Here are 100 books that Fabricating Women fans have personally recommended if you like
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I fell in love with Paris when I first went there and walked the streets for hours. It wasn’t the Haussman boulevards or the Eiffel Tower that captured my imagination, beautiful as they are. Rather, it was the older quarters and hidden corners that fascinated me. I wanted to know who lived there and what their lives were like. When I got the chance to do a PhD, that’s what I chose. After years in the different Paris archives, I still never get tired of uncovering their secrets. I’ve written four books about Paris and have plans for more!
A wonderful evocation of many aspects of everyday life in Europe’s 2nd biggest city. Who were “the people” and where were they in the social hierarchy? This book looks at the beginnings of a consumer culture: what did ordinary families earn and what did this enable them to buy. Where and how did they live? How did working Parisians dress, what did they read, how did they spend their holidays? It’s all there!
In his collective portrait of the common people, Roche offers a rich and fascinating description of their lives--their housing, food, dress, financial dealings, literature, domestic life, and leisure time. Roche's highly readable style and use of contemporary quotations enliven the reader's view of eighteenth-century Paris and Parisians.
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I fell in love with Paris when I first went there and walked the streets for hours. It wasn’t the Haussman boulevards or the Eiffel Tower that captured my imagination, beautiful as they are. Rather, it was the older quarters and hidden corners that fascinated me. I wanted to know who lived there and what their lives were like. When I got the chance to do a PhD, that’s what I chose. After years in the different Paris archives, I still never get tired of uncovering their secrets. I’ve written four books about Paris and have plans for more!
People have always smiled, right? Wrong. Jones shows that in the early 18th century, open mouths were considered repulsive, partly because most people had terrible teeth. He looks at dentistry in 18th-century Paris, at what the smile meant, at the reasons smiling became acceptable. But then it went out of fashion again, at least in public, until the 20th century. Brilliant.
You could be forgiven for thinking that the smile has no history; it has always been the same. However, just as different cultures in our own day have different rules about smiling, so did different societies in the past. In fact, amazing as it might seem, it was only in late eighteenth century France that western civilization discovered the art of the smile. In the 'Old Regime of Teeth' which prevailed in western Europe until then, smiling was quite literally frowned upon. Individuals were fatalistic about tooth loss, and their open mouths would often have been visually repulsive. Rules of…
I fell in love with Paris when I first went there and walked the streets for hours. It wasn’t the Haussman boulevards or the Eiffel Tower that captured my imagination, beautiful as they are. Rather, it was the older quarters and hidden corners that fascinated me. I wanted to know who lived there and what their lives were like. When I got the chance to do a PhD, that’s what I chose. After years in the different Paris archives, I still never get tired of uncovering their secrets. I’ve written four books about Paris and have plans for more!
The only first-hand account of life in Paris written by an artisan, matter-of-factly describing the city’s casual violence and bawdiness, the joys, and hardships, loves, and hatreds. Wonderfully translated, it captures a way of looking at the world that we’ve lost. But also the thoughtfulness of a largely self-educated man who is loyal to family and friends, rejects conventional religious belief, and supports the French Revolution.
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
I fell in love with Paris when I first went there and walked the streets for hours. It wasn’t the Haussman boulevards or the Eiffel Tower that captured my imagination, beautiful as they are. Rather, it was the older quarters and hidden corners that fascinated me. I wanted to know who lived there and what their lives were like. When I got the chance to do a PhD, that’s what I chose. After years in the different Paris archives, I still never get tired of uncovering their secrets. I’ve written four books about Paris and have plans for more!
Animals were everywhere in eighteenth-century Paris: captives in menageries, pets in apartments, trained and displayed at fairs and in the streets, pitted against each other in bloody fights. Exotic parrots linked Paris to tropical Africa and the Americas. An entire guild sold only birds and small animals. Attitudes towards animals are extraordinarily revealing about any society, and this is a book full of insights.
