Here are 100 books that Lions Roaring Far From Home fans have personally recommended if you like
Lions Roaring Far From Home.
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The anthology form unites diverse voices around a common theme—in the case ofDistant Flickers, identity and loss. The stories in the anthology explore intense personal relationships—of mother and child, old lovers, etc. Some of the stories are in the moment and some recounted with the perspective of time, some are fable-like, some formal, and others more colloquial. Reading them the reader is struck by the variety of approaches a writer might take to a subject. The device of the contributor’s notes enables the reader to see the story behind the story and how life informs art—life furnishing the raw material or day residue of the story.
Before becoming a published writer, I was a lawyer litigating primarily large, multi-district environmental insurance coverage cases. I became familiar with the many ways by which we damage our precious natural resources, be it groundwater or soil or the air we breathe. Beginning with Rachel Carson, we have rich literature that speaks to the degradation of the planet, including the devastating changes wrought by global warming. The stories in this anthology speak to the physical and emotional topography of our current climate crisis, from a Sami woman who studies fish populations to a Wisconsin man contemplating the animals who make his trailer a portal to a world unsullied by humans. Fish & Water is a smart collection on a topic we ignore at our peril.
Fiction. A Sámi woman studying Alaska fish populations sees our past and future through their present signs of stress and her ancestral knowledge. A teenager faces a permanent drought in Australia and her own sexual desire. An unemployed man in Wisconsin marvels as a motley parade of animals makes his trailer their portal to a world untrammeled by humans. Featuring short fiction from authors around the globe; FIRE & WATER: STORIES FROM THE ANTHROPOCENE takes readers on a rare journey through the physical and emotional landscape of the climate crisis--not in the future; but today. By turns frightening; confusing; and…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
The anthology form unites diverse voices around a common theme—in the case ofDistant Flickers, identity and loss. The stories in the anthology explore intense personal relationships—of mother and child, old lovers, etc. Some of the stories are in the moment and some recounted with the perspective of time, some are fable-like, some formal, and others more colloquial. Reading them the reader is struck by the variety of approaches a writer might take to a subject. The device of the contributor’s notes enables the reader to see the story behind the story and how life informs art—life furnishing the raw material or day residue of the story.
When the authors in Distant Flickers formed Telltale, a writers’ collective, we brainstormed ways to reach out to readers and give them insight as to how our life experiences are transformed into art. We decided to put together an anthology as part of our endeavor. In doing so, we researched how other writer collectives reached out to their readership. A number of us are historical fiction writers and/or members of the Womens Fiction Writers Association (WFWA), which is how we came to be acquainted with Paper Lanterns, the collective of historical fiction writers behind this anthology. The stories in Unlocked are works of historical fiction that revolve around the common element of an old wooden chest. The settings are varied and span seven centuries, from 1225 Ireland to 1679 Amsterdam to the American Civil War to Regency London to World War II to the Nineteen Seventies.
In much the same manner as Pandora, each Paper Lantern Writer takes a turn opening an old wooden chest, digging out stories spanning seven centuries. The individuals in these tales—heroes, villains, and in between—are more than people from the past. Whether they are making mayhem, waging war, or quietly holding their families together, their strength and fortitude shines on the page. From the Swinging Seventies to the Middle Ages, these characters gather, keep, and spill the secrets of their souls.
Who knows what treasures will be found when this ancient trunk is finally Unlocked?
The anthology form unites diverse voices around a common theme—in the case ofDistant Flickers, identity and loss. The stories in the anthology explore intense personal relationships—of mother and child, old lovers, etc. Some of the stories are in the moment and some recounted with the perspective of time, some are fable-like, some formal, and others more colloquial. Reading them the reader is struck by the variety of approaches a writer might take to a subject. The device of the contributor’s notes enables the reader to see the story behind the story and how life informs art—life furnishing the raw material or day residue of the story.
