Here are 71 books that The Outrun fans have personally recommended if you like
The Outrun.
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I’m a British author for children and young adults and have lost count of the number of books I’ve published. I’ve won awards, and my books have been translated into many languages. I’m also an avid reader: have been for almost all of my life. I know a good series when it hooks me in!
I had my doubts about reading this because, well… Tudor history.
I love Mantel’s work but…another trot through Henry VIII’s marriages and murders? I wasn’t sure it was for me. But within moments of opening the book, I was away with Mantel and Thomas Cromwell.
Even the title, Wolf Hall, demonstrates her gift. It was the name of the Seymour family’s seat, and the book never takes us there—but it was Jane Seymour who replaced Anne Boleyn and gave monstrous Henry his heir. The title hangs over the action, echoing, Man is wolf to man.
Mantel’s Cromwell is complex, often kind as well as ruthless, but Mantel herself said that she presents only one possible view of him. Read it and make up your own mind!
Winner of the Man Booker Prize
Shortlisted for the the Orange Prize
Shortlisted for the Costa Novel Award
`Dizzyingly, dazzlingly good'
Daily Mail
'Our most brilliant English writer'
Guardian
England, the 1520s. Henry VIII is on the throne, but has no heir. Cardinal Wolsey is his chief advisor, charged with securing the divorce the pope refuses to grant. Into this atmosphere of distrust and need comes Thomas Cromwell, first as Wolsey's clerk, and later his successor.
Cromwell is a wholly original man: the son of a brutal blacksmith, a political genius, a briber, a charmer, a bully, a man with…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’m a British author for children and young adults and have lost count of the number of books I’ve published. You learn how to write by reading, and I know that I learned to write from the books I loved and read under the blankets with a torch when I’d been told to go to sleep. I think the books I recommend could all teach children a lot about the art of writing—and they would think they were simply enjoying a story!
I have a brother who is fifteen years my junior. When he was small, I often read him stories. One of our shared favourites, read over and over, was Sendak’s Wild Things. It’s a masterpiece.
He usually wrote the text, as well as making the wonderful pictures, and the text is short, simple, rhythmic, and beautiful. Sendak was a poet as well as an artist.
Think about it: a child of five and a young woman of twenty, reading the same book, poring over the illustrations together, and both having a whale of a time.
If you know a child of picture-book age who doesn’t own Sendak’s Where the Wild Things Are—buy it for them!
Read-along with the story in this book and CD edition!
One night Max puts on his wolf suit and makes mischief of one kind and another, so his mother calls him 'Wild Thing' and sends him to bed without his supper.
That night a forest begins to grow in Max's room and an ocean rushes by with a boat to take Max to the place where the wild things are. Max tames the wild things and crowns himself as their king, and then the wild rumpus begins.
But when Max has sent the monsters to bed, and everything is quiet,…
Before I started to focus on writing, I was a performer: an actor, a magician, and an escapologist. I’ve learnt a great deal about how to construct a story for an audience. I’m excited by the layers of a good narrative—by what makes it work. In my own life I’m always looking for the details: reflections in a puddle, the interactions of strangers, lost items left behind. My book is all about stopping in the middle of this overwhelming world to notice the everyday moments and to celebrate them. I often find that there is magic there, hidden in plain sight.
I read this book as quickly as I could, picking it up whenever I had the chance to, and thinking about it in the moments in between. I found it in an outdoor library, in a small village in France. It was the only book in English, so it was complete chance that I started to read it. And this book is all about chance. What would happen if you bumped into someone who looked so exactly like you that they could step into your life and live it for you, and no one would notice? This book constantly questions how much of our identity is shaped by things outside of our control. It is set in a world we recognise but under the ordinary façade, something eerier and more fatalistic simmers.
"Someone jolted my elbow as I drank and said, 'Je vous demande pardon,' and as I moved to give him space he turned and stared at me and I at him, and I realized, with a strange sense of shock and fear and nausea all combined, that his face and voice were known to me too well. I was looking at myself." Two men-one English, the other French-meet by chance in a provincial railway station and are astounded that they are so much alike that they could easily pass for each other. Over the course of a long evening, they…
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
I had a very distinct vision of what kind of mother I would be: patient, kind, and creative. And I can be all of these things, but so too can I be frustrated, furious, and exhausted beyond belief. This contradictory experience of motherhood was what I wanted to explore in Spilt Milk and is the motherhood exposed in these five books which, while very different in form, share a willingness to acknowledge the darker and less curated aspects of a relationship that can be as stifling as it is wonderful.
It was McNish’s poem Embarrassed – a reflection on society’s inability to cope with a mother breastfeeding her child in public – that first led me to her work. I shared it with everyone.
