Books like Hidden Deep — picked by fans

This was one of the first books I picked up after my reading slump in 2012, and I absolutely couldn’t put it down. The story concept was fascinating; I love it when story worlds have supernatural elements and societies hidden within the “regular world.” The characters are written very well, and you feel as though you are watching a movie while reading with the authors great attention to detail in the scenes she sets.

The world building is great and offers a unique take on the classic fantasy creatures, werewolves, vampires, and fey. You really feel that “found family” book trope in this series, and the ups and downs of book one will have you hooked. 

Did I mention that I love academies? Yes, this series is immersed in fantasy academics with twists I enjoyed throughout the books. And, of course, what novels about schools wouldn’t be complete without different houses for students with special powers. Throw in two heroines from the everyday world I know today, and the conflicts blossom.

Be forewarned, this, too, is a fantasy romance, so I kept my focus on the rivalries between the houses and enjoyed the fast-paced action.

This book is set in a post-apocalyptic world where humans are living in domes to keep them safe from the deadly radiation of the planet. The story follows: Aria is a young woman living in the safety of one of these domes, and her quest to find her mother, whom she lost contact with recently after her mother was sent out to repair damage to a pod in the outer wastelands. She knows she likely won’t survive, but she ventures out into the unknown anyway, finding help from a young man named Perry. Perry is an outsider, one of the few humans left able to survive the planet’s harsh conditions. His people are referred to as uncivilized savages.

This story has a great plot twist, and Aria finds out that the savages might not be the people who live outside the domes but within them. I love a good plot… show more.

In this book’s setting, firstborns rule, secondborns are government property, and thirdborns are non-existent. This story follows Roselle St. Sismode, a secondborn, and her journey into the next phase of her life as an adult as a soldier in the Fate of Swords military branch during a bloody rebellion. Being the daughter of a high-ranking firstborn mother and father, her privileges earn her the ire of some of the other soldiers in her command post, making her transition less than ideal, and her decision to spare an enemy on the battlefield puts an even larger target on her back. This puts her on a path that she’d never imagined she’d find herself on, working against her command and even her own family to fight for what she believes is right and bring justice to the secondborns of the world.

This story resonated with me on a personal level. Going against… show more.

Ace Atkins played defensive end for Auburn. His picture once graced the cover of Sports Illustrated. His dad coached for the 49ers. In other words, Ace knows football, and that fact is on full display in The Innocents. Although the plot doesn’t center around football, this novel features one of the best depictions of a Southern, sleazeball coach you’ll ever find in fiction. Oh, and it’s a part of Ace’s Quinn Colson series. So if you like it, there’s more where that came from!

I love this book because it contains one of my favorite stories of all time, "Sugar Among the Chickens." This and other of Nordan's stories make me fall on the floor laughing and also help me find thoughts and emotions, below the surface of words, that make me cry.

I was once asked to blurb a Lewis Nordan book. My blurb was: "I wish I could write like Lewis Nordan. I'd rather read his stories than win money." 

Richard Grant a British journalist and adventure writer traveled the world before moving from New York City with his Brookland girlfriend to transform a dilapidated antebellum mansion in Mississippi into a new home and a new life.

In the process he discovers the real Mississippi—good and bad—as “the most American place on earth.” This book makes the reader laugh, cry, but most important think deeply about jazz, sex, politics, food, America’s class system, racism, democracy, and what it means to be American which is in constant change.

Grant’s writing is addictive and an elixir—you can’t put it down. 

In A Wreath for Emmett Till, Marilyn Nelson reminds us of the unique beauty of a life, of the vibrancy of youth at 14 years old. Written as a “crown of sonnets,” where the last line of one sonnet becomes the first of the next, it is a book that bears witness and conveys huge themes of justice, loss, and remembrance while focussing on small moments, gestures, and images. I am in awe of Nelson’s ability to use a very formalized writing style to depict one of the most brutal murders of the twentieth century.

This is my book's protagonist's favorite book.

The Bundren family sets out across Mississippi to honor their dying matriarch's wish to be buried in her hometown, and nearly everything that can go wrong does. The ending is uneasy rather than truly resolved, and the landscape itself is a main character: it floods and burns and resists the Bundrens throughout.

Faulkner understood something crucial about the South, and Southerners by extension: it will not cooperate, and the people who love it regardless are complicated and oftentimes their own worst enemies.

I have been pressing this book into people’s hands since I studied it under the direction of Faulkner scholar Charles Chappell, and I aimed for my own book to sit in the same uneasy space.

Wald is a contrarian’s contrarian; this revisionist study--lucid, sensible, self-assured--demolishes not just the soul-selling-at-the-crossroads mythology embraced by fans of Robert Johnson, but a series of romantic misconceptions about blues music in general and Mississippi blues in particular.

He reminds us, for example, that classic blueswomen like Ma Raney and Bessie Smith were the first stars of the blues; that Johnson was, by contrast, virtually unknown on a national level during his own lifetime; and that Johnson, celebrated by his mythologizers as a devil-haunted innovator, was actually a savvy, record-copying consolidator of a broad range of contemporary blues styles.

He was also a “polka hound” and human jukebox, according to Wald, a jack-of-all-trades who played Gene Autry songs and other pop tunes for the pleasure of his audiences, black and white.