Sheila Kohler, a mentor of mine whose work is featured in this thrilling collection, is fond of saying that suspense arises from putting a vulnerable character in a dangerous situation. A literary writer of the highest caliber, Sheila knows how to generate the suspense that keeps the page turning. Crime fiction has a long history going back to Dostoevsky and beyond, to the great tragedians—the commission of a crime entails motive, means, and is inherently dramatic. This eclectic selection of mystery and female noir, edited by Joyce Carol Oates, features superstar writers like Edwidge Danticat, Margaret Atwood, Sheila Kohler, Elizabeth McCracken, and Joyce Carol Oates herself. The writing is luminous, the themes are varied—from domestic horror to the erotic to dark fairy tales—and the tales keep the reader turning the page.
A chilling noir collection featuring fifteen crime and mystery tales and six poems from female authors.
Joyce Carol Oates, a queen-pin of the noir genre, has brought her keen and discerning eye to the curation of an outstanding anthology of brand-new top-shelf short stories (and poems by Margaret Atwood!). While bad men are not always the victims in these tales, they get their due often enough to satisfy readers who are sick and tired of the gendered status quo, or who just want to have a little bit of fun at the expense of a crumbling patriarchal society. This stylistically…
Trapped in our world, the fae are dying from drugs, contaminants, and hopelessness. Kicked out of the dark fae court for tainting his body and magic, Riasg only wants one thing: to die a bit faster. It’s already the end of his world, after all.
The anthology form unites diverse voices around a common theme—in the case ofDistant Flickers, identity and loss. The stories in the anthology explore intense personal relationships—of mother and child, old lovers, etc. Some of the stories are in the moment and some recounted with the perspective of time, some are fable-like, some formal, and others more colloquial. Reading them the reader is struck by the variety of approaches a writer might take to a subject. The device of the contributor’s notes enables the reader to see the story behind the story and how life informs art—life furnishing the raw material or day residue of the story.
As a writer, I am always pondering the question of how our lives inform our work. As one of my fellow writers, Melissa Ostrom, put it, our experience is the rich compost from which we form our fictional narratives. To use a Freudian dream analogy, I like to think that our lives are the “day residue” of the work—elements from daily life show up in different contexts or transformed in some other way. The twentieth-first century has witnessed an explosion of so-called auto-fiction, fiction that more consciously underscores this process of transforming life into art—think of the work of Ben Lerner, Rachel Cusk, and Karl Ove Knausgard. This recently-released anthology, edited by Caitlin Forst, features work by established writers as well as new voices that interrogates the relationship between writer and text, between art and life.
An exciting new anthology of autofiction featuring a wide range of today's best writers, both established and up-and-coming.
Collected autofictions from mainstays of literary, art, and internet avant-garde writing. The contributors in this anthology produce a contemporary, subversive primer of works engaging the relationship between the writer and the text.
Featuring: Aiden Arata Nathan Dragon David Fishkind Rindon Johnson Aristilde Kirby Tao Lin Chris Molnar Vi Khi Nao Elle Nash Gina Nutt Brad Phillips Sam Pink Darina Sikmashvili BR Yeager
I’m a second-generation TCK. I was born in Peru and grew up in Chile and Panama, as well as the US. My YA novel, The Means That Make Us Strangers, explores some of my own experience moving crossculturally as a teenager.
I’ve been a fan of Elizabeth Wein’s since I read her bestselling YA thriller Code Name Verity, and I was thrilled to discover she herself is a TCK. In this novel, two adopted siblings (one white, one Black), move from the US to Ethiopia in the 1930s, just before Ethiopia’s war with Italy. TCKs will relate to Teo and Em’s struggle with not feeling fully at home in any one place. Like all of Elizabeth Wein’s books, there is plenty of airplane-flying adventure to keep readers on the edge of their seats!
"Think of the sky!" Delia gave Momma's hands a shake. "Think of the sky in Ethiopia! What will it be like to fly in Africa?"
This New York Times bestseller is a story of survival, subterfuge, espionage and identity.