Part diary, part poetry collection, Nobody Told Me is born of the same honesty and documents her experience from the moment she discovered she was pregnant at Glastonbury and through the first two years of her daughter’s life.
There’s an immediacy that comes with the pieces being offered exactly how they were written, whether that was “at four AM, some on the loo...[or] at work”. Motherhood, especially early motherhood, has little time for polishing (of furniture or of words), and this lack of editing is, I think, what allows me to see myself reflected in the poems.
There were many things that Hollie McNish didn't know before she was pregnant. How her family and friends would react; that Mr Whippy would be off the menu; how quickly ice can melt on a stomach. These were on top of the many other things she didn't know about babies: how to stand while holding one; how to do a poetry gig with your baby as a member of the audience; how drum'n'bass can make a great lullaby. And that's before you even start on toddlers: how to answer a question like 'is the world a jigsaw?'; dealing with a…
I was brought up on a farm in the middle of nowhere. Surrounded by standing stones, crypts, and burial mounds of races turned to dust. I started sending sci-fi tales to mags like Uncanny Tales, New Worlds, Astounding Tales, Amazing Stories when I was thirteen, but none were accepted. I left the wilderness for the city, Edinburgh, the “Athens of the North” when fifteen and entered university. All I yearned to do after that was go home. I never did. A little more experience of life behind me, I was first published in Peoples Own and in the same year in New Worlds and then it worked well for me for a while.
Known best for his Waverly novels as well as Ivanhoe and Rob Roy, Sir Walter wrote many of the greatest short tales ever told. “The Highland Widow” is perhaps the greatest short tale ever. A subdued Scotsman living in a foreign London (at that time) and the foremost writer of his time he railed against our English overlords whilst pragmatically trying to maintain the status quo. (The letters of Malachi Malagrowther are a good example, marvellous reading, where he impugns the bank of England with great wit and Scalding rhetoric.)
He gave birth to many volumes of short tales, many under Pseudonyms (such as Malachi Malagrowther) as the English authorities were aware of his influence over the populace of London and his gift for romanticising the “Highland gentleman”. As a writer, he was unsurpassed in his time both in terms of sales by volume and in the quality of…
Scott's short stories have been overshadowed by his novels, yet the title story in this selection has been described as `the first modern short story in English', and R. L. Stevenson considered `The Highland Widow' to be Scott's masterpiece.
I am the Agatha-winning author of the Rare Books Cozy Mystery series. My first in the series, below, won the Agatha Award for Best First Mystery Novel. I’ve worked for more than twenty years in museums and symphonies and have the great fortune of being married to a librarian. When not writing, I’m drawing and painting. I live in Maryland with her family. Although I’m not much of a baker, I won’t ever turn down a sweet lokshen kugel.
Gigi Pandian has gone on to write several series I adore, including the Secret Staircase and Accidental Alchemist mysteries, but her first series about history professor Jaya Jones remains my favorite.
A bejeweled and mysterious artifact sends her globe-trotting, and I, for one, enjoyed the ride every step of the way. Jaya is smart and confident, and I would want to hang out with her and her friends any day of the week—especially that roguish possible art thief she encounters.
A Scottish legend that hides a secret. A treasure from India that vanished long ago. An unexpected package that ignites an adventure.
History professor Jaya Jones is reeling from the news of a former flame's untimely death when she receives a mysterious parcel he’d sent from abroad. Inside is a cryptic plea for help, along with a jewel-encrusted artifact hinting at a treasure from India shrouded in a Scottish legend. As she starts to unravel the mystery, the unsettling discovery of her ransacked apartment makes it clear she's not the only one on the trail.
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
I’ve been researching and teaching the history of the novel since I was a graduate student in Cambridge in the late 1980s, and along the way, I’ve published trade editions of several classics beyond those recommended here, including Defoe’s Robinson Crusoe,Richardson’s Pamela, Fielding’s Tom Jones, and Beckford’s Vathek. It’s a great opportunity to take a break from specialist academia and reach a broader community of readers, as I’ve also tried to do in a recent introductory book about Jane Austen. I now teach at the University of Toronto, where I’m blessed with amazing students on two of my favourite undergraduate courses, “The Rise of the Novel” and “Austen and Her Contemporaries.”
