Here are 100 books that Loft Living fans have personally recommended if you like
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I fell in love with understanding cities toward the end of my college studies. It was the late 1960s and urban issues were foremost in the nation’s consciousness. The times were difficult for cities and many of the problems, seemingly intractable. That drew me to graduate work in urban studies and afterward, teaching about real estate development and finance. My work on public/private partnerships and the political economy of city building has drawn a wide audience. In explaining how cities are built and redeveloped, my goal has been to de-mystify the politics and planning process surrounding large-scale development projects and how they impact the physical fabric of cities.
Time and time again, I refer to this book because it is chock full of fascinating history about New York told in an unusual way.
Packed with beautifully reproduced photos on every page, it takes as its subject the seemingly dull characteristic of urban experience—the street grid—and fashions over 200 short succinct stories of people, politics, and real estate development. It’s a bravo book.
Laying out Manhattan's street grid and providing a rationale for the growth of New York was the city's first great civic enterprise, not to mention a brazenly ambitious project and major milestone in the history of city planning. The grid created the physical conditions for business and society to flourish and embodied the drive and discipline for which the city would come to be known. Published to coincide with an exhibition at the Museum of the City of New York celebrating the bicentennial of the Commissioners' 1811 Plan of Manhattan, this volume does more than memorialize such a visionary effort,…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I fell in love with understanding cities toward the end of my college studies. It was the late 1960s and urban issues were foremost in the nation’s consciousness. The times were difficult for cities and many of the problems, seemingly intractable. That drew me to graduate work in urban studies and afterward, teaching about real estate development and finance. My work on public/private partnerships and the political economy of city building has drawn a wide audience. In explaining how cities are built and redeveloped, my goal has been to de-mystify the politics and planning process surrounding large-scale development projects and how they impact the physical fabric of cities.
I love this short lively book because it brings clarity and criticism of ideas about preservation and landmarks that were new when first published in 1989 yet hold true just as strongly today.
It’s not visual beauty alone that should define what gets preserves, the argument goes, but rather the associations or symbolic meanings that hold for residents of a place. Passionate about the subject, the author makes some of his points with photographs and cartoons sure to delight the reader.
Costonis (law, Vanderbilt U.) bridges the fields of law and design and probes the task of legal aesthetics what the law can and cannot do in response to architectural development that radically changes the environment. Annotation copyright Book News, Inc. Portland, Or.
I fell in love with understanding cities toward the end of my college studies. It was the late 1960s and urban issues were foremost in the nation’s consciousness. The times were difficult for cities and many of the problems, seemingly intractable. That drew me to graduate work in urban studies and afterward, teaching about real estate development and finance. My work on public/private partnerships and the political economy of city building has drawn a wide audience. In explaining how cities are built and redeveloped, my goal has been to de-mystify the politics and planning process surrounding large-scale development projects and how they impact the physical fabric of cities.
It’s near impossible not to fall for the lure of urban history when a skilled writer brings to light compelling stories of the men (atlas no women in this book) who transformed New York into an economic powerhouse, the capital of capitalism, in the late 19th century.
Their names are familiar but not so their complete stories: J.P. Morgan, Andrew Carnegie, John D. Rockefeller, Jay Gould, Samuel Gompers, Theodore Roosevelt. The writing is so good, it’s hard to put the book down.
Describes the emergence of post-Civil War New York City, as it evolved from a port city to metropolis via the birth of capitalism, and how such moguls as Rockefeller, Carnegie, and J. P. Morgan helped define the foundation of twentieth-century financial institutions. By the author of Fiorello H. LaGuardia and the Making of Modern New York.
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
I fell in love with understanding cities toward the end of my college studies. It was the late 1960s and urban issues were foremost in the nation’s consciousness. The times were difficult for cities and many of the problems, seemingly intractable. That drew me to graduate work in urban studies and afterward, teaching about real estate development and finance. My work on public/private partnerships and the political economy of city building has drawn a wide audience. In explaining how cities are built and redeveloped, my goal has been to de-mystify the politics and planning process surrounding large-scale development projects and how they impact the physical fabric of cities.
In riveting prose and masterly reporting, Joan Didion describes the two profoundly different and separate cultures of Miami, a city of Cuban exiles and racial tension with a long history of fast money and luxury living.
This analysis of the politics of immigration and exile told with passion and drama is as relevant today as it was in the 1980s.
Miami is not just a portrait of a city, but a masterly study of immigration and exile, passion, hypocrisy, and political violence, from the bestselling, award-winning author of The Year of Magical Thinking and Let Me Tell You What I Mean.
