88 Books Like The Violent Peace

Before settling into the chronicle of the title character, this first entry in the Undertaker series (from the author of the much longer-running Edge books as well) follows a circuitous course involving an unfaithful wife and a vengeful husband. I won’t spoil the surprises along the way, but the Undertaker himself pushes the Western antihero to its limit. He’s all but emotionless, very nearly a sociopath, but with a certain competence and honor that gives him an appeal. (Even though he’s further saddled by the lame catchphrase ‘Bye-bye.’) I actually find his semi-autistic callousness more bearable than Steele’s more willful nastiness, since it seems the Undertaker was simply born the way he is, rather than choosing it.

You’ll recognize certain plot points from these books remixed into my book, though I found the Undertaker’s continued lack of character development a bit grating from one book to the next. That’s the… show more.

Leaving Piccadilly for the moment, we have the adult western. As if the name of the genre and the name that starts every book title isn’t enough, it’s published by Playboy. And as you might have guessed from there being four hundred of these books, put out damn near monthly since the seventies, it’s a bit of a fool’s errand to single out any one book. They’re somewhere between the formulaic nature of needing to be a Western with literally obligatory sex and violence, and the author being a house name that’ll change with any given volume, who by necessity will have his own idiosyncratic take on the material. 

One book, you might get a writer that’s really into delivering the sex appeal promised by the cover. Another time, you’ll get someone who just wants to write a Western (if that: people weren’t writing these things for their health,… show more.

You’re largely in the same boat with Longarm as you are with Slocum. The main differences is that Longarm’s name isn’t as good a euphemism (his name isn’t even really Longarm, it’s Custis Long) and that he’s a U.S. Marshall, not an outlaw like Slocum. Sort of like James Bond in the Wild West… wait, that’s James West of Wild Wild West… sort of like James West without the steampunk gadgets. Longarm goes from town to town, bringing bad men to justice and taking bad girls to bed. 

Although this series has the dubious distinction of provoking an “I can do better than that” reaction in me. In Longarm on the Border—installment 2, as there are actually two books by that title in this four-hundred-strong and only recently ended series—the main character finds himself in a threesome. Maybe it’s that these are the adult westerns not being published… show more.

To quote Wernher von Braun, “research is what I'm doing when I don't know what I'm doing.” In that spirit, I should mention I wasn’t just riffing off yellowed old paperbacks, but doing research into the specific setting and time period of my own book. Although this is a case where the research didn’t necessarily find its way into the first book, but was something I earmarked for a future installment. Nonetheless, The Texas Indians is a good read, giving a comprehensive overview of the Indigenous history of the region and providing many avenues for further research as I write the next book in the series.

When I was 11 years old, there was a TV show called Northwest Passage, which was an eye-opener for me because it took place at a time when the American frontier was somewhere in New York State. At the end of each episode the image of a book appeared, and I pestered my parents to get me a copy. A few days before my birthday, I caught sight of the book in a bag on my dad’s dresser. I was thrilled. I loved the adventures of Rogers’ Rangers as they fought their way through an endless forest during the French and Indian War and searched for the fabled shortcut to the Orient. In school, my book report on Northwest Passage was so long and enthusiastic that the teacher called time on me.

This one’s a story of obsessive love, with a heroine who is undoubtedly flawed, but who you can’t help cheering on, even when she’s doing very bad things.

You wouldn’t want her to be your brother’s girlfriend, but she’d be hilarious company on a night out. The story is darkly funny, but ultimately uplifting, which I think is a great combination in a book.

I really admire Raymond Briggs’ work; he’s a wonderful storyteller and a fantastic artist with a great eye for colour. Ethel & Ernest is a beautiful book. The strip-cartoon format works well and makes for an intense reading experience. Whilst this book has lots of humour and light, it also features some dark topics such as the Second World War, mental illness, and bereavement. It is generally considered unsuitable for children under the age of twelve. It’s a charming love story and a vivid social record. I find it heartbreaking at times. It becomes even more touching when you remember that it is based on Briggs’ own family.

This novel perfectly captures the frenetic pleasure-seeking ethos of the youth of the English upper classes after the horrors of WW1- unsurpsingly, as it is written by one of them.

Evelyn Waugh was one of the Bright Young People, as they became known, who tore round London in sports cars, snatching at policemen’s helmets for the treasure hunts they loved.

The Alex Versus series's world-building, magic, and plots are very complex and layered. This is some seriously well thought out urban fantasy. 

The main character, Alex, is basically an instant seer, able to see multiple consequences of diving left versus right, shooting someone, running, etc. He doesn’t always have time to evaluate his choices before having to make a decision. And often, there’s no out without loss or a high price to be paid. 

The back story is cleverly woven into the plot and is never boring. This series has one of my favorite side characters ever written—an arachnid with startling insight and wisdom. 

Dominic wrote two very good crime books in a short series before publishing Vine Street.

I am including Vine Street on my list because, although it’s set in London and is therefore not ‘regional’, it was one of the great crime novels of 2021-22 and deserves to become a classic. I read this book before it was published, and I knew, like everyone else, that it was something special.

The story spans almost a century, from the seedy streets of London’s Soho in the 1930s, until the present day. There are some really well-researched and vividly depicted descriptions of police investigations in the 30s, and just for that it’s worth a read. But there’s also a twisting, mesmerizing plot that takes us all the way to the present.

What really distinguishes Vine Street, though, is the writing itself, which seems to echo the rhythms of the 1930s jazz clubs, and… show more.