In 1775, a visitor to Laurent Spinacuta's Grande Menagerie at the annual winter fair in Paris would have seen two tigers, several kinds of monkeys, an armadillo, an ocelot, and a condor-in all, forty-two live animals. In Elephant Slaves and Pampered Parrots, Louise Robbins explains that exotic animals from around the world were common in eighteenth-century Paris. In the streets of the city, residents and visitors could observe performing elephants and a fighting polar bear. Those looking for unusual pets could purchase parrots, flying squirrels, and capuchin monkeys. The royal menagerie at Versailles displayed lions, cranes, an elephant, a rhinoceros,…
Holly Grout is an Associate Professor of History at the University of Alabama. Her research interests include the cultural history of modern France, women and gender studies, and the history of beauty, fashion, celebrity, and consumer culture. Her current project, Playing Cleopatra: Inventing the Female Celebrity in Third Republic France, investigates many of the same themes around sexuality, female bodies, public decency, and spectacle. She chose these works in particular because they exemplify some of the best on sex and the city, and they address many of the same issues that Colette raised so long ago – suggesting that sex and the city was a turn-of-the-century fascination in Paris long before HBO turned it into an international cultural phenomenon.
Tilburg transports us from the world of art and artistry examined in the texts above to examine how new notions of sex and sexuality impacted the lives of ordinary working women. Through the figure of the idealized working Parisienne, the midinette, and the real-life woman worker she represented, Tilburg demonstrates how contemporaries evoked women’s working bodies as symbols of French taste and craftsmanship while also regarding them as potentially dangerous sexual and political subordinates. A painstakingly researched book, Working Girls brilliantly captures the insidious ways in which woman as cultural symbol covers over the socioeconomic hardships and political limitations real women encountered in everyday life.
As the twentieth century dawned and France entered an era of extraordinary labor activism and industrial competition, an insistently romantic vision of the Parisian garment worker was deployed by politicians, reformers, and artists to manage anxieties about economic and social change. Nostalgia about a certain kind of France was written onto the bodies of the capital's couture workers throughout French pop culture from the 1880s to the 1930s. And the midinettes-as these women were called- were written onto the geography of Paris itself, by way of festivals, monuments, historic preservation, and guide books. The idealized working Parisienne stood in for,…
I'm a journalist and author writing (mostly) about labour rights and the politics of the fashion industry. This work has taken me to Bangladesh, Kenya, Macedonia, and the Topshop warehouses in Solihull. I am the author of Foot Work – What Your Shoes Are Doing To The World, an exposé of the dark origins of the shoes on our feet. My award-winning first book Stitched Up – The Anti-Capitalist Book of Fashion, is available in six languages and was selected by Emma Watson for her "Ultimate Book List".
This is an anthology of work about the Bangladeshi garment industry in the months and years following the Rana Plaza factory collapse that killed 1,138 people. It is rigorous academic work that doesn’t shy away from asking hard questions, and which seeks to tackle the gigantic problem of how to end exploitation in the garment industry.
This book argues that larger flaws in the global supply chain must first be addressed to change the way business is conducted to prevent factory owners from taking deadly risks to meet clients' demands in the garment industry in Bangladesh.
Using the 2013 Rana Plaza disaster as a departure point, and to prevent such tragedies from occurring in the future, this book presents an interdisciplinary analysis to address the disaster which resulted in a radical change in the functioning of the garment industry. The chapters present innovative ways of thinking about solutions that go beyond third-party monitoring. They open up…
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
I am drawn to stories of women who display a fighting spirit, faith in themselves, and the drive to help others. Perhaps this is due to growing up during the women’s rights movement. So many women paved the way for me. Perhaps it was my upbringing. I was raised with six siblings - three brothers and three sisters – and my parents never thought that my sisters and I couldn’t do something just because we were girls. Combine these experiences with the fact that I love history and you can see why I love these stories. Now I get to write and share stories like these with young readers. Lucky me!
The title of this book hooked me right out of the gate: Brave Girl. I knew it was a story for me. How could it not be? Young Clara Lemlich stood only 5 feet tall, but she was a spitfire. Her story will inspire boys and girls alike when they learn how she fought for equality, raising her voice against powerful factory owners in the early 1900s. Another reason this book is such a treat is that it was illustrated by Melissa Sweet, one of the most creative children’s book illustrators around. The art in this book is a feast for the eyes!
The true story of the young immigrant who led the largest strike of women workers in U.S. history. This picture book biography about the plight of immigrants in America in the early 1900s and the timeless fight for equality and justice should not be missed.
When Clara arrived in America, she couldn't speak English. She didn't know that young women had to go to work, that they traded an education for long hours of labor, that she was expected to grow up fast.
