Here are 99 books that The Trees fans have personally recommended if you like
The Trees.
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I’ve always been drawn to the moments when things shift—when what once made sense stops making sense, and you have to find your way through. As a designer and leader, I’ve spent years learning to read change instead of resisting it. I’m passionate about this space because it’s where growth actually happens. These books remind me that clarity doesn’t come all at once; it arrives through attention, through relationship, and through the slow, often messy work of becoming.
I love this book because it changes the way I see the world every single time.
Powers writes with a patience that feels almost radical. I found myself slowing my breathing as I read, realizing how little I notice in the rush of daily life. I love how he blurs the line between human and nature, reminding me that we’re never outside the system—we are the system.
The Overstory humbles me, and because humility, to me, is where clarity begins.
The Overstory, winner of the 2019 Pulitzer Prize in Fiction, is a sweeping, impassioned work of activism and resistance that is also a stunning evocation of-and paean to-the natural world. From the roots to the crown and back to the seeds, Richard Powers's twelfth novel unfolds in concentric rings of interlocking fables that range from antebellum New York to the late twentieth-century Timber Wars of the Pacific Northwest and beyond. There is a world alongside ours-vast, slow, interconnected, resourceful, magnificently inventive, and almost invisible to us. This is the story of a handful of people who learn how to see…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I'm an apocalyptic optimist—but I didn’t start that way. For over 25 years, I’ve studied climate action efforts and documented why governments and businesses are falling short. It’s become clear that the systemic changes we need will only come through civil society mobilizing for climate action. I’ve explored this in books, articles, and as a contributor to the most recent Intergovernmental Panel on Climate Change (IPCC) assessment. I hope my writing inspires you to embrace your own apocalyptic optimism—not as despair, but as a hopeful, urgent call to action. It’s a powerful first step toward what I believe is still possible: Saving Ourselves.
I am simultaneously inspired and repulsed by this book because it presents a terrible and wonderful fictionalized case study in apocalyptic optimism. In the novel, Robinson weaves a story of hope embedded in despair.
Having studied efforts to solve the climate crisis for over 25 years while witnessing its growing effects, the novel is pitch-perfect on the tensions we must overcome to save ourselves.
“The best science-fiction nonfiction novel I’ve ever read.” —Jonathan Lethem
"If I could get policymakers, and citizens, everywhere to read just one book this year, it would be Kim Stanley Robinson’s The Ministry for the Future." —Ezra Klein (Vox)
The Ministry for the Future is a masterpiece of the imagination, using fictional eyewitness accounts to tell the story of how climate change will affect us all. Its setting is not a desolate, postapocalyptic world, but a future that is almost upon us. Chosen by Barack Obama as one of his favorite…
I am the granddaughter of an American boy who grew up in India at the end of the British Raj. I have a personal interest in the time period because of this, but I wanted to see more books about the Raj that weren’t from the British perspective. I wrote my own novel from the unique angle of Americans in India. During my historical research, I specifically looked for books that represented Indian opinions and mindsets of that period. As the saying goes, history is written by the victors, but with this reading list, I want to help shed light on the other side of the story.
I love a good adventure tale, and this one is set on the high seas and spans countries and cultures. I’ll never forget the character of Kalua, an untouchable man of enormous size and strength who saves a woman from horrible abuse at the hands of her own family. It’s just one example of a rich cast of characters who held my rapt attention.
At the heart of this epic saga, set just before the Opium Wars, is an old slaving-ship, The Ibis. Its destiny is a tumultuous voyage across the Indian Ocean, its crew a motley array of sailors and stowaways, coolies and convicts. In a time of colonial upheaval, fate has thrown together a truly diverse cast of Indians and Westerners, from a bankrupt Raja to a widowed villager, from an evangelical English opium trader to a mulatto American freedman. As their old family ties are washed away they, like their historical counterparts, come to view themselves as jahaj-bhais or ship-brothers. An…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I’m a nonfiction author whose success owes enormously to fiction. It challenges me to portray real people as vividly as characters in novels, and to use narrative and dialogue to keep readers turning the pages. Reading great novelists has taught me to obsessively seek exactly the right words, to fine-tune the cadence of each sentence, and to heed overall structural rhythm; continually, I return to the fount of fiction for language and inspiration. The astonishing novels I’ve shared here are among the most important books I’ve recently read to help grasp the critical times we’re living in. I’m confident you’ll feel the same.
