Here are 24 books that The Drawing Book fans have personally recommended if you like
The Drawing Book.
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We are artists who met as PhD researchers while individually undertaking research in different areas of drawing – each sharing an interest in process-based and expanded methods of working. In addition to our individual artistic practices, since 2008 we have collaborated on a range of performance drawing projects that address the relationship between the body and presence, and time and space through working with graphite and charcoal, light, sound, and animation. We have exhibited and lectured internationally on the topic of performance drawing and have curated programmes and workshops. Working together collaboratively in this way we aim to contribute to the creative process underpinned by generations of feminist art practice and defy traditional notions of authorship.
This book was important for us because it was the first time the live method of drawing was first described as performance drawing(s).
The term ‘performance drawing’ first appeared in the subtitle of Catherine de Zegher’s Drawing Papers 20: Performance Drawings, in particular with reference to Alison Knowles and Elena del Rivero. This volume accompanied a series of five solo exhibitions at The Drawing Center, New York (2001) of work that "explored the interrelation of drawing and performance." Since then, performance drawing has compellingly become an operational term – a trope and a thread of thinking to describe the process dedicated to broadening the field of drawing through resourceful practices and cross-disciplinary influence, including dance, audio, moving image, and technology. It made a big impact on our research.
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
We are artists who met as PhD researchers while individually undertaking research in different areas of drawing – each sharing an interest in process-based and expanded methods of working. In addition to our individual artistic practices, since 2008 we have collaborated on a range of performance drawing projects that address the relationship between the body and presence, and time and space through working with graphite and charcoal, light, sound, and animation. We have exhibited and lectured internationally on the topic of performance drawing and have curated programmes and workshops. Working together collaboratively in this way we aim to contribute to the creative process underpinned by generations of feminist art practice and defy traditional notions of authorship.
As today’s artists are shifting boundaries of genres, creative debates are opened up and generate transformative methodologies. This book was instrumental for us, in instituting and revealing the relationship between drawing and performing, Butler, and de Zegher’s catalogue, demonstrates artworks at the forefront of the progressively vibrant and forward-thinking approach to art that contributes to the expanded field of drawing.
On Line: Drawing Through the Twentieth Century explores the radical evolution of drawing that took place during the last century and through to the present day, as numerous artists subjected the traditional concepts of the medium to a critical examination. In a revolutionary departure from the institutional definition of drawing, and from reliance on paper as the fundamental support material, artists instead pushed the line across the plane and into real space, expanding the medium in relation to gesture and form and connecting it with painting, sculpture, photography, film and dance. Published to accompany an exhibition at The Museum of…
We are artists who met as PhD researchers while individually undertaking research in different areas of drawing – each sharing an interest in process-based and expanded methods of working. In addition to our individual artistic practices, since 2008 we have collaborated on a range of performance drawing projects that address the relationship between the body and presence, and time and space through working with graphite and charcoal, light, sound, and animation. We have exhibited and lectured internationally on the topic of performance drawing and have curated programmes and workshops. Working together collaboratively in this way we aim to contribute to the creative process underpinned by generations of feminist art practice and defy traditional notions of authorship.
A scholarly / anthology resource, this book is a collection of ideas around a theme that made a big impact on us and our approach to writing. We love this book. The book is a collection of writings that provide much debate for researchers in the field discussing themes regarding live art; the book brings together artists, theorists, and historians as contributors and addresses disciplines, such as dance, theatre, action painting and expanded cinema, as forms of live art that today’s artists are inspired by.
Bringing together contributors from dance, theatre, visual studies and art history, Perform, Repeat, Record addresses the conundrum of how live art is positioned within history. Set apart from other art forms in that it may never be performed in precisely the same way twice, ephemeral artwork exists both at the time of its staging and long after in the memories of its spectators and their testimonies, as well as in material objects, visual media and text. These multiple occurrences and iterations offer new critical possibilities for thinking and writing the histories of performance. Among the artists, theorists and historians who…
The Guardian of the Palace is the first novel in a modern fantasy series set in a New York City where magic is real—but hidden, suppressed, and dangerous when exposed.
When an ancient magic begins to leak into the world, a small group of unlikely allies is forced to act…
We are artists who met as PhD researchers while individually undertaking research in different areas of drawing – each sharing an interest in process-based and expanded methods of working. In addition to our individual artistic practices, since 2008 we have collaborated on a range of performance drawing projects that address the relationship between the body and presence, and time and space through working with graphite and charcoal, light, sound, and animation. We have exhibited and lectured internationally on the topic of performance drawing and have curated programmes and workshops. Working together collaboratively in this way we aim to contribute to the creative process underpinned by generations of feminist art practice and defy traditional notions of authorship.
