Here are 89 books that The Stage of Drawing fans have personally recommended if you like
The Stage of Drawing.
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We are artists who met as PhD researchers while individually undertaking research in different areas of drawing – each sharing an interest in process-based and expanded methods of working. In addition to our individual artistic practices, since 2008 we have collaborated on a range of performance drawing projects that address the relationship between the body and presence, and time and space through working with graphite and charcoal, light, sound, and animation. We have exhibited and lectured internationally on the topic of performance drawing and have curated programmes and workshops. Working together collaboratively in this way we aim to contribute to the creative process underpinned by generations of feminist art practice and defy traditional notions of authorship.
This book was important for us because it was the first time the live method of drawing was first described as performance drawing(s).
The term ‘performance drawing’ first appeared in the subtitle of Catherine de Zegher’s Drawing Papers 20: Performance Drawings, in particular with reference to Alison Knowles and Elena del Rivero. This volume accompanied a series of five solo exhibitions at The Drawing Center, New York (2001) of work that "explored the interrelation of drawing and performance." Since then, performance drawing has compellingly become an operational term – a trope and a thread of thinking to describe the process dedicated to broadening the field of drawing through resourceful practices and cross-disciplinary influence, including dance, audio, moving image, and technology. It made a big impact on our research.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
We are artists who met as PhD researchers while individually undertaking research in different areas of drawing – each sharing an interest in process-based and expanded methods of working. In addition to our individual artistic practices, since 2008 we have collaborated on a range of performance drawing projects that address the relationship between the body and presence, and time and space through working with graphite and charcoal, light, sound, and animation. We have exhibited and lectured internationally on the topic of performance drawing and have curated programmes and workshops. Working together collaboratively in this way we aim to contribute to the creative process underpinned by generations of feminist art practice and defy traditional notions of authorship.
As today’s artists are shifting boundaries of genres, creative debates are opened up and generate transformative methodologies. This book was instrumental for us, in instituting and revealing the relationship between drawing and performing, Butler, and de Zegher’s catalogue, demonstrates artworks at the forefront of the progressively vibrant and forward-thinking approach to art that contributes to the expanded field of drawing.
On Line: Drawing Through the Twentieth Century explores the radical evolution of drawing that took place during the last century and through to the present day, as numerous artists subjected the traditional concepts of the medium to a critical examination. In a revolutionary departure from the institutional definition of drawing, and from reliance on paper as the fundamental support material, artists instead pushed the line across the plane and into real space, expanding the medium in relation to gesture and form and connecting it with painting, sculpture, photography, film and dance. Published to accompany an exhibition at The Museum of…
We are artists who met as PhD researchers while individually undertaking research in different areas of drawing – each sharing an interest in process-based and expanded methods of working. In addition to our individual artistic practices, since 2008 we have collaborated on a range of performance drawing projects that address the relationship between the body and presence, and time and space through working with graphite and charcoal, light, sound, and animation. We have exhibited and lectured internationally on the topic of performance drawing and have curated programmes and workshops. Working together collaboratively in this way we aim to contribute to the creative process underpinned by generations of feminist art practice and defy traditional notions of authorship.
At times, it may seem apparent that successive generations of artists reinvent the wheel and explore performance drawing across a range of disciplines; it was in particular, Tania Kovat’s writing in The Drawing Book, that gave us the broad contextualization of things – it seemed to reach into diverse yet significantly relevant references of historical predecessors that excited us. The book is complete with brilliant replications of artworks and quotes by a collection of artists.
The works in "The Drawing Book", by artists, architects, sculptors, scientists, filmmakers and thinkers of all descriptions, attest to the versatility and immediacy of drawing. From first thoughts to finely wrought, elaborate artworks, from the lightest sketch in pencil to bold, gallery-wall installations, the medium is shown as an essential vehicle for creativity. The recent prominence of artists such as Louise Bourgeois, Eva Hesse, Chris Ofili, Rachel Whiteread, Ellen Gallagher, and a host of others who use drawing as a final means of expression, is addressed in both the works shown and essays by curators Kate Macfarlane and Katharine Stout,…
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
We are artists who met as PhD researchers while individually undertaking research in different areas of drawing – each sharing an interest in process-based and expanded methods of working. In addition to our individual artistic practices, since 2008 we have collaborated on a range of performance drawing projects that address the relationship between the body and presence, and time and space through working with graphite and charcoal, light, sound, and animation. We have exhibited and lectured internationally on the topic of performance drawing and have curated programmes and workshops. Working together collaboratively in this way we aim to contribute to the creative process underpinned by generations of feminist art practice and defy traditional notions of authorship.
