Here are 100 books that The Return of the Native fans have personally recommended if you like
The Return of the Native.
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From a very young age, I always thought that people lived a lie and imposed their values to exert control, turning reality upside down and inside out. For instance, the family is meant to be happy, loving, and safe. But my parents were unloving and heartless towards me. School was meant to give me an education, develop and encourage me to fulfill my dreams and aspirations. But school ridiculed and humiliated me and told me I was stupid. Work was meant to be fulfilling and rewarding. But it was boring, monotonous, and bullying. You see, the truth is, the system is a lie. The reality is, it’s all an illusion.
This is a book that I never hesitate to go back to because it sums up perfectly a society that wants to find you guilty because of who you are.
As the protagonist searches for the rationale behind his arrest, it is a never-ending spider’s web designed to obscure the answers. The point is that at any moment, your personality, your character, your heartfelt beliefs can be the thing that you are guilty of, even if you have done nothing wrong.
The Trial is the abstraction of totalitarian systems. Freedoms that we think we have can be taken away at a moment’s notice, with no rhyme or reason.
"Someone must have been telling lies about Josef K., he knew he had done nothing wrong but, one morning, he was arrested." From its gripping first sentence onward, this novel exemplifies the term ""Kafkaesque." Its darkly humorous narrative recounts a bank clerk's entrapment — based on an undisclosed charge — in a maze of nonsensical rules and bureaucratic roadblocks. Written in 1914 and published posthumously in 1925, Kafka's engrossing parable about the human condition plunges an isolated individual into an impersonal, illogical system. Josef K.'s ordeals raise provocative, ever-relevant issues related to the role of government and the nature of…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I remember the first season of Black Mirror—how fascinated I was. Even though a lot of it was uncomfortable, I couldn’t look away. It was a perfect intersection of the subjects that excited my mind: technology that could exist in the future intertwined with social and political issues and human psychology. It provided a very personal look into how technology would affect people’s daily lives and how it could shape the world we live in. Well, the series has become what it has become, but I still remember the thrill of the first episodes. It always gave me food for thought.
The book tells the story of a man who believes that his dreams influence reality. I loved it because it was strange and intriguing, mind-bending and surreal. Nothing was permanent, and even reality itself was questionable.
Ursula Le Guin explores the issues of climate change and overpopulation, pollution and the destruction of the environment though the characters’ personal experiences. She tackles racism and shows how one's life experiences shape their personality. The question of whether the end justifies the means keeps recurring in the narrative.
'Her worlds have a magic sheen . . . She moulds them into dimensions we can only just sense. She is unique. She is legend' THE TIMES
'Le Guin is a writer of phenomenal power' OBSERVER
George Orr is a mild and unremarkable man who finds the world a less than pleasant place to live: seven billion people jostle for living space and food. But George dreams dreams which do in fact change reality - and he has no means of controlling this extraordinary power.
Psychiatrist Dr William Haber offers to help. At first sceptical of George's powers, he comes…
Children have vivid imaginations, and while mine was initially drawn to science fiction, I discovered my true passion for fantasy upon reading The Hobbit as a teenager. Since that day, escaping into fantasy worlds—whether it be through books, movies, TV, roleplaying, and video games—became my passion and hobby, leading me down many roads, including writing game reviews, a short story, a novel, and an extensive collection of fantasy-related replicas and statues. Ultimately, that endless feeling of wonder and exploration, adventure and danger is what convinced me to become an author; these five books sitting at the top of a long list that inspired me to reach that goal.
When I learned that this novel and the epic series that followed were, in fact, a chronicle of the tabletop role-playing adventures by the authors and their friends, it became my introduction to the massive world of Dungeons & Dragons.
That such creativity and imagination could be sparked by playing a game was a life-altering event that propelled me not only to play it but would eventually inspire me to write my own book series.
A classic tale of heroism and adventure, the original Dragonlance Chronicles perfectly blends all the best qualities of high fantasy, including some well-timed moments of humor that had me genuinely laughing out loud.
This Dungeons & Dragons-inspired fantasy adventure is the first installment in the beloved Dragonlance Chronicles, set in the magical world of Krynn
Once merely creatures of legend, the dragons have returned to Krynn. But with their arrival comes the departure of the old gods—and all healing magic. As war threatens to engulf the land, lifelong friends reunite for an adventure that will change their lives and shape their world forever . . .
When Tanis, Sturm, Caramon, Raistlin, Flint, and Tasslehoff see a woman use a blue crystal staff to heal a villager, they wonder if it's a sign the…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I’m a novelist who has primarily written in the dark fantasy and horror genre, which often embraces all things autumn. My first novelBlack & Orange, its sequel,Nomads, and supplemental short story collection, Reaping October, all take place in autumn and focus on an encroaching dimension of darkness that would change life as we know it. Halloween isn’t just a holiday, it’s a different existence altogether. Having a love for the season and being its steadfast student, I’ve explored these atmospheric themes for decades. I have a solid opinion on what stories take you there.