Throughout this book, the artist and editor, Avis Newman converses with the editor Catherine de Zegher about the practical process of drawing. This approach was also important and also most impactful. In the book, de Zegher asks Newman "What happens in the space between the gesture and its landing on the page?" And we love all conversations around the artist’s “doing” and “thinking." Following this conversation, the book gives the reader a window into how the drawer is thinking in the process of making and illuminates a link between performance and drawing by revealing how a drawing is performative as it comes into the world.
This work presents a selection of over one hundred important works from the Tate Collection, from William Blake to Andy Warhol, selected by the British artist Avis Newman. The presentation of rarely-seen drawings by so many major artists will make fresh and startling connections between their work and give new insights into their creative processes.
I started drawing in my twenties when I was lucky to meet and be inspired by tutors who passed on their passion for it. I have drawn and kept sketchbooks ever since: they trace the everyday things, my travels and important life events, but they are also places for thoughts and experiments, notes, and phone numbers. I don’t dare leave home without a sketchbook and pen in case I miss some unmissable thing. I went to art college, trained as a journalist, worked at a variety of art publications, have written three books about drawing, and exhibit and sell my drawings and prints.
Drawings by artists through the centuries can be a fantastic reservoir of ideas for contemporary artists. This book – published to accompany a British Museum touring exhibition – includes works drawn across a 500-year span, bringing together ancient and modern: Rachel Whiteread and Georges Seurat, Bridget Riley and Albrecht Dürer, Philip Guston and Vincent Van Gogh. The immediacy and directness of drawings from the past means they speak as clearly to us as those that are contemporary. Take, for instance, the 300-year-old brush drawings of Alexander Cozens, which still look thrillingly fresh, or Roger Hilton’s modern, minimalist nude: both make me reach for the pen and paper. The oldest drawings sing alongside the newest and lure me in.
Looking at works from a range of different artists and their various approaches, this book examines the process and practice of drawing, showcasing artworks from 15th- and 16th-century masters, such as Leonardo da Vinci and Michelangelo, right up to artists working today. In arranging them not by period or style, but by the types of thinking that give rise to them, readers gain fresh insights into the thought processes of some of the world's greatest artists. This thematic rather than chronological structure allows us to place historical drawings side-by-side with modern and contemporary works, to show how artists from widely…
I am an award-winning producer, author, and member of the Producers Guild of America. One of my fondest memories as a child is coming home from a weekend at my oma’s house to find that my mother had redecorated my room. The bedspread was pink, red, and white and so were the curtains but the main event was the fluffy white pouf of a rug on the floor. Home is a place that has always been important to me, which is why these books have found their way into my library.
Images are powerful and, in our home, I am intentional about choosing art created by people who look like my son and me. When I discovered Black Artists Shaping The World, written by award-winning children’s author Sharna Jackson, I was thrilled.
Jackson was co-curator of the groundbreaking exhibition “Soul of a Nation: Art in the Age of Black Power,” and this book showcases twenty-six contemporary artists from Africa and the African diaspora, working in everything from painting, sculpture, and drawing to ceramics, installation art, and sound art.
My own favorites include the work of Kehinde Wiley, portraitist to Barack Obama, and Kenyan-British ceramicist Magdalene Odundo.
Written by award-winning Black British children's author Sharna Jackson, Black Artists Shaping the World celebrates the diversity of work being produced today by Black artists from around the globe, introducing young readers to twenty-six contemporary artists from Africa and of the African diaspora.
Sharna Jackson's experience as a children's author who has worked for over a decade in the cultural sector, both at Tate in London and at Site Gallery in Sheffield, is combined here with the curatorial expertise of Dr Zoe Whitley, Director of London's Chisenhale Gallery and co-curator of the landmark Tate exhibition 'Soul of a Nation: Art…
Aury and Scott travel to the Finger Lakes in New York’s wine country to get to the bottom of the mysterious happenings at the Songscape Winery. Disturbed furniture and curious noises are one thing, but when a customer winds up dead, it’s time to dig into the details and see…
I fell in love with art when I was 14 on a trip to Florence with my parents. From that moment on there was hardly an exhibition in London I didn’t go and see. Over the last 20 years, I have made scores of documentaries (Art Safari) and podcasts (Art Bust) about art and written books that explore how the arts and culture intersect with economics, society, and politics. I love to research and tell stories about art: behind the most beautiful objects there often lie the most intriguing of tales, where intellect and imagination collide with ambition, greed, and vanity.
The definitive account of Leonardo’s life and work by one of the world’s greatest Leonardo scholars, magnificently illustrated, clearly written, admirably objective.
Frank was very generous in his advice to me, as I wrote my own book about Leonardo, though he generally takes a more favourable view of the Saudi Salvator Mundi than I do. It’s a big book but easy to dip in and out of with its Catalogue Raisonée structure of an account of the artist's life followed by essays on each painting.