A scholarly / anthology resource, this book is a collection of ideas around a theme that made a big impact on us and our approach to writing. We love this book. The book is a collection of writings that provide much debate for researchers in the field discussing themes regarding live art; the book brings together artists, theorists, and historians as contributors and addresses disciplines, such as dance, theatre, action painting and expanded cinema, as forms of live art that today’s artists are inspired by.
Bringing together contributors from dance, theatre, visual studies and art history, Perform, Repeat, Record addresses the conundrum of how live art is positioned within history. Set apart from other art forms in that it may never be performed in precisely the same way twice, ephemeral artwork exists both at the time of its staging and long after in the memories of its spectators and their testimonies, as well as in material objects, visual media and text. These multiple occurrences and iterations offer new critical possibilities for thinking and writing the histories of performance. Among the artists, theorists and historians who…
I started drawing in my twenties when I was lucky to meet and be inspired by tutors who passed on their passion for it. I have drawn and kept sketchbooks ever since: they trace the everyday things, my travels and important life events, but they are also places for thoughts and experiments, notes, and phone numbers. I don’t dare leave home without a sketchbook and pen in case I miss some unmissable thing. I went to art college, trained as a journalist, worked at a variety of art publications, have written three books about drawing, and exhibit and sell my drawings and prints.
There’s nothing like looking at the work of other artists to inspire you to draw. In this book, contemporary artists and teachers from the Royal Drawing School in London reflect on drawing and the diversity of ways to go about it through a series of essays that are interspersed with hundreds of drawn images by alumni and leading artists through the ages. A series of practical propositions for you to try out can lead to change and inspiration in your own work, whether it is based in the studio, out in the open, or from your imagination. This book makes drawing seem vital, current, and rich with possibilities.
Ways of Drawing brings together a sophisticated, exciting range of reflections on markmaking by practising artists, teachers and writers. From explorations of how it feels to draw and personal accounts of artistic development, to short, imaginative propositions for looking, understanding and experiencing afresh, this collection repositions drawing as a vital creative and intellectual endeavour.
The book is divided into three sections: 'Studio Space', which focuses on drawing within four walls; 'Open Space', which ventures out into the cityscapes and landscapes around us; and 'Inner Space', which returns to the living, feeling, drawing person. Each section is comprehensively illustrated with a…
There was a time when women had to use pseudonyms or otherwise pretend to be men to get published. These days, especially in the urban fantasy genre, it seems like there are more female authors and female main characters than male ones! I love dynamic main characters, male or female, and every one of these books has stellar characters with a great story. I wanted to mention so many other authors, but I have narrowed it down to these five. I hope you enjoy my list.
The Alex Versus series's world-building, magic, and plots are very complex and layered. This is some seriously well thought out urban fantasy.
The main character, Alex, is basically an instant seer, able to see multiple consequences of diving left versus right, shooting someone, running, etc. He doesn’t always have time to evaluate his choices before having to make a decision. And often, there’s no out without loss or a high price to be paid.
The back story is cleverly woven into the plot and is never boring. This series has one of my favorite side characters ever written—an arachnid with startling insight and wisdom.
The start of a compelling new urban fantasy series based in Camden, featuring Alex Verus - a mage with a dark past who can see the future . . .
***The million-copy-selling series***
'Harry Dresden would like Alex Verus tremendously - and be a little nervous around him. I just added Benedict Jacka to my must-read list. Fated is an excellent novel, a gorgeously realized world with a uniquely powerful, vulnerable protagonist. Books this good remind me why I got into the storytelling business in the first place' Jim Butcher, author of the Dresden Files
Almost Home is a fictional retelling of the last great tragedy of the Civil War.
In late April 1865, almost 2,000 newly freed Union prisoners of war are packed onto the steamer Sultana, in poor repair and with a listed capacity of 376 passengers. Among them are four Indiana soldiers…
It is a truth almost universally accepted that historically women had no way to support themselves except marriage…but it’s not true! I’m all-in on Happily-Ever-After, of course, but I absolutely love it when a heroine is smart, sensible, and able to support herself on her own. When she falls for someone, it’s got to be for real because she’s not afraid to take charge of her own life and make her own way, despite whatever obstacles are thrown at her.
Nobody tops Loretta Chase when it comes to writing a woman on a mission. Leonie Noirot comes from a long line of swindlers and con artists, but her business sense at fashion is no fake. When she runs up against a man who thinks he can both outsmart her and humble her, just because he’s a wealthy marquess, well… he’s in for a revelation. Leonie’s determined to win their bet and make her own fortune, and then fall in love. Simply marvelous.
A dangerous wager... A seductive nobleman... When Leonie Noirot first meets devastatingly handsome Simon Blair, the fourth Marquess of Lisburne, she literally falls into his strong arms!
However, Leonie simply has no time for his wickedly charming lordship. The pretty redhead is obsessed with her business - turning the ladies of society into beautifully dressed swans. Until the bet...
