Here are 100 books that The Smile Revolution fans have personally recommended if you like
The Smile Revolution.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I fell in love with Paris when I first went there and walked the streets for hours. It wasn’t the Haussman boulevards or the Eiffel Tower that captured my imagination, beautiful as they are. Rather, it was the older quarters and hidden corners that fascinated me. I wanted to know who lived there and what their lives were like. When I got the chance to do a PhD, that’s what I chose. After years in the different Paris archives, I still never get tired of uncovering their secrets. I’ve written four books about Paris and have plans for more!
A wonderful evocation of many aspects of everyday life in Europe’s 2nd biggest city. Who were “the people” and where were they in the social hierarchy? This book looks at the beginnings of a consumer culture: what did ordinary families earn and what did this enable them to buy. Where and how did they live? How did working Parisians dress, what did they read, how did they spend their holidays? It’s all there!
In his collective portrait of the common people, Roche offers a rich and fascinating description of their lives--their housing, food, dress, financial dealings, literature, domestic life, and leisure time. Roche's highly readable style and use of contemporary quotations enliven the reader's view of eighteenth-century Paris and Parisians.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I fell in love with Paris when I first went there and walked the streets for hours. It wasn’t the Haussman boulevards or the Eiffel Tower that captured my imagination, beautiful as they are. Rather, it was the older quarters and hidden corners that fascinated me. I wanted to know who lived there and what their lives were like. When I got the chance to do a PhD, that’s what I chose. After years in the different Paris archives, I still never get tired of uncovering their secrets. I’ve written four books about Paris and have plans for more!
The only first-hand account of life in Paris written by an artisan, matter-of-factly describing the city’s casual violence and bawdiness, the joys, and hardships, loves, and hatreds. Wonderfully translated, it captures a way of looking at the world that we’ve lost. But also the thoughtfulness of a largely self-educated man who is loyal to family and friends, rejects conventional religious belief, and supports the French Revolution.
I fell in love with Paris when I first went there and walked the streets for hours. It wasn’t the Haussman boulevards or the Eiffel Tower that captured my imagination, beautiful as they are. Rather, it was the older quarters and hidden corners that fascinated me. I wanted to know who lived there and what their lives were like. When I got the chance to do a PhD, that’s what I chose. After years in the different Paris archives, I still never get tired of uncovering their secrets. I’ve written four books about Paris and have plans for more!
Great on the opportunities and difficulties encountered by working women. Paris seamstresses had their own guild but struggled to maintain their autonomy. A lovely explanation of what they made, how the garment and fashion trade worked, and how individual seamstresses built careers in dressmaking, from apprenticeship to running their own business.
Winner of the 2002 Berkshire Prize, presented by the Berkshire Conference of Women Historians
Fabricating Women examines the social institution of the seamstresses' guild in France from the time of Louis XIV to the Revolution. In contrast with previous scholarship on women and gender in the early modern period, Clare Haru Crowston asserts that the rise of the absolute state, with its centralizing and unifying tendencies, could actually increase women's economic, social, and legal opportunities and allow them to thrive in corporate organizations such as the guild. Yet Crowston also reveals paradoxical consequences of the guild's success, such as how…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
I fell in love with Paris when I first went there and walked the streets for hours. It wasn’t the Haussman boulevards or the Eiffel Tower that captured my imagination, beautiful as they are. Rather, it was the older quarters and hidden corners that fascinated me. I wanted to know who lived there and what their lives were like. When I got the chance to do a PhD, that’s what I chose. After years in the different Paris archives, I still never get tired of uncovering their secrets. I’ve written four books about Paris and have plans for more!
Animals were everywhere in eighteenth-century Paris: captives in menageries, pets in apartments, trained and displayed at fairs and in the streets, pitted against each other in bloody fights. Exotic parrots linked Paris to tropical Africa and the Americas. An entire guild sold only birds and small animals. Attitudes towards animals are extraordinarily revealing about any society, and this is a book full of insights.
