Books like The Sunbearer Trials — picked by fans

I grew up in a hard-core reader family. Everyone always had a book in their hands, so it came naturally to me to absorb everything in the house library before the urge to write caught up with me. My first typewriter was my mother’s from college, my twelve-year-old self delighted by the opportunity to express herself at last in ways that made sense to me (especially since I was the weirdo introvert who talked to the voices in her head). Since my parents exposed me to a multitude of genres, it’s no surprise I write everything from sci-fi to post-apocalyptic, fantasy and horror, cozy mysteries, and young adult paranormal.

Not only am I an author of fantastical, romantic, and magical novels, but I am also an incredibly passionate reader. Ever since I got my first library card I have devoured everything I could get my hands on, but I have always been drawn to novels featuring far-off lands and scheming royals, where magic was a commodity and romance appeared in the most unexpected of places. Not only have these books inspired my own writing, but they have allowed me to travel to a thousand different lands and experience a thousand different lifetimes. Reading is the true magic, and I’m thrilled to share my favorite novels featuring intrigue, romance, fantasy, and glamour. 

Ever since I was little, I’ve been fascinated with various historical societies, but particularly that of medieval Europe. The ebb and flow of political strife as well as the gradual creeping advancement of technology in an era too-often deemed “the Dark Ages” sparked a passion in me that led me to pursue a degree in history. Prior to my studies, I had the opportunity to travel to Norway, where my love for the medieval era was ignited as my family toured the dipping green fjords and walked the burial mounds of kings long past. I aim now to tell their stories.

I'm an American writer who grew obsessed with all things King Arthur at age 10. Trying to be the best 7th-grade Arthurian scholar in the world set me on a path of life-long learning and research. My historical fantasy novels for children have been flatteringly called "maybe the only [fiction] depiction of the complexities of feudal obligations & responsibilities I've ever seen" by a real medievalist. While that wasn't what I was going for, it speaks to the thing I seek out when I read: total immersion in another world. If you don't feel like you scrubbed pots in the Middle Ages, why would you read about a medieval scullery maid?

I grew up in Ireland, where I was surrounded by stories, modern and ancient. Irish myths and legends formed the basis of the history curriculum for most children beginning the subject. Irish children are incredibly familiar with "The Children of Lir" and legendary heroes like Cúchulainn – we even have a rollercoaster named after him in our only proper theme park! As a teacher, I continued to retell these stories to my young, receptive audiences. When I was given the opportunity to write my own book of fairy tales, myths, and legends, I jumped at the chance. The research, including the reading of the books on this page, was almost as much fun as writing my book! 

As a young student, my goal was to be invisible. I was the child who hid between the time-honored cracks in the floorboards of the antiquated school where – decades earlier – my mother also attended. I resided between the cracks (BTC); the not-so-fancy term for those students who faintly prick the adult senses that something is amiss. How ironic as I fast-forward to my initial career decision, I actually chose to become a teacher, a daily life path in the very environment I once despised. Yet, former BTC membership caused me to seek out those silent, self-marginalized students to bring them out of the floorboards and into the daylight.

I love to read (and write) books about badass heroines who do the saving. They’re not passive. They’re not dragged along by the alpha a-hole, swooning over his muscles and domineering personality. They take charge. They wield the sword, or the gun, or their fists and rescue the dude in distress, who may act the monster but is really just a secret cinnamon roll who wants to be loved. These heroines are the real role models, the women I want to be like. Their stories are the ones I get lost in and remember long after I’ve put the book down. 

I did not use to believe in human progress, but thought there must have been good old days behind us – until I studied history and understood that my ancestors did not live ecologically, they died ecologically, at an early age. Since then I’ve been obsessed with progress, what makes it possible and how we can spread it to more people. I am a historian of ideas from Sweden, the host of a video series on innovations in history, New and Improved, and the writer of many books on intellectual history and global economics, translated into more than 25 languages.

I came to my passion for history later in life—when I realized I could trade in the endless date memorization I remembered from history class for an exploration of fierce lady pirates like Shek Yeung and unwilling empresses like Sisi of Austria. Historical stories that felt like thrillers, adventures, or mystery novels. Comedies. Tragedies. And most of all: books that didn’t require a history PhD to get swept up in the story. These are the books that made me fall in love with history, and they’re the kind of books I now write. I’m the author of three historical novels, all written first and foremost to sweep you away into a damn good story.

As a child, I was obsessed with comics, whether it was Garfield, Calvin and Hobbes, or the Far Side, I would devour every one I could get my hands on. I discovered the joy of observing two storylines – the one the writing was telling me and one that the pictures were telling me. As I became a teacher, I realized the importance of pictures and stories working together to keep students engaged. The resurgence of graphic novels has now been a focus for me in my pedagogy practices as well as my pathway as an author-illustrator.