I recall when Blockbuster Video had a books section they discontinued. I went and merrily bought anything I could get my bookwormy hands on. I found Tom Savage and was never the same. He is one of those authors that everybody should read, but few have. A master thriller writer, he uses so many twists, you never know where the story goes next. In this book, Holly is about to collect on an inheritance from the mysterious Randall family. Set in a spooky mansion, high above Long Island Sound, she discovers that fortune comes at a terrifying price. Wrought iron gates, moonlit nights, a shadowy mansion—this novel hits all the correct notes in an October symphony.
With these words, an ordinary young woman is ushered into a strange new world. Yesterday, she was Holly Smith, living a comfortable, middle class life in Southern California. Today, all that has changed. For Holly Smith is actually Holly Randall, born twenty-four years ago to a woman convicted of a heinous crime, and given up for adoption as an infant. Now, the mysterious death of a great aunt she never knew has made Holly one of the richest women in America–and heiress to a magnificent Connecticut estate.
In the beautiful mansion above Long Island Sound, they…
I’m a novelist who has primarily written in the dark fantasy and horror genre, which often embraces all things autumn. My first novelBlack & Orange, its sequel,Nomads, and supplemental short story collection, Reaping October, all take place in autumn and focus on an encroaching dimension of darkness that would change life as we know it. Halloween isn’t just a holiday, it’s a different existence altogether. Having a love for the season and being its steadfast student, I’ve explored these atmospheric themes for decades. I have a solid opinion on what stories take you there.
Thomas Ligotti writes dark magical realism short stories. The Shadow at the Bottom of the World is an unforgettable collection written by a modern master of atmosphere. His stories rarely have complicated plots, but the feeling they leave you with is the whole point. In the thousands of books I’ve read, I can safely say he writes like no other-- he enshrouds your spirit with dread. The title story showcases a small town that encounters the arrival of a threatening breed of darkness. Written with the stunning imagery of Bradbury, the mysticism of Lovecraft, and the disquieting tone of William S. Burroughs, this collection will have you brightening the blaze in the fireplace, just to make the shadows retreat.
A longtime Lovecraft devotee, who has extended the weird tale to the next level via the likes of Borges and Burroughs, Thomas Ligotti is usually published as part of a general anthology of horror writers. But now Ligotti has pulled together a collection of his favorite fiction, both old and new, representing his best and most characteristic works.
Thomas Ligotti's stories are perhaps best described as dark magical realism. Many of his stories center on the distorted perspective of a frequently doomed narrator. The title story, "The Shadow at the Bottom of the World," reimagines a kind of Bradbury-like small…
I‘m primarily a poet, and it seems natural to love prose that gets the most out of every word. I also deeply admire the great works of—say, Theodore Dreiser, who seems, to me, to splash words all over the page. Don’t get me wrong. But it’s precision I love and admire most. It’s what I’ve striven for. It’s what appeals to me in the books I’ve chosen. The phrase “the style is the man” simply iterates the notion that the writer who comes closest to his (or her, of course) innermost passions, deepest held convictions, and writes with clarity in expressing them, is, in fact, the author himself.
O’Connor’s stories reveal good and evil as clearly as if viewed by a jeweler—through the loupe.
What she observed in the world around her, she expressed with clarity, and such reflections are not easily absorbed. They are deep and sometimes horrifying. Sometimes she actually made me uncomfortable by forcing me to feel slight touches of... perhaps not evil, but malicious or malevolent impulses residing in much of mankind.
Strange, too, is her ability to show irony and amusement in the great human comedy. I find her stories impossible to turn away from.
An essential collection of classic stories that established Flannery O’Connor’s reputation as an American master of fiction—now with a new introduction by New York Times bestselling author Lauren Groff In 1955, with the title story and others in this critical edition, Flannery O’Connor firmly laid claim to her place as one of the most original and provocative writers of her generation. Steeped in a Southern Gothic tradition that would become synonymous with her name, these stories show O’Connor’s unique view of life—infused with religious symbolism, haunted by apocalyptic possibility, sustained by the tragic comedy of human behavior, confronted by the…
I have spent my entire working life tied to the virtuous cycle of reading, writing, and (I hope) thinking. Since my own first novel came out over twenty years ago, I have never lost my passion for reading, as I suspect that if I did, I would also lose my passion to write, and the fascination with other people and the world that fuels it. All these books have informed, gently or severely, my new novel, High John The Conqueror, encapsulating the incongruous mix between the given and the unbelievable that I find in life, and try to employ in my own work.
This book is too ambitious to be perfect, but it is the perfect example of an author doing whatever he likes, able to rely on a massive talent to bail him out of trouble every time he disappears into another labyrinthine digression. Mailer’s audacious use of the first person to tell the story of espionage in the twentieth century, becoming a conduit for his vast range of characters, real and imagined, showed me that writing a novel where you are a leading character could take you to places that writing in the third person could not. In my seventh novel, I knew it was the right story for me to finally unleash a first-person narrative on.