In 1775, a visitor to Laurent Spinacuta's Grande Menagerie at the annual winter fair in Paris would have seen two tigers, several kinds of monkeys, an armadillo, an ocelot, and a condor-in all, forty-two live animals. In Elephant Slaves and Pampered Parrots, Louise Robbins explains that exotic animals from around the world were common in eighteenth-century Paris. In the streets of the city, residents and visitors could observe performing elephants and a fighting polar bear. Those looking for unusual pets could purchase parrots, flying squirrels, and capuchin monkeys. The royal menagerie at Versailles displayed lions, cranes, an elephant, a rhinoceros,…
I have been a professional writer for over 40 years. Much of my work has been focused on biographies and historical drama for radio. Both topics involve extensive research. The French Revolution has always fascinated me. The stories about the wild extremes of human behaviour exercise a morbid power on the imagination. I have written much on the subject and the people caught up in, and often generating, the madness and inhuman folly. I have, I believe, developed a particular feel for the period and the lesson it teaches us. My book about the Terror is the culmination of many years of study and deliberation. I write well, vividly, and forcefully and I speak and read French.
Loomis bases his account on the life and work of three principals in the Revolution: Jean-Paul Marat, the sanguinary demagogue, self-styled ‘People’s Friend’ and proponent of some of the grimmest excesses of the Terror; Danton, the moderate, whose increasing distaste for those excesses and his clash with Robespierre ultimately took him to the scaffold; Robespierre, the prissy, virginal, orphaned lawyer who had once argued passionately against the death penalty and then oversaw the herding of droves of citizens – mostly not aristocrats but largely what the French call the "menu peuple", humble artisans, shopgirls, social nobodies – to the guillotine. Inflexible as a Commandment, he became increasingly obsessed with ‘virtue’ in the twisted belief that legislation alone can enjoin decent behaviour or "civisme". Danton, the ebullient bon viveur rebuffed this nonsense cheerily: ‘Virtue,’ he said ‘is what I do with my wife every night.’
I’m a historian of eighteenth-century France, above all, the French Revolution. Throughout my career, my primary goal has been to try to reconstruct the experience of revolution in all its dimensions. I have published extensively on subjects relating to the French Revolution, including the French revolutionary terror; the politics of the Jacobins; ideology, emotions, and revolution; revolutionary leaders – including Robespierre and Saint-Just; fear of conspiracy as a driver of actions; the influence of classical antiquity; women participants in the Revolution.
This is a gripping, wide-ranging, and detailed study of the explosive years of ‘the Terror’. Andress ranges far beyond the claustrophobic assemblies, clubs, and streets of Paris to show the country-wide impact of war, revolution, and terror. Andress has little time for revolutionary idealism, and there are no heroes in this book. His deep knowledge of his subject shines out from every page. The result is a vivid and disturbing account, dense, lively, and well-written.
The French Revolution marks the foundation of the modern political world. It was in the crucible of the Revolution that the political forces of conservatism, liberalism and socialism began to find their modern forms, and it was the Revolution that first asserted the claims of universal individual rights on which our current understandings of citizenship are based. But the Terror was, as much as anything else, a civil war, and such wars are always both brutal and complex. The guillotine in Paris claimed some 1500 official victims, but executions of captured counter-revolutionary rebels ran into the tens of thousands, and…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
I was born in England to Australian parents and have lived most of my life in Australia. My family all live there, and I grew up in Sydney. Most of my books have been about Australian-related themes or historical figures. I don’t think enough is known about Australian history outside Australia. Australian writers have always struggled for recognition outside Australia. Publishing can be an unfair business. I’m more interested in reading nonfiction than fiction. True stories are much harder to write and get right, and there’s a bigger responsibility involved. You’re dealing with real people. The dead ones also have families.
One of the original Aussie literary expats in the 1940s, Kershaw penned this slim but sparkling memoir of his time in Paris and rural France before his death in 1995.
It is superbly written and completely unknown. Grab a copy if you’re lucky enough to find it. It proves that books don’t have to be long to stick in the memory. Sometimes, the shortest ones are the best.
In this witty and entertaining illustrated memoir, Alister Kershaw describes the pleasures of his prolonged residence in France - a country of villages - from 1948, when even Paris was a series of villages. In post-war Paris, Kershaw lived a penniless but joyous existence and captures a Paris long gone. The author conjures Paris prior to the triumph of the technocrats and town planners. It also traces the author's move into the Berry, two hours south of Paris, where he lives in a hamlet of six houses and finds a rural life amongst a small group of traditional Sancerre winemakers.…
Until I did my own animal-accompanied journey with Mollie and Peggy in 1984, my only association with animals on the trail was inadvertently with a collection of cockroaches in my backpack. It was when Bradt decided to add to their anthologies with a collection of stories about travelling with animals in 2018, Beastly Journeys, that I was able to read a wide variety of books on the topic. A delightful exercise!
