Here are 100 books that The Innocents fans have personally recommended if you like
The Innocents.
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I scored my first touchdown at nine and went on to play quarterback at both the collegiate and professional levels. By twenty-six, I was the head coach of a backwoods high school in Arkansas. My debut novel, Don’t Know Tough, is a football-centric thriller and was named one of the “Best Crime Novels” of 2022 by the New York Times. Afterthat book's publication, I’ve had readers reach out and ask about my favorite football novels, so I was thrilled to get the chance to compile them all into one list. I hope you enjoy these books as much as I have.
A lesser-known DeLillo book, End Zoneis way up there on my list. I read this book when I first started trying to write about football. DeLillo paints a vivid picture of the locker room, the dorm room, and the crazy characters often found inside both. There are also some wild bits about nuclear threats and metaphors about football as war. Perfect for readers looking for a gridiron book with more “literary” leanings.
The second novel by Don DeLillo, author of White Noise (winner of the National Book Award) and The Silence
At Logos College in West Texas, huge young men, vacuum-packed into shoulder pads and shiny helmets, play football with intense passion. During an uncharacteristic winning season, the perplexed and distracted running back Gary Harkness has periodic fits of nuclear glee; he is fueled and shielded by his fear of and fascination with nuclear conflict. Among oddly afflicted and recognizable players, the terminologies of football and nuclear war--the language of end zones--become interchangeable, and their meaning deteriorates as the collegiate year runs…
The first female police detective in Acapulco, Emilia Cruz, dives into an ocean of secrets and lies when she is forced to lead the investigation into her own lieutenant's murder.
Caught between the powerful head of the police union and resentful colleagues, Emilia becomes a pawn in a game of…
I scored my first touchdown at nine and went on to play quarterback at both the collegiate and professional levels. By twenty-six, I was the head coach of a backwoods high school in Arkansas. My debut novel, Don’t Know Tough, is a football-centric thriller and was named one of the “Best Crime Novels” of 2022 by the New York Times. Afterthat book's publication, I’ve had readers reach out and ask about my favorite football novels, so I was thrilled to get the chance to compile them all into one list. I hope you enjoy these books as much as I have.
The Prophet was the first time I’d ever encountered a football thriller. I was still coaching high school football when I read this book, and it scared the bejesus out of me! Koryta spent a year following a high school football team around before writing this book. He absolutely nails the strain the game can have on the families of the men who devote their lives to coaching it.
Adam Austin hasn't spoken to his brother in years. When they were teenagers, their sister was abducted and murdered, and their devastated family never recovered. Now Adam keeps to himself, scraping by as a bail bondsman, working so close to the town's criminal fringes that he sometimes seems a part of them.
Kent Austin is the beloved coach of the local high school football team, a religious man and hero in the community. After years of near misses, Kent's team has a shot at the state championship, a welcome point of pride in a town that has had its share…
From a kid playing backyard games with family (girls included), I grew up as football itself grew from a brawling, often ponderous grind into an explosive, even balletic, spectacle—and the most popular sport in the U.S. Family fate also placed me at Long Beach Poly High, which has sent more players to the NFL than any other, and where I played. Thirty years later, as a sportswriter and author, fate again put the first-ever championship game in my sights—months before anyone realized it—and I spent a year following 177 kids around the country, their coaches, and their families.
A college basketball player signed to play football for the Dallas Cowboys, Gent was no PR stunt, and his 1973 novel captured the anything-goes era that got the ‘Boys crowned America’s Team.
It’s a tale of games on and off the field, which means sex, nightclubbing, cheerleaders, racial friction, and drugs, both recreational and, more seriously, prescribed for debilitating injuries. Yes, the movie is pretty great, but don’t miss out on this one.
