Books like The Sunbearer Trials

I grew up in a hard-core reader family. Everyone always had a book in their hands, so it came naturally to me to absorb everything in the house library before the urge to write caught up with me. My first typewriter was my mother’s from college, my twelve-year-old self delighted by the opportunity to express herself at last in ways that made sense to me (especially since I was the weirdo introvert who talked to the voices in her head). Since my parents exposed me to a multitude of genres, it’s no surprise I write everything from sci-fi to post-apocalyptic, fantasy and horror, cozy mysteries, and young adult paranormal.

Not only am I an author of fantastical, romantic, and magical novels, but I am also an incredibly passionate reader. Ever since I got my first library card I have devoured everything I could get my hands on, but I have always been drawn to novels featuring far-off lands and scheming royals, where magic was a commodity and romance appeared in the most unexpected of places. Not only have these books inspired my own writing, but they have allowed me to travel to a thousand different lands and experience a thousand different lifetimes. Reading is the true magic, and I’m thrilled to share my favorite novels featuring intrigue, romance, fantasy, and glamour. 

Ever since I was little, I’ve been fascinated with various historical societies, but particularly that of medieval Europe. The ebb and flow of political strife as well as the gradual creeping advancement of technology in an era too-often deemed “the Dark Ages” sparked a passion in me that led me to pursue a degree in history. Prior to my studies, I had the opportunity to travel to Norway, where my love for the medieval era was ignited as my family toured the dipping green fjords and walked the burial mounds of kings long past. I aim now to tell their stories.

Iʻve been travelling to islands before realizing I was seeking them. It was my political convictions that brought me to Haiti and Cuba, and later to Indonesia and Thai Islands due to my philosophical interests. When I headed to Greece for the first time it was to Corfu and the Peloponnese, my lineage, but also to Ithaca, Crete, the Cyclades, and eventually to Lesvos. Now I live in Hawaiʻi. I was attracted to the poetics of island landscapes, but as a scholar of space, society, and justice, I also understood that islands hold distinct sets of constraints and opportunities that require further study with intersectional and decolonial perspectives.

I'm an American writer who grew obsessed with all things King Arthur at age 10. Trying to be the best 7th-grade Arthurian scholar in the world set me on a path of life-long learning and research. My historical fantasy novels for children have been flatteringly called "maybe the only [fiction] depiction of the complexities of feudal obligations & responsibilities I've ever seen" by a real medievalist. While that wasn't what I was going for, it speaks to the thing I seek out when I read: total immersion in another world. If you don't feel like you scrubbed pots in the Middle Ages, why would you read about a medieval scullery maid?

I am a kid from Brooklyn who is, and always has been, an inveterate hero worshiper. In a world that is generally mad and too often violent, I have weaned myself on the lives of heroes. I may lack their prowess, but I have striven for their dedication to excellence. I have published numerous books, including The Capitalist Manifesto: The Historic, Economic, and Philosophic Case for Laissez-Faire. But it is my recent book that crowns a lifetime of thinking about heroes. What is their nature? What factors in the world give rise to the possibility—and the necessity—of heroes? How do we rationally define the concept “hero”? These are the questions my book addresses and seeks to answer.

I came to my passion for history later in life—when I realized I could trade in the endless date memorization I remembered from history class for an exploration of fierce lady pirates like Shek Yeung and unwilling empresses like Sisi of Austria. Historical stories that felt like thrillers, adventures, or mystery novels. Comedies. Tragedies. And most of all: books that didn’t require a history PhD to get swept up in the story. These are the books that made me fall in love with history, and they’re the kind of books I now write. I’m the author of three historical novels, all written first and foremost to sweep you away into a damn good story.

I grew up in Ireland, where I was surrounded by stories, modern and ancient. Irish myths and legends formed the basis of the history curriculum for most children beginning the subject. Irish children are incredibly familiar with "The Children of Lir" and legendary heroes like Cúchulainn – we even have a rollercoaster named after him in our only proper theme park! As a teacher, I continued to retell these stories to my young, receptive audiences. When I was given the opportunity to write my own book of fairy tales, myths, and legends, I jumped at the chance. The research, including the reading of the books on this page, was almost as much fun as writing my book! 

I love to read (and write) books about badass heroines who do the saving. They’re not passive. They’re not dragged along by the alpha a-hole, swooning over his muscles and domineering personality. They take charge. They wield the sword, or the gun, or their fists and rescue the dude in distress, who may act the monster but is really just a secret cinnamon roll who wants to be loved. These heroines are the real role models, the women I want to be like. Their stories are the ones I get lost in and remember long after I’ve put the book down. 

Since writing a middle-grade novel about a lab rat living on the International Space Station, I was curious to see how other authors tackled the challenge of creating stories about talking rats and mice. After all, these rodents are not generally popular in real life. What exciting approaches did others use to get past this dilemma? I wanted to see how they balanced the ideal—being true to the nature of a species—while constructing original characters in challenging situations. Analyzing how other writers succeed is always useful.