I discovered this fascinating and extraordinary story when I was researching tales about travelling with animals for Beastly Journeys. Unlike the other four books in my list, this one has the animal as the central character. And what an animal! Zarafa was captured as a calf in what is now Ethiopia in a plan to cement relationships between the Ottoman Viceroy of Egypt and Charles V of France. The year was 1826 and a giraffe had never before been seen in France. Zarafa did the first part of her journey strapped to the back on a camel, and then – surely more comfortably – down the Nile and across the Mediterranean on a brigantine.
A hole was cut in the deck which allowed Zarafa to travel with her body in the hold, while her head and neck enjoyed the human company on deck. From Marseille she was walked, with…
In October 1826, a ship arrived at Marseille carrying the first giraffe ever seen in France. A royal offering from Muhammad Ali, Ottoman Viceroy of Egypt, to King Charles X, she had already traveled 2,000 miles down the Nile to Alexandria, from where she had sailed across the Mediterranean standing in the hold, her long neck and head protruding through a hole cut in the deck. In the spring of 1827, after wintering in Marseille, she was carefully walked 550 miles to Paris to the delight of thousands of onlookers.
The viceroy's tribute was politically motivated: He commanded the Turkish…
I’ve always been attracted to the Gothic before I even knew the term. From watching The Munstersas a child to wanting to live in a haunted house and devouring classic Gothic novels like The Mysteries of Udolpho and Dracula, I’ve never been able to get enough of the Gothic. After fully exploring British Gothic in my book The Gothic Wanderer, I discovered the French Gothic tradition, which made me realize how universal the genre is. Everyone can relate to its themes of fear, death, loss, guilt, forgiveness, and redemption. On some level, we are all Gothic wanderers, trying to find meaning in what is too often a nightmarish world.
You may know this book as The Hunchback of Notre Dame, but you probably don’t really know it. Films, most notably the Disney cartoon, have grossly distorted this novel, often having Esmeralda ride off into the sunset with Phoebus. But the novel is really a very dark, Gothic story of love and lust, and one of the first existential novels. Frollo and Quasimodo both love Esmeralda, but she loves Phoebus, and he only loves himself. In the end, everyone dies, allowing their lust to destroy their common sense. Hugo wrote it to help popularize and save Notre-Dame Cathedral from falling into further disrepair. It influenced British author William Harrison Ainsworth to writeThe Tower of London, thus revitalizing British Gothic in a new way just as it did French Gothic.
Victor Hugo's great story of Quasimodo, the deformed bell ringer of Notre Dame and his unrequited love for the dancer, Esmeralda. Classics Illustrated tells this wonderful tale in colourful comic strip form, offering an excellent introduction for younger readers. This edition also includes theme discussions and study questions, which can be used both in the classroom and at home to further engage the reader in the story.
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
I have always been fascinated by the relationship between the concept of time, history, and politics. My first publications were in the philosophy of history. I started by translating some Left Hegelians. Then I moved toward Kant and Benjamin. My research background was constituted by the attempt to liberate Marxism from any kind of teleological philosophy of history. Recently, I began digging into concrete historical cases to extract political and legal categories. I’m interested in the reactivation of past possibilities to reconfigure the present and open alternative futures. I am now fortunate to teach courses on Temporalities and History in the History of Consciousness Department at UCSC.
There are numerous reasons why this text should be read. Personally, Benjamin's reflections on progress and history are crucial to a critique of capitalist modernity.
From a methodological perspective, this text allows the reader to enter Benjamin's laboratory and grasp the essential aspects of his groundbreaking methodology that merged cultural analysis, historical research, and philosophical reflection. Benjamin's unique approach combined elements of sociology, anthropology, and literary critique, creating a multidisciplinary work that defied conventional boundaries.
"To great writers," Walter Benjamin once wrote, "finished works weigh lighter than those fragments on which they labor their entire lives." Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, The Arcades Project (in German, Das Passagen-Werk) is a monumental ruin, meticulously constructed over the course of thirteen years--"the theater," as Benjamin called it, "of all my struggles and all my ideas."
Focusing on the arcades of nineteenth-century Paris-glass-roofed rows of shops that were early centers of consumerism--Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them…