National Bestseller: The “powerful novel” about the hidden side of pro football, written by a former NFL player (Newsweek). On the field, the men who play football are gladiators, titans, and every other kind of cliché. But when they leave the locker room they are only men. Peter Gent’s classic novel looks at the seedy underbelly of the pro game, chronicling eight days in the life of Phil Elliott, an aging receiver for the Texas team. Running on a mixture of painkillers and cortisone as he tries to keep his fading legs strong, Elliott tries to get every ounce of…
The Everlasting Life of Charlie Wall
by
Paul Wilborn,
It’s 1985, and Ronald Armstrong, known in the magic mushroom trade as “Trip,” takes a “sober” job as a driver for a retired Tampa mobster. His boss, Charlie Wall, has survived four attempts on his life, the last one in 1955. When Charlie falls into depression, Trip rebuilds his boss’…
I scored my first touchdown at nine and went on to play quarterback at both the collegiate and professional levels. By twenty-six, I was the head coach of a backwoods high school in Arkansas. My debut novel, Don’t Know Tough, is a football-centric thriller and was named one of the “Best Crime Novels” of 2022 by the New York Times. Afterthat book's publication, I’ve had readers reach out and ask about my favorite football novels, so I was thrilled to get the chance to compile them all into one list. I hope you enjoy these books as much as I have.
A Feast of Snakes is about a washed-up high school football star. It’s heart-wrenching and hilarious. So much so, I can remember reading lines out loud to my wife more than once when I first encountered this book. Set in Georgia, Crews’s home state, this novel also features the “Rattlesnake Roundup," which I can promise, you won’t want to miss.
From the acclaimed author of such novels as "Blood and Grits" and "Childhood" comes a wildly weird and breathtakingly original visit to the rural South that reveals the exotic subculture that erupts in all its glory at the Rattlesnake Roundup in Mystic, Georgia. "No number of adjectives in the thesaurus can do full justice to the dazzlingly bizarre nature of Crews' creations"-- "Washington Post Book World"
I have loved mysteries and crime thrillers since I worked at the legendary R.J. Julia Booksellers in high school. A lifelong love of books and movies led me to pursue a career in screenwriting and later in indie publishing. My most popular books, including Seattle On Ice, Chokecherry Canyon, and The Grimwood Trilogy all mix fast-paced action with film references and plenty of humor.
Ace Atkins is a master of the crime genre. It’s no wonder Robert B. Parker’s estate tapped him to carry on the Spenser series. He’s great at capturing places and the internal monologues of weary men. He’s also able to tell stories just seedy enough to keep readers curious, without making them cringe. The first book in Atkins’ Quinn Colson series is on par with Elmore Leonard’s Raylan Givens books. Quinn seems entirely real, the small town he returns to after a years-long absence feels lived in and believable. And the pacing is masterful. Whereas Perry drags readers along for the action, Atkins makes you feel as though you’re sitting in the backseat, riding down the winding roads of Tibbehah County in northeast Mississippi as Quinn uneasily approaches another backcountry crime scene.
Northeast Mississippi is hill country, rugged and notorious for outlaws since the Civil War, where killings are as commonplace as they were in the Old West. To Quinn Colson, just back from a tour of Afghanistan, it's home. But home has changed.
Quinn returns to a place overrun by corruption. His uncle, the county sheriff, is dead - officially it was suicide, but others whisper murder. In the days that follow, it will be up to Colson, now an Army Ranger, to discover the truth - not only about his uncle, but also about his family, friends, hometown and himself.
I have been fascinated by the American Civil War since I was 8 years old. I have been a serious student of the subject since my college years, where I majored in American History. I have played and designed boardgames concerning battles of the war, including a number of games on battles in the Western Theater, I have been a living historian and reenactor, and now, an author-published by both academic and popular presses. The battle of Chickamauga became a serious interest as early as 1979.
