Here are 100 books that Hangwoman fans have personally recommended if you like
Hangwoman.
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I barely knew my grandparents who came to this country in 1905 and spoke only Yiddish. Because my mother refused to speak of her life in Odessa I was totally unaware of the persecution she and her family witnessed and experienced. As a psychoanalyst who helps people understand their own family’s history to better understand themselves, my historical novel, Odessa, Odessa helped me piece together what little I knew of my family’s history, and what I gleaned from my research and reading of novels, to render this portrait. Thomas Mann describes, in writing Joseph and His Brothers, putting clothing on the myth. I put the clothing on the history of my mother’s life story. So relevant today!
Thomas Mann, “puts clothing on the myth” of the biblical story of Joseph in this deeply profound and moving novel that reveals aspects of the human condition: love, greed, ruthlessness, forgiveness, jealousy, and ambition. Joseph and His Brothers remains relevant to the 21st-century reader. If I had to choose one novel to take with me to read on an isolated island, this would be the one I chose.
THE BOOK- As Germany dissolved into the nightmare of Nazism, Thomas Mann was at work on this epic recasting of the the great Bible story. Joseph, his brothers and his father Jacob, are at the prototypes of all humanity and their story is the story of life itself. Mann has taken one of the great simple chronicles of literature and filled it with psychological scope and range- its men and women are not remote figures in the Book of Genesis, but founders of states in a fresh, realisic world akin to our own .
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
Born into a powerfully matrilineal family (my mother chose my name when she was twelve) in small town Appalachia, I believe that we inherit our parents’ unresolved emotional dilemmas as well as their physical characteristics, and that the sensual elements of places our families may have inhabited for generations are “bred in the bone.” I’ve always said that history tells us the facts, but literature tells us the story. I’m a language-conscious writer who began as a poet, so that each line has a beat and a rhythm. Words awaken our memories and the powerful unconscious knowledge we all possess. The reader meets the writer inside the story: it’s a connection of mind and heart.
A nominee for the 2020 Booker Prize, The Shadow King opens at the end of WWII as Italy prepares to invade almost undefended Ethopia, whose communications depend on long-distance runners.
Orphaned Hirut feels her mother’s absence, yet rises from a lowly maid to a position of power as she inspires other women to openly and secretly resist an overwhelming colonial power. This matrilineal story set in a patriarchial society at war has many interwoven tales. I found it captivating, and the focus on relationships between women at war was a fractured mirror of my own concerns as I completed my novel set during America’s Civil War
Set during Mussolini's 1935 invasion of Ethiopia, The Shadow King takes us back to the first real conflict of World War II, casting light on the women soldiers who were left out of the historical record. At its heart is orphaned maid Hirut, who finds herself tumbling into a new world of thefts and violations, of betrayals and overwhelming rage. What follows is a heartrending and unputdownable exploration of what it means to be a woman at war.
My Amgalant series follows the Secret History of the Mongols, which, though a history of the rise of Chinggis Khan, draws on an oral epic tradition. I always liked epics. Gilgamesh and the Saga of Grettir the Strong are among the fiction that most moves me. I look for historical fiction that owes to epic not only its story but its storytelling. The epic makers, ancient and medieval, knew craft we still can learn from. Quote epic at me, or misquote – homage, but own it. I like epic size and scope, but also intimate epic, with a close-up on the people that is post-19th-century novel. Epic has room for everything.
Another big, ambitious book that tells a war from both sides: here the 16th-century Spanish invasion of Chile. Equal time is given to the cast of Spaniards and the cast of Mapuche – large casts in each case. You’ll learn a battery of Mapuche words, for epics were always educative. What I love most, perhaps, about this book – after the shaman Ñamku, whom you see on the wonderful cover – is its witty style, its wordplay, gambolling in its sentences like a porpoise in the ocean, for sheer exuberance’s sake. Exuberance is a quality of epic. Along with expansiveness, and arguably, the upturn at the end, the grace note in spite of atrocities.
Set in a land of earthquakes and towering volcanoes, weaving history with myth, Arauco tells of war, sorcery ... and a love demonstrating that a man can embrace what he was seeking to destroy.When in 1540 Pedro de Valdivia headed south from Peru to conquer lands and gold, he took with him his beautiful mistress, Inés de Suárez. With him also rode his secretary, Juan de Cardeña, whose hopeless love of Inés stems from the same romances that inspired the Quixote. Having crossed the Atacama Desert, the Spanish encounter the indomitable resistance of the Mapuche people....For the first time, Arauco…
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
When I first visited Central Asia in 2008, little did I know that it would become the focus of my life and work. I now advise the World Bank and national governments on economic development, with a particular focus on tourism, and I’m the Chairman of the Royal Society for Asian Affairs. I am Uzbekistan’s Ambassador for Tourism, a co-founder of the Silk Road Literary Festival, and I’ve written and updated guidebooks to Kazakhstan, Kyrgyzstan, Tajikistan, Uzbekistan, and the Silk Road.