It is where Fidel Castro raised money to overthrow Batista and where two generations of Castro's enemies have raised armies to overthrow him, so far without success. It is where the bitter opera of Cuban exile intersects with the cynicism of U.S. foreign policy. It is a city whose skyrocketing murder rate is fueled by the cocaine trade, racial…
I moved to New York City right after college, hungry to escape from the homogeneity of a small New England town. I wanted nothing more than to be surrounded by people of all races and nations, languages, and walks of life, and to have easy access to some of the greatest cultural institutions of the world. New York can be hard and unforgiving, but there is no place like it. I love living here.
For an unusual and completely different take on New York, pick up this delightful, funny, and moving book filled with drawings of cityscapes past and present. I wasn’t aware of Wertz’s book until after I’d written my book (full disclosure: Wertz wrote a blurb for my book), but I feel it captures in illustrations what the best of other New York writers capture in words. Reading it is like walking along the streets of the city itself, with a bit of poetry here, a bit of squalor there, a bit of history everywhere.
Here is New York as you've never seen it before; the New York behind the New York that you think you know so well. With drawings and comics in her signature style, Julia Wertz regales us with dozens of street scenes that show exactly what the city looked like "then" versus "now"; cartoons that detail the quirky, quintessentially New York histories that took place there, and several series of detail drawings including the clocks, mailboxes, lampposts and other ephemera that have evolved over the years. Tenements, Towers & Trash takes on a wild ride in a time-machine taxi, from the…
I was a reporter for the New York Daily News at the time of the 9/11 attack on the World Trade Center and covered the FDNY in the aftermath of 9/11. Being on the site the day after the attack and following the recovery efforts, I came to know some of the FDNY family members who lost loved ones that day, as well as members of the department, as they struggled to rebuild. The family members’ stories stayed with me long after the attack. I always felt that the story of what happened to the FDNY members killed that day and the story of their family members who wanted answers had not been fully told.
Those of us who were alive on 9/11 remember exactly where we were and where we watched the endless TV coverage of the horrific attack on the World Trade Center, including the collapse of the Twin Towers. We all think we know what happened.
I was captivated by 101 Minutes because it documented what was going on within the Twin Towers before the collapse of the South and then the North Towers as those trapped above the fire floors and below desperately tried to find a way out. The two New York Times reporters who wrote the book – the late Jim Dwyer and Kevin Flynn - are former colleagues of mine at Newsday and at the NY Daily News, and they were the best in the business at the time of the attack.
There is no better history of the struggle to survive. They drew on years of experience…
At 8:46 a.m. that morning, fourteen thousand people were inside the World Trade Centre just starting their workdays, but over the next 102 minutes, each would become part of a drama for the ages. Of the millions of words written about this wrenching day, most were told from the outside looking in. "New York Times" reporters Jim Dwyer and Kevin Flynn draw on hundreds of interviews with rescuers and survivors, thousands of pages of oral histories, and countless phone, e-mail, and emergency radio transcripts to tell the story of September 11 from the inside looking out. Dwyer and Flynn have…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
I’ve been fascinated by the park for years, ever since I started visiting it daily to do shinrin-yoku, or Japanese “forest-bathing,” there. I wanted to learn everything about it through first-hand experiences, through guides on its flora and fauna, and through historical sources. The park is the heart of Manhattan, and I wanted to learn what makes it beat. After living, breathing, and studying the park for a good long while, the diary I had started taking on my experiences there eventually grew into a book-length poem about it. That book would never have happened without inspiration from and the information in the books on this list.
This book taught me to think of Central Park not just as a greenspace but as a gallery of art.
When I had finished it, I had come to fully admire the many statues that stand in bronze amid the groves and lawns.
I love that Eding covers, in great detail, not just the more famous sculptures such as the Alice in Wonderland and Balto statues, but also less appreciated pieces like the Daniel Webster Monument. I also love that I got to learn not just the what of the statues, but the why behind them.
The background information in this book added a whole new layer to my admiration for the fine art in Central Park.
The Statues of Central Park is the extraordinary photographic tribute to one of the world's most popular recreational destinations and public spaces: New York City's Central Park.
The most visited urban park in the United States, with 42 million visitors annually, Central Park is of the most famous sightseeing spots in New York, in no small part due to its collection of sculptures and monuments erected throughout the park. The Statues of Central Park highlights these sculptures and monuments in one spectacular photography collection, complete with short descriptions detailing the interesting histories of these public art pieces.
