Books like La Dame d'Esprit

Before Trans is a triple biography of three very remarkable French women writers, all of whom preferred men’s clothing and behaved in unladylike ways. The three are Jane Dieulafoy (1850 - 1916), explorer and archeologist; the novelist Rachilde (Marguerite Eymery,1860-1953); and the erotic writer Marc de Montifaud (Marie-Amélie Charteroule de Montifaud,1845-1912). The distinctive feature of this provocative book is the author’s effort to understand these women who chose to defy the boundaries of femininity but lived in a world that was “before trans” – before what we understand today as transgender, where one’s sex and one’s gender self-understanding do not line up. It is a brilliant book, which one reviewer describes (and I agree) as “exceedingly well-written, layered, and compelling.” Mesch’s pioneering triple biography is not to be missed.

Too many babies were dying at birth (or shortly thereafter) and French authorities had become obsessed with increasing the country’s population. Who would have thought, though, that King Louis XV of France would decide to sponsor and finance (for over 20 years) a remarkable Paris-trained midwife to tour France on behalf of the re-education of peasant midwives? As the King’s envoy, Angélique Marguerite Le Boursier du Coudray (born c. 1715) toured France from 1760 to 1783 carrying out her mission in some 40 cities and large towns.

Her important textbook on obstetrics, first published in 1759 (5 editions by 1785) and her invention of an obstetrical cloth female mannequin (she called it her “machine”) facilitated her revolutionary hands-on method of teaching the craft of delivering babies. Du Coudray was an imposing presence and a remarkable exception amidst the ongoing illiteracy and superstition that plagued peasant women. Nina Gelbart’s biography, the… show more.

If you have any interest in champagne—and who doesn’t?—this meticulously researched book about the woman who built Veuve Clicquot into the powerhouse luxury brand it still is today is essential reading. It is almost hard to fathom: in 1805, when her husband dies, Barbe-Nicole Clicquot Ponsardin inherits his struggling family champagne house. Plagued with debts and self-doubt, the twenty-seven-year-old widow, or “veuve”, puts her innate entrepreneurial acumen to work. Considering that women at the time had no role besides tending to their families, she defied countless odds of the day, rescued the company, and became a business legend. Swirling around her is the drama of the Napoleonic wars. One anecdote author Mazzeo (an academic and historian) tells grippingly: when Russia closed off their ports to French imports, Mme.

Clicquot identified a way to penetrate the blockade and get 10,550 bottles of her 1811 vintage to the czar’s home city of… show more.

How does an American biographer write about a French philosopher and public intellectual who published copious memoirs of her own life, from girlhood to old age? The multi-talented Deirdre Bair succeeded in gaining access to the extraordinary Simone de Beauvoir and, supplemented by lengthy interviews over a five-year period and research in Beauvoir’s unpublished papers, produced a biography for the ages. In contrast to the biographies recommended above, the author had almost too much material to sift through, plus the challenge of writing about a living person. This is necessarily a fat book but one that is a “must-read.”

I loved this book. It is the biography of one of my favorite cities, tracing its trajectory from the 17th century to becoming the world’s first modern city. Jean Dejean points out the critical moves, the urban innovations, that were game changers, from the broad boulevards and the social life they supported to bridges over the Seine to the introduction of streetlights, making the city safer at night.

I was particularly taken by how, through these innovations, the city came to foster a vibrant social and civic life in a newly conceived public sphere, making Paris a model for how, through design, my profession, urban beauty, functionality, and culture could fuse to create one of the world’s great cities.  

Haine provides his readers with a solid social history of the French café in the long nineteenth century. While coffee was introduced to France earlier in the seventeenth century and cafés became a notable aspect of the social scene in Enlightenment Paris, it is only after the French Revolution that the café became a crucial place for working-class people to gather, socialize, and to drink (alcohol more often than coffee, as it happened) together. This is the book to turn to when you want to know how many cafés could be found in Balzac’s Paris, who got arrested for what in those cafés, and who could be found drinking and hanging out there.

You may know this book as The Hunchback of Notre Dame, but you probably don’t really know it. Films, most notably the Disney cartoon, have grossly distorted this novel, often having Esmeralda ride off into the sunset with Phoebus. But the novel is really a very dark, Gothic story of love and lust, and one of the first existential novels. Frollo and Quasimodo both love Esmeralda, but she loves Phoebus, and he only loves himself. In the end, everyone dies, allowing their lust to destroy their common sense. Hugo wrote it to help popularize and save Notre-Dame Cathedral from falling into further disrepair. It influenced British author William Harrison Ainsworth to write The Tower of London, thus revitalizing British Gothic in a new way just as it did French Gothic.

What’s not to love about a book set in Paris about a journalist who falls in love with a Frenchman? This book is a delight. Turnbull writes beautifully, and with modesty and humour about making every faux pas imaginable in Paris. It’s light and insightful at the time. The pages practically turned themselves.

The first time I went to Paris, I found a copy of this book at a bouquiniste on the Quai de la Tournelle. I can honestly say it has never left my bedside. Colette, born Sidonie-Gabrielle Colette in 1873, was a ferocious talent, a novelist, memoirist, journalist, and colossal French cultural figure until her death in 1954. Earthly Paradise is an autobiography in essays, and hers is an extraordinary story. Born in small-town Burgundy, she was a showgirl at the Moulin Rouge, a traveling performer, was married twice, lived as a lesbian for a decade, had a facelift in the 1920s and at the height of her literary fame, opened a beauty salon in Paris. She was to the core a sensualist and though she claimed to dislike feminism, she was a tower of female strength. But the reason this book—just one of her fifty-five—endures is her achingly gorgeous writing.

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This biography of the famous French authoress Collette explores the sensuously Parisian life of the famed and inflammatory author. It explores many of her sensuous love affairs along with her fabulous accomplishments. This biography marches through time in Paris, from the Belle Epoch to the lean years of the World Wars, to the shining beacon Paris became in the later half of the twentieth century. Through the life of the indomitable authoress Collette, the city of Paris truly sparkles as we see that her history is so entwined with the city’s history.