With unprecedented scope and consummate skill, Norman Mailer unfolds a rich and riveting epic of an American spy. Harry Hubbard is the son and godson of CIA legends. His journey to learn the secrets of his society—and his own past—takes him through the Bay of Pigs, the Cuban Missile Crisis, and the “momentous catastrophe” of the Kennedy assassination. All the while, Hubbard is haunted by women who were loved by both his godfather and President Kennedy. Featuring a tapestry of unforgettable characters both real and imagined, Harlot’s Ghost is a panoramic achievement in the tradition of Tolstoy, Melville, and Balzac,…
I have spent my entire working life tied to the virtuous cycle of reading, writing, and (I hope) thinking. Since my own first novel came out over twenty years ago, I have never lost my passion for reading, as I suspect that if I did, I would also lose my passion to write, and the fascination with other people and the world that fuels it. All these books have informed, gently or severely, my new novel, High John The Conqueror, encapsulating the incongruous mix between the given and the unbelievable that I find in life, and try to employ in my own work.
Peace’s gutsy novel is an epic literary treatment of The British Miners Strike of the mid-eighties and reads like one long brutal poem to that ugly time. From it I learned that you could be biased, partisan, and full-blooded in a political novel, providing your treatment of your characters and the world they inhabit is consistently honest. Following him I have tried to do justice to a neglected part of rural England in the build up to the Brexit Referendum, politics less a matter of choice, as the very air the characters breathe, informing their outlook and choices like a vast atmospheric bubble none of them are able to live outside.
A major new novel from one of Granta's Best of Young British Novelists 2003. Famous for his visceral sequence of novels, The Red Riding Quartet, and acclaimed as the most gifted and original crime writer to have emerged since James Ellroy, in GB84 David Peace turns his talents to the most wrenching, socially devastating and unhappy struggle of the past half century in Britain: the 1984 miner's strike. In his signature clipped prose and through a kaleidoscopic whirl of characters and perspectives, Peace describes the boardroom and coalfield battles; the struggle for influence in government and the dwindling powers of…
I have spent my entire working life tied to the virtuous cycle of reading, writing, and (I hope) thinking. Since my own first novel came out over twenty years ago, I have never lost my passion for reading, as I suspect that if I did, I would also lose my passion to write, and the fascination with other people and the world that fuels it. All these books have informed, gently or severely, my new novel, High John The Conqueror, encapsulating the incongruous mix between the given and the unbelievable that I find in life, and try to employ in my own work.
This is a volume that defies genre, in part a supernatural memoir, encyclopedia of horror films, and a treatise on the existence of other dimensions. I love a book that doesn’t conform to the rules and tropes of a single genre, where you basically know that what you are getting will adhere to what is or is not allowed, on the basis of the categories assigned to it by the publisher. Cronin testifies to her personal experience of ghosts, and what the nature of reality must be to support such entities. I follow her in looking to mix horror and the uncanny into supposedly banal and quotidian reality, the supernatural just another facet of life, and not a sensationalist realm that requires a world of its own.
Blue Light of the Screen is about what it means to be afraid - about immersion, superstition, delusion, and the things that keep us up at night. A creative-critical memoir of the author's obsession with the horror genre, Blue Light of the Screen embeds its criticism of horror within a larger personal story of growing up in a devoutly Catholic family, overcoming suicidal depression, uncovering intergenerational trauma, and encountering real and imagined ghosts.As Cronin writes, she positions herself as a protagonist who is haunted by what she watches and reads, like an antiquarian in an M.R. James ghost story whose…
I am an author, poet, and visual artist. These interests converge in my approach to literature. I think that visual and psychological descriptions of environments and circumstances are essential to enlivening the narrative and setting its tone. Often in modern literature this is diluted in favor of straightforward accounts. I believe that a story is never told with any complete objectivity but has a psychological context that must be highlighted. In addition, vivid visual descriptions greatly assist the reader in inhabiting the world of the story as seen from the characters’ points of view.
Gerald Murnane describes the flat, boring landscape of Victoria, Australia and its minute variations with such crystalline clarity and sublime meaning that it resembles a dreamlike fiction, or a landscape viewed through a clear prism.
Murnane probes the boundaries between life and fiction, between landscape and mind. In between, he finds a membrane, a shimmering spiritual essence purer than either real life or fiction.
This book taught me that if one stares at the mundane world with enough hard objectivity, it can look more alien and beautiful than any amount of fanciful embellishment. It also demonstrates how a story can be told with no dialogue, no character names, and hardly any resolution, and yet can be as compelling as a conventionally written story.
On their vast estates, the landowning families of the plains have preserved a rich and distinctive culture. Obsessed with their own habitat and history, they hire artisans, writers and historians to record in minute detail every aspect of their lives, and the nature of their land. A young film-maker arrives on the plains, hoping to make his own contribution to the elaboration of this history. In a private library he begins to take notes for a film, and chooses the daughter of his patron for a leading role. Twenty years later, he begins to tell his haunting story of life…
