62 Books Like Sheepfarmer's Daughter

I liked this book because it examines the role loyalty and social customs play in our lives. As soldiers are transported from location to location, the laws of relativity step in to move the characters decades into the future.

In that time, social customs have changed, and things that we thought were important no longer are. It shows how vulnerable we are to custom and tradition. In the end, it is the personal that is important, not the bigger cause.

What I enjoyed most about this book was the story and plot that the author wove together.

This story takes thrilling, unexpected twists that kept me engaged with the characters and the plot. Its intensity is matched by its excellent pacing, delivering surprises at every turn.

Just when I thought I'd figured out where it's headed, it veers in another direction.

Drake served in an armor unit in Southeast Asia in the 1970s, so it’s no coincidence that Hammer’s Slammers, a collection of short stories, revolves around a tank unit. So many military SFF stories focus on knuckle-dragging ground-pounders, so it’s refreshing to see war from a tank turret. Drake has been accused of writing gun porn, but I find a lot of nuance in his writing, especially on combat motivation and small-unit leadership. He was one of the first military SFF authors to write an openly gay character, and women fight right alongside men without the misogynistic or objectifying undertones that sometimes afflict the subgenre. To get a sense for Drake’s writing, “But Loyal to His Own” and “Caught in the Crossfire” are two of my favorite stories.

I have enjoyed literally hundreds of hours of thrilling military SF in the series of which this book is the first novel. David Weber is one of two authors who have invented new SF sub-genres. In David’s case, the sub-genre is often called space opera. The other author is David Drake. His Hammer’s Slammers stories are now considered the first books in the ‘space marines’ sub-genre.

David Weber’s story universe is huge. I sometimes think it’s too big in the sense that he tries to weave too many sub-plots into the larger story arc. But his first book is quite moderate in this regard. I started writing my own military SF novels partly because Weber wasn’t writing new sequels fast enough to satisfy my thirst for thrilling space combat.

I’m going old-school, back to one of the grandfathers of science fiction, Robert Heinlein.

Not only is his book a masterful example of character-driven storytelling, but it takes a critical eye to many of the things our current society takes for granted as being “true” and “right,” finding them wanting. It’s also been a huge influence on me in my writing, as have many of Heinlein’s other works, and I couldn’t not put it in here.

This is C.S. Forester’s famous naval hero Horatio Hornblower at his best. Captain Hornblower is in command of his first ship of the line. Forester knows ships from bowsprit to sternchasers and you can feel it in every word. There's a truth to the writing that puts you right down in the thick of it. Duty, skill and courage are on display throughout and the climax, when Captain Hornblower accepts an impossible task to protect his allies, and turns his ship to face three to one odds, knowing he cannot win? It’s a masterclass in writing a battle scene, sailors facing certain death with iron will. Nerve wracking doesn’t begin to cover it.

This is a masterpiece of the New Wave fantasy novels of the 1960s and 1970s. The hero, Dorian Hawkmoon, is a nobleman in the far future where science has become so advanced it is indistinguishable from magic. Hawkmoon is forced to work for his enemies by a magical jewel they embed in his forehead. Hawkmoon’s world is Europe, but hardly recognisable, and a vast empire with impossible super-technology is conquering the whole continent. It’s a story of heroism vs magic in a war where the technological wonders feel alien and familiar all at once. The evil empire of Granbretan, where everyone is continuously masked, is one of the most original of the trope that has ever been written.

I am cheating here on two counts. Firstly, I’m not recommending a single book but actually TWENTY NINE books and counting! Secondly, it’s not strictly fantasy; however, when a lowly street orphan ends up featuring in every major battle from 1799 through to 1821 whilst also playing a pivotal role in each one, I reckon even Gandalf, after coming back from the dead and riding saddle-less for days on end would look at Lieutenant-Colonel Richard Sharpe and think “Hmm, bit far-fetched.”

But this is the reason why I love Bernard Cornwell’s Sharpe books. Richard Sharpe is an outcast in his own army, a victim of bullying and constantly underestimated, only to battle through dirt and smoke to prove all the posh snobs wrong every time. Here’s to the thirtieth!

This fantastic desert world where fire magic is common, but taboo, sucked me in right from the start. Although the main character is a young adult, I connected with her right off the bat. Her struggles as a possessor of fire magic and learning to control it, are daunting, but I couldn’t help rooting for her. Then, there are many strange and dangerous creatures to boot. I was left guessing and worrying if she’d succeed right to the end.

Listed as a ‘gas lamp’ fantasy, and me being a pre-Victorian/Victorian era London fan, I had to grab this one. It had a fresh twist on the mad scientist’s experiment went wrong, creating a superhero and a supervillain. I found that exciting. I loved how the main character (the hero) struggled to learn his abilities and limitations, all the while not knowing who the villain was or what he was up to. I enjoyed this master class on how to put your main character through the wringer. And the twist ending surprised me. Great stuff.