100 Books Like The Shadow King

Thomas Mann, “puts clothing on the myth” of the biblical story of Joseph in this deeply profound and moving novel that reveals aspects of the human condition: love, greed, ruthlessness, forgiveness, jealousy, and ambition. Joseph and His Brothers remains relevant to the 21st-century reader. If I had to choose one novel to take with me to read on an isolated island, this would be the one I chose.

I love this book because it has so many layers that appeal to me: a historical period, the challenges of growing up, and a young woman who dreams of being a writer.

As an author, Jo March’s writing aspirations spoke to me, although I think I saw a bit of me in each of the four March sisters. That breadth is what welcomes me as a reader each time I return to the novel. And—no spoilers—I still sometimes scratch my head over the twist in the romance plot that didn’t go as I anticipated when I first read the book! 

Another big, ambitious book that tells a war from both sides: here the 16th-century Spanish invasion of Chile. Equal time is given to the cast of Spaniards and the cast of Mapuche – large casts in each case. You’ll learn a battery of Mapuche words, for epics were always educative. What I love most, perhaps, about this book – after the shaman Ñamku, whom you see on the wonderful cover – is its witty style, its wordplay, gambolling in its sentences like a porpoise in the ocean, for sheer exuberance’s sake. Exuberance is a quality of epic. Along with expansiveness, and arguably, the upturn at the end, the grace note in spite of atrocities.

The shrinking of the Aral Sea is arguably the greatest manmade environmental disaster of the 20th century. Kazakh writer Rollan Seisenbayev uses the catastrophe as the backdrop for his novel, exploring the impact on local people through the eyes of a fisherman and his son who are confronted not only with the vanishing sea but as a result also the disappearance of their livelihood and future. The Dead Wander in the Desert was long-listed for the PEN Translation Prize and deserves to be much more widely read. 

Out of left field but one of the strongest novels I’ve read in the last few years. Meera’s story of Chetna, the first hangwoman in India in the modern-day, is underlain by hundreds, not to say thousands of years of Chetna’s family history as hangmen.

Chetna has an epic force of character, real but the stuff of legends too. Some of this weight and heft accrues to her from the tales she tells herself and us of the lives of public executioners past, a vast tapestry that feeds into her sense of self. How you feel about Chetna is up to you. As in the case of Achilles, she is extravagant, with the uncomfortable energies of the slightly-more-than-human epic hero. 

A desperate mother gives her child all she can before they are separated: a cotton sack with a handful of nuts, a tattered dress, and a braid of hair. Little Ashley was sold away from her mother but somehow held onto and cherished that bag. Later, her granddaughter embroidered that story of a mother’s love onto the bag.

I never knew where this story would take me because it’s not a history book or a family story like any other. The author takes this one sad and beautiful object and asks us to think about motherhood, Black hair, women’s art, nuts, and the history of food for enslaved Americans. She even asks us to think about girlhood itself.

Could I ever see that much in one object? Could you? This is a gorgeous and inspiring reminder of how history works for different people and in different ways if we look… show more.

I loved Waltzing With The Dragons for its autobiographical sense of history and description of mother/daughter bonds that are truly universal. 

The story begins in 1922 with Ly, the daughter of one of the last Mandarins in north Vietnam, who flees an arranged marriage at thirteen to stay with her father’s friends, a French couple, and lives through the WWII Japanese occupation, finally fleeing to the South where she falls in love with a French Army doctor and gives birth to a daughter, Mai-Tam, in 1952. 

Mai-Tam, who is Eurasian and never feels she belongs, grows up in the shadow of the American-Vietnam war. The novel ends in 1967, preserving a mother-daughter kinship that sustains migration and separation. 

Anne Berest embarks on a detective journey after an anonymous postcard arrives at her family home listing the names of her maternal great-grandparents, Ephraïm and Emma, and their children, Noémie and Jacques—all killed at Auschwitz. Anne and her mother are determined to find out who sent the postcard and why. For sixteen years, Anne pursues her quest to uncover the sender’s identity and her family’s hidden past while grappling with her own identity—what it means to be Jewish and how she embodies the legacy of her murdered family members. 

Although Berest wrote her family’s Holocaust history as a novel, she describes it as a ‘true novel.’ She changed the name of the village where family members were arrested in order to protect the people living there now. She also changed the names of perpetrators to protect descendants who did not get to choose their parents but had to… show more.

I picked up this book while on a study course in the United States – I was based in Washington DC and intended to visit some of the nearby Civil War battlefields, and decided that I needed to know more about the conflict. It was perhaps the first American history book I had read, and immediately I was struck by the very different style of writing when compared with European works.

For a single-volume account of a terrible conflict that did so much to shape the United States, this is probably unmatched. The people involved, from those in high-level political positions to the men and women caught up in the fighting, are brought to life in an unforgettable way.

Leader? Hero? Saint? It’s difficult to find the words to define Haregewoin Teferra, the subject of this book, but somehow I feel these still fall short. A woman living in relative comfort in Addis Ababa, Ethiopia, her life is turned upside down when she is given two young children to care for whose parents died due to HIV/AIDS. In time Haregewoin becomes a mother to many more just like them. In opening her doors, Haregewoin opened her heart to hundreds of orphaned children and gave them the chance of new and happy lives. This is a book that moved me to tears. Tears of rage at the injustices in the world and tears of relief that people like Haregewoin still exist.