But that didn't stop Clara. She went to night school, spent hours studying English, and helped support…
I'm a journalist and author writing (mostly) about labour rights and the politics of the fashion industry. This work has taken me to Bangladesh, Kenya, Macedonia, and the Topshop warehouses in Solihull. I am the author of Foot Work – What Your Shoes Are Doing To The World, an exposé of the dark origins of the shoes on our feet. My award-winning first book Stitched Up – The Anti-Capitalist Book of Fashion, is available in six languages and was selected by Emma Watson for her "Ultimate Book List".
This is an award winning book by an extraordinary social commentator who turned his anthropological eye to the Bangladeshi garment industry in the aftermath of Rana Plaza – the 2012 factory collapse that killed 1,138 people. This is painstaking and sensitive work documenting the lives of workers and the poverty and instability that drives people into garment factories. It is also a detailed explanation of how Rana Plaza was the latest in a long list of industrial homicides that stretches back to imperialism and the East India Company. It is exceptional.
Oh, Men, with Sisters dear! Oh, Men, with Mothers and Wives! It is not linen you re wearing out, But human creatures lives! Stitch stitch stitch, In poverty, hunger and dirt, Sewing at once, with a double thread, A Shroud as well as a Shirt. --from The Song of the Shirt by Thomas Hood (1843) Labour in Bangladesh flows like its rivers -- in excess of what is required. Often, both take a huge toll. Labour that costs $1.66 an hour in China and 52 cents in India can be had for a song in Bangladesh -- 18 cents. It…
I’m American but I’ve been a Francophile for ages. I didn’t get a chance to visit France until well into adulthood. So much history lives in France and it’s been my joy to illuminate it for readers who tell me they feel transported. There is no higher compliment, in my mind. I’ve been writing novels for thirty years, set in the Rocky Mountains, America’s heartland, and the scenic villages of France. The Bennett Sisters Mysteries are now up 18 books in the series, featuring settings from Paris to Champagne to the Dordogne, with more in the works. I must go back to France to research, oui?
I love weaving history into my mysteries so I was drawn to this dark tale of Paris in the Belle Époque. An English girl goes to Paris to study art but, desperately poor, throws her fate into the hands of some shady characters. The atmosphere and scene-setting of Paris during a terrible rainy winter are unforgettable.
Extra material includes a deleted scene and a Q&A with Imogen Robertson
Maud Heighton came to Lafond's famous Academy to paint, and to flee the constraints of her small English town. It took all her courage to escape, but Paris eats money. While her fellow students enjoy the dazzling joys of the Belle Epoque, Maud slips into poverty. Quietly starving, and dreading another cold Paris winter, Maud takes a job as companion to young, beautiful Sylvie Morel. But Sylvie has a secret: an addiction to opium. As Maud is drawn into the Morels' world of elegant luxury, their secrets become…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I'm a former television news producer who worked for Barbara Walters and Peter Jennings at ABC News, and at Dateline NBC and CBS’s 60 Minutes. I was always a journalist, but mid-career, I switched lanes from TV to writing. Since then, I've contributed essays and stories to many publications, among them Vogue, Travel & Leisure, The New York Times, BBC Travel, and others. I mostly write about travel, but also cover beauty, wellness, international development, and health. I'm the recipient of five Lowell Thomas Awards for excellence in travel journalism, including one for Travel Journalist of the Year. My book of essays, A Hard Place to Leave: Stories From a Restless Life comes out in May 2022.
The first time I went to Paris, I found a copy of this book at a bouquiniste on the Quai de la Tournelle. I can honestly say it has never left my bedside. Colette, born Sidonie-Gabrielle Colette in 1873, was a ferocious talent, a novelist, memoirist, journalist, and colossal French cultural figure until her death in 1954. Earthly Paradise is an autobiography in essays, and hers is an extraordinary story. Born in small-town Burgundy, she was a showgirl at the Moulin Rouge, a traveling performer, was married twice, lived as a lesbian for a decade, had a facelift in the 1920s and at the height of her literary fame, opened a beauty salon in Paris. She was to the core a sensualist and though she claimed to dislike feminism, she was a tower of female strength. But the reason this book—just one of her fifty-five—endures is her achingly gorgeous writing.…
In her own lifetime, and especially outside of France, Colette was best known as a novelist, as the creator of Cheri, Gigi, Claudine; and as such, her place in the ranks of 20th century French fiction is secure and very high, comparable among her contemporaries perhaps to that of Proust. Over the same half century, she published an even larger body of explicit autobiography - memoirs, portraits, notebooks, letters. Barely a decade after her death, it became clear that this aspect of her work, and the personality embodied there, would determine her place in literature. Drawn from some 40 books…
