I grew up in Yorkshire and spent many happy hours as a teenager wandering about the Yorkshire Sculpture Park, looking at giant Henry Moores in the rolling landscape. I subsequently trained as an art historian and have spent the last thirty years writing about art, from the YBAs to our prehistoric roots. A Little History of Art was borne out of this journey. Increasingly I have been drawn to researching what art can tell us about British history. My bookshelves groan with monographs but these five volumes have helped me think more deeply about Britain’s landscapes and its past. I hope they will do the same for you.
This book expanded how I thought about time and about the landscape we take for granted.
It opened up the prehistoric world from a contemporary perspective, showing how a sense of deep geological time can help us understand our own place in the world better today.
Gordon explains why categories of things can be useful in deepening our understanding of a place: as she says, ‘a named landscape thickens.’
I also found this book so useful in working out how to cram 100,000 years of history into one volume for my book!
'Astounding ... To call this a "history" does not do justice to Helen Gordon's ambition' Simon Ings, Daily Telegraph
'Awe-inspiring ... She has imbued geological tales with a beauty and humanity' Shaoni Bhattacharya-Woodward, Mail on Sunday
The story of the Earth is written into our landscape: it's there in the curves of hills, the colours of stone, surprising eruptions of vegetation. Wanting a fresh perspective on her own life, the writer Helen Gordon set out to read that epic narrative.
Her odyssey takes her from the secret fossils of London to the 3-billion-year-old rocks of the Scottish Highlands, and from…
What do we mean by landscape? What do we mean by Britain?
Radical Landscapes has been a springboard for me for the book I am currently researching for Yale on British Art.
It is the exhibition catalogue for a wide-ranging exhibition that was held at Tate Liverpool in 2022 and offers twelve essays on the latest thinking on queer theory, folk art, geopolitics, community spaces, and more.
Internal landscapes, botanical specimens, protests, maps – this book helped me expand my thinking about landscape beyond the picturesque and the sublime.
Throughout the twentieth-century artists have responded to the landscape in emotional, physical and political ways: exploring themes of belonging to the land by interrogating the relationship between landscape history and identity, the enclosure or militarisation of land, to artists creating works that harness or dramatise natural earth processes. As the custodian of the national collection of British art, Tate's climate emergency declaration points to a wider concern and care for the environment that underpins the themes in Radical Landscapes. Structured on three broad thematic sections; 'Trespass', 'Landscape and Identity', and 'Climate Breakdown', there will be around 100 works in total…
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
I don’t know why there aren’t more books like this – England on Fire comprises twelve visual essays that span 2,000 years of English art, from a Celtic sculpture of a head from c.100–300AD (that looks like a Modigliani) to new work by Cathy de Monchaux, Claire Partington and George Shaw.
Themes are broad, such as ‘Myth, Magic and Ritual’ and 'Rebellious Nature’ and chapters include folk rituals, landscape vistas, photographic tableaux, stained glass, and prints.
It picks a romantic path through time, with multiple works by William Blake, Samuel Palmer, and Frederick H. Evans, and it is a great way to view different interpretations of the English landscape.
Forget the tired rogues' gallery of lords and ladies, forget the tall ships and haywains. These images cut to the heart of England's psychic landscapes to portray an Albion unhinged, where magic and rebellion and destruction are the horses to which the country is hitched. On these fabled shores we are all castaways, whether our family has lived here for four thousand years or for four.
Here you will find depictions of ancient trackways, chalk carvings and standing stones, of animal-masked community rituals, of streets set ablaze in protest, of…
I first read this book when I was trying to pull together all the disparate locations, time periods, and art movements for my book.
This task was a little overwhelming and Digging Up Britaintaught me how to make choices about what to include and what to leave out, how to weave it all into a narrative that makes sense, and how to bring prehistory to life.
Unusually, this book travels back in time as we travel through it. It is like an archaeological dig – we start with the Vikings and then the Staffordshire Hoard but end up with the Star Carr deer hunters and a million years of history.
It is a book you can dip into or read cover to cover (as I did) and it has some good illustrations and maps throughout.
Britain has long been fascinated with its own history and identity, as an island nation besieged by invaders from beyond the seas: the Romans, Vikings and Normans. The long saga of prehistory is often forgotten - but our understanding of our past is changing.
Mike Pitts presents ten astounding archaeological discoveries that shed new light on those who came before us, and radically altered the way we think about our history. His compelling, sometimes teasing, archaeological odyssey illustrates the diversity, complexity and sheer strangeness of the lives that represent Britain's past.
Of the 918 Americans who died in the shocking murder-suicides of November 18, 1978, in the tiny South American country of Guyana, a third were under eighteen. More than half were in their twenties or younger.
The authors taught in a small high school in San Francisco where Reverend Jim…
I read an early proof of this book (it is published on 13 April 2023) and was hooked from the first page.
Owens opens with footfall on medieval castle stairs and the tread of time – only the stairs she walks on are seventeenth-century copies and are part of the ongoing mythologising of England’s past.
She covers King Arthur and the Crusades, Beowulf and Tennyson, Shell tourist guides, and the rebuilding of Coventry Cathedral. Her excellent earlier bookSpirit of Place (Thames & Hudson) is focused more squarely on the British landscape but this new book connects to the myth of England, how it has been and still is constructed in all our minds.
Imagining England's Past takes a long look at the country's invented histories, from the glamorous to the disturbing, from the eighth century to the present day.
England has long built its sense of self on visions of its past. What does it mean for medieval writers to summon King Arthur from the post-Roman fog; for William Morris to resurrect the skills of the medieval workshop and Julia Margaret Cameron to portray the Arthurian court with her Victorian camera; or for Yinka Shonibare in the final years of the twentieth century to visualize a Black Victorian dandy?
Why did our ancestors make art? What did it mean to them, and what does their art mean for us today? Why is art even important at all? This little history takes us on a thrilling journey through 100,000 years of human creativity. From prehistoric handprints and the Terracotta Army to Michelangelo’s Sistine Chapel and Rachel Whiteread’s House, this vibrant new history roams from Japan and India to South America and the Middle East. It showcases a host of overlooked artists – including over 100 women artists – and celebrates art’s crucial role in understanding our collective culture.
Chickens, Mules and Two Old Fools
by
Victoria Twead,
Wall Street Journal Top 10 and New York Times bestselling author.
"James Herriot meets Driving over Lemons"
If Joe and Vicky had known what relocating to a tiny mountain village in Andalucía would REALLY be like, they might have hesitated... They have no idea of the culture shock in store.…
Louise-Élisabeth Vigée-Lebrun: Portrait of an Artist, 1755-1842
by
Judith Lissauer Cromwell,
This biography follows the remarkable life of Louise-Élisabeth Vigée Le Brun, whose portraits of European high society hang in many of the world’s most important galleries.
As a young woman in the male dominated society of late 18th century France, she was denied an artistic education and forced to nurture…