Tobias Smollett, Scotland’s greatest novelist before Scott and Stevenson, was dying in a villa on the Ligurian coast when his masterpiece Humphry Clinkercame out in London in 1771. Yet every page is written with astounding verve, immersing readers in the vibrant chaos of eighteenth-century Britain, the sights and sounds of its teeming cities and health resorts—even, in several virtuoso passages of gross-out description, its nauseating smells and tastes. Like Richardson before him, Smollett gives his narrative over to multiple voices, this time to riotously comic effect. Five Anglo-Welsh tourists (splenetic Bramble, scathing Tabitha, witty Jery, romantic Lydia, their hilariously unpredictable servant Win) travel the length and breadth of a nation in the throes of urbanization and commercial modernity, by turns disgusted and enchanted, constantly failing to agree on what they see. Illicit romances play out in the background, but Smollett’s main interest is in the turbulent dynamism of four-nations…
William Thackeray called it "the most laughable story that has ever been written since the goodly art of novel-writing began." As a group of travellers visit places in England and Scotland, they provide through satire and wit a vivid and detailed picture of the contemporary social and political scene. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to…
My dream of writing romance began during a semester in London, where I fell in love with the city, its history, and its pubs. A few years and careers later, I won the Golden Heart Award for Regency Romance, and I’ve been writing ever since. Now I’m living happily-ever-after in Maryland with my family, who try valiantly not to roll their eyes whenever I quote Jane Austen.
Long before Bridgerton graced screens around the world, I loved this Julia Quinn novel (the sixth in her Bridgerton series) about a man who falls hard for a woman he can never have: his cousin’s wife. Michael is head over heels for Francesca and positively loathes himself for it. His angst is so palpable, it made my chest ache. It’s a slow, hot burn—and totally worth the wait.
In every life there is a turning point ...A moment so tremendous, so sharp and breathtaking, that one knows one's life will never be the same. For Michael Stirling, London's most infamous rake, that moment came the first time he laid eyes on Francesca Bridgerton. A fter a lifetime of chasing women, of smiling slyly as they chased him, of allowing himself to be caught but never permitting his heart to become engaged, he took one look at Francesca Bridgerton and fell so fast and hard into love it was a wonder he managed to remain standing. Unfortunately for Michael,…
I am a retired history teacher with 36 years of teaching experience in high school and college. I am also a passionate world traveler and for over four decades led students on overseas tours. In 2012 (the year I retired from teaching) I released my first novel, Widder’s Landing set in Kentucky in the early 1800s. One of my main characters came from a family of Irish Catholics—and he is featured in Rebels Abroad. Ireland has always fascinated me and in my nine trips to the country, I smelled the peat fires, tasted the whiskey, listened to the music and the lyrical tales told by the tour leaders—and came to love the people.
A Place Called Freedom attracted me instantly because of its multiple settings (Scotland, London, and Virginia) and the theme of ordinary people struggling against adversity.
The novel provides vivid insight into governmental repression of religion and the denial of basic human rights. As a historian, I enjoy reading historical fiction. Follett is a master of his craft, blending human interest stories with accurate history. Through his characters, he shows how people lived and reacted to historical events.
A Place Called Freedom transports the reader into the years prior to the American Revolution, and his vivid geographical descriptions made me feel like “I was there!”
Set in an era of turbulent social changes on both sides of the Atlantic, A Place Called Freedom is a magnificent historical fiction novel from the undisputed master of suspense and drama, Ken Follett.
A Life of Poverty Scotland, 1767. Mack McAsh is a slave by birth, destined for a cruel and harsh life as a miner. But as a man of principles and courage, he has the strength to stand up for what he believes in, only to be labelled as a rebel and enemy of the state.
A Life of Wealth Life feels just as constrained for rebellious…
I began my freelance career as a travel writer, though I now also write about drinks. While living in London I worked for a while at the men’s magazine, Mayfair, and around that time went out for several months with a woman who was a stripper. I didn’t know that when we met, so judged her by her personality not her profession. One of the magazine’s models was murdered, and one of the staff questioned by police. He was totally innocent. I wanted to write the kind of book I like reading, bringing together those two storylines to create a fictional version of a very real part of London life.
This is an obvious follow-on from my first choice, a gritty fictionalised version of the kind of world the Kray Brothers moved in. It features the gangster Harry Starks, who is both a porn king and a sociology graduate, and has one of those great openings that grips you from the start:
"You know the song, don’t you?" “There’s nobusiness like showbusiness.” Harry gets the Ethel Merman intonation just right as he heats up a poker in the gas burner.
How can you not read on, albeit a little nervously?
The cult bestseller that launched Jake Arnott as one of the most exciting new voices of the decade - 'A gangster novel every bit as cool, stylish and venomous as the London in which it's set' (Independent on Sunday)
'I'll tell you what happens now,' Harry says, reading my mind. 'You can go now. We're quits. You don't talk to anybody about anything. You've had a taste of what will happen if you do.'
Meet Harry Starks: club owner, racketeer, porn king, sociology graduate and Judy Garland fan. To be in his orbit is to be caught up in the…