As an economics professor, I’ve spent the past twenty years researching why cities build upward. Though I mostly look at cities through the lens of statistics and data, every building has a personal and dramatic story that exists behind the numbers. And no matter where you go in the world, great cities with their towering skyscrapers all owe a debt to New York—every city wants its own version of the Empire State Building to signal its economic might. New York is the world’s metropolis. As the (now cliché) song line goes, “If I can make there, I’ll make it anywhere,” is a true today as a century ago.
If you stroll through Central Park, as I frequently do, you can’t help but notice the string of supertall, superslim towers lording over Central Park South. Many New Yorkers decry them as creating excessive shadows and driving gentrification. However, viewing them from the park, you can see how they naturally fit into the Manhattan skyline—the skyline that created the world’s greatest city.
Katherine Clarke’s book chronicles the developers who brought forth these ultraluxury towers. It dramatically highlights the game of 3D chess these New York titans must play to realize their skyscraper dreams. Some win, and some lose—but that’s the striver’s tale in Gotham.
A “thrilling” (Financial Times) fly-on-the-wall account of the ferocious ambition, greed, and one-upmanship behind the most expensive real estate in the world: the new Manhattan megatowers known as Billionaires’ Row—from a staff reporter at The Wall Street Journal
“Deeply informative, delightfully entertaining, and addictively readable.”—Diana B. Henriques, bestselling author of The Wizard of Lies
A CEO Magazine Best Book of the Year • Longlisted for the Financial Times and Schroders Business Book of the Year Award
To look south and skyward from Central Park these days is to gaze upon a physical manifestation of tens of billions of dollars in…
Most of my public success has been as a novelist. My MFA, from the Iowa Writers Workshop, is in poetry. When I grow up, I want to be a short story writer. The dirty truth is, though, I’ve been making trouble with stories since I was a kid. During my first attempt in 10th grade, I wrote a story that got me suspended for two weeks. No explanation. No guidance. Just a conference between my parents, teachers, and principal (I wasn’t present), and they came out and banished me. I dropped out of school shortly after. I reckon that experience, both shameful and delicious, shaped my life and love of narrative.
The complexities of the human, the whole human. That’s what Paley explores. How we think, how we act and feel, how we play and fight, how we talk. And talk. Paley is a master of nuance, and often reveals her mastery through dialogue. There is always a convincing urgency in the way her characters speak, and a delicious talking-around a thing, an idea. Her worlds richly detailed and urban. I’d like to live in the apartment building of Grace Paley’s mind.
This reissue of Grace Paley's classic collection—a finalist for the National Book Award—demonstrates her rich use of language as well as her extraordinary insight into and compassion for her characters, moving from the hilarious to the tragic and back again.
Whether writing about the love (and conflict) between parents and children or between husband and wife, or about the struggles of aging single mothers or disheartened political organizers to make sense of the world, she brings the same unerring ear for the rhythm of life as it is actually lived.
The Collected Stories is a 1994 National Book Award Finalist…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
As a former Human Resources executive I’m fascinated by the history of women in the workforce, especially in jobs that have traditionally been held by men. I was first drawn into the topic as a writer of WWII novels. Through memoirs, autobiographies, and oral history interviews I learned firsthand about women who entered the workforce to take the place of men who were serving in combat or the defense industry. In an effort to spotlight the women of this era as well as those who have gone before, many of my protagonists hold unusual jobs such as spy, war correspondent, pilot, doctor, restaurant owner, and gold miner.
Having worked for a jewelry designer in the Washington, DC area, The Gem Thief caught my eye. The story took me back to my days in the shop (good memories!), and the author has obviously done her research, because her accuracy is impeccable. I liked all of the characters, but I bonded with one of the secondary characters so much that I felt we could be friends in “real life.” I’ve been to New York City often, so I also enjoyed revisiting the city. The book was both comfortable because of all the associations to “past lives,” and exciting as I turned pages wondering what would happen next.
2018 HONORABLE Mention for Romance Forward INDIES Winners Gracie Miller is a small-town girl who has landed her dream job in New York City. As jewelry designer for one of the most prestigious jewelers in the world, she completed a particularly stunning piece, a custom setting for a large pink diamond. But when her billionaire client Mrs. Katsaros comes to repair a minor issue with the setting, Gracie is horrified to realize it is not the ring she created. Someone has forged her design, and the priceless diamond is gone.
Mrs. Katsaros has no desire to bring media attention to…