I’ve just returned from a research trip to Iraq (one of many settings for my next book: stay tuned). I took along two Iraqi novels, The President's Gardens and Daughter of the Tigris (they’re really just one; the first literally ends with the words to be continued) and I was as stirred by reading them as by what I saw there. While we protest Russia’s outrageous rape of Ukraine, we forget the hideous mess that America’s unjustifiable invasion left in Iraq. Even under Saddam Hussein, Iraq was considered the flower of Arab culture, a land overflowing with poetry, music, and art. Today much of it is rubble. Masterfully, Al-Ramli describes the latter with all the breathtaking beauty of the former. This ranks among my most moving reading experiences ever.
One Hundred Years of Solitude meets The Kite Runner in Saddam Hussein's Iraq.
"A contemporary tragedy of epic proportions. No author is better placed than Muhsin Al-Ramli, already a star in the Arabic literary scene, to tell this story. I read it in one sitting". Hassan Blasim, winner of the Independent Foreign Fiction Prize for The Iraqi Christ.
On the third day of Ramadan, the village wakes to find the severed heads of nine of its sons stacked in banana crates by the bus stop.
One of them belonged to one of the most wanted men in Iraq, known to…
I’m a writer, theatre artist and calligrapher who has spent a lifetime dedicated to the look, sound, texture and meaning of words. Writing in verse and prose poetry gives me a powerful tool to explore hard themes. Poetry is economical. It makes difficult subjects personal. Through poetry, I can explore painful choices intimately and emerge on a different path at a new phase of the journey. While my semi-autobiographical novel These Are Not the Words “is about” mental health and drug addiction, I’ve shown this through layers of images, sounds, textures, tastes—through shards of memories long submerged, recovered through writing, then structured and fictionalized through poetry.
In A Wreath for Emmett Till, Marilyn Nelson reminds us of the unique beauty of a life, of the vibrancy of youth at 14 years old. Written as a “crown of sonnets,” where the last line of one sonnet becomes the first of the next, it is a book that bears witness and conveys huge themes of justice, loss, and remembrance while focussing on small moments, gestures, and images. I am in awe of Nelson’s ability to use a very formalized writing style to depict one of the most brutal murders of the twentieth century.
In 1955, people all over the United States knew that Emmett Louis Till was a fourteen-year-old African American boy lynched for supposedly whistling at a white woman in Mississippi.The brutality of his murder, the open-casket funeral, and the acquittal of the men tried for the crime drew wide media attention.
Award-winning poet Marilyn Nelson reminds us of the boy whose fate helped spark the civil rights movement.This martyr's wreath, woven from a little-known but sophisticated form of poetry, challenges us to speak out against modern-day injustices, to 'speak what we see.'
I was never a little boy who played soldier. But when I was 13, I read Barbara Tuchman’sThe Guns of August, and developed a lifelong fascination (unusual for an American) with the First World War. Decades later, having achieved a happy life as a gay man, I started to wonder during the debate over “Don’t Ask, Don’t Tell”: What would life have been like for two soldiers in the Great War who fell in love? So, I traveled to the battlefields and cemeteries of France, and to the Imperial War Museum in London, and read anything and everything I could about WW1. And then I wrote Flower of Iowa.
Perhaps the most powerful story surrounding The Bitterweed Path concerns the creation of the novel itself. This tale of cross-class, same-sex love set in late 19th century rural Mississippi – a place and time so well evoked you can feel the heat – was originally published in 1950(!). They say historical novels reflect the time in which they’re written at least as much as the time in which they’re set, and there’s a distinct obliqueness to the writing here. That does not detract from the astonishing eroticism of main character Darrell’s first glance at Roger, the boy he will fall in love with (and vice versa). Nor does it diminish the radical shift, in more than one sense of the term, when Roger’s father also emerges as a mutual love interest for Darrell.
This long out-of-print and newly rediscovered novel tells the story of two boys growing up in the cotton country of Mississippi a generation after the Civil War. Originally published in 1950, the novel's unique contribution lies in its subtle engagement of homosexuality and cross-class love. In The Bitterweed Path , Thomas Hal Phillips vividly recreates rural Mississippi at the turn of the century. In elegant prose, he draws on the Old Testament story of David and Jonathan and writes of the friendship and love between two boys--one a sharecropper's son and the other the son of the landlord--and the complications…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I scored my first touchdown at nine and went on to play quarterback at both the collegiate and professional levels. By twenty-six, I was the head coach of a backwoods high school in Arkansas. My debut novel, Don’t Know Tough, is a football-centric thriller and was named one of the “Best Crime Novels” of 2022 by the New York Times. Afterthat book's publication, I’ve had readers reach out and ask about my favorite football novels, so I was thrilled to get the chance to compile them all into one list. I hope you enjoy these books as much as I have.