Though Dr. Timothy B. Smith has since made quite the splash in Civil War historiography, this was his first book, covering the Battle of Champion Hill. On May 16, 1863, two armies collided between the Confederate fortress of Vicksburg and the Mississippi state capital at Jackson. The Federals were led by Ulysses S. Grant; the Rebels, John C. Pemberton. Each army numbered bout 30,000 men. While neither the largest or most famous battle of the war, Champion Hill was, nevertheless, a crucial engagement, for it decided the fate of Vicksburg. Frustrated for months by his inability to capture the fortress, Grant at last settled on a daring strategy to take it from the rear. Pemberton marched out to meet him. They met at Champion Hill.
Smith’s narrative embraces the top-down commander’s view of the battle, the soldiers’ view from the ranks, and the impact the fighting had on the local…
The Battle of Champion Hill on 16 May 1863 was the decisive land engagement of the Vicksburg Campaign. The fighting took place just twenty miles east of the river city, where the advance of General Ulysses S. Grant's Federal army attacked General John C. Pemberton's hastily gathered Confederates.
The bloody fighting see-sawed back and forth until superior Union leadership broke apart the Southern line, sending Pemberton's army into headlong retreat. The victory on Mississippi's wooded hills sealed the fate of both Vicksburg and her large field army, propelled Grant into the national spotlight, and earned him the command of the…
With plot elements inspired by presidential elections in both the US and Mexico, Barracuda Bay follows Acapulco’s first female police detective, Emilia Cruz, as she investigates the murder of the mayor’s sister—only to become a fugitive hunted by killers disguised as cops in Washington, DC. The stakes couldn’t be higher…
I’ve been a working blues musician for almost half a century, a blues harmonica teacher for much of that time. Twenty-five years ago I first began offering university-level courses on the blues literary tradition. My experience as a Harlem busker back in the 1980s and a touring performer in the 1990s as part of the duo Satan & Adam critically shaped my approach, anchoring me in the wisdom, humor, and deep-groove aesthetics of partner, Mississippi native Sterling “Mr. Satan” Magee. The blues is or the blues are? It’s complicated! I try to honor that multiplicity and the people who put it there.
Wald is a contrarian’s contrarian; this revisionist study--lucid, sensible, self-assured--demolishes not just the soul-selling-at-the-crossroads mythology embraced by fans of Robert Johnson, but a series of romantic misconceptions about blues music in general and Mississippi blues in particular.
He reminds us, for example, that classic blueswomen like Ma Raney and Bessie Smith were the first stars of the blues; that Johnson was, by contrast, virtually unknown on a national level during his own lifetime; and that Johnson, celebrated by his mythologizers as a devil-haunted innovator, was actually a savvy, record-copying consolidator of a broad range of contemporary blues styles.
He was also a “polka hound” and human jukebox, according to Wald, a jack-of-all-trades who played Gene Autry songs and other pop tunes for the pleasure of his audiences, black and white.
The life of blues legend Robert Johnson becomes the centerpiece for this innovative look at what many consider to be America's deepest and most influential music genre. Pivotal are the questions surrounding why Johnson was ignored by the core black audience of his time yet now celebrated as the greatest figure in blues history. Trying to separate myth from reality, biographer Elijah Wald studies the blues from the inside -- not only examining recordings but also the recollections of the musicians themselves, the African-American press, as well as examining original research. What emerges is a new appreciation for the blues…
In the natural course as a young man, I became a husband and a father. I have four children and eleven grandchildren. Fatherhood has been the most difficult yet rewarding job of my life. You never stop being a parent. So, it was inevitable that this would become a subject of my writing. I have tried to be a compassionate caregiver and a positive role model to my children; you’ll have to ask them if I’ve succeeded. In my novel, I try to depict two fathers (and their two sons) as good yet flawed men, doing their best and finding their way. Just as all fathers do.
It took me two tries to finish this tremendously difficult novel about a father who desperately wants a son, and gets two. Considered by many to be Faulkner’s most challenging work, it defeated me on my first attempt. But I was captivated by this example of fatherhood gone obsessively wrong, so returned to it and soldiered through.
It was worth the effort. I hope I never find any commonality with the main character of this novel, and I’m not sure if I should take solace from Faulkner’s conclusion that we can never really understand another person, and may not want to. I read it as a cautionary tale of what a family can become.
