70 Books Like The Outrun

I was surprised by how much I loved this book about England in the 1500s. The story of Thomas Cromwell and Henry VIII has been told and retold, but even when I thought I knew what was coming (it is history, after all), I didn’t!

I laughed, cried, and found myself rooting for Cromwell. Yes, Cromwell! Such is the power of Hilary Mantle; there is no better historical fiction writer.

I have a brother who is fifteen years my junior. When he was small, I often read him stories. One of our shared favourites, read over and over, was Sendak’s Wild Things. It’s a masterpiece.

He usually wrote the text, as well as making the wonderful pictures, and the text is short, simple, rhythmic, and beautiful. Sendak was a poet as well as an artist.

Think about it: a child of five and a young woman of twenty, reading the same book, poring over the illustrations together, and both having a whale of a time.

If you know a child of picture-book age who doesn’t own Sendak’s Where the Wild Things Are—buy it for them!

I read this book as quickly as I could, picking it up whenever I had the chance to, and thinking about it in the moments in between. I found it in an outdoor library, in a small village in France. It was the only book in English, so it was complete chance that I started to read it. And this book is all about chance. What would happen if you bumped into someone who looked so exactly like you that they could step into your life and live it for you, and no one would notice? This book constantly questions how much of our identity is shaped by things outside of our control. It is set in a world we recognise but under the ordinary façade, something eerier and more fatalistic simmers.

It was McNish’s poem Embarrassed – a reflection on society’s inability to cope with a mother breastfeeding her child in public – that first led me to her work. I shared it with everyone. 

Part diary, part poetry collection, Nobody Told Me is born of the same honesty and documents her experience from the moment she discovered she was pregnant at Glastonbury and through the first two years of her daughter’s life. 

There’s an immediacy that comes with the pieces being offered exactly how they were written, whether that was “at four AM, some on the loo...[or] at work”. Motherhood, especially early motherhood, has little time for polishing (of furniture or of words), and this lack of editing is, I think, what allows me to see myself reflected in the poems.

Known best for his Waverly novels as well as Ivanhoe and Rob Roy, Sir Walter wrote many of the greatest short tales ever told. “The Highland Widow” is perhaps the greatest short tale ever. A subdued Scotsman living in a foreign London (at that time) and the foremost writer of his time he railed against our English overlords whilst pragmatically trying to maintain the status quo. (The letters of Malachi Malagrowther are a good example, marvellous reading, where he impugns the bank of England with great wit and Scalding rhetoric.)

He gave birth to many volumes of short tales, many under Pseudonyms (such as Malachi Malagrowther) as the English authorities were aware of his influence over the populace of London and his gift for romanticising the “Highland gentleman”. As a writer, he was unsurpassed in his time both in terms of sales by volume and in the quality of… show more.

Gigi Pandian has gone on to write several series I adore, including the Secret Staircase and Accidental Alchemist mysteries, but her first series about history professor Jaya Jones remains my favorite.

A bejeweled and mysterious artifact sends her globe-trotting, and I, for one, enjoyed the ride every step of the way. Jaya is smart and confident, and I would want to hang out with her and her friends any day of the week—especially that roguish possible art thief she encounters. 

Tobias Smollett, Scotland’s greatest novelist before Scott and Stevenson, was dying in a villa on the Ligurian coast when his masterpiece Humphry Clinker came out in London in 1771. Yet every page is written with astounding verve, immersing readers in the vibrant chaos of eighteenth-century Britain, the sights and sounds of its teeming cities and health resorts—even, in several virtuoso passages of gross-out description, its nauseating smells and tastes. Like Richardson before him, Smollett gives his narrative over to multiple voices, this time to riotously comic effect. Five Anglo-Welsh tourists (splenetic Bramble, scathing Tabitha, witty Jery, romantic Lydia, their hilariously unpredictable servant Win) travel the length and breadth of a nation in the throes of urbanization and commercial modernity, by turns disgusted and enchanted, constantly failing to agree on what they see. Illicit romances play out in the background, but Smollett’s main interest is in the turbulent dynamism of four-nations… show more.

Long before Bridgerton graced screens around the world, I loved this Julia Quinn novel (the sixth in her Bridgerton series) about a man who falls hard for a woman he can never have: his cousin’s wife. Michael is head over heels for Francesca and positively loathes himself for it. His angst is so palpable, it made my chest ache. It’s a slow, hot burn—and totally worth the wait.

A Place Called Freedom attracted me instantly because of its multiple settings (Scotland, London, and Virginia) and the theme of ordinary people struggling against adversity. 

The novel provides vivid insight into governmental repression of religion and the denial of basic human rights. As a historian, I enjoy reading historical fiction. Follett is a master of his craft, blending human interest stories with accurate history. Through his characters, he shows how people lived and reacted to historical events.

A Place Called Freedom transports the reader into the years prior to the American Revolution, and his vivid geographical descriptions made me feel like “I was there!”  

This is an obvious follow-on from my first choice, a gritty fictionalised version of the kind of world the Kray Brothers moved in. It features the gangster Harry Starks, who is both a porn king and a sociology graduate, and has one of those great openings that grips you from the start:

"You know the song, don’t you?" “There’s no business like show business.” Harry gets the Ethel Merman intonation just right as he heats up a poker in the gas burner.

How can you not read on, albeit a little nervously?