Ace Atkins played defensive end for Auburn. His picture once graced the cover of Sports Illustrated. His dad coached for the 49ers. In other words, Ace knows football, and that fact is on full display in The Innocents. Although the plot doesn’t center around football, this novel features one of the best depictions of a Southern, sleazeball coach you’ll ever find in fiction. Oh, and it’s a part of Ace’s Quinn Colson series. So if you like it, there’s more where that came from!
Quinn Colson returns to Jericho, Mississippi, and gets pulled back into a world of greed and violence in this gritty, darkly comic tale from New York Times bestselling Southern crime master Ace Atkins.
After being voted out of office and returning to the war zone he’d left behind, Quinn Colson is back in Jericho, trying to fix things with his still-married high school girlfriend and retired Hollywood stuntman father. Quinn knows he doesn't owe his hometown a damn thing, but he can't resist the pull of becoming a lawman again and accepts a badge from his former colleague, foul-mouthed acting…
Hello, my name is Stephanie Duley and my passion lies in fantasy. From books and movies to board games and tabletop RPGs, if it’s fantasy, I am usually a big fan. My love of reading started at a young age when my mom would take us to our local library to sign up for the summer reading programs. As an adult, I will gobble up any fantasy novel I can get my hands on. As a published author, I strive to give readers that same feeling and bring a little magic into their world, even if it is only for a few hundred pages.
Ryan Carroll is a young woman who has recently moved back home to rural Mississippi to live in her childhood home. A home where, as a young child, she became lost in the surrounding woods one winter night and was saved by a mysterious young man who was gone by the time rescuers were able to find her. All these years later, she finds she is irresistibly drawn to these woods.
I love it when a character can feel a calling to something, and they follow that instinct, which leads them to an epic adventure. One day, while she is taking a dip in a pond tucked back into the thick of these woods, she sees him, the boy who saved her. She soon learns that there is an entire secret world hidden in the woods surrounding her childhood home, and it’s not one populated by humans. Once this story…
I am a history professor at Ohio State, where I have taught for most of my career. I have always been fascinated by how people in different regions define their own identities, how other Americans perceive them, and how these ideas change over time. Having lived through several wars (as a civilian), I have observed that social and political conflicts on the homefront can be intense in their own right and that non-military events and military events are often connected. In my work, I have published on gender, race, slavery, family, material culture, legal history, and environmental history, from the Revolution through the Civil War.
Black people, enslaved and free, sued whites in court in Mississippi and Louisiana, and sometimes they won.
Welch researched hundreds of documents in some archives off the beaten path. She discovered a hitherto unknown chapter of African American life which changes our perspective on the legal system.
I felt inspired by the courage and resilience of the litigants.
In the antebellum Natchez district, in the heart of slave country, black people sued white people in all-white courtrooms. They sued to enforce the terms of their contracts, recover unpaid debts, recuperate back wages, and claim damages for assault. They sued in conflicts over property and personal status. And they often won. Based on new research conducted in courthouse basements and storage sheds in rural Mississippi and Louisiana, Kimberly Welch draws on over 1,000 examples of free and enslaved black litigants who used the courts to protect their interests and reconfigure their place in a tense society.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
Having studied the civil rights movement for over twenty years, I can attest that it is infinitely more complex, more nuanced, and more inspiring than how it has come to be remembered and celebrated. Students in my civil rights seminar always ask “Why did we never learn this in high school?!” They do so because they discover what becomes possible when ordinary people united around the goals of freedom and justice undertake extraordinary challenges. For those concerned about our contemporary historical moment, both the movement’s successes and shortcomings help explain how we got here. Yet they also suggest how we might best adapt the lessons from that era to our own as the struggle continues.
Sanders offers a most compelling portrait of how working-class Black women harnessed civil rights activism to education and the War on Poverty. In 1965, the Child Development Group of Mississippi became one of the earliest Head Start programs in the nation. Sanders focuses on how activists deployed it to enhance educational opportunities for Black children and to secure economic independence from white employers for Black women. She also tracks how the state’s white supremacist political leaders and those in Washington D.C. undermined this successful program. In so doing, Sanders demonstrates the precariousness of civil rights victories, especially when activists sought economic justice that required fundamentally remaking the structure of U.S. society.
In this innovative study, Crystal Sanders explores how working-class black women, in collaboration with the federal government, created the Child Development Group of Mississippi (CDGM) in 1965, a Head Start program that not only gave poor black children access to early childhood education but also provided black women with greater opportunities for political activism during a crucial time in the unfolding of the civil rights movement. Women who had previously worked as domestics and sharecroppers secured jobs through CDGM as teachers and support staff and earned higher wages. The availability of jobs independent of the local white power structure afforded…