This postbellum Greek tragedy is the perfect introduction to Faulkner's elaborate descriptive syntax.
Quentin Compson and Shreve, his Harvard roommate, are obsessed with the tragic rise and fall of Thomas Sutpen. As a poor white boy, Sutpen was turned away from a plantation owner's mansion by a black butler. From then on, he was determined to force his way into the upper echelons of Southern society. His relentless will ensures his ambitions are soon realised; land, marriage, children, his own troop to fight in the Civil War... but Sutpen returns from the conflict to find his estate in ruins and…
I spent my early childhood in a rural, isolated, multi-generational household. During summers we rarely saw anyone unrelated to us. My twin sister and I spent our days reading, hiding, and naming our menagerie of barn cats (final count: 36). In my career as a lifestyle journalist, I’ve gotten to interview famous eccentrics ranging from Loretta Lynn to David Sedaris. I live in the North Carolina mountains with my husband, our teenage son, and my aforementioned twin sister. This past summer, a black bear walked the 22 steps up to our front porch and stared in the window, raising his huge paws high in exasperation.
Unlike Welty’s works featuring honorable or broadly comic characters, this dense story cycle was never excerpted in anthologies. It’s a trickier cast: consider Jinny Love Stark and Virgie Rainey, who cut through the languor of Depression-era Mississippi with stone-cold intention. Jinny Love plays croquet with her lover to enrage her volatile husband; she encourages her daughter to wear lizards as earrings to offend the propriety of her own controlling mother. Impoverished piano prodigy Virgie flouts her gift merely to watch her teacher go mad. Later, she trims her dead mother’s yard with sewing scissors while neighbors do the real work of laying out the body and receiving mourners. The heat presses forward. What day is it? What hour? This is weird, experimental Welty, and the payoff is sweet.
First published in 1949, THE GOLDEN APPLES is an acutely observed, richly atmospheric portrayal of small town life in Morgana, Mississippi. There's Snowdie, who has to bring up her twin boys alone after her husband, King Maclain, disappears one day, discarding his hat on the banks of the Big Black. There's Loch Morrison, convalescing with malaria, who watches from his bedroom window as wayward Virgie Rainey meets a sailor in the vacant house opposite. Meanwhile, Miss Eckhart the piano teacher, grieving the loss of her most promising pupil, tries her hand at arson.
I’m a writer, theatre artist and calligrapher who has spent a lifetime dedicated to the look, sound, texture and meaning of words. Writing in verse and prose poetry gives me a powerful tool to explore hard themes. Poetry is economical. It makes difficult subjects personal. Through poetry, I can explore painful choices intimately and emerge on a different path at a new phase of the journey. While my semi-autobiographical novel These Are Not the Words “is about” mental health and drug addiction, I’ve shown this through layers of images, sounds, textures, tastes—through shards of memories long submerged, recovered through writing, then structured and fictionalized through poetry.
In A Wreath for Emmett Till, Marilyn Nelson reminds us of the unique beauty of a life, of the vibrancy of youth at 14 years old. Written as a “crown of sonnets,” where the last line of one sonnet becomes the first of the next, it is a book that bears witness and conveys huge themes of justice, loss, and remembrance while focussing on small moments, gestures, and images. I am in awe of Nelson’s ability to use a very formalized writing style to depict one of the most brutal murders of the twentieth century.
In 1955, people all over the United States knew that Emmett Louis Till was a fourteen-year-old African American boy lynched for supposedly whistling at a white woman in Mississippi.The brutality of his murder, the open-casket funeral, and the acquittal of the men tried for the crime drew wide media attention.
Award-winning poet Marilyn Nelson reminds us of the boy whose fate helped spark the civil rights movement.This martyr's wreath, woven from a little-known but sophisticated form of poetry, challenges us to speak out against modern-day injustices, to 'speak what we see.'
