100 Books Like The Seven Wonders of the World

My father was a curator and archaeologist at the British Museum, so I had to have my own collection in our attic. It was somewhat more modest but included both cultural and natural artifacts and guided me to both a career in geology and an interest in the links between culture and science. I wrote a book with my father on the geology of Greece for archeologists, which eventually led to my latest book on the Seven Wonders of the Ancient World. I write from the perspective that ancient cultures were constrained and shaped by natural resources and events, as they are still today. By understanding that link, we can perhaps better comprehend our world.

My father was a curator and archaeologist at the British Museum, so I had to have my own collection in our attic. It was somewhat more modest but included both cultural and natural artifacts and guided me to both a career in geology and an interest in the links between culture and science. I wrote a book with my father on the geology of Greece for archeologists, which eventually led to my latest book on the Seven Wonders of the Ancient World. I write from the perspective that ancient cultures were constrained and shaped by natural resources and events, as they are still today. By understanding that link, we can perhaps better comprehend our world.

My father was a curator and archaeologist at the British Museum, so I had to have my own collection in our attic. It was somewhat more modest but included both cultural and natural artifacts and guided me to both a career in geology and an interest in the links between culture and science. I wrote a book with my father on the geology of Greece for archeologists, which eventually led to my latest book on the Seven Wonders of the Ancient World. I write from the perspective that ancient cultures were constrained and shaped by natural resources and events, as they are still today. By understanding that link, we can perhaps better comprehend our world.

My father was a curator and archaeologist at the British Museum, so I had to have my own collection in our attic. It was somewhat more modest but included both cultural and natural artifacts and guided me to both a career in geology and an interest in the links between culture and science. I wrote a book with my father on the geology of Greece for archeologists, which eventually led to my latest book on the Seven Wonders of the Ancient World. I write from the perspective that ancient cultures were constrained and shaped by natural resources and events, as they are still today. By understanding that link, we can perhaps better comprehend our world.

I'm a career editor living in the place I love most in the world, Australia's federal capital, Canberra. It's a small city encircled by mountains and populated with so many trees it's affectionately known as The Bush Capital. I love reading most genres but contemporary suspense intrigue above all. I know these books generally fall under the larger Thriller genre but I often feel that's a misnomer, and I think that applies to my novels. I love the range of stories this genre encompasses: it can take you anywhere in the world, into any situation, and follow any type of person as they attempt to come to grips with, and usually right, the wrongs of the world.

I am an amateur historian, druid, and author of 11 books so far. I have a great passion for ancient history, particularly Ireland, Greece, Persia, and Egypt. I have been a student of Druidry since the mid-1990s and I have also had a passion for history and mythology since I received a children’s version of The Twelve Labours of Hercules when I was around 7 years old.

History has always fascinated me because it offered ways through which I could begin to make sense of the present. History is about how and why things change over time, above all about the causal dynamics underlying how societies, economies, and cultures work and transform. The history of Byzantium is a perfect example, offering many challenges of understanding and interpretation of its own, yet at the same time opening up a whole world of medieval societies and cultures around it, helping to illuminate not just the history of the immediate regions concerned – the eastern Mediterranean and Balkans – but of the world beyond.  

I grew up in Yorkshire and spent many happy hours as a teenager wandering about the Yorkshire Sculpture Park, looking at giant Henry Moores in the rolling landscape. I subsequently trained as an art historian and have spent the last thirty years writing about art, from the YBAs to our prehistoric roots. A Little History of Art was borne out of this journey. Increasingly I have been drawn to researching what art can tell us about British history. My bookshelves groan with monographs but these five volumes have helped me think more deeply about Britain’s landscapes and its past. I hope they will do the same for you.

Observant of the world around me, and intellectual, I discovered my ideal way of life at age 16 when I read Kroeber's massive textbook Anthropology, 1948 edition. Anthropologists study everything human, everywhere and all time. Archaeology particularly appealed to me because it is outdoors, physical, plus its data are only the residue of human activities, challenging us to figure out what those people, that place and time, did and maybe thought. As a woman from before the Civil Rights Act, a career was discouraged; instead, I did fieldwork with my husband, and on my own, worked with First Nations communities on ethnohistorical research. Maverick, uppity, unstoppable, like in these books.

Observant of the world around me, and intellectual, I discovered my ideal way of life at age 16 when I read Kroeber's massive textbook Anthropology, 1948 edition. Anthropologists study everything human, everywhere and all time. Archaeology particularly appealed to me because it is outdoors, physical, plus its data are only the residue of human activities, challenging us to figure out what those people, that place and time, did and maybe thought. As a woman from before the Civil Rights Act, a career was discouraged; instead, I did fieldwork with my husband, and on my own, worked with First Nations communities on ethnohistorical research. Maverick, uppity, unstoppable, like in these books.