The shrinking of the Aral Sea is arguably the greatest manmade environmental disaster of the 20th century. Kazakh writer Rollan Seisenbayev uses the catastrophe as the backdrop for his novel, exploring the impact on local people through the eyes of a fisherman and his son who are confronted not only with the vanishing sea but as a result also the disappearance of their livelihood and future. The Dead Wander in the Desertwas long-listed for the PEN Translation Prize and deserves to be much more widely read.
From Kazakhstan's most celebrated author comes his powerful and timely English-language debut about a fisherman's struggle to save the Aral Sea, and its way of life, from man-made ecological disaster.
Unfolding on the vast grasslands of the steppes of Kazakhstan before its independence from the USSR, this haunting novel limns the struggles of the world through the eyes of Nasyr, a simple fisherman and village elder, and his resolute son, Kakharman. Both father and son confront the terrible future that is coming to the poisoned Aral Sea.
When I read, I’m not just seeing the words on a page; I’m escaping into the world crafted by the author. Since I was a child, I’ve always been a lover of fantasy – it was an escape for me to slip between the pages and be a part of the world inside them. Especially if they were beautiful and filled with hidden danger. I wanted to have my heart pound out of my chest, to have the thrill of magic, wonder, and fear. Now, I try to write those types of worlds; because of the books which inspired me. I only hope you love them as much as I do.
The first book in an ever-growing world, The Queen’s Executionerintroduces us to Daphne Holdfast.
An immensely talented vision mage, Daphne is able to use her powers to speak to others, to manipulate others, and is unmatched when in combat. And she’s about to find out that her government and religion have been lying to her and the occupants of the Star Continent. Now, she’ll do whatever she can to save the people she loves.
I fell in love with Daphne from the first introduction of her, and the Star Continent completely and utterly captivated me – from the tip of Kell to the deserts of the Holdings. Both beautiful and deadly in equal parts, depending on who you happened to bump into while roaming the lands.
Rahain - a land where the mage-born rule and everyone else is expendable.
A slave, a politician and an assassin find themselves the unlikely heroes that could bring the republic to its knees.
Killop is a slave with a secret: his sister is a renegade Fire Mage. Hunted by the Rahain, her capture could lead to the death of thousands.
Laodoc is a politician who loves his country but has grown to hate many of its ancient traditions. He risks losing his family, his career and his liberty to fight for what he believes in.
I am an avid reader and devour books of all types, but for pure entertainment I love a good thriller. These are the kind of books I read on planes and at the beach, and these are the kinds of books I shared with my late father. I contributed a piece on Rudyard Kipling’s Kim to the collection Thrillers: 100 Must Readsand am a member of the International Thriller Writers. While I write thrillers professionally, I remain a passionate reader of the genre and love to share the brilliant stories that kept me reading late into the night.
While not technically a fast-paced thriller, The Master Executioner is the compelling story of a young Civil War veteran who evolves into a methodical, professional hangman in the old West. After completing a carpentry apprenticeship, Oscar Stone goes west to seek his fortunes in the frontier. Finding construction work scarce, he accepts a commission to build the gallows for a hanging and his career plans find a new trajectory. Stone is as exacting as a hangman as he was a carpentry, from the quality of the rope to the length of the drop he strives to provide the condemned a quick and painless death. Estleman’s prose is exceptional, his dialog crisp, and his storytelling lean and well-paced. The pages of The Master Executionerfly.
Ordinary people do not understand Oscar Stone. Everything he does, he does impeccably. He is a profound student of his art, completely versed in its traditions over the centuries. He is a student of ropes and their properties, a master of the latest scientific knowledge about the human neck, a careful calculator of weights and drops, and an exacting observer of results. Far more than a quarter of a century he has worked to create a reputation as a man peerless in his craft: the master executioner. Yet he is utterly alone: His devotion to his work costs him his…
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
I was fortunate enough to meet my husband over 17 years ago, and we have packed a lot of life in since then. Along with two kids and a dog, we’ve had our fair share of tough moments: financial challenges, bereavement, family issues, marital disagreement, and traumatic life events that taught me just as much as my two decades-long career as a relationship psychotherapist has. This, combined with working with individuals, couples, and partners in search of what love means and how to practically go about achieving it, has clarified for me just how much we all need tools and teachings when it comes to matters of the heart.
I devoured this book and its main premise: that to be a therapist is a great art and a deep discipline. Yalom is the inspiration for many psychology and psychotherapy students and trainees, and for good reason. He is the kindly, wise father many of us wish we had.