Unmatched in his ingenuity, technical prowess, and curiosity, Leonardo da Vinci (1452-1519) epitomizes the humanistic ideal of the Renaissance man: a peerless master of painting, sculpture, cartography, anatomy, architecture-and more. Simultaneously captivating art historians, collectors, and the millions who flock yearly to admire his works, Leonardo's appeal is as diffuse as were his preoccupations. His images permeate nearly every facet of Western culture-The Vitruvian Man is engraved into millions of Euro coins, The Last Supper is considered the single most reproduced religious painting in history, and the Mona Lisa has entranced countless artists and observers for centuries.
Parenting books bore me. I don’t like reading instruction manuals, and don’t have time to weigh others’ opinions about how to raise my kids. But when I read books about motherhood forged in self-reflection and told with literary elegance, I become a more self-reflective parent and have the eyes to see beauty in my ordinary maternal experiences. Books like this are few and far between. It’s hard for mothers to make art; when our resources are spread thin in parenthood, why do work that may not pay? How to find time for creative rumination? But here’s a list of books written by mothers who persisted in their creative work to show us motherhood in all of its mundanity, mania, and magic.
I often wonder "How is a mother to focus on a project in the face of constant interruption?" For the Mexican writer Jazmina Barrera, it happened in fragments. Using artworks as points of departure, Barrera wonders her way through pregnancy and early motherhood, asking poignant questions about how to persevere in creativity while mothering. She gathers bits of writing penned while mothering into a coherent narrative of one mother’s beginnings.
It’s written in Spanish and gorgeously translated into English by Christina MacSweeney. I loved its meditative tone, poetic language, and all that it taught me about women writers and artists.
“Eminently worthy of acclaim.” ―Vogue (The Best Books of 2022 So Far)
An intimate exploration of motherhood, Linea Nigra approaches the worries and joys of childbearing from a diverse range of inspirations and traditions, from Louise Bourgeois to Ursula K. Le Guin to the indigenous Nahua model Luz Jiménez. Part memoir and part manifesto, Barrera’s singular insights, delivered in candid prose, clarify motherhood while also cherishing the mysteries of the body.
Writing through her first pregnancy, birthing, breastfeeding, and young motherhood, Barrera embraces the subject fully, making lucid connections between maternity, earthquakes, lunar eclipses, and creative labor. Inspired by the…
I fell in love with art when I was 14 on a trip to Florence with my parents. From that moment on there was hardly an exhibition in London I didn’t go and see. Over the last 20 years, I have made scores of documentaries (Art Safari) and podcasts (Art Bust) about art and written books that explore how the arts and culture intersect with economics, society, and politics. I love to research and tell stories about art: behind the most beautiful objects there often lie the most intriguing of tales, where intellect and imagination collide with ambition, greed, and vanity.
Here’s the one to get to introduce your children to Leonardo da Vinci – a pop-up book with gloriously beautiful drawings and 3D models of Leonardo’s inventions, which included airplanes, a submarine, a parachute, helicopter, armoured vehicle, and a crossbow-machine gun.
Aside from the renovation of the sewers and plumbing of a Florentine church, none of Leonardo’s technological designs are ever known to have been built and tested, which leaves us with the question of whether he was more of a dreamer than a doer. I think this would work for 6-12-year-olds.
The most significant creations of Renaissance genius Leonardo da Vinci come to life in the pages of this lavishly illustrated pop-up book. Published to commemorate the 500th anniversary of Leonardo's death, this elaborate collectible reveals the intricacy and importance of his designs for robots, flying machines, and other timeless inventions. The 3-D models are based on the master's actual drawings and accompanied by his notes.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I fell in love with art when I was 14 on a trip to Florence with my parents. From that moment on there was hardly an exhibition in London I didn’t go and see. Over the last 20 years, I have made scores of documentaries (Art Safari) and podcasts (Art Bust) about art and written books that explore how the arts and culture intersect with economics, society, and politics. I love to research and tell stories about art: behind the most beautiful objects there often lie the most intriguing of tales, where intellect and imagination collide with ambition, greed, and vanity.
Here we shift the focus to what it’s like being a Leonardist. Yes, that is a word! Oxford professor Martin Kemp is one of the world’s most in-demand Leonardo scholars. His inbox is full of emails from strangers who think they have an undiscovered Leonardo in their attic. He rebuilds Leonardo’s flying machines for museum exhibitions. And when a stolen Leonardo da Vinci painting is recovered, he gets a call from the police.
Somehow Kemp manages to be self-regarding and self-deprecating, accessible, and a little superior at the same time, as he whisks you along on his adventures in Leonardoland.
Living with Leonardo is a set of highly focused memoirs, a personal journey interwoven with historical research that encapsulates the author's relationship with Leonardo da Vinci over more than half a century.
We learn of his encounters with the vast population that surrounds Leonardo: great and lesser academics, collectors and curators, devious dealers and unctuous auctioneers, major scholars and authors and pseudohistorians and fantasists; but also how he has grappled with swelling legions of 'Leonardo loonies', walked on the eggshells of vested interests in academia and museums, and fended off fusillades of non-Leonardos, sometimes more than one a week. Kemp…