Rhoda and Delia are American stunt pilots who perform daring aerobatics to appreciative audiences. But while the sight of two girls wingwalking - one white, one black - is a welcome novelty in some parts of the USA, it's an anathema in others. Rhoda and Delia dream of living in a world where neither gender nor ethnicity determines their life. When…
Frans Johansson is the Co-Founder and CEO at The Medici Group, an enterprise solutions firm that helps organizations build and sustain high-performing teams through our revolutionary team coaching platform: Renaissance. Our firm's ethos--diversity and inclusion drive innovation--is informed by our work with over 4,000 teams in virtually every sector and by his two books The Medici Effect and The Click Moment.
Marcus is a world-renowned chef and I have the pleasure of working with him at The Medici Group. This is an incredibly honest take of his life and how he got here. He shares his story of what it means to be a Black chef in a non-black chef world. After finding a lack of acceptance in Europe’s kitchens he made his way to New York. There, he built the restaurant and team that reflected his dream of a diverse and multi-ethnic dining room. This is a "boots on the ground" story of the diverse world we live in and the power of embracing that. I also found his thoughts on what it means to be F.O.D. to be powerful (First Only Different).
Travel to Marcus Samuelsson's Red Rooster restaurant in Harlem and you will find a truly diverse, multiracial dining room - where presidents and prime ministers rub elbows with jazz musicians, aspiring artists, bus drivers and nurses. It is also a place where an orphan from Ethiopia, raised in Sweden, living in America, can finally feel at home. Samuelsson was only three years old when he, his mother, and his sister, all battling tuberculosis, walked seventy-five miles to a hospital in the Ethiopian capital city of Addis Adaba. Tragically, his mother succumbed to the disease shortly after she arrived, but Marcus…
Everyday Medical Miracles
by
Joseph S. Sanfilippo (editor),
Frontiers of Women from the healthcare perspective. A compilation of 60 true short stories written by an extensive array of healthcare providers, physicians, and advanced practice providers.
All designed to give you, the reader, a glimpse into the day-to-day activities of all of us who provide your health care. Come…
I have had a love for the early Church in Africa since I took a trip to Egypt when I was in seminary. Since then, I’ve had a chance to visit all of the countries on the continent with ancient churches. It is my greatest joy to share what I learn with my students and any anyone else who will listen. I research and teach in the area of early African Christianity at Fuller Theological Seminary and the Meachum School of Haymanot. I have published two monographs on this topic and hold a doctoral degree in languages and literatures of Northeastern Africa during Late Antiquity and the Middle Ages.
Ethiopian Christianity is a rich and diverse phenomenon that has a nuanced history. So many books on the history of this ancient Church are highly specialized and not accessible to popular audiences.
Ephraim Isaac’s book is the best overview of Ethiopian Christian history and practice that I have ever seen. It introduces the history of the Church and helpfully focuses on different aspects of worship, organization, and social engagement.
I refer back to this book often as it is so full of useful information, and I find new information every time.
Ethiopia is an extraordinary symbol of continuity amid a restive and crisis-ridden world. In a few decades, Africa has passed from colonialism, to modernity, to a congress of now largely independent black powers, whose views and votes are at long last heeded on the floor of the global parliament of nations. The capital of Ethiopia is also the headquarters of both the United Nations mission to the continent and of the indigenous continental African union. Ethiopia is unique, not only in the antiquity of her continuous religious and political history, but also in the ever accelerating involvement of the nation…
I am passionate about writing books for children that create windows to the world, teaching empathy. Children that are empathic grow up to be kind and compassionate adults. I write because I long for a world that is more accepting and compassionate.