I adored this book for its insights into psychotherapy and the therapy room and for the tenderness with which Yalom treats his patients. He was also one of the first professionals to openly and publicly share his own emotions and thoughts about his patients and being a therapist. He powerfully puts forward the ‘human first, therapist second’ philosophy, one that informed my work fundamentally. He takes chances, loves his patients sincerely, and, as a result, was a hugely respected clinician who taught as well as he practiced. It is a great read for patients and therapists alike.
The collection of ten absorbing tales by master psychotherapist Irvin D. Yalom uncovers the mysteries, frustrations, pathos, and humour at the heart of the therapeutic encounter. In recounting his patients' dilemmas, Yalom not only gives us a rare and enthralling glimpse into their personal desires and motivations but also tells us his own story as he struggles to reconcile his all-too human responses with his sensibility as a psychiatrist. Not since Freud has an author done so much to clarify what goes on between a psychotherapist and a patient.
I’m an archaeologist, which means that I’ve been lucky enough to travel to many places to dig and survey ancient remains. What I’ve realized in handling those dusty old objects is that all over the world, in both past and present, people are defined by their stuff: what they made, used, broke, and threw away. Most compelling are the things that people cherished despite being worn or flawed, just like we have objects in our house that are broken or old but that we keep anyway.
Miller’s work in village India – a world away from most of our experiences – focuses on the way that people make things to be bought and used, cherished and given, and broken and discarded, all with a feedback loop from producer to consumer and back again. Through his conversations with artisans, he reveals that when high-status people buy certain shapes, lower-status people start to want them also, until those shapes become too “common” and high-status folks begin to show their distinction through the patronage of a new design. The cycle is never-ending, and Miller’s memorable words are always in the back of my mind whenever I’m looking through ancient artifacts and thinking about how their forms and decorations changed over time.
The aim of Artefacts as Categories is to ask what we can learn about a society from the variability of the objects it produces. Dr Miller presents a comprehensive analysis of the pottery produced in a single village in central India, drawing together and analysing a whole range of aspects - technology, function, design, symbolism and ideology - that are usually studied separately. Using the concepts of 'pragmatics', 'framing' and 'ideology', the author points to the insufficiency of many ethnographic accounts of symbolism and underlines the need to consider both the social positioning of the interpreter and the context of…
There’s a surging Western school of thought which claims that there’s no Asia. Really? Just look at my personal cultural connections with all corners of Asia. As a Hindu Sindhi Singaporean, I can relate directly to India and Southeast Asia, which has an Indic base. My name, “Mahbubani”, has Arabic/Persian roots. “Mahbub” means “beloved”. My mother took me to Buddhist temples when I was a boy, too, giving me an intimate connection with China, Japan, and Korea. In short, Asia is intimately connected. The goal of my ten books has been to give voice to the larger Asian story in a world imprisoned by Western perspectives.
Not all the struggles of Asians are with Western societies. There are also divisions and rivalries within Asia, including, sadly, between the two Asian giants: India and China. Kanti Bajpai’s book explains the complex, neurotic relationship between the two Asian powers well. Former Indian PM Manmohan Singh once wisely observed, “The world is large enough to accommodate the growth ambitions of both India and China.”
A decade after he said that China and India clashed again in the Himalayas in June 2020, plunging relations to a new low. The Asian century will be seriously crippled if China and India don’t find a long-term modus vivendi. Bajpai’s book will help both sides understand each other better.
"Why have relations between India and China, which comprise nearly forty per cent of the world’s population, been troubled for over sixty years? A war in 1962 was followed by decades of uneasy peace, but in recent years a rising number of serious military confrontations has underlined their huge and growing differences. This book examines these differences in four crucial areas: their perceptions and prejudices about each other; their continuing disagreements over the border; their changing partnerships with America and Russia; and the growing power asymmetry between them, which affects all aspects of their relationship. China demands deference as a…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I am SEBI registered equity analyst, bestselling author & public speaker. I have started investing in the Indian stock market at the age of 18 and have a history of identifying several multi-bagger stocks like Chemcrux Enterprises, Lancer Container, Sirca Paints, Caplin Point Lab, Can Fin Homes, Mayur Uniquoters, etc. My portfolio consistently outperformed the index by a significant margin. For more details visit my website.
The book offers a low-risk, long-term investment approach by investing in high-quality stocks. There are lots of examples from the Indian stock market backed by data and charts supporting the method. Not for traders, the book will help serious long-term investors seeking wealth creation over the long run.
Most people invest in the usual assets: real estate, gold, mutual funds, fixed deposits and stock markets. It's always the same four or five instruments. All they end up making is a measly 8 to 12 per cent per annum. Those who are exceptionally unfortunate get stuck in the middle of a crash and end up losing a lot of money. What if there was another way? What if you could make not 10 not 15 but 20 per cent compound annual growth rate (CAGR) on your investments? What if there was a way to grow your money four to…