Books like The Tale of Gwyn — picked by fans

Much of the fiction set in the Middle Ages follows landmark historical moments and infamous individuals. But just as today, nothing is more complex than the inner life of a teenage girl, so it was in 1290. Written as a personal diary, this book follows Catherine, nicknamed ‘Birdy,’ as she trudges through her lessons on becoming a lady (sewing, spinning, soap making), her fears of an arranged marriage to a gnarly old nobleman, the importance of friendship and the heartbreak of unrequited love. Universal truths, all comically relatable and sprinkled with amusing details of picking off fleas and using the privy. As a preteen and teen, I read, re-read, and re-re-read Catherine's diary, escaping into her daily life as I easily imagined myself in it. This book was a friend I knew I could always return to for comfort and understanding.

I first read this book a dozen times in junior high, borrowed it on interlibrary loan several times in adulthood, and eventually bought a second-hand copy. Leighton's 1960 book was rather eye-opening after a steady diet of girl power books, as it features a princess who doesn't take up a sword or rebel against society. And yet, I absolutely adored Elstrid, thrilling as she learned to navigate the complexities of her medieval world. This is by far the most historical and political book on this list, based on real people. The only drawback to this book is that the princess never scrubs a floor. But you certainly believe she knew each one of her scullery maids by name!

I read the second book in the Prydain Chronicles first, so it remains my favorite for introducing me to this magical version of medieval Wales and an Assistant Pig-Keeper. While I, like Taran, wanted to avoid the mundanities of life and skip straight to the magic swords, it was the grounding in the reality of chores that made me believe in the world. It also made me believe that if I had the good fortune to discover a portal to Prydain, that I could at least take up a career in the scullery, the forge, or possibly as a pig-keeper, while I waited to be discovered for the princess-in-disguise that I surely must be.

Gillian Bradshaw is one of the best historical fiction writers I know of, and everyone else should know of her too. The Wolf Hunt is based on Bisclavret, one of the Lais of Marie de France, and fairly drips with historical detail (please use a coaster). The fantasy element is the major plot point, but the magic that allows for it is so subtle and low-key that I nearly forgot to classify the book as historical fantasy. This is a grown-up Catherine, Called Birdy in its ability to evoke a medieval mind and setting, minus the humor, plus more romance. And while there's no floor-scrubbing, it has big floor-scrubbing energy.

Hinds' mesmerizing paintings set the scene for a beautiful graphic rendition of The Odyssey. Anyone who has moved or travelled a lot, or seems to not be able to find a way home, can appreciate the story of Odysseus. I read this book many times with my two (once) young children, hopefully preparing them for a life of travel and living in Greece with their wanderer, researcher mom. For us Greek mythology is not for learning a "western" canon, which was never defined by ethnic Greeks anyway. We read the Odyssey to appreciate our roots in Greek island cultures and the hospitality they offer, which this lovely version makes palpable.

I love this book because it demands my full attention and rewards me for giving it.

I first read it as a teenager, long before the films became the version most people knew, and I was struck by how much deeper the world felt on the page. I consider Tolkien’s writing masterful, especially in the way he gives every place, history, and character a sense of age and importance.

I loved discovering characters like Tom Bombadil and Goldberry, and I loved the feeling that Tolkien’s world was not merely invented, but ancient, layered, and connected to our own. I know the long passages and dense exposition can test modern readers, but that is exactly what I value. I want fantasy to pull me completely into another world, not linger in the background like a television left on while I do chores.

Kristen Britain’s Green Rider is an adventure that takes place in a carefully crafted medieval world.

What’s notable is the way Britain integrates medieval culture and tradition into the story. From the honor code of the Green Riders to the standard of loyalty and virtue, the novel is steeped in values commonly held in the medieval era. This adds authenticity to the story.

The series also introduces ‘fantasy flair’ in the Eletians, a group of people I could closely associate with the Elves in my own book.

Cinnamon Bun is a litRPG with heart.

Starting at zero may be typical for a litRPG, but Broccoli Bunch, heroine of the story, sets herself apart by humanizing all the creatures of her new world rather than devaluing them as objects to be slaughtered in the quest for power, glory, and loot. While fighting monsters in pursuit of some grand quest is commonplace in fantasy, within the litRPG subgenre, it’s practically the sole focus.

Which is why to me, our compassionate heroine Broccoli Bunch trying to make friends with all the monsters in the world is such a satisfying breath of fresh air.

Selina Kyle, AKA Catwoman, is probably my all-time favorite “Whose side is she really on?” character.

Soulstealer is a brilliant reimagining of Gotham City and its denizens. Catwoman will always be a thief, but it’s her motivations and her heroine’s journey that make her so interesting to me.

This book does several things. First, it offers fascinating bios of eight heroes from history and mythology. Two legendary Homeric characters—Achilles and Odysseus—are joined by six giant figures from history: Alcibiades, Cato, El Cid, Wallenstein, Francis Drake, and Garibaldi. Morally, these men are often a mix of good and bad—but their stories are always robustly colorful. Hughes-Hallett draws a fascinating distinction between Achilles and Odysseus—one hero chose death and glory, the other lied, cheated, and stole to retain life. 

Hughes-Hallett points out the dangers of hero worshiping giants whose prowess might outstrip their character; the dangers of seeking guidance from “great men” that we would be better off providing ourselves.