Logical Leonie has to agree; if Lisburne's cousin, Lady Gladys, is not transformed, Leonie must spend two weeks at Lisburne's pleasure...
Before I started to focus on writing, I was a performer: an actor, a magician, and an escapologist. I’ve learnt a great deal about how to construct a story for an audience. I’m excited by the layers of a good narrative—by what makes it work. In my own life I’m always looking for the details: reflections in a puddle, the interactions of strangers, lost items left behind. My book is all about stopping in the middle of this overwhelming world to notice the everyday moments and to celebrate them. I often find that there is magic there, hidden in plain sight.
I was born in a fishing village in Yorkshire and although I live in the city now, I always feel the pull of the sea. This book is a memoir set in Orkney and London. It is about the writer’s struggle with addiction and her recovery – partly through reconnecting to the natural landscape again. Amy’s prose is clean and bright. She constructs sentences with no fat on them. Her descriptions are sharply accurate. I really related to her need to get away from London to find her way back to health. London life is intense and although I love it here, it is a constantly demanding city. Reading this novel reinforced my desire to look at things closely, notice them anew, and to remember to go and visit the sea, whenever I can.
After a decade of heavy partying and hard drinking in London, Amy Liptrot returns home to Orkney, a remote island off the north of Scotland. The Outrun maps Amy's inspiring recovery as she walks along windy coasts, swims in icy Atlantic waters, tracks Orkney's wildlife, and reconnects with her parents, revisiting and rediscovering the place that shaped her.
A Guardian Best Nonfiction Book of 2016 Sunday Times Top Ten Bestseller New Statesman Book of the Year
Even as a child, I wanted to escape from current times and visit bygone or future eras. History and literature were favourites and I gleaned most of what I know of the past by reading. Then I found Georgette Heyer, prompting a lifetime love affair with all things Georgian and Regency. Agatha Christie got me into mystery. I loved both the puzzle of whodunit and being whirled away into Poirot, Marple, or Cadfael territory. A good mystery and a deep dive into history as well? Heaven! Best of all is the author who draws me so completely into their imaginary world that the real one fades away.
With Charles Dickens investigating, I had to check this out. The author’s imaginative use of Dickens as a sleuth is rooted in facts new to me. I didn’t know he had set up a sanctuary for fallen women, for example. Having read much Dickens, I found the voice authentic. His Victorian world, so intense in his novels, was equally immersive here – the poverty, the dirt, the inequality – and I became thoroughly involved in the story and the unfolding investigation. If an author can draw me into their world and hold me… this did, due to impressive detailed research. I was particularly struck by the compassion visible in this Dickens which made me realise how much his books also demonstrate this aspect of his character.
An intriguing detective series featuring Charles Dickens! Perfect for fans of Sherlock Holmes, Victorian crime mysteries, A Christmas Carol and David Copperfield…
A brutal murder in Victorian London forces a famous writer to solve the mystery… London, 1849Charles Dickens has set up Urania Cottage as a sanctuary for fallen women.
But he is shocked when the matron’s assistant – Patience Brooke – is found hanging outside the property, covered in blood.
Desperate to protect the reputation of the Home and to stop a scandal from spreading, Dickens takes the investigation into his own hands.
Creativity, Teaching, and Natural Inspiration
by
Mark Doherty,
I have woven numerous delightful and descriptive true life stories, many from my adventures as an outdoorsman and singer songwriter, into my life as a high school English teacher. I think you'll find this work both entertaining as well as informative, and I hope you enjoy the often lighthearted repartee…
Social history has always been my passion: unless you know how people thought, felt and lived, even down to how they dressed and ate, it is often impossible to understand why they acted as they did. And no period is as fascinating to me as the inter-war years; after WW1, the greatest conflict the world had ever seen, the upcoming generations determined to break barriers, discard the last vestiges of what they saw as hidebound custom, to invent new, freer ways of writing, painting, dancing - and to have fun. And for most of this post-war generation, there was nowhere like Paris.
This novel perfectly captures the frenetic pleasure-seeking ethos of the youth of the English upper classes after the horrors of WW1- unsurpsingly, as it is written by one of them.
Evelyn Waugh was one of the Bright Young People, as they became known, who tore round London in sports cars, snatching at policemen’s helmets for the treasure hunts they loved.
Vile Bodies is both a celebration of the hedonism of the young and a warning to those who believe that their license to indulge is infinite, unquestionable and without consequence. A whole host of wonderful characters are introduced throughout Waugh's thought-provoking and satirical story, which follows protagonist Adam from the perils and pitfalls of being a gossip columnist to the trials and tribulations in attempting to secure his marriage to Nine Blount. Roll on an eccentric (verging on senile) potential father-in-law, parties as 10 Downing Street, high times at Shepheard's hotel, where the wine is always flowing (until your bill…
