. Guess I’ve never grown out of my love for noir. That’s why I started writing P. I. novels as well as reading them. I hope they bring as much entertainment to others as those old-school sagas brought to me.
I loved this book because it pitted the criminal’s warped psyche against that of the private detective.
Would the latter be willing to compromise his own moral code to stop the heinous actions of the former? How far is anyone willing to go not only to confront evil but to eliminate it?
Andrew Vachss's implacable private eye has a new client, Strega. She wants Burke to find an obscene photograph—and that search will take him into the ocean that flows just beneath the city, an ocean whose currents are flesh and money, the anguish of children and the pleasure of twisted adults. It is a place that Burke can visit only at the risk of his sanity and his life. But between the power of Strega and his own sense of justice, there is no turning back.
In Strega one of our most acclaimed crime writers gives us a thriller that might…
The authoritative but accessible history of the birth of modern American intelligence in World War II that treats not just one but all of the various disciplines: spies, codebreakers, saboteurs.
Told in a relatable style that focuses on actual people, it was a New Yorker "Best of 2022" selection and…
I have always liked antiheroes and characters that are in some way doomed. To me, there’s something romantic about them. And over time I have come to replace the fictional protagonists of noir and horror with antiheroes from real life. With miserable authors who wrote about their own lives, where instead of gangsters or monsters, they waged battle against themselves, against their own demons and despair. Books like these have kept me company during some of the darkest periods of my life, and their unflinching honesty has inspired me to become a writer. Perhaps they can do the same for you.
It takes courage to name your book that. Especially in the 90s before self-publishing became a thing. Which did not stop its renegade author from selling xeroxed copies of it in the streets.
Its titular protagonist, who is jobless and homeless after his girlfriend kicks him out, is based on the author himself. He struggles with feelings of inadequacy and a sense of purposelessness. He works odd jobs, writes an occasional poem, meets eccentric strangers, engages in substance abuse, and gets into sticky situations on account of his bad decisions.
While I don’t know about you, I can strongly relate to the character. The book's dark humor is also enough to make it one of my favorites.
Arthur Nersesian's underground literary treasure is an unforgettable slice of gritty New York City life...and the darkly hilarious odyssey of an anonymous slacker. He's a perennial couch-surfer, an aspiring writer searching for himself, and he's just trying to survive. But life has other things in store for the fuck-up. From being dumped by his girlfriend to getting fired for asking for a raise, from falling into a robbery to posing as a gay man to keep his job at a porn theatre, the fuck-up's tragi-comedy is perfectly realised by Arthur Nersesian, who manages to create humour and suspense out of…