This is a story about a young girl named Almaz who dreams of becoming a beekeeper in Lalibela, Ethiopia. When she is told that beekeeping is a man’s job and that she should go back to cooking, cleaning, and gathering wood, she doesn’t give up. Instead, with the encouragement of a local priest, she becomes determined to continue toward her dream overcoming many obstacles. This is a story that is culturally accurate and gently explores gender roles in Ethiopia. In the end, Almaz’s perseverance pays off and she is welcome at the market, where she sells the best honey. I love this story also because of my love for Ethiopia, where women and girls are very strong, determined, and must overcome tremendous obstacles in daily life. I am in awe of their beauty and strength.
In the Ethiopian mountain village of Lalibela, famous for its churches and honey, a young girl determines to find a way to be a beekeeper despite being told that is something only men can do.
I am fascinated by historical figures who were deemed marginal, outcast, or eccentric and also by experiences (like sleep or madness) that usually fall beneath historical scrutiny. I am drawn to nineteenth-century literature and history because I find such a rich store of strange and poignant optimism and cultural experimentation dwelling alongside suffering, terror, and despair. As a writer, I feel a sense of responsibility when a great story falls into my hands. I try to be as respectful as I can to the life behind it, while seeking how it fits into a larger historical pattern. I am always on the lookout for books that do the same!
Not technically a “nineteenth-century” book, this 1902 novel is the most surprising work of fiction from the period that you’ll ever read.
Written by a Black woman from Boston who had achieved success first as an actress and then as a magazine editor, this wild fantasy reads like a cross between the film The Black Panther and a Verdi opera. It concerns a Black physician who passes for white (until he can’t), then joins an archeological expedition to discover the remains of an ancient civilization in Ethiopia.
The plot unfolds at breakneck speed, and there are so many twists you might get whiplash. But if you slow down and focus on the details of the story you’ll find an extraordinarily complex picture of politics, spirituality, psychology, music, history, and science.
“Mysticism, horror, and racial identity merge fluidly in this thrilling tale of love, obsession, and power” (Publishers Weekly) written by one of the lesser-known literary figures of the much-lauded Harlem Renaissance.
Pauline Hopkins is considered by some to be the most prolific African-American woman writer and the most influential literary editor of the first decade of the twentieth century, and Of One Blood is the last of four novels she wrote.
Mixed-race medical student Reuel Briggs doesn't give a damn about being Black and cares less for African history. When he arrives in Ethiopia on an archeological trip, his only…
Karl's War is a coming-of-age-meets-thriller set in Germany on the eve of Hitler coming to power. Karl – a reluctant poster boy for the Nazis – meets Jewish Ben and his world is up-turned.
Ben and his family flee to France. Karl joins the German army but deserts and finds…
I had visited many Eastern Orthodox churches across Eastern Europe and the Middle East for a research project, and finally came to Ethiopia. Here I encountered a large and thriving Christian community which reached back to the earliest days of the church. Its location between the Middle East and East Asia and Africa as well as Europe has given it a distinctive way of living and worshipping which is unique in the Christian world – and overlooked by other churches. I’ve spent the last twenty years exploring this tradition which gives the rest of us a radically different understanding of faith.
The author walks from Lalibela to Axum, the two main pilgrimage destinations of Christian Ethiopia. It’s a journey of 250 miles through the heartland of Christian Ethiopia. It’s a spectacular mountain landscape, along an old road which passes by many churches and monasteries. As he walks, he describes the people he meets, explains the history of the region, tells the stories and legends, and shares his adventures. For the visitor, Ethiopia is a strange and unfamiliar place and so encountering Ethiopia is always a journey of exploration. We need a guide and Philip is an engaging and well-informed travel companion.
Philip Marsden returns to the remote, fiercely beautiful landscape that has exercised a powerful mythic appeal over him since his first encounter with it over twenty years ago.
'Ethiopia bred in me the conviction that if there is a wider purpose to our life, it is to understand the world, to seek out its diversity, to celebrate its heroes and its wonders - in short, to witness it.'
When Philip Marsden first went to Ethiopia in 1982, it changed the direction of his life. What he saw of its stunning antiquity, its raw Christianity